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Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

William Shakespeare was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children.Little is known about his life but what is evident is the enormous contribution he has made to world literature.His writing was progressive, magnificent in scope and breathtaking in execution.Shakespeare's plays and sonnets helped enable the English language to speak with a voice unmatched by any other.William Shakespeare died on April 23rd 1616, survived by his wife and two daughters. He was buried two days after his death in the chancel of the Holy Trinity Church. The epitaph on the slab which covers his grave includes the following passage.Good friend, for Jesus's sake forbear,To dig the dust enclosed here.Blessed me the man that spares these stones,And cursed be he that moves my bones.John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th.As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given.Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church.However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London.The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted.By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre.Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608.By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in Little Eyolf a play that explores the complex family dynamics surrounding the Allmer family through their injured son Eyolf. Alfred, Eyolf's father decides to abandon his work to concentrate on looking after Eyolf who has lived a sheltered life due to the paralysis in one of his legs. Whilst Eyolf yearns normal boyish pursuits, Alfred wants to develop his mind so he can satisfy himself and overcome his physical restrictions with intellectual pursuits. Tragedy befalls and the ensuing exploration of grief and guilt make for a revealing and poignant drama.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Lorna Doone is a romance that tells the story of a seventeenth-century successful farmer, John Ridd, whose father is killed by the Doones, a clan of unruly brigands living in the wilderness. When John once accidently ventures into the clan's area, he meets the beautiful Lorna and falls in love with her. In order to rescue his beloved from the life that she hates, he has to go through a long and violent struggle with his rival Carver Doone who also claims Lorna's hand. He eventually succeeds in helping her escape from the clan to his family's home which is later attacked by Carver. Later, a family friend reveals to them that Lorna does not really belong to the Doone clan and that she was kidnapped after a raid during which her noble and extremely wealthy mother was murdered. As an heiress to her mother's fortunes, Lorna is now legally asked to leave for London and become her great-uncle's ward. Political upheaval shakes the whole kingdom and John is arrested for false accusations. After being brought to London and absolved from guilt, he meets Lorna who is still in love with him. Lorna is eventually allowed to go back to the country and marry John. In the midst of their wedding ceremony, Carver suddenly enters the church and hits Lorna. John follows him and they engage in a fight that ends in Carver's death.

Heartbreak House is a play written by George Bernard Shaw one of the truly great literary figures of our age. First published in 1919 and first played at the New York's Garrick Theatre in 1920. It is not often performed due to its complex structure. Based around a dinner party it's a mixture of farce, social manners and British Society's sad decline with their indifferent self-indulgent attitude. As the play progresses Shaw reveals each character as somewhat different to their starting position.

Sense and Sensibility (1811) is Jane Austen's first published novel. It is a book about love and romance that follows the life of Elinor and Marianne Dashwood. When their father dies and his property goes to his son and first wife, the Dashwood sisters move with their family to live in a modest cottage in Devonshire where start their romantic adventures and heartbreaks. The cottage belongs to their mother's cousin Sir John Middleton who welcomes them and presents them to his family and friends. One of John's friends, Colonel Brandon, soon falls in love with Marianne, yet the latter finds him unattractive and too old for her age. She later meets the philandering John Willoughby and becomes interested in him to be drowned in grief when he leaves to do business in London. As for Elinor, she develops a relationship with Edward Ferrars before they move to Devonshire. When the two sisters are disappointed by their lovers who go with other women, the novel depicts the different ways they react as well as their wavering between passion and reason. By the end of the novel, Edward comes to mend his relationship with Elinor and marries her while Marianne marries Colonel Brandon. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.

Northanger Abbey is one of Jane Austen's earliest novels which is believed to be influenced by the Gothic works of Ann Radcliffe. The story centers around Catherine Morland, a country churchman's daughter who is fond of Gothic fiction. The story starts when Catherine is invited by her wealthy family friends to visit the famous town of Bath. She soon falls in love with the young gentleman Henry Tilney whose erudition and interest in fiction and history simply enchant her. She is later invited to visit Northanger Abbey, Henry's ancient family estate and expects the Abbey to be similar to the castles she is familiar with in the Gothic novels that she reads. However, she discovers that the building is far from being Gothic save for the mysterious suite of deserted rooms belonging to Henry's dead mother. Catherine imagines that the rooms hide some secret about the woman's death, suspecting that Henry's father may have killed her. When she finally sneaks into the rooms, she finds absolutely nothing that confirms her Gothic visions. Furthermore, she is caught by Henry who, after hearing about her motivations, informs her that his parents really loved each other. Catherine is finally convinced that despite their entertaining capacity, novels are not necessarily a faithful representation of every-day life. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.