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The Rest Is Noise Series: “Grimes! Grimes!”
￥11.77
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme. Benjamin Britten lived for most of his life around the Suffolk coast, and is buried in the Aldeburgh churchyard. He once stated that all his music came from there. ‘Peter Grimes’ is an opera of staggering force that is soaked in Aldeburgh to its bones. Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Britten’s music features prominently in the festival; ‘Music from Across the Iron Curtain’ is on 27 September 2013, ‘Britten Centenary Celebrations’ are on 2 and 12 October and ‘The Young Person’s Guide to the Orchestra’ is performed on 3 November 2013. Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.
The Rest Is Noise Series: Zion Park
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This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme. After the war, composers took up what might be called catastrophe style with a vengeance. The twentieth century was undoubtedly one of the most horrific periods of human history - but terror was not always the subject of its composers. For some, attempting to transcend or reject the despair that consumed other artists led to the creation of some of the century’s most beautiful music. Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.
The Billionaire's Innocent - Part 2 (Mills & Boon M&B) (The Forbidden Series, Bo
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The Forbidden Series: billionaires who can look, but shouldn't touch! In Part Two of The Billionaire's Innocent, Nora Grant has been in love with Zair al Ruyi since she was a teenager. But does she really know him? Is he the proper gentleman she sees in New York or the domineering playboy she met on the yacht? Her heart says one thing; her head says another. Nora wants desperately to believe Zair is also acting—but what if he isn't?
Dowager Countess of Grantham and Mrs Isidore Levinson
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This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. When Cora’s mother, Martha Levinson, comes to stay, it’s clear that she is more than a match for Violet. Equally confident in their age, status and belief that their way is the right way, the two could easily quarrel. Intransigent, intractable Violet is the definitive dowager. Largely based on Julian Fellowes’s own great-aunt, Isie Stephenson, ‘in whom there was a mix of severity and a kind heart’, Violet represents the last of an era; one of the few remaining Victorians who believed absolutely in the necessity of moral exactitude, the importance of family and the oblige of the noblesse. Martha may have once been awed by the English upper classes (this, after all, was why she brought her daughter over to be presented at the London Season), but she welcomes the post-war changes that are being brought to England, even if they seem slower in coming to Downton Abbey. Shirley MacLaine, the actress who plays Martha, believes that her character’s attitude comes not so much from her money as her politics: ‘Her confidence comes from being a democratic American – she is so centred in her fairness and considers America to be fair, and tradition is not fair.’ Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.
The Earl and Countess of Grantham (Downton Abbey Shorts, Book 3)
￥11.77
This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. “I think Cora is very much an emotionally connected mother”, says Elizabeth McGovern the actress who plays her. “As an American she would have a distinctive approach, different to the English aristocracy’s way of doing things. Her instinct is to be involved with the day-to-day and to go about things in a more hands-on way.’ Cora is a woman of resilience and unfailing supportiveness. Where Robert is emotionally insecure, she is sure of herself and undaunted by the difficulties they could face. As a mother, she has a role in life, no matter what else is going on, but being Robert’s wife is also very important to her. Lord Grantham – Robert – has many good qualities: he is kind, loyal to his family, loving to his wife, adoring of his daughters, a fair employer and generous to those around him. But, for him, all these things are peripheral in the face of his most important role in life – as the 7th Earl of Grantham. As he sees it, he has been put on this earth with one prime objective: to keep Downton Abbey in its proper state and hand it over in this condition to his heir. Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.
Mrs Reginald Crawley (Downton Abbey Shorts, Book 6)
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This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. Isobel Crawley is a woman with a cause. The cause may change, but she likes to make sure she’s always got one on the go. An educated, forward-thinking woman who lived amongst the professional middle classes of Manchester, she suddenly found herself the mother of an earl-in-waiting. Thrust into this position, she determined that she and Matthew should not be cowed by their new situation. Penelope Wilton, the actress portraying Isobel, explains the subtleties of her character’s motives: ‘She is not the least resentful – or disapproving – of the Downton world. Though she is critical of the wider society and wants to improve it. But she is not a radical socialist. Her desire to help is conceived within the existing structures of her world.’ Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.
Mr Thomas Barrow and Miss Sarah O’Brien
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This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. Thomas Barrow is one of the most complicated and intriguing of all the characters at Downton Abbey. As we have got to know him through years of both peace and war, multiple layers have been peeled away to reveal an insecure, jealous, sometimes paranoid, defensive and cowardly man beneath a glossy veneer of good looks and arrogance. ‘O’Brien realises that she is never going to be rich or successful – although she is quite successful as the lady’s maid of a countess,” says Julian Fellowes. “But she gets her thrills by manipulating and being devious and plotting. Her reward is in having a sense that she has power over people.’ Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.
Behind the Scenes (Downton Abbey Shorts, Book 11)
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This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey peels back the curtain on the making of Series 3. With a foreword from Downton Abbey creator Julian Fellowes. You’ll have privileged access to the on-set jokes and camaraderie between the actors – including anecdotes about Jim Carter’s (Carson’s) magic tricks and a revelation that two actors liked to burst into an impromptu duet of the Three Degrees classic “When Will I See You Again” between takes – find out who! See also how the sets at Highclere Castle and Ealing Studios were adapted, and hear from the costume and make up artists about the incredible attention to detail they applied to bring the 1920s so vividly to life. Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.
Dorothy’s story (Individual stories from THE SWEETHEARTS, Book 4)
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This is Dorothy’s story, one of five stories extracted from THE SWEETHEARTS. Whether in wartime or peace, tales of love, laughter and hardship from the girls in the Rowntrees factory in Yorkshire. “‘Every Friday when we got paid, they used to come round with your pay packet and a tin for charity and you’d put a penny in, and they’d go round all the machines for people to put money in. That was a very Rowntree’s thing to do.’ Dorothy gave all her pay to her grandma for her board, but was given back five shillings for herself. She loved the cinema: ‘I’d put on as much make-up as I thought my grandmother would let me get away with and my friends and I would go to the pictures two or three times a week. We’d all have a good look around and see who was there and what was going on. It used to make me smile when I’d see girls who had been sitting with one boy before the interval, settling down with a different boy as the lights went down again.’…” From the 1930s through to the 1980s, as Britain endured war, depression, hardship and strikes, the women at the Rowntree’s factory in York kept the chocolates coming. This is the true story of The Sweethearts, the women who roasted the cocoa beans, piped the icing and packed the boxes that became gifts for lovers, snacks for workers and treats for children across the country. More often than not, their working days provided welcome relief from bad husbands and bad housing, a community where they could find new confidence, friendship and when the supervisor wasn’t looking, the occasional chocolate.
Maureen’s story (Individual stories from THE SWEETHEARTS, Book 5)
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This is Maureen’s story, one of five stories extracted from THE SWEETHEARTS. Whether in wartime or peace, tales of love, laughter and hardship from the girls in the Rowntrees factory in Yorkshire. “Maureen started work at Rowntree’s on her fifteenth birthday in April 1959, and remembers being the only one in the entire workforce who was wearing ankle socks. But she soon settled in and on Saturday afternoons Maureen and the rest of the girls would go into town – 'I really liked the fashions then and used to love getting dressed up in those days. We wore stockings and suspenders, stilettos, and we always wore gloves, usually white ones, and shoes and handbag to match. We all wore skirts under our overalls and hooped petticoats. My digs were just over the bridge from Rowntree’s and the boys used to love watching me run down the bridge in the morning! I was never late for work, but I usually cut it pretty fine and often had to run the last couple of hundred yards. The hoops would ride up while I was running so there’d be a lot of wolf whistles from the boys…’” From the 1930s through to the 1980s, as Britain endured war, depression, hardship and strikes, the women at the Rowntree’s factory in York kept the chocolates coming. This is the true story of The Sweethearts, the women who roasted the cocoa beans, piped the icing and packed the boxes that became gifts for lovers, snacks for workers and treats for children across the country. More often than not, their working days provided welcome relief from bad husbands and bad housing, a community where they could find new confidence, friendship and when the supervisor wasn’t looking, the occasional chocolate.
Tales from a Wild Vet: Part 1 of 3: Paws, claws and furry encounters
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Tales From A Wild Vet: Paws, Claws and Furry Encounters
Tales from a Wild Vet: Part 3 of 3: Paws, claws and furry encounters
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Tales From A Wild Vet: Paws, Claws and Furry Encounters
A Child Called Hope
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A dramatic debut short story from London-based foster carer Mia Marconi. An incredible chain of events that began in Italy during WWII with an illegitimate pregnancy shaped Mia’s destiny. The illegitimate child was her father, a lost soul who she idolised. Protecting him instilled in her an instinct to care for the vulnerable and, after a chance meeting with a chaotic foster family, she decided fostering was her vocation. In an incredible twist of fate, the first baby she fostered was born to an unmarried Italian girl. Then came Hope, so badly damaged by her teenage mother’s alcoholism she was in hospital for a year. Finally discharged and settled in Mia’s happy home, what happened next would make Mia question if she could carry on.
Eileen’s story (Individual stories from THE SWEETHEARTS, Book 3)
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This is Eileen’s story, one of five stories extracted from THE SWEETHEARTS. Whether in wartime or peace, tales of love, laughter and hardship from the girls in the Rowntrees factory in Yorkshire. “Eileen’s dad worked at the Rowntree’s factory loading cocoa beans into the grinding mills; it was hard physical work, but he was a tall and powerful figure and very fit. Eileen was only five when war broke out and her dad went away, and was just nine years old when he came back from war. ‘He looked simply horrendous. His wounded leg was still in plaster, his hair had grown long, there were scars all over his face and scalp, and to allow his wounds to continue to heal and to keep his eye sockets open until he could be fitted with glass eyes.’ He could have trained to run a corner shop, or done plenty of other things –but all he wanted to do was go back to Rowntree’s…” From the 1930s through to the 1980s, as Britain endured war, depression, hardship and strikes, the women at the Rowntree’s factory in York kept the chocolates coming. This is the true story of The Sweethearts, the women who roasted the cocoa beans, piped the icing and packed the boxes that became gifts for lovers, snacks for workers and treats for children across the country. More often than not, their working days provided welcome relief from bad husbands and bad housing, a community where they could find new confidence, friendship and when the supervisor wasn’t looking, the occasional chocolate.
New Year at the Ritz (A Short Story) Love London Series
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Oh, balls!' Frankie Taylor stared at the mirror in dismay. She touched a hand to the back of her neck, where she used to have hair, and glared at her hairdresser in their shared reflection.
Valentine’s on Primrose Hill (A Short Story) Love London Series
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Leo Miller still wasn’t sure how he’d ended up standing alone on Primrose Hill on the most romantic day of the year, both hoping and dreading his Valentine would show up. The girl he’d thought would be a friend but had turned out to be so much more. The girl he owed the truth to, instead of the version she thought she knew.
Never Always Sometimes
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Never date your best friend Always be original Sometimes rules are meant to be broken. Best friends Dave and Julia were determined to never be clichés so they even wrote their own Never List of everything they vowed they’d never, ever do in high school. Some of the rules have been easy to follow; But Dave has a secret: he’s broken rule #8, never pine silently after someone for the entirety of high school. It’s either that or break rule #10, never date your best friend. Dave has loved Julia for as long as he can remember. So when she suggests they do every Never on the list, Dave is happy to play along. He even dyes his hair an unfortunate shade of green. It starts as a joke, but then a funny thing happens: Dave and Julia discover they’ve actually been missing out on high school And maybe even on love. Praise for Adi Alsaid 'Reminiscent of John Green’s Paper Towns' - School Library Journal 'Balances both the quirky fun and the harsh realities of adolescence’ - Entertainment Weekly ‘Let's Get Lost is an absorbing, beautiful novel we all need in our lives. Phenomenal!’- Pretty Little Memoirs 'a sweet tale with real heart – get in early before the rest of the reading world catches up’- Heat 'For readers of John Green' - Fresh Fiction
Admiral Guinea - Don't judge each day by the harvest you reap but by the seeds t
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Robert Louis Stevenson. In the Scottish canon to be placed alongside Burns for your poems is high praise indeed but it's a rightful place for one of Scotland's finest novelists. Born in 1850 he managed to cram much into his 44 years travelling widely to France, the United States, Samoa and the South Seas. Of course he is widely feted for his classics Dr Jeckyll & Mr Hyde, Treasure Island and poetry volumes such as A Child's Garden Of Verses and short storeis such The Body Snatchers. All offer compelling examples of narration superbly reduced to their essence. This volume 'Admiral Guinea' is another distinctive facet to his works. And yes, superbly written.
An Autumn Affair
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Autumn is coming. Anything could happen… Julia is contemplating an affair with ex-boyfriend Max after a chance meeting in the cereal aisle of the supermarket…and finding that he’s just as gorgeous as ever. Miranda has got it all: expensive clothes, a huge house and her enormously wealthy husband, Doug. So why does she feel as if something is missing? Faye is fed up of being treated like a child – she’s a teenager, and knows what she wants! She’s determined to escape her sleepy life at Primrose Cottage… Three women, each with two options, needing to make one choice. When it comes to affairs of the heart, nothing is ever simple! A perfect, feel-good read about love, life and family. Previously published as A Country Affair. Praise for Alice Ross: ‘For lovers of Catherine Alliot, Erica James and Fiona Gibson…this one was brilliant!’ – Amazon Reviewer
莎士比亚戏剧典藏:仲夏夜之梦
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《仲夏夜之梦》是威廉•莎士比亚创作的一部富有浪漫色彩的喜剧作品。故事发生在古希腊的雅典，年轻的赫米娅与拉山德相爱，可是赫米娅的父亲却希望她嫁给狄米特律斯，为此赫米娅与拉山德逃到城外的一片森林里。此时，为了给雅典公爵提修斯和美丽的希波吕妲的盛大婚礼助兴，一群演员也在森株里排练一出喜剧。仙王还无意中得知海伦娜爱着狄米特律斯，就让浦克将一些花汁滴在狄米特律斯的眼里。这种花汁，拿来滴在他的眼睛里，那么他醒来就会狂热地爱上第1眼看到的人或动物。结果，拉山德醒来看到的是海伦娜，便不停地向她求爱，而把赫米娅忘掉了。仙王发现后。赶忙把花汁滴正在熟睡的狄米特律斯的眼中。狄米特律斯醒来，看到正被拉山德追赶的海伦娜，于是两人争先恐后地向海伦娜求爱。看到这样的情景，海伦娜和赫米娅都很生气。与此同时，仙后也中了计，爱上了一个排戏的演员波顿。*后，仙王给所有人解除了魔法，大家如愿以偿都得到了属于自己的一份爱情。
Dash And Lily's Book Of Dares: the sparkling prequel to Twelves Days of Dash and
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I’ve left some clues for you. If you want them, turn the page. If you don’t, put the book back on the shelf, please. At the urge of her lucky-in-love brother, sixteen-year-old Lily has left a red notebook full of dares on her favourite bookshop shelf, waiting for just the right guy to come along and accept. Curious, snarky Dash isn’t one to back down from a challenge – and the Book of Dares is the perfect distraction he’s been looking for. As they send each other on a scavenger hunt across Manhattan, they’re falling for each other on paper. But finding out if their real selves share their on-page chemistry could be their biggest dare yet…. 'One of the best books I’ve ever read’ –The Guardian on Every Day
