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lumin?, ?ncet
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C?t?lin Ghi?? este unul dintre cei mai serio?i, mai informa?i ?i mai inspira?i cercet?tori care se afirm? ?n comparatistica literar? ?i cultural? de la noi. Neotematismul s?u este unul atent la diferen?e – ?i ?n primul r?nd la diferen?a estetic? –, reticent fa?? de exploatarea ideologizant? a literaturii. Cartea de fa?? ??i acoper? tema cu mare grij?, cu acribie filologic? ?i teoretic?, dar o ?i dep??e?te uneori prin implica?ii nea?teptate ?i prin considera?ii de ansamblu. ?mi place ?n mod deosebit luciditatea autocritic? a autorului, ?n care v?d reflexul moral al modestiei ?i, ?n acela?i timp, orgoliul justificat al competen?ei profesionale“. – Mircea Martin
101 poeme
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Prin u?ile l?sate vrai?teDe cei ce nu se mai ?ntorcPrin pere?ii pe care i?i zg?riar?ViseleD? buzna glasul mul?imiiCare se zbateDeja prins? ?ntre fireleIscusitei urzeli a paianjenilorPoliticiThrough the wide-open doorsBy those who never returnThrough the walls on which they’d scratchedTheir dreamsThe voice barges through from a crowdWhich is strugglingAlreadz trappedIn the skillfullz/woven webOf the spiders of politics
O precizie cu adev?rat ?nsp?im?nt?toare
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Nu cred c trebuie s interpretm altfel referirile lui Clinescu la vechimea poporului romn dect ca o proiecie mitic a unor date istorice i, mai ales, a unor intuiii i ambiii personale. Dar chiar i aa, aceste idei meritau s fie formulate i ncarnate n imagini, aceste pagini meritau s fie scrise, fie i numai pentru clipele de reverie istoric i de mobilizare afectiv pe care ni le produc, pentru ficiunile verosimile pe care ni le propun cu atta trie i n care suntem liberi s credem cu propria noastr trie ca ntr-un alt posibil destin.“ – Mircea Martin
Radio ?n z?pad?
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uneori moartea vinedac? lumea arde multe lum?n?ri,dar muribunda astanu pricepe,nu vrea ca inima s?-i crape ?nc? ?ise tot pune pe partea st?ng?ca s-o lini?teasc?,?i url? c?t poate:?sunt vie! de ce pleca?i?“
Funeral of hearts
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Nebunul indian este al treilea volum semnat de Ovidiu Raul Vasiliu ?i marcheaz? maturitatea liric? a t?n?rului poet ie?ean. Cartea con?ine peste 60 de poeme scrise ?n ultima perioad?, autorul exers?nd cu succes diverse registre stilistice ?i prozodice, ?n versuri ?sub a c?ror dexteritate formal? se ?ntrez?re?te ceea ce niciodat? nu poate fi exprimat p?n? la cap?t“ (Daniel Cristea-Enache).
Genera?ia mea
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...A ine jurnal, a nu fi singur sub canonad. A duce n crc trupul cu multe rni al unui camarad, toate sngernde... El mai tria n momentul cnd l-ai aburcat n spate, dar nu mai prea n simiri. naintezi prin viscolul de gloane i schije, dintre care unele adorm scurt n carnea lui dens. Cel puin aa crezi, cel puin aa ndjduieti – c loviturile nu s-au oprit n tine. Dar poi fi sigur Prin canonad nainte, sau cine mai tie ncotro, snge a curs i se mai prelinge nc din trupul prietenului, sau i dintr-al tu Greutatea lui te deznoad, i simi cldura... Mai triete oare ntrebarea nu are nevoie de rspuns, oricum n-ai s te debarasezi de strvul lui: te-a aprat i o s te mai apere de lovitura mortal. (El, camaradul, el, jurnalul.) i de vzut cine dintre noi mai supravieuiete, vom vedea la urm, i spui.“ – Ion Lazu
Poemul de diminea??
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Sonete n-ai s? sco?i b?t?nd pe taste?i complet?nd trei strofe ?i jumateCu vorbe-plevi, cu furca adunatePe aria rom?nei limbi prea vaste;Nu-?i ies nici cu ?epu?a pus?-n coaste,Nici cu-nghiontiri ?n prip?, pe la spate,Cum nu aduni senten?e, pe-nserateDin tigva celor ce-au tr?it la Oaste...C? ies din taste doar voroave proasteS?-mproa?te broa?te din b?ltoace-opace,Cum in?i peltici ?i babe prost?nace?ngaim? t?lcuri, cum c? via?a iaste...Nu ies sonetele lovind ?n clape.Sub ele Inefabilul nu-ncape.
B?iatul care a furat calul lui Attila
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Volumul de fa?? din seria Eminescu, poem cu poem ne dezva?? de toate vechile obiceiuri de interpretare care au prezentat ?n limbaj de lemn poeziile eminesciene. Alex. ?tef?nescu ne face din nou cuno?tin??, de data aceasta ?n cuvinte simple ?i idei proaspete, cu unele dintre cele mai cunoscute poezii din literatura rom?n?. Analiza sa cuprinde observa?ii fresh ?i referin?e culturale pe gustul elevilor, tinerilor ?i iubitorilor de literatur? care (re)descoper? ast?zi crea?ia eminescian?.
Simona and Her Magic Racket
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Chronicling the landmark events in Beethoven's life, this book enhances understanding of the composer's character, inspiring a deeper appreciation for his work.?George Alexander Fischer illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna.
Delphi Complete Works of John Singer Sargent (Illustrated)
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Delphi Complete Works of John Singer Sargent (Illustrated)
Complete Works of Demosthenes (Delphi Classics)
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Complete Works of Demosthenes (Delphi Classics)
Instant Profits Guide to Instagram Success
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Instant Profits Guide to Instagram Success
They Don't Teach You How to Get Rich at School
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They Don't Teach You How to Get Rich at School
Apnea No More: Easy Ways Out Of Sleep Apnea
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Apnea No More: Easy Ways Out Of Sleep Apnea
Fundamentals Of Kids Soccer Training
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Fundamentals Of Kids Soccer Training
Engineering & Raising Children Who Succeed!
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Engineering & Raising Children Who Succeed!
The Shakespearean Ethic
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Originally published by Chatto & Windus in 1959, this book has long been out of print and largely neglected by Shakespearean scholars. It offers a viewpoint seldom considered: an unusual and exceptionally clear insight into Shakespeare’s philosophy. It does so with freshness, modesty and conviction. Appreciating the danger Shakespeare faced in writing at a time of major religious intolerance, Vyvyan shows how subtly the plays explore aspects of the perennial philosophy allegorically. In doing so, Shakespeare raises the fundamental question of ethics: What ought we to do‘Shakespeare,’ says the author, ‘is never ethically neutral. He is never in doubt as to whether the souls of his characters are rising or falling.’ There is a constant pattern in the tragedies: ‘first the hero is untrue to his own self, then he casts out love, then conscience is gone – or rather inverted – and the devil enters into him.’ Vyvyan shows us this pattern of damnation, or its counterpart – a pattern of regeneration – working out in certain plays, contrasting Hamlet with Measure for Measure and Othello with The Winter’s Tale, where a similar dilemma and choice confront the hero. His intuitive insights also illumine Macbeth, Julius Caesar and Titus Andronicus which focus on the fall, whereas The Tempest explores most fully the pattern of regeneration and creative mercy. Here is a book, both thought-provoking and persuasive, which will send many readers back to Shakespeare’s plays with fresh vision and clearer understanding. To assist such readers, this edition cross-references the quotations in the text to the relevant place in the play. The text has been completely reset and the index expanded. John Vyvyan, born in 1908 in Sussex, was educated mainly in Switzerland. His first profession was archaeology, and he worked with Sir Flinders Petrie in the Middle East. Illness, which dogged him all his life, ended this kind of arduous field work, and he retired from archaeology to become a Shakespearean scholar and to write. Studies such as The Shakespearean Ethic, Shakespeare and The Rose of Love (1960) and Shakespeare and Platonic Beauty (1961), led to the offer of a visiting lectureship at the State University of New York. He died in Exmouth in 1975.
Marcus Aurelius: The Dialogues
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‘In this delightful and well written book, Alan Stedall … has done an enormous service in making some of Marcus Aurelius’s reflections very accessible to the modern reader’ Faith & Freedom ‘The Dialogues are eminently readable and immediate …in places it is irresistible’ The Philosopher ‘I was drawn deeper and deeper into the simple solid reasoning …Stedall’s imagined dialogue had me fully in the present’ Midwest Book Review ‘I knew within a few lines this was going to be a treasure... Stedall is a word master... Bravo!’ The Smoking Poet Marcus Aurelius, one of the greatest Roman emperors, is remembered less for his military exploits than for his private reflections. His Meditations, as they became known, have been a major influence on Western thought and behaviour down the centuries the pen is mightier than the sword. Seeking an alternative to faith based religion, Alan Stedall came across the book and found rational answers to questions about the meaning and purpose of life that had been troubling him. Here too were answers to his concern that, in the absence of moral beliefs based on religion, we risk creating a world where relativism, the rejection of any sense of absolute right or wrong, prevails. In such a society any moral position is considered subjective and amoral behaviour is unchallengeable. Because the Meditations were jotted down in spare moments during a busy life ruling and defending a huge empire, they lack order and sequence. Inspired by the wisdom of Marcus Aurelius, Stedall has sought to present the contents in a more contemporary and digestible way. To achieve this, he employed the Greek philosophical technique of dialogue to create a fictional conversation between five historical figures who actually met at Aquileia on the Adriatic coast in AD 168. Apart from Marcus, they were his brother and coemperor, Lucius, the famous Hellenic surgeon of antiquity, Galen, an Egyptian high priest of Isis, Harnouphis, and Bassaeus Rufus, Prefect of the Praetorian Guard. The Dialogues afford Marcus and his guests the opportunity to express their views on such topics as the brevity of life and the need to seek meaning; the pursuit of purpose; the supreme good and the pursuit of a virtuous life – issues as relevant today as they were in antiquity. By a gentle process of question and answer, Marcus shows up the weakness of his guests’ arguments and reveals how a virtuous life may be lived without the threat of eternal damnation or promise of salvation to enforce compliance. Virtue is its own reward.
Shakespeare and Platonic Beauty
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John Vyvyan’s third Shakespearean study was originally published by Chatto & Windus in 1961, but has long been out of print. Looking at some of the comedies, he reveals how the Platonic ideas of beauty and love, as developed by Plotinus, Ficino, Castiglione and Spenser, add an extra dimension to the plays. In A Midsummer Night’s Dream, As You Like It and All’s Well That Ends Well, the heroines bring to life the idea of love as the force that is awakened in the world by beauty which then leads the soul to perfection. Vyvyan believes that for Shake-speare love was pre-eminent over human ideas of justice, that self-discovery was a supreme human experience and that breaking faith with the ideal ‘ as Agamemnon, Cressida and Hector all do in Troilus and Cressida ‘ sowed the seeds of tragedy. The author’s recognition of Shakespeare’s use of allegory enables him to make sense of certain developments in these plays which seem weak or absurd from the psychological standpoint ‘ the ‘tidy’ marriage of Celia and Oliver in As You Like It, the ignoble behaviour of Bertram in All’s Well That Ends Well, or the constancy of Julia’s love for the fickle Proteus in The Two Gentlemen of Verona. John Vyvyan’s work is extraordinarily perceptive, compelling us to think again about the underlying philosophy in Shakespeare’s plays, and to see their action from a fresh point of view. It is not often that one finds combined in one critical book so much learning, insight and modesty. ‘If a clearly conceived philosophy is implicit [in Shakespeare's work]‘, Vyvyan writes, ‘then it is by parable and allegory that it is expressed; and the recognition of this ‘I think’ immensely enhances our enjoyment of the plays: it gives them a new dimension and a richness that has yet to be explored; it is a stimulating challenge to acting and production; and to the audience it reveals a drama beyond the theatre, written, as Coleridge so finely said, for the stage of the universal mind.’
Hyam The Cat Who Talked Too Much
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This is a tale of a cat called Hyam a very special cat. In fact he is a theatrical cat, a fastidious cat, a funny cat, but most of all an adored cat.Most famous for talking himself out of a part at an audition for a West End production for he is an actor. Here he tells his own story in a series of delightfully readable poems a pleasure for all age groups. Follow his adventures as he takes us on his travels through the ups and downs of theatre life and his many escapades as a sophisticated actor, a country puss and a muchloved family pet. Irresistibly combining both a sense of humour and an abounding love of its Feline Subject, with the Author’s delightful illustrations throughout ‘ Hyam The Cat who Talked To Much‘ will capture your imagination and steal your heart.The perfect gift book for all the family ages 9 – 90. Comes with a special offer to buy the Hyam the Cat gift.
If Only Politicians Had Brains
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Hopefully you are old enough to remember‘Yes Minister.’Does government really work like thatIf it does, you really need a sense of humour to examine not only its workings but also its nonworkings. That is exactly what’ If Only Politicians Had Brains’ does , examine government workings with a sense of humour. Ten years ago BSE was going to destroy mankind (if mankind ate beef ). So far less than 150 people have died – over a twelve year period. ‘If Only Politicians Had Brains ’takes an, often times , humorous look– with serious intents– at the politically manufactured creations designed to divert public attention away from the real issues. Why do so many people“ fall for “the smoke and mirrors trap that makes“ Hustle ” the successful programme that it isTerenceO?Halloran has a thirty (plus) year experience of dealing with government through British Chambers of Commerce and the Federation of Small Businesses at local and central government level . This is a chance to share his insight into the real “ smoke and mirror ” minds of a group of people that will do anything to prove that they, and only they ,know how they should run your life..
