The Opera

Byron's Complete Poetry

中島敦 ザベスト：光と風と夢、名人伝、文字禍、李陵、山月記

Shakespeare-Kom?die, in deutscher ?bersetzung. Laut Wikipedia: "As You Like It" handelt es sich um eine Pastoralkom?die von William Shakespeare, die vermutlich im Jahr 1599 oder Anfang 1600 geschrieben und erstmals im First Folio 1623 ver?ffentlicht wurde. Die erste Aufführung des Stücks ist ungewiss, obwohl eine Aufführung im Wilton House in 1603 wurde als eine M?glichkeit vorgeschlagen, wie Sie es m?gen, folgt seine Heldin Rosalind, wie sie Verfolgung in Hof ihres Onkels flieht, begleitet von ihrer Cousine Celia und Touchstone der Hofnarr, um Sicherheit und schlie?lich Liebe im Wald von Arden zu finden.

Shakespeare-Kom?die in deutscher ?bersetzung. Laut Wikipedia: "The Merchant of Venice" ist eine tragische Kom?die von William Shakespeare, die vermutlich zwischen 1596 und 1598 entstanden ist. Obwohl sie im First Folio als Kom?die klassifiziert wurde und gewisse Aspekte mit Shakespeares anderen romantischen Kom?dien teilt, ist das Stück vielleicht Die meisten werden für ihre dramatischen Szenen in Erinnerung bleiben und sind am besten für Shylock und die berühmte Rede "Hath not a jude eyes" bekannt. Bemerkenswert ist auch Portis Rede über die "Qualit?t der Barmherzigkeit". "

Die Shakespeare-Trag?die, übersetzt von Christoph Martin Wieland. Laut Wikipedia: "King Lear ist eine Trag?die von William Shakespeare. Der Titelheld kommt in den Wahnsinn, nachdem er t?richterweise zwischen zwei seiner drei T?chter aufgrund seiner Schmeichelei seinen Nachlass verworfen hat, was tragische Folgen für alle hat. Das Stück basiert auf der Legende von Leir of Britain, einem mythologischen vorr?mischen keltischen K?nig, der für Bühnen- und Spielfilme weitgehend adaptiert wurde, und die Rolle von Lear wurde von vielen der besten Schauspieler der Welt begehrt und gespielt. "

Shakespeare-Geschichte spielt Heinrich den Vierten Teil, in deutscher ?bersetzung. Laut Wikipedia: "Henry IV, Part 1 ist ein historisches Stück von William Shakespeare, vermutlich sp?testens 1597 geschrieben. Es ist das zweite Stück in Shakespeares Tetralogie, das sich mit den aufeinanderfolgenden Regentschaften von Richard II, Henry IV (zwei Stücke ), und Heinrich V. Heinrich IV., Teil 1, zeigt eine Spannweite der Geschichte, die mit Hotspurs Schlacht bei Homildon gegen Douglas Ende 1402 beginnt und mit der Niederlage der Rebellen in Shrewsbury in der Mitte des Jahres 1403 endet. Von Anfang an war ein ?u?erst popul?res Spiel sowohl bei der ?ffentlichkeit als auch bei den Kritikern. "

Die Shakespeare-Geschichte spielt Richard II in deutscher ?bersetzung. Laut Wikipedia: "K?nig Richard der Zweite ist ein Geschichtsstück von William Shakespeare, vermutlich um 1595 geschrieben. Es basiert auf dem Leben von K?nig Richard II. Von England (regiert 1377-1399) und ist der erste Teil einer Tetralogie , von einigen Gelehrten als Henriad bezeichnet, gefolgt von drei Stücken über Richards Nachfolger: Henry IV, Teil 1, Henry IV, Teil 2 und Henry V. Es wurde vielleicht nicht als eigenst?ndige Arbeit geschrieben. "

Lady Windermere's Fan

The Burning Wheel

Man and Superman

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Cartea pe care o ?ine?i ?n m?n? este periculoas?. Incomod?, scor?oas?, incendiar? fiind, ?n mod cert, va deranja unele personaje, nelipsite de importan??, din arena politicii rom?ne?ti, care confund? adeseori politica cu diletantismul, tr?d?nd interesele sus?inute cu at?ta patos ?n campaniile electorale. ?n mod sigur, Nu tr?da?i, v? rog! va alarma edilii capitalei ce se ?ntrec ?n a distruge ?micul Paris“ de pe vremuri. Aceast? carte, a?adar, va deranja nu pu?in? lume prin scenele din via?a social-politic? post-decembrist?, cu at?t mai mult, cu c?t umorul ?fichiuitor nu-i este str?in nici pe departe autorului. Nici deta?area…

Vreau s? cred c? drumul lui Eugenio Barba este cel ?n care ?nt?lne?te copacul de care at?rn? pe creanga cea mai de sus un m?r de aur ?i f?r? s? ?i pese de cei din jurul lui, de privirile lor arogante sau sc?nteind a dispre?, se ca??r? ?n copac, ?n plin? lumin? de zi, ?i culege m?rul. M?rul norocos al destinului. Curaj, perseveren??, credin?? de nezdruncinat ?n vocea l?untrului care mereu ?i ?opte?te drumul pe care s?-l urmeze, c?ci este drumul lui.Eugenio Barba, vizionar, reformator, artist, dramaturg-regizor, maestru, scriitor, ?n dramaturgia sa, ?n cuvintele sale imortalizate ?n reflec?ii asupra sensului ?i condi?iei artei teatrului ?i a artistului, ?n cercet?rile de natur? artistic? ?i ?tiin?ific?, ?n laboratorul de teatru, sesiunile ?colii Interna?ionale de Antropologie Teatral? forjeaz? un act artistic unificator prin coprezen?e ale contrariilor, ?ntrup?ri ale simultaneit??ilor, combin?ri temporale ?i spa?iale, dintre trecut ?i viitor, dintre Est ?i Vest, declan??nd ?o revolu?ie copernician? f?r? de care ?tiin?a teatrului de la sf?r?itul secolului XX ar fi incomprehensibil?“. (Diana Cozma)

This story belongs to the year 1837, and was regarded by the generations of that and a succeeding time as the most miraculous of all the recorded deliverances from death at sea. It may be told thus: Mr. Montagu Vanderholt sat at breakfast with his daughter Violet one morning in September. Vanderholt's house was one of a fine terrace close to Hyde Park. He was a rich man, a retired Cape merchant, and his life had been as chequered as Trelawney's, with nothing of romance and nothing of imagination in it. He was the son of honest parents, of Dutch extraction, and had run away to sea when about twelve years old. Nothing under the serious heavens was harsher, more charged with misery, suffering, dirt, and wretchedness, than seafaring in the days when young Vanderholt, with an idiot's cunning, fled to it from his father's comfortable little home. He got a ship, was three years absent, and on his return found both his father and mother dead. He went again to sea, and, fortunately for him, was shipwrecked in the neighbourhood of Simon's Bay. The survivors made their way to Cape Town, and presently young Vanderholt got a job, and afterwards a position. He then became a master, until, after some eight or ten years of heroic perseverance, attended by much good luck, behold Mr. Vanderholt full-blown into a colonial merchant prince. How much he was worth when he made up his mind to settle in England, after the death of his wife, and when he had disposed of his affairs so as to leave himself as free a man as ever he had been when he was a common Jack Swab, really signifies nothing. It is certain he had plenty, and plenty is enough, even for a merchant prince of Dutch extraction. Besides Violet, he had two sons, who will not make an appearance on this little brief stage. They are dismissed, therefore, with this brief reference—that both were in the army, and both, at the time of this tale, in India. Violet was Vanderholt's only daughter, and he loved her exceedingly. She was not beautiful, but she was fair to see, with a pretty figure, and an arch, gay smile. You saw the Dutch blood in her eyes, as you saw it in her father's, whose orbs of vision, indeed, were ridiculously small—scarcely visible in their bed of socket and lash. An English mother had come to Violet's help in this matter. Taking her from top to toe, with her surprising quantity of brown hair, soft complexion, good mouth, teeth, and figure, Violet Vanderholt was undoubtedly a fine girl. THE LAST ENTRY "OPINIONS OF THE PRESS ON THE LAST ENTRY": '"The Last Entry" is a rattling good salt-water yarn, told in the author's usual breezy, exhilarating style.'-”Daily Mail. 'In this new novel Mr. Russell has cleverly thrown its events into the year 1837, and there are one or two ingenious passages which add to the Diamond Jubilee interest which that date suggests.... "The Last Entry" is as certain of general popularity as any of Mr. Russell's former tales of the marvels of the sea.'-”Glasgow Herald. 'We do not think it possible for anyone to dip into this novel without desiring to finish it, and it adds another to the long list of successes of our best sea author.'-”Librarian. 'In addition to mutiny and murder, "The Last Entry" contains many of those good things which have made Mr. Russell's pages a joy to so many lovers of the sea during the last twenty years.... "The Last Entry" is a welcome addition to Mr. Clark Russell's library.'-”Speaker. 'The writer is as realistic and picturesque as usual in his vivid descriptions of the stagnant life on board the homeward-bound Indiaman.'-”Times. 'It is full of pleasant vigour.... As is always the case in Mr. Clark Russell's books, the elements are treated with the pen of an artist.'-”Standard. 'We expected plenty of go, of fresh and vigorous description of sea-faring life, coupled with a story which would not be wanting in interest. All this we have here.'”-Tablet.

Comédie Shakespeare, traduit en fran?ais. Selon Wikipedia: ?Measure for Measure est une pièce de William Shakespeare, qui aurait été écrite en 1603 ou 1604. Elle était (et continue d'être) classée comédie, mais son humeur défie ces attentes. Diverses raisons, certains critiques l'ont étiqueté comme l'un des jeux de problème de Shakespeare.A l'origine publié dans le premier folio de 1623 (où il a d'abord été étiqueté comme une comédie), la première performance enregistrée de la pièce était en 1604. La pièce traite des problèmes de la miséricorde, de la justice, de la vérité et de leur relation à l'orgueil et à l'humilité: "Certains se lèvent par le péché, d'autres tombent par la vertu".

Comédie de Shakespeare, traduite en fran?ais par Fran?ois Pierre Guillaume Guizot (1787 - 1874), historien fran?ais et homme d'?tat. Publié en 1862. Selon Wikipedia: "Un Songe d'une nuit d'été est une pièce écrite par William Shakespeare, qui aurait été écrite entre 1590 et 1596. Elle décrit les événements entourant le mariage du duc d'Athènes, Thésée, et la Reine des Amazones, Hippolyta, dont les aventures de quatre jeunes amants athéniens et d'un groupe de six comédiens amateurs manipulés par les fées qui peuplent la forêt où se déroule la plus grande partie de la pièce. Les ?uvres les plus populaires de Shakespeare pour la scène et sont largement jouées à travers le monde. "

Traduit par Fran?ois Pierre Guillaume Guizot (1787 - 1874), historien fran?ais et homme d'?tat. Publié en 1862. Selon Wikipedia: "Troilus et Cressida est une tragédie de William Shakespeare, qui aurait été écrite en 1602. Il a également été décrit par Frederick S. Boas comme l'une des pièces à problèmes de Shakespeare. note avec la mort du noble cheval de Troie Hector et la destruction de l'amour entre Tro?lus et Cressida.Tout au long de la pièce, le ton s'écroule follement entre comédie débile et tristesse tragique, et les lecteurs et les spectateurs ont souvent du mal à comprendre comment on est Cependant, plusieurs éléments caractéristiques de la pièce (le plus notable étant sa remise en question constante de valeurs intrinsèques telles que la hiérarchie, l'honneur et l'amour) ont souvent été considérés comme nettement ?modernes? ..

Deacon Brodie, Beau Austin, Admiral Guinea, and Robert Macaire. All co-written with W.E. Henley. According to Wikipedia: "Robert Louis (Balfour) Stevenson ( 1850 - 1894), was a Scottish novelist, poet, and travel writer, and a leading representative of Neo-romanticism in English literature. He was the man who "seemed to pick the right word up on the point of his pen, like a man playing spillikins", as G. K. Chesterton put it. He was also greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Vladimir Nabokov, and J. M. Barrie. Most modernist writers dismissed him, however, because he was popular and did not write within their definition of modernism. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the canon."

Elizabethan play, sometimes attributed in part to Shakespeare. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."

From the General Introduction: "Dr. Johnson's reaction to Shakespeare's tragedies is a curious one, compounded as it is of deep emotional involvement in a few scenes in some plays and a strange dispassionateness toward most of the others. I suspect that his emotional involvement took root when he read Shakespeare as a boy--one remembers the terror he experienced in reading of the Ghost in _Hamlet_, and it was probably also as a boy that he suffered that shock of horrified outrage and grief at the death of Cordelia that prevented him from rereading the scene until be came to edit the play. Johnson's deepest feelings and convictions, Professor Clifford has recently reminded us, can be traced back to his childhood and adolescence."