购物车
个人中心
Angels
￥61.23
天使——这些神秘的长着翅膀的宗教神话人物——在几个世纪以来影响了无数作家和艺术家。这本书中收藏了很多伟大的古典和现代艺术家绘画的天使，包括了从精致的异想天开的丘比特到宏大的天使长米迦勒，不一而足。这些神秘的生物的画像特点都是半小孩，半神仙的模样。这本方便携带的册子《天使》将是一份完美的礼物。
Chinese Porcelain
￥61.23
瓷器早出现在七世纪，瓷器艺术在中国迅速成为了皇室贵族的象征，承载着极其重要的意义。这本书中的瓷器作品涵盖了从简单的茶碗到华美的花瓶，发饰、雕像摆件和鼻烟壶等等，不一而足，设计错综复杂，颜色五彩缤纷。这本精美的材质曾经吸引了并将继续吸引着全世界的艺术爱好者，使得这本Mega Square的《中国瓷器》成为了礼物的*。
Impressionism
￥61.23
“我画我所见，而非他人所想见。”难道还有什么能比 爱德华马奈（Edouard Manet）的这句话更能诠释印象主义运动了。马奈的这句话似乎与莫奈（Monet）或雷阿诺（Renoir）的情感表达完全不同。莫奈在去世前不久曾写道：“印象主义之名源我而起，但却冠以了一群并非印象主义者的群体，对此我深表遗憾。” 在这本书中，Nathalia Brodskaia考察了这场十九世纪末期的印象主义运动的矛盾之处，分析了印象主义群体在艺术家个人的主张之下形成了的连贯整体的悖论。学术艺术和现代抽象绘画之间的道路漫长而艰辛。作者逐一分析这场艺术运动的基本元素，通过每位艺术家的作品考察了个人的需求是如何催生出现代绘画。
Monet
￥61.23
Mega Square的《莫奈》通过优美地展示印象主义的作品，带领我们探索十九世纪绘画大师之一——莫奈的非凡的作品。莫奈的风景画和日常生活场景画中画锋急促，阐释了他对于光线和色彩的迷恋。对印象主义运动的爱好者来说，这本小书是一份完美的礼物。
Raphael
￥61.23
拉斐尔（Raphael，1483-1520），意大利文艺复兴鼎盛时期的画家和建筑家，是位超越时代的天才人物。他与米开朗琪罗和莱昂纳多达芬奇并称为古典艺术的“文艺复兴三杰”，它们的作品展现了和谐和几何的多种风格。作为文艺复兴时期的大家之一，作为欧洲皇室和罗马教廷的艺术家，拉斐尔的作品包括了多种神学和哲学的主题，包括但不限于著名的圣母玛利亚画像。拉斐尔成长的环境和经历使他更倾向于将人文主义的理想和宗教相结合，从而在心中树立起坚定的信念，即艺术是揭开自然之美面纱的必然中介。
Mucha
￥61.23
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Tiffany
￥61.23
路易斯·康福特·蒂芙尼（Louis Comfort Tiffany）是闻名于世的珠宝商，也是美国新艺术运动的领头人。在美国处于不断增长的时期，蒂芙尼成功地将装饰提升到了艺术的高度。蒂芙尼的工作室尤其擅长处理玻璃，他们开创了独特的玻璃技艺，使得幻彩玻璃极具美感。追随着加勒（Galle）或多姆（Daum）的脚步，蒂芙尼对玻璃物尽其用：色彩、遮光、透光，戏玩于他的手掌间。当然，他为成功的还是充满色彩与阴影交汇的镶嵌玻璃台灯，类似于教堂的染色玻璃天窗。沉浸在色彩的棱镜之中，作者让我们梦回这家历久弥新的公司的诞生之期。
Van Gogh
￥40.79
文森特·梵·高的生活和创作是如此紧密地联系在一起，以至于不了解他的生平便无法理解其作品。他作为生存环境的局外人而不被人理解成为痛苦的现代艺术殉难者的化身。一篇文章这样描述他，“一个可怕的疯狂的天才，常常表现卓越，有时荒诞，总是站在近乎病态的边缘。”1888年2月，文森特离开巴黎前往阿尔勒，那几个月是他一生中产的时期，次年他开始了著名的自残行为并且先后三次住院。据说他是在1890年7月29日，在一片田野里朝自己开枪自杀的，他的弟弟特奥这样描述他生命的后时刻，“他说想自杀，当时我坐在他身边向他保证我们会努力治愈他······但他回答说，悲哀将会永远持续。”
Dali
￥40.79
身为画家、设计师、奇异物品发明者、作家以及电影导演，达利可以说是著名的超现实主义者。布纽埃尔、洛卡、毕加索和布列塔尼都对他的生涯产生了巨大的影响。达利的电影，《一只安达卢西亚犬》标志着他进入了巴黎超现实派，在那里他遇到了盖拉，他一生的伴侣和灵感源泉。但是，当1939年他与安德烈·布列塔尼决裂，他与此派关系交恶。然而，达利的艺术哲学与艺术表现仍然归于超现实主义，并成为超现实主义的典范。终其一生，达利是一位天才的具有自我提升力、创造力的神秘人物。
Francisco Goya
￥85.76
Astudy of Francisco Goya’s life and work appears to present many contradictions. For nearly forty years Goya was the principal painter at court and he recorded the glittering wealth of the Spanish nobility. At the same time, in one of the least enlightened countries in Europe, Goya was a liberal thinker. He was a tireless commentator on the social conditions of his age. He hated authority in any form, be it priest, soldier or official, and above all he hated those who exploited the helpless. He was concerned with the floating population, with criminals and prostitutes, and by the crippling poverty that resulted from the injustices of an uneven distribution of wealth. The court must have been ignorant of his criticism or blind to his cries of protest.
Paul Gauguin
￥85.76
On 8 May 1903, having lost a futile and fatally exhausting battle with colonial officials, threatened with a ruinous fine and an imprisonment for allegedly instigating the natives to mutiny and slandering the authorities, after a week of acute physical sufferings endured in utter isolation, an artist who had devoted himself to glorifying the pristine harmony of Oceania’s tropical nature and its people died. There is bitter irony in the name given by Gauguin to his house at Atuona – “Maison du Jouir” (House of Pleasure) – and in the words carved on its wood reliefs, Soyez amoureuses et vous serez heureuses (Be in love and you will be happy) and Soyez mystérieuses (Be mysterious). After receiving news of the death of their old enemy, the bishop and the brigadier of gendarmes – the pillars of the local colonial regime – hastened to demonstrate their fatherly concern for the salvation of the sinner’s soul by having him buried in the sanctified ground of a Catholic cemetery. Only a small gr
Vincent van Gogh
￥85.76
在向日葵之上，在鸢尾花之外，在加谢医生的肖像背后，有一个男人——梵高。他敏感脆弱，他天赋异禀，从1853年出生到1890年去世这几十年的岁月里，后印象主义画家梵高用他的创造力和技巧塑造了十九世纪绘画的概念。他成为了表现主义、野兽派和现代艺术的先驱。但是今天，梵高成为了备受疾病折磨的画家的象征，受制于他人，更受制于自己。在这本著作中，作者从梵高的书信和绘画入手，探索色彩的新的表现方式。传奇总是与平庸并存，伟大的艺术天才也总会遭遇现实的繁琐。
Michelangelo
￥110.28
米开朗基罗（Michelangelo）的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》（The Italian Painting）这本书中，作者司汤达写道：“在古希腊风物和米开朗基罗之间，没有任何距离，除了或多或少技术娴熟的伪造物。”在《漫步罗马》（Promenade in Rome）一书中，沙特布莱表达了对《圣母怜子像》（Pieta）中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问，米开朗基罗的作品经历住了时间的考验。在若干年后，米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源？米开朗基罗是创造性的天才和超人，是意大利文艺复兴中无与伦比的艺术家，他的影响力和成就与达芬奇可相媲美。在这本著作中， Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份：雕塑家、建筑师、画家和美术家。
Hieronymus Bosch
￥110.28
Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of religion. Medieval traditions and values were crumbling, thrusting man into a new universe where faith had lost some of its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. Believing that everyone had to make their own moral choices, he focused on themes of hell, heaven and lust. He brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes.
Edward Hopper
￥110.28
爱德华·霍普，1882年出生于奈阿克，是重要的美国画家之一。在学习了插图画之后，他进入了大名鼎鼎的纽约艺术学院学习，师从罗伯特·亨利（Robert Henri）。亨利对霍普产生了重大的影响，他鼓励霍普从美国人的生活中去发现素材。在创作中，诗意地表达了人们反对二十世纪二十年代的美国生活方式的孤独。受到电影作品—特别是多种摄影角度和人物性格的影响，他的绘画作品表达了对大众文化的疏离感。通过采用冷色调和绘画匿名人物，霍普的作品同样象征性地反映了大萧条时期。尽管霍普曾多次游历欧洲，但他在当时流行的的改革绘画面前仍然无动于衷，例如立体主义，例如超现实主义。霍普用一种非常个性化的形式来表达主题，致力于效仿古典艺术家，例如伦布兰特（Rembrandt）、德加斯(Degas)或者杜米埃（Daumier）。他绘画的加油站、旅馆和日常生活的场景代表了对个人主义的美学宣言、宽敞的开放空间和美国的基本价值观。霍普在1967年去世了，在美国艺术上留下了后的痕迹。
Alphonse Mucha
￥110.28
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Van Dyck
￥61.23
安东尼·凡·代克（Anthony Van Dyck,1599-1641）在年近十六岁之时就有了自己的个工作室，从那时起他便在艺术界堪称传奇人物。荷兰著名画家鲁宾斯（Rubens）是代克的启蒙导师，他评价代克为自己有才华的学生。代克之后成为了英格兰和西班牙著名的宫廷画家，也算是不辱才华之名。历史学家、学者和艺术爱好者也欣赏他的作品的复杂精妙和永恒之美。在这本引人入胜的小册子是凡·代克那几十年的艺术生涯的缩影，娜塔莉亚（Natalia Gritsai）将凡·代克一生杰出的作品奉献给了读者。
Claude Monet
￥110.28
For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his convictio
Auguste Rodin
￥110.28
Influenced by the masters of Antiquity, the genius of Michelangelo and Baroque sculpture, particularly of Bernini, Auguste Rodin (1840-1917) is one of the most renowned artists in history. Though Rodin is considered a founder of modern sculpture, he did not set out to critique past classical traditions. Many of his sculptures were criticised and considered controversial because of their sensuality or hyperrealist qualities. His most original works departed from traditional themes of mythology and allegory, and embraced the human body, celebrating individualism and physicality. This book uncovers the life and career of this highly acclaimed artist by exploring his most famous works of art, such as the Gates of Hell, The Thinker and the infamous The Kiss.
Egon Schiele
￥110.28
Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating th
Hokusai
￥110.28
毫无疑问，葛饰北斋是十九世纪中期以来负盛名的日本艺术家，他的作品在西方世界广为人知。葛饰北斋的作品是对于一种被孤立的文明的艺术表达和反应，极大影响了诸如梵高之类的欧洲印象派和后印象派画家；这也使得葛饰北斋成为了跻身欧洲艺术界个日本艺术家。葛饰北斋是位日本浮世绘的大师，他的作品丰富多样、意蕴重大，创作年限长达九十年，其气势恢宏和类型缤纷的特点在本书中展现得淋漓尽致。
