Discover the astonishing true stories--that will make readers laugh, cry, and gasp--behind the headlines: The HMS Bounty, The Essex Wreck, Lusitania Off Guard, SS St. Louis, Boat People, Where's Abby Sunderland?, and more. This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting books offer short chapters on high-interest headlines. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading.

Introduction to Secrets: A Story of Addiction, Grief ＆amp; Healing ? Highly educated individuals with doctorates publish papers full of information, facts, and figures, explaining reasons for addiction. It is often good information extensively researched and properly cited. I do not have a Ph.D. or a doctorate. I am simply one who loves to teach, write, and more importantly, a mom who loves her family. I majored in motherhood. I minored in English. ? Sadly, I lost something most dear to my heart, my daughter’s voice. I only hear her voice as echoes in my mind, and as I read her journals. Her journals are full of her—her voice, worries, goals, sadness, hopes, desires, disappointments, happiness and love. Her writing identified her feelings, but they do not clearly define her as a person because her life was so much more. How to define, articulate her essence, her multi-dimensional personality? ??????????? In writing this story, I used words and prose that allow the reader to peer into the looking glass, perhaps to see beyond themselves to what lurks in the background of the human soul. How special each of us really is. We all deserve to be loved and to be recognized for the good we do, for the difference we make by just being. ? The writing of this story has been incredibly difficult. I was told that I was terribly hard on myself. Well, the truth is not always pretty. But accepting the truth as a means to better understand one’s environment and to move forward can be healing. It is not easy. Healing takes time. It can be painful. It is often long and arduous. Sometimes, the nearly healed wound is reinjured, the scab is torn loose, exposing the tender flesh beneath. It may ooze again for a time, but then the healing begins again. Grief can be like that. A year has passed; a year of grief, healing, learning, better understanding addiction. ? The road leading to addiction and the reasons one succumbs to substance use disorder is long and winding. Addiction is complex and those who struggle with it usually face other mental health challenges too. They struggle with loss, loneliness, pain, and emptiness. They long for fulfillment. They feel misunderstood, misjudged, stigmatized, unloved. These voids must be filled. The human spirit demands it. ? Society is quick to formulate judgments toward those struggling with addiction. However, is addiction a choice? Is mental illness a choice? Everyone’s story is different. I can only share mine. The effects of addiction ripple out, washing over everyone in some manner or form. Like many, I originally thought substance use was a choice, a deficit in one’s moral code, a weakness that one should be able to control. Why must tragedy occur to inspire illumination? ? As I began to write, my inner eye became focused, intent on rediscovering Sarah. The Sarah I knew as a child had long ago morphed into an adult I did not recognize or understand. I blamed myself. Where did I go wrong? In how many ways did we fail her as her parents? I wanted to understand. Will sharing my story allow others to more easily identify the symptoms of addiction and to recognize addiction as a disease? I hope so. That is why I am breaking the silence, using Sarah’s voice, as well as my own with a clear objective: To de-stigmatize addiction. ? Can we work towards removing the fear and the terrifying stigmatization attached to addiction and try something different? Let us direct positive energies toward these struggling souls. Rather than projecting fear and judgment, what would happen if society projected understanding, empathy, compassion, and acceptance? Acceptance that they have an illness, not just addiction, but often, buried beneath the surface, acute sadness, and unresolved conflict. ? As society begins to remove the stigma of addiction, boundaries to seeking recovery will lessen, improving the odds of recovery, decreasing the risk of death by overdose. Sarah’s death must not be an ending—let it be a beginning towards understanding, acceptance, and empathy.

As a lot of people we studied music at schools. Did someone catch enough to play? We can’t say yes on this question.? Afterwards we learn to play using different books and manuals. These papers promised many good things but that was sort of suffering to learn to play. By trial and error we have figured out quite enough information which can eliminate this suffering. So we decided to write a book if we could read one we would not get through difficulties for many years long.In this book we tried to explain the origin and fundamental properties of music. We named this as anatomy of music because we tried to dive in the depth of it. We just used notes to explain how to play without notes and tablatures. Nevertheless we delivered music theory quite completely trying to eliminate confusive moments.

Considerations on Representative Government is a book by John Stuart Mill published in 1861. As the title suggests, it is an argument for representative government, the ideal form of government in Mill's opinion. One of the more notable ideas Mill puts forth in the book is that the business of government representatives is not to make legislation. Instead Mill suggests that representative bodies such as parliaments and senates are best suited to be places of public debate on the various opinions held by the population and to act as watchdogs of the professionals who create and administer laws and policy. In his words: ? Their part is to indicate wants, to be an organ for popular demands, and a place of adverse discussion for all opinions relating to public matters, both great and small; and, along with this, to check by criticism, and eventually by withdrawing their support, those high public officers who really conduct the public business, or who appoint those by whom it is conducted.

Campaigns of World War II: Fall of the Reich is a military history of the Western European campaign from D-Day in June 1944 to the fall of Berlin in May 1945. Beginning with the Allied preparations for what would become Operation Overlord, from the initial discussions of Roosevelt and Churchill, to the deliberations and plans of Marshall and Brooke, and the subsequent appointment of commanders like Eisenhower, Montgomery and Ramsay, the book covers in detail the landings on the Normandy coast. Combining tactical coverage of events such as the severe fighting at Omaha and Pegasus Bridge, the Canadian success on Juno beach, and the 21st Panzer Division's aborted counterattack, with reporting of the reactions of Hitler and Rommel to the landings, the book provides an explanation of why the Allied advance ran out of steam, and a description of their struggle to escape the bocage hedgerows of Normandy. The US-led breakout in late July 1944 released Bradley and Patton's forces into the heart of France, and the liberation of Paris followed swiftly. A crumbling German defence led to Allied overconfidence and the resultant 'bridge too far' at Arnhem, but as the Allies approached the Rhine and the German border, resistance quickly stiffened. Hitler's last gamble, the attack through the Ardennes known as the Battle of the Bulge, brought temporary panic to the Allied ranks, but heroic stands at Bastogne and elsewhere, coupled with a German acute lack of petrol and the weather clearing to allow Allied aircraft to operate again, led to the defeat of the last Wehrmacht attack in the west. The final year of the war saw the Allies advancing as occupying forces into the heart of Germany, adopting Eisenhower's broad front strategy. Finally the book examines why the decision was made to allow the Red Army to occupy Berlin and remain on the western bank of the Elbe river. Part of a five-volume series on the Second World War written by prominent military historians, Fall of the Reich is a masterful account of the 1944–45 campaign in Western Europe that describes both the action on the front line and the decisions made behind the scenes that decided the fate of Nazi Germany.

This Tribeca Press edition includes the full original text as well as exclusive images exclusive to this edition and an easy to use interactive table of contents.

This Tribeca Press edition includes the full original text as well as an easy to use interactive table of contents.

This series of nonfiction readers will grab a student's interest from the very first page! Designed with struggling readers in mind, these riveting 92-page books offer short chapters on significant disasters. Each chapter is its own mini-book, which includes a timeline, key terms, and interesting facts. Fascinating black and white photographs keep the pages turning. A bibliography encourages further topical reading. Disasters are inherently frightening, riveting, and involving. Grabbed straight from the headlines, these disasters leave tragedy, destruction, and years of anguish: London Fog, The Love Canal, The Hanford Nuclear Power Plant, The Exxon Valdez, Chernobyl, Bhopal, Fukishima Daiichi and more.

The actual course given to all secret agents in SOE before working behind enemy lines. It includes everything you needed to know to go undercover – from documents, cover stories and how to live off the land to how to get through an interrogation. The Special Operations Executive (SOE) was a secret British World War II organisation formed in 1940 to conduct espionage, sabotage and reconnaissance in occupied Europe against the Axis powers, and to aid local resistance movements. In late 1942, SOE was asked to increase the number of agents to aid the invasion of mainland Europe. Part of agent training was ‘tradecraft’ – the practical details on how to be a clandestine agent behind enemy lines – which every agent had to attend at various bases centred around Beaulie in Hampshire. The course was a set of lectures and this book contains the actual text of those lectures which were discovered in the National Archives this year. It is not only a fascinating insight into the workings of one of the Second World Wars most famous and secretive organisations, but is also a reminder of the huge danger anyone being dropped behind enemy lines had to face. SYLLABUS Introduction to Course. Individual Security. Informant Service. Cover. Interrogations. Operational Orders. Know your Enemy. Surveillance. Internal Communications. Premises. Security and Premises for W/T Operator. W/T Operator. External Communications. Organisation. Cell System. Security of Organisation. Recruiting. Discipline and Morale. Burglary. Lock-picking. Selection of Dropping Points and Reception Arrangements. To be given on instructions from London.). Handcuffs. Pigeons. German Counter Espionage. German Uniformed Police. National Police – e.g. of France, Belgium etc. (Given according to student's destination.). The Nazi Party and its Formations in Occupied Territory. Recognition of German Troops by weapons and equipment. Recognition of German Troops by uniforms. Military Intelligence Reports. Handling of German Light Weapons. Morale Warfare. Methods of Morale Warfare. Subversion of enemy troops. Instructions for Foreign Workers in Germany. Passive Resistance in Occupied Countries. Current German Propaganda to Europe. Tasks Preparatory to Allied arrival.

Whenever I see a rebuild guide I am impressed by how easy everything looks - every job seems to be so straightforward. Not surprisingly, since they have been written by seasoned professionals who have all the tools, own large workshops and have worked on the same cars for years.

From the author of the Samuel Johnson prize-shortlisted ‘Return of a King’, the romantic and ultimately tragic tale of a passionate love affair that transcended all the cultural, religious and political boundaries of its time. James Achilles Kirkpatrick was the British Resident at the court of Hyderabad when he met Khair un-Nissa – ‘Most Excellent among Women’ – the great-niece of the Prime Minister of Hyderabad. He fell in love with her and overcame many obstacles to marry her, converting to Islam and, according to Indian sources, becoming a double-agent working against the East India Company. It is a remarkable story, but such things were not unknown: from the early sixteenth century to the eve of the Indian Mutiny, the ‘white Mughals’ who wore local dress and adopted Indian ways were a source of embarrassment to successive colonial administrations. Dalrymple unearths such colourful figures as ‘Hindoo Stuart’, who travelled with his own team of Brahmins to maintain his temple of idols, and Sir David Auchterlony, who took all 13 of his Indian wives out for evening promenades, each on the back of her own elephant. In ‘White Mughals’, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of seduction and betrayal.

Another volume in the popular New Naturalist series, this book gives a comprehensive account of the natural history of Britain and Ireland’s inland waters, many of which are popular holiday destinations. The study of life in British lakes and rivers has been traditionally neglected in natural history publications, and yet the intricacies of plant and animal ecology as a whole can be readily studied in a pond or lake. Not since Macan and Worthington’s landmark publication in 1951, Life in Lakes and Rivers – volume 15 in the New Naturalist series – has there been a comprehensive overview of British freshwater life. In Brian Moss’s much-anticipated new volume, he gives a passionate account of the natural history of our lakes, loughs and lochs. Our understanding of lakes has changed enormously since the days of Macan and Worthington. From new techniques using stable isotopes and molecular biology to ambitious approaches using whole lakes for experiments; from advances in chemical methods that detect tiny traces of organic substances to the development of new electronic instruments, it is becoming increasingly urgent to make use of these advances to help maintain and conserve some of the most damaged of the Earth’s ecosystems. Freshwaters form the fascinating threads that stitch together the landscapes of our planet with a myriad of exchanges involving an array of organisms, from algae and insects to hippopotami and otters. Healthy lakes and their shores influence our quality of life and they strengthen the economy. They are important ecosystems that can sustain a healthy balance of aquatic life, provide us with much enjoyment, and help support our socio-economic needs. At the same time they suffer the consequences of human abuses of the land – increasing urbanisation, intensive farming, drainage and an increasing invasion of non-native species, to name but a few. Moss explores the richness of their fundamental ecology, emphasizing the need to view these freshwater systems as a whole, and not to manage or assess them in isolation, as well as the importance of ongoing conservation efforts.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. When Cora’s mother, Martha Levinson, comes to stay, it’s clear that she is more than a match for Violet. Equally confident in their age, status and belief that their way is the right way, the two could easily quarrel. Intransigent, intractable Violet is the definitive dowager. Largely based on Julian Fellowes’s own great-aunt, Isie Stephenson, ‘in whom there was a mix of severity and a kind heart’, Violet represents the last of an era; one of the few remaining Victorians who believed absolutely in the necessity of moral exactitude, the importance of family and the oblige of the noblesse. Martha may have once been awed by the English upper classes (this, after all, was why she brought her daughter over to be presented at the London Season), but she welcomes the post-war changes that are being brought to England, even if they seem slower in coming to Downton Abbey. Shirley MacLaine, the actress who plays Martha, believes that her character’s attitude comes not so much from her money as her politics: ‘Her confidence comes from being a democratic American – she is so centred in her fairness and considers America to be fair, and tradition is not fair.’ Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. “I think Cora is very much an emotionally connected mother”, says Elizabeth McGovern the actress who plays her. “As an American she would have a distinctive approach, different to the English aristocracy’s way of doing things. Her instinct is to be involved with the day-to-day and to go about things in a more hands-on way.’ Cora is a woman of resilience and unfailing supportiveness. Where Robert is emotionally insecure, she is sure of herself and undaunted by the difficulties they could face. As a mother, she has a role in life, no matter what else is going on, but being Robert’s wife is also very important to her. Lord Grantham – Robert – has many good qualities: he is kind, loyal to his family, loving to his wife, adoring of his daughters, a fair employer and generous to those around him. But, for him, all these things are peripheral in the face of his most important role in life – as the 7th Earl of Grantham. As he sees it, he has been put on this earth with one prime objective: to keep Downton Abbey in its proper state and hand it over in this condition to his heir. Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. Isobel Crawley is a woman with a cause. The cause may change, but she likes to make sure she’s always got one on the go. An educated, forward-thinking woman who lived amongst the professional middle classes of Manchester, she suddenly found herself the mother of an earl-in-waiting. Thrust into this position, she determined that she and Matthew should not be cowed by their new situation. Penelope Wilton, the actress portraying Isobel, explains the subtleties of her character’s motives: ‘She is not the least resentful – or disapproving – of the Downton world. Though she is critical of the wider society and wants to improve it. But she is not a radical socialist. Her desire to help is conceived within the existing structures of her world.’ Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey, focuses on the characters individually, examining their motivations, their actions and the inspirations behind them. Forwarded by Downton Abbey creator Julian Fellowes. Thomas Barrow is one of the most complicated and intriguing of all the characters at Downton Abbey. As we have got to know him through years of both peace and war, multiple layers have been peeled away to reveal an insecure, jealous, sometimes paranoid, defensive and cowardly man beneath a glossy veneer of good looks and arrogance. ‘O’Brien realises that she is never going to be rich or successful – although she is quite successful as the lady’s maid of a countess,” says Julian Fellowes. “But she gets her thrills by manipulating and being devious and plotting. Her reward is in having a sense that she has power over people.’ Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This richly illustrated short, extracted from the official book The Chronicles of Downton Abbey peels back the curtain on the making of Series 3. With a foreword from Downton Abbey creator Julian Fellowes. You’ll have privileged access to the on-set jokes and camaraderie between the actors – including anecdotes about Jim Carter’s (Carson’s) magic tricks and a revelation that two actors liked to burst into an impromptu duet of the Three Degrees classic “When Will I See You Again” between takes – find out who! See also how the sets at Highclere Castle and Ealing Studios were adapted, and hear from the costume and make up artists about the incredible attention to detail they applied to bring the 1920s so vividly to life. Purchase this ebook short and the others in the series to get closer still to the characters at Downton Abbey and to understand more about their social context – from the changing role of the aristocracy to fashion and beauty, American Anglophiles, the Suffragette movement and life below stairs in a big country house like Downton. Search for The Chronicles of Downton Abbey to purchase all shorts combined.

This is Mike Sadler’s story, one of five true-life recollections from the Second World War in Tales From The Special Forces Club. The Special Forces Club is a fabled gentlemen’s club, based in the heart of London. It has a closely guarded secret: you have to be a genuine hero to be a member. Mike Sadler was in Rhodesia working on a farm when he decided to join up and fight Hitler. He would become one of the legendary men in the Long Range Desert Group, roaming behind Erwin Rommel’s front line and causing havoc and confusion to the German Africa Korp. He would also go on to serve with distinction in the SAS. This is his story.

This is Eileen’s story, one of five stories extracted from THE SWEETHEARTS. Whether in wartime or peace, tales of love, laughter and hardship from the girls in the Rowntrees factory in Yorkshire. “Eileen’s dad worked at the Rowntree’s factory loading cocoa beans into the grinding mills; it was hard physical work, but he was a tall and powerful figure and very fit. Eileen was only five when war broke out and her dad went away, and was just nine years old when he came back from war. ‘He looked simply horrendous. His wounded leg was still in plaster, his hair had grown long, there were scars all over his face and scalp, and to allow his wounds to continue to heal and to keep his eye sockets open until he could be fitted with glass eyes.’ He could have trained to run a corner shop, or done plenty of other things –but all he wanted to do was go back to Rowntree’s…” From the 1930s through to the 1980s, as Britain endured war, depression, hardship and strikes, the women at the Rowntree’s factory in York kept the chocolates coming. This is the true story of The Sweethearts, the women who roasted the cocoa beans, piped the icing and packed the boxes that became gifts for lovers, snacks for workers and treats for children across the country. More often than not, their working days provided welcome relief from bad husbands and bad housing, a community where they could find new confidence, friendship and when the supervisor wasn’t looking, the occasional chocolate.

This is Dorothy’s story, one of five stories extracted from THE SWEETHEARTS. Whether in wartime or peace, tales of love, laughter and hardship from the girls in the Rowntrees factory in Yorkshire. “‘Every Friday when we got paid, they used to come round with your pay packet and a tin for charity and you’d put a penny in, and they’d go round all the machines for people to put money in. That was a very Rowntree’s thing to do.’ Dorothy gave all her pay to her grandma for her board, but was given back five shillings for herself. She loved the cinema: ‘I’d put on as much make-up as I thought my grandmother would let me get away with and my friends and I would go to the pictures two or three times a week. We’d all have a good look around and see who was there and what was going on. It used to make me smile when I’d see girls who had been sitting with one boy before the interval, settling down with a different boy as the lights went down again.’…” From the 1930s through to the 1980s, as Britain endured war, depression, hardship and strikes, the women at the Rowntree’s factory in York kept the chocolates coming. This is the true story of The Sweethearts, the women who roasted the cocoa beans, piped the icing and packed the boxes that became gifts for lovers, snacks for workers and treats for children across the country. More often than not, their working days provided welcome relief from bad husbands and bad housing, a community where they could find new confidence, friendship and when the supervisor wasn’t looking, the occasional chocolate.

This is Maureen’s story, one of five stories extracted from THE SWEETHEARTS. Whether in wartime or peace, tales of love, laughter and hardship from the girls in the Rowntrees factory in Yorkshire. “Maureen started work at Rowntree’s on her fifteenth birthday in April 1959, and remembers being the only one in the entire workforce who was wearing ankle socks. But she soon settled in and on Saturday afternoons Maureen and the rest of the girls would go into town – 'I really liked the fashions then and used to love getting dressed up in those days. We wore stockings and suspenders, stilettos, and we always wore gloves, usually white ones, and shoes and handbag to match. We all wore skirts under our overalls and hooped petticoats. My digs were just over the bridge from Rowntree’s and the boys used to love watching me run down the bridge in the morning! I was never late for work, but I usually cut it pretty fine and often had to run the last couple of hundred yards. The hoops would ride up while I was running so there’d be a lot of wolf whistles from the boys…’” From the 1930s through to the 1980s, as Britain endured war, depression, hardship and strikes, the women at the Rowntree’s factory in York kept the chocolates coming. This is the true story of The Sweethearts, the women who roasted the cocoa beans, piped the icing and packed the boxes that became gifts for lovers, snacks for workers and treats for children across the country. More often than not, their working days provided welcome relief from bad husbands and bad housing, a community where they could find new confidence, friendship and when the supervisor wasn’t looking, the occasional chocolate.