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Misterio
￥9.00
Londres, 1824, el relojero Dorff es asaltado por dos emboscados y recibe la ayuda de Renato de Giac, marqués de Brezé. Más tarde, ya en casa de Dorff, éste le entrega a Renato un manuscrito y un cofre con documentos importantísimos que los que están en el poder en Francia, Luis XVIII y su jefe de policía Lecazes, pretenden arrebatarle. La autora aborda por primera vez el género de la novela histórica mediante la recreación de la compleja historia de Luis XVII, el delfín perdido, el hijo de Luis XVI y María Antonieta. Asistiremos también a la intriga amorosa de Renato de Giac y Amelia, la hija mayor de Dorff. Este es un excepcional relato que aspira, como nos dice la autora en su novela, “a proyectar un rayo de luz en las lobregueces históricas por medio de la lámpara caprichosa de la fantasía”.
El Ni?o de Guzmán
￥9.00
El ni?o de Guzmán narra una historia costumbrista.Pedro, un joven espa?ol que ha sido educado en el extranjero en las buenas maneras del continente y con una gran nostalgia de su país. Es el típico joven de mundo. Fue educado por un fraile irlandés fascinado por una Espa?a irreal ( La de la Gaviota de Faber).
Los pazos de Ulloa
￥9.00
Los pazos de Ulloa es una novela de Emilia Pardo Bazán (1852-1921) publicada en 1886. Es una de las novelas que mejor ejemplifica la corriente naturalista, al reflejar la aceptación de las teorías positivistas aplicadas a la literatura por el escritor francés y padre del naturalismo ?mile Zola.
Niebla
￥9.00
No es una novela. Es una "nivola", según su autor. Nuevo género creado por Unamuno, no tuvo mucho arraigo, pero aún así Niebla es una de las obras de ficción más importantes del escritor vasco. El libro aborda la inseguridad del hombre moderno que se preocupa por su destino y su mortalidad. El título está cargado de significado, dado que el libro difumina la línea entre la ficción y la realidad. También son nebulosas las descripciones físicas de los personajes y lugares, y hasta pone en duda la naturaleza de la existencia humana.
La tía Tula
￥9.00
La tía Tula, es, según su autor, ?la historia de una joven que, rechazando novios, se queda soltera para cuidar a unos sobrinos, hijos de una hermana que se le muere. Vive con el cu?ado, a quien rechaza para marido, pues no quiere manchar con el débito conyugal el recinto en que respiran aire de castidad sus hijos. Satisfecho el instinto de maternidad, ?para qué perder su virginidad? Es virgen madre?. Pero sobre este ca?amazo argumental teje Unamuno una obra cargada de sentidos plurales: Tula, la protagonista, que encarna la concepción tradicional de la familia y de la mujer y que es, a al vez, víctima de ella, ejemplifica la figura del agonista unamuniano dividido en mil contradicciones.
In the Arena: Stories of Political Life
￥9.00
Newton Booth Tarkington (July 29, 1869 – May 19, 1946) was an American novelist and dramatist best known for his novels The Magnificent Ambersons and Alice Adams. He is one of only three novelists to win the Pulitzer Prize for Fiction more than once, along with William Faulkner and John Updike.
Julius Caesar
￥9.00
Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It portrays the conspiracy against the Roman dictator of the same name, his assassination and its aftermath. It is one of several Roman plays that he wrote, based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. Although the title of the play is Julius Caesar, Caesar is not the central character in its action; he appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship.
King Lear
￥9.00
King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606, and is considered one of his greatest works. The play is based on the legend of King Leir of Britain. It has been widely adapted for stage and screen, with the part of Lear being played by many of the world's most accomplished actors.
Twelfth Night, Or What You Will
￥9.00
Twelfth Night, Or What You Will is a comedy by William Shakespeare, based on the short story "Of Apolonius and Silla" by Barnabe Rich. It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing.
Measure for Measure
￥9.00
Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was originally classified as a comedy, but is now also classified as one of Shakespeare's problem plays. The play deals with the issues of mercy, justice, truth and their relationship to pride and humility: "Some rise by sin, and some by virtue fall"
Venus and Adonis
￥9.00
Venus and Adonis is a poem by William Shakespeare, written in 1592-93, with a plot based on passages from Ovid's Metamorphoses. It is a complex, kaleidoscopic work, using constantly shifting tone and perspective to present contrasting views of the nature of love.
Coriolanus
￥9.00
Coriolanus is a tragedy by William Shakespeare, based on the life of the legendary Roman leader, Gaius Martius Coriolanus.
Die künstlichen Paradiese
￥9.00
Die Werke des franz?sischen Dichters Charles Baudelaire (1821-1867) inspirieren bis heute Künstler auf der ganzen Welt. Sein Essay Die künstlichen Paradiese von 1860 ist ein leidenschaftliches Pl?doyer für den Rausch, die F?higkeit und Bereitschaft zum Ausnahmezustand des Geistes und der Sinne.
Within a Budding Grove: In Search of Lost Time, Vol. II
￥9.00
First published in 1919, Within a Budding Grove was awarded the Prix Goncourt, bringing the author immediate fame. In this second volume of In Search of Lost Time, the narrator turns from the childhood reminiscences of Swann’s Way to memories of his adolescence. Having gradually become indifferent to Swann’s daughter Gilberte, the narrator visits the seaside resort of Balbec with his grandmother and meets a new object of attention—Albertine, “a girl with brilliant, laughing eyes and plump, matt cheeks.” For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of ? la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).
Winnetou 4
￥9.00
Der Schriftsteller Karl May erh?lt in Radebeul Post aus Amerika und bricht daraufhin mit seiner Frau, dem Herzle, zu seiner letzten Reise dorthin auf. Seinem Blutsbruder Winnetou soll ein Denkmal gesetzt werden. Karl May / Old Shatterhand trifft alte Bekannte, deren Nachwuchs und zahlreiche symbolreiche Handlungstr?ger und kann den Bau des Monumentaldenkmals gerade noch abwenden. Der Band kommt in Gestalt der alten Reiseberichte daher, aber doch ist vieles anders geworden. Die Gewehre hat Old Shatterhand zwar immer noch (oder wieder) dabei, sie werden aber nicht mehr gebraucht und sind auch deshalb fast die ganze Zeit im Gep?ck. Nicht mehr mit der "Schmetterhand" werden die "Feinde" besiegt, sondern h?chstens noch durch List und die Gewalt des Wortes. Ganz im Friedensgedanken seiner Sp?twerke werden am Ende alle "Feindschaften" mit den alten Widersachern des Westens in Freundschaft aufgel?st. Sogar die zum Hauptschurken Santer stellvertretend mit dessen S?hnen.
Von Bagdad nach Stambul
￥9.00
Scheik Mohammed Emin stirbt bei einem Kurden-?berfall, sein Sohn trennt sich von den Reisegef?hrten, um die T?ter zu verfolgen. Im Pesthauch der Todeskarawane werden Kara Ben Nemsi und Halef von schwerer Krankheit befallen und erreichen Damaskus. Bei den Ruinen von Baalbek begegnen sie einem alten Widersacher.
Durch die Wüste
￥9.00
Durch die nordafrikanische Wüste reiten Kara Ben Nemsi und Hadschi Halef Omar. Der Fund einer Leiche am Schott Dscherid wird zum Ausgangspunkt eines langen Abenteuers. Sie befreien eine Gefangene aus einem Harem, werden von Piraten überfallen, gelangen nach Mekka, lernen Sir David Lindsay kennen, lenken ein Araberheer im "Tal der Stufen" und befinden sich schlie?lich auf einer Rettungsmission.
Durch das Land der Skipetaren
￥9.00
Durch das Land der Skipetaren folgen Kara Ben Nemsi und seine Gef?hrten den Spuren der Verbrecher. Dabei begegnen sie unversehens den beiden gefürchteten "Aladschy", gelangen zur "Schluchthütte", die ihnen zur Falle werden soll, und erleben eine ebenso dramatische wie lustige Episode im "Turm der alten Mutter".
L’Art de faire des livres
￥9.00
Extrait du Livre d'esquisses (The Sketch Book of Geoffrey Crayon, 1819-1820)
Henry IV (Complete Plays)
￥9.00
Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV (2 plays), and Henry V. Henry IV, Part 1 depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics. Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.
Antony and Cleopatra
￥9.00
Antony and Cleopatra is a tragedy by William Shakespeare. It was first printed in the First Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Life of Markus Antonius and follows the relationship between Cleopatra and Mark Antony from the time of the Parthian War to Cleopatra's suicide. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs and the future first emperor of Rome. The tragedy is a Roman play characterized by swift, panoramic shifts in geographical locations and in registers, alternating between sensual, imaginative Alexandria and the more pragmatic, austere Rome. Many consider the role of Cleopatra in this play one of the most complex female roles in Shakespeare's work. She is frequently vain and histrionic, provoking an audience almost to scorn; at the same time, Shakespeare's efforts invest both her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses.
