坎贝尔是一名在神话的奇妙世界中寻找启示的文化英雄，他创造性地将人文价值及宇宙性的精神体验，注当代科学及艺术的诠释中，不仅丰富了神话学的研究领域，更为人类未来的新神话辟出辽阔的想象空间。在本书中，他将文学、哲学、心理学、人类学、考古学等知识应用到对神话的解读，并将神话思维应用到对人类历史、东西方文明、战争与和平等人类共同面临的问题的解读中。他用超越人类社会中各种幻象冲突的真理贯通了古今中外的智慧，他认为神话在个人与社会，社会与自然的融合过程中，尤其是人回归内在的过程中，起到的作用可以被无限放大。他告诉人们：生命的目标，在于使身体脉动契合宇宙的脉动，使自己的本性契合大自然。 　　本书是坎贝尔很重要的一本著作，精选自他在库珀联盟联盟学院论坛的演讲，汇集了他一生重要的学术思想，他用亲近大众的语言、独特的表达方式和热情洋溢的情感感染着聆听者。他在书中不仅剖析了科学对神话的影响，纵论人类的发展历史和东西方文化的邂逅和碰撞，探寻人们内心的回归旅程，而且还引导人们认识了大自然、地球和宇宙外太空。 　　读者通过这本书不仅可以经历历史上人类精神的一次次伟大飞跃，而且也可以行一次由外在世界到我们内心深处奥秘知识的深探索。正如坎贝尔所说：人会找到数千年走来的路。在这一刻，个人在神话与梦境中永生

相传为孔子所作的《易经系辞传》上下篇，是《易经》的通论，内容包括《易经》的义蕴、功用、起源以及筮法等，历来为世所重。本书是南怀瑾先生有关《系辞传》的讲记。南先生的讲解方式是先摘录每一章的原文，然后综罗古今历史知识、社会现象和自然现象，逐段逐句地加以阐释。语言平易而哲理深刻。

本系列图书的作者亚历克斯·奥斯本是创新学之父，也是“头脑风暴”的发明人，是世界知名广告公司BBDO的创始人之一，是美国知名的创意思维大师。其作品的销量曾一度超过了《圣经》，成为引人注目的畅销书。 本系列选取了他*知名的三部著作《把创新当成习惯》《开发创造力的101个方法》以及《纽约大学的40堂创意思维课》。在这些书中，奥斯本以生动、简洁的创新案例告诉我们：创新其实很简单，只要你有想象力，只要你愿意去做。

    本书是美国大学批判性思维课程的经典教材之一。该书的简化版《论证是一门学问》是一本逻辑论证、批判性思维方面的经典手册，畅销全球30余年。 本书共分为三大部分，包括了50条逻辑论证规则，22条论证谬误，65套主题选自新闻、哲学和文学著作、电影等不同来源的高质量习题，及分析各种关系的思维论证导图，完整、全面、系统地展示了逻辑论证课程的教学理念、教学内容、教学方法和教学模式。 本书既可以作为已设批判性思维的高等院校学生的辅助教材，也可以作为自学教材，来提升你在阅读、写作、谈话、演讲、辩论等方面的分析、判断等能力，让你的表达更有逻辑性和说服力。

●从未有哪个时代像今天一样，科学让人类社会以肉眼可见的速度向前演化。这场两千多年的长程奔跑似乎来到了冲刺阶段，不断有人做出世界末日的预言，那么，科学*终带给我们的究竟是生存还是毁灭？科学研究的目的究竟是什么？科学能告诉我们*真理吗？ 带着这样的终极关怀，《人人都该懂的科学哲学》首先讲述了科学脱离哲学、独立成长的过程，然后以智慧设计论、弦理论、占星术、有神论、社会建构主义、女性主义等充满争议的问题为例，辨析了科学的定义、方法和目的，科学和社会的关系。伟大的科学哲学家亚里士多德、笛卡儿、休谟、培根、波普尔、库恩等纷纷出场，上演了一场绵亘数千年的*辩论。 面对未来的挑战，无论人类能否破解“公地悲剧”、实现星际殖民、活到长生不老，杰弗里·戈勒姆以科学哲学的视角安慰我们：“当生命终结，人类文化仍然存在，只不过是存在于过去。希望它永远存在就太过分了，无异于希望巴黎时时处处是春天。” ●《人人都该懂的科学哲学》属于湛庐文化重磅推出的“新核心素养”系列图书之一。本系列图书致力于推广通识阅读，扩展读者的阅读面，培养批判性思考的能力。其中涵盖了哲学、心理学、法律、艺术、物理学、生物科技等诸多人文科学和自然科学的知识，其中《人人都该懂的科学哲学》的内容涵盖了科学哲学的核心思想，让你一本书了解科学哲学的核心智慧。

《论人类不平等的起源和基础》因其学术地位和内容影响，成为国内各大本科院校社会学、法学、伦理学专业的名著。 本书被称为法国大革命的灵魂，是法国著名启蒙思想家、哲学家卢梭整个政治学说的导言。奠定了西方社会形态的著作《社会契约论》正是在本书的基础上深论而写成。在《论人类不平等的起源和基础》一书中，卢梭一方面借助当时有关野蛮人的人类学资料，一方面展开辩证的想象，回顾了人类从自然状态向社会状态过渡的历史进程，为社会学研究、法学发展研究、伦理学研究提供了基础，是学术名著中公认的不朽经典，也是人文科学爱好者值得收藏的作品之一。

袁黄（1533-1606），初名表，后改名黄，字庆远，又字坤仪、仪甫，初号学海，后改了凡，后人常以其号了凡称之。袁了凡是明朝重要思想家，是迄今所知中国位具名的善书作者。他的《了凡四训》融会禅学与理学，劝人积善改过，强调从治心入手的自我修养，提倡记功过格，在社会上流行一时。

本书通常被认为是罗素关于政治哲学的充分表达，阐述了他关于战争、和平主义、理性、冲动和个人自由的思想。他认为，在经历了次世界大战之后，传统自由主义的个人化途径已经到了尽头，政治理论必须建立在创造的冲动上，而不是建立在占有欲望的基础上。罗素在本书中所表达的思想，造就了他作为一名社会批评家和反战活动家的巨大声誉。

重拾中西方古典学问坠绪，不仅因为现代性问题迫使学问回味古典智慧，更因为古典学问关乎亘古不移的人世问题。古学经典需要解释，解释是涵养精神的活动，也是思想取向的抉择：宁可跟随柏拉图犯错，也不与那伙人一起正确(西塞罗语)。举凡疏证诠解中国古学经典，移译西学整理旧故的晚近成果，不外乎愿与中西方古典大智慧一起思想，以期寻回精神的涵养，不负教书育人的人类亘古基业。

作为“西方马克思主义”思潮的创始人，卢卡奇深刻参与到中国马克思主义理论形态和学术形态的当代重塑过程。《卢卡奇研究指南》（三卷本）精选近半个世纪以来英语、德语、俄语、法语等学界有关卢卡奇的经典研究论述，系统展现卢卡奇各个思想发展阶段、各个思想发展维度的国际学术共识，努力为国内卢卡奇研究提供坚实的学术支撑。《卢卡奇研究指南》三卷本分别对应卢卡奇早、中、晚期的思想，卷聚焦卢卡奇的早期思想，第二卷主要讨论卢卡奇影响的著作《历史与阶级意识》，第三卷主要探究卢卡奇中、晚期理论著作。

     《神农本草经》说：”茶叶苦，饮之使人益思，少卧，轻身，明目。” 中国人谚语说：门七件事，柴、米、油、盐、酱、醋、茶。现代人因喜爱普洱茶后发酵所产生的丰富变化，使得普洱茶文化自成一格。继“经典普洱”及“经典普洱——名词释义”后，《迷上普洱(精装修订版)(精)》由石昆牧著，作者将自己对普洱茶的认知与心情集结成书。在这里您会发现新信息的补充、市场的剖析和作者来去山林间的感悟，帮助您更贴近普洱茶的世界。《迷上普洱(精装修订版)(精)》从历史产区、生熟茶辨识、仓储存放辨识、冲泡技巧、健康生活一直到市场探讨，深刻纪录普洱茶的悠远传承。茶，是百草之王；品茶，是休闲生活：普洱茶，是一种您不能不尝试的诱惑。

马克思恩格斯思想比较研究是随着“马克思恩格斯问题”的提出而兴起和发展的。“马克思恩格斯问题”是指马克思与恩格斯的关系问题，包括马克思与恩格斯之间的思想关系问题、文本关系问题和生平交往关系问题。该书主要研究三个方面的重要问题：，包括马克思恩格斯思想比较研究是随着“马克思-恩格斯问题”的提出而兴起和发展的。新世纪，马克思恩格斯思想的比较研究正在成为国内马克思主义理论研究的热点。本书在详细梳理和解读国内外马克思与恩格斯思想关系研究的有关文献的基础上，依据文本，对马克思与恩格斯的思想关系、文本关系和生平交往关系进行了深入分析，特别是对马克思与恩格斯的自然观、辩证法、历史观、经济学思想、资本主义观、社会主义和共产主义观、革命观等进行了比较，从学术上进一步明确揭示了马克思与恩格斯思想之间的继承与发展、一致与差异、坚持与修正、提出与阐发等多重复合关系。

《光之世界》收集了七篇坎贝尔的演讲和文章，涉及的主题聚焦于他喜欢的话题——亚洲信仰中的神话和隐喻。坎贝尔通过深研究佛教、印度教和其他东方信仰体系的故事和意象，包括中国道教传统中的阴阳宇宙观，探索了东方的核心哲学和神话，通过生动的例子和故事将它们与西方的哲学和神话相互比较。 这本书以平实、易懂的故事传达了东方神话和宗教中蕴含的复杂哲理。坎贝尔以其典型的热情揭示了信仰体系中的神话力量，从而更好地指引读者利用神话的力量处理好当下生活中的种种问题。

本书是坎贝尔本人写作、选编的zui后一本书，收录了他1981—1984年间在旧金山发表的4篇演讲文章，概括了坎贝尔在科技高速发展、人类已经实现航天登月、普遍不相信神话的现代社会，对神话的全新诠释和理解。是zui贴近现今读者所处时代和心理特征的一本书，也是坎贝尔的哲思精华“心学”之作：以神话连内心与外界、过去与未来，对“天人合一”理念的深刻阐释。 坎贝尔通过三章的内容，论证了神话与科技的关系、人类心理与外太空法则的关系；书写了属于我们这个时代的新的神话，为技术与科技提供新的解读视角。读者可以认识到，人的内心与外在时代、境遇密不可分，而艺术作为现代生活中的神话形式，就是一面处在内外交界处的镜子。透过这面镜子，我们可以参透过去，预测未来。

本书作者依据其独创的思想构境理论这样一种新的文本解读方式，破了以往那种用传统哲学解释框架反注列宁思想的研究方法，真正诚实地从列宁当时所处的政治与学术争论语境出发，拟现了列宁的读书思路，探讨了列宁理解和发展唯物辩证法思想程中的重要逻辑转变和飞跃性认识的深层意义，揭示出列宁的“哲学笔记”其实是一部经过编辑加工的学术“混成品”，并对其中各个部分尤其是对列宁在一战爆发之际关于黑格尔的哲学笔记行了卓越的解读。

Nietzsche despre filologia clasic? – iat? un subiect cu adev?rat pasionant, prilej de satisfac?ii unice pentru amatorul de a urm?ri fascinantul spectacol al form?rii ?i al cunoa?terii de sine. C?ci acest subiect ?nseamn?, de fapt, Nietzsche despre el ?nsu?i ?i ?n acest sens pledeaz? chiar propria sa m?rturie – ?Filologii sunt asemenea oameni care folosesc sentimentul ap?s?tor pe care ?l provoac? infirmitatea proprie omului modern pentru a c??tiga cu el bani ?i p?ine. ?i cunosc, eu ?nsumi sunt unul dintre ei“ (Noi, filologii, fr. 170). Mai precis, este vorba despre o ipostaz? a personalit??ii spirituale nietzscheene considerat? din unghiul evolu?iei sale interioare; dar, nu o ipostaz? oarecare, ci una esen?ial?. ?i aceasta nu pentru simplul motiv c? este cea dint?i, ci pentru c? este cea mai profund?, cea care i-a marcat definitiv orizontul de cultur? ?i de g?ndire ?i a l?sat o amprent? durabil? ?n desf??urarea destinului personal al omului. (Vasile Musc?)

王安石的哲学思想是一个内圣外王并重的体系：既将德性放在一个非常重要的地位，同时也注重对功利主义的追求。王安石的哲学思想是以“道”为本体的思想体系，并提出了“法其意”和“道之全”的思想。“法其意”就是要效法先王的精神实质，形式则可以不同，安石以此强调了“变”的思想。“道之全”与理学家以五常为道本体的体系有很大不同，王安石以此为指导主张公吸收佛道诸子百家的思想。安石从“惟理之求”和“合吾心者”的标准出发，挣脱了一些条条框框的束缚，因而其所确立起的道不仅包括了一些道德伦理的内容，而且还有功利主义的因素。熙宁变法是其哲学思想外王实践的形式，而作为指导思想的《三经新义》将内圣与外王有机地统一起来。

Inigo (Ignatius de Loyola) begins as a hot-headed, street-fighting sensualist, in this action-packed play but due to serious injury in a sword-fight, he has to spend time recovering and reassessing his dissolute life. This stage version of his life follows his transformation to become the co-founder of the Jesuits in the sixteenth century, battling the powers of the day and the Inquisition. In Moore's bold, funny play, he asserts Inigo's position as a radical figure bent on changing the Catholic Church.?? This play is not only for those interested in Inigo and the Jesuits. It is also about individuals who fight for change against an implacable Establishment and it is ideal for performing in schools, colleges and theatres. Of special interest to schools and colleges, many of which are named after Inigo (Ignatius de Loyola).?Inigo's spiritual tools for change have informed other self-development programs such as the 12 step program for recovering drug and alcohol addicts. As Pope Francis is a Jesuit, this is a timely exploration of one of history's major spiritual leaders and reformers. "This is the most interesting play text to have reached me for a while... Ignatius of Loyala, founder of the Jesuits is not the most obvious choice for a play subject until you remember that he was effectively a counter-cultural radical fighting an implacable establishment suddenly it s both topical and relevant. I hope this thoughtful, engaging and very funny in places eight-hander will get more outings very soon. If not read the text anyway." --Susan Elkin, The Stage"Brilliantly written... a great evening of thoughtful and dynamic theatre." --Mark Lawson, arts correspondent"The structure and dynamism of the play, the art with which Jonathan Moore makes Ignatius accessible to us, capturing much of the drama of the Spiritual Exercises themselves, would also make I?igo an excellent discovery for schools and colleges." --James Hanvey SJ, Master of Campion Hall, University of Oxford, Thinking Faith Jonathan Moore is an award-winning actor, writer and director. As an actor he has played leading roles at the Royal Shakespeare Co, Royal Court, Donmar, the Royal Exchange and on BBC TV. He has directed theatre and opera world premieres at the Almeida, Donmar, West End, Royal Exchange, Gate, English National Opera, Covent Garden, La Fenice in Venice and on TV among many others. He has directed world premieres by composers such as Turnage, MacMillan, Henze, Schnittke, Nyman, Copeland and more, and his early work was sponsored by Joe Strummer of The Clash. He has collaborated with members of punk band Killing Joke and on several projects with Industrial group Test Dept. A published playwright and librettist, his work has been performed at leading theatres including the Donmar, Royal Exchange, Gate, BBC TV, radio and internationally. Jonathan was asked by Mark Rylance to direct the large-scale immersive project for over fifty performers What You Will, a co-production for Shakespeare s Globe, The Cultural Olympiad and Mayor s Office and several subsequent Shakespeare projects. He is due to direct a large-scale site-specific immersive project for Ludovico Einaudi in Italy and a new opera project with Stewart Copeland. He is on the Artistic Advisory Committee of the Royal Academy of Dramatic Art. He has had a Who s Who entry since 2007. A collection of Moore's plays has been previously published by Aurora Metro Books. www.jonathanmooreuk.com

Urm?nd acela?i tipar de p?n? acum (Logica elefan?ilor, Editura All, 2012), Ciprian V?lcan ?i Dana Percec au selectat c?te dou?zeci de eseuri care formuleaz?, ?ntr-o manier? doar aparent lejer?, un r?spuns la tot at?tea pretexte, culese cu ochiul colec?ionarului de caricaturi din presa rom?neasc? ?i interna?ional? sau din tomuri mai mult sau mai pu?in colbuite. Autorii inspecteaz? cu lupa ?i curiozitatea entomologului numeroase ?nt?mpl?ri, mesaje ?i personaje contemporane, ?ndemn?ndu-i pe cititori, prin stilul degajat ?i tonul convivial, s? se amuze pe seama absurdului din via?a de zi cu zi. Fie c? este vorba de politic?, sport, mod?, mass-media sau tribunale, de gastronomie sau vr?jitorie, eseurile demonteaz? adev?ruri mici, truisme, precum ?i pl?smuiri de tot felul. Fiec?rei p??anii evocate ?n pretext – unele ilare, cu miros de b?lci, altele aproape detestabile – autorii Metafizicii bicicli?tilor ?i r?spund ?n manier? diferit?, dar convergent?, contur?nd o nevoie de a r?scoli excesele lumii pentru a o ?ndemna s? se rea?eze.

Alchimia fericirii, publicat? ?n persan? (Kimiya?yi sa’adat), spre sf?r?itul vie?ii autorului, urm?re?te atenuarea tensiunilor dintre filosofii ?i misticii Islamului ?i scoate ?n eviden?? importan?a autodisciplinei ?i a ascetismului. Traducerea de fa?? are la baz? traducerea publicat? ?n 1910, ?n englez? de Claud Field (The Alchemy of Happiness) ?i este structurat? ?n opt capitole, aproximativ egale ca ?ntindere. Cartea de fa?? reune?te o serie de interpret?ri ale unor pilde cu con?inut religios evocate ?n Coran ?i ale unor idei exprimate de Mahomed, de al?i profe?i sau ?nv??ati musulmani. Chestiunile abordate de Al-Ghazali aduc ?n prim-plan ideea unei vie?i religioase exemplare. Astfel, el prezint? mai multe sfaturi pentru musulmanii pio?i. Raportul omului cu divinitatea, cu semenii s?i, cu rudele apropiate, dar ?i implica?iile religioase ale institu?iei c?s?toriei sau ale muzicii ?i dansului sunt printre cele mai importante subiecte din lucrarea lui Al-Ghazali. S? ?tii, o, preaiubite, c? omul nu a fost creat ?n glum? sau la ?nt?mplare, ci a fost f?cut ?ntr?un fel minunat ?i pentru un ?el ?nalt. Chiar dac? nu a existat dintotdeauna, el tr?ie?te ve?nic; ?i chiar dac? trupul s?u este slab ?i p?m?ntesc, spiritul ?i este m?re? ?i dumnezeiesc. ?i cu c?t este mai ales subiectul cunoa?terii noastre,cu at?t mai mare va fi ?nc?ntarea sim?it? ?n studierea acestuia; de exemplu, ne?ar face mai mult? placer s? ?tim secretele unui rege dec?t dac? am afla secretele unui ministru. V?z?nd c? Dumnezeu este cel mai ?nalt obiect posibil pentru cunoa?terea noastr?, cunoa?terea Sa trebuie s? ne d?ruiasc? mai mult? desf?tare dec?t oricare alta.

Cartea de fa??, pe care cititorul o ?ine acum ?n m?n?, reprezint? o form? – literar vorbind, foarte complex?, fiindc? ea evolueaz? pe mai multe voci narative, dintre care doar unele ?i apar?in ?n mod direct autoarei – de exorcism. Geniul inimii e r?spunsul unui poet la o experien?? personal? plenitudinar?, ?n care bucuria ?i suferin?a se ?ntrep?trund reciproc pentru a exprima, ?mpreun? ?i tensionat, starea de gra?ie. Exist? o voce a experien?ei biografice ?n aceast? carte scris? febril, o alta de martor sau de participant la istorie, tot a?a cum exist? o voce a puterii ?i una a victimei. Deasupra tuturor st?, ?ns?, nu neap?rat triumf?toare, dar lucid-cerebral?, chemarea celor dou? credin?e pentru care merit? s? tr?ie?ti ?i s?-?i rememorezi via?a atunci c?nd ai ajuns cu ea la r?sp?ntie: credin?a ?n cultura modelelor care te-au precedat ?i credin?a deloc ingenu?, ci ivit? din cunoa?tere, ?n sacralitatea profund? a celor tr?ite ?i ?n transcenden??. (?tefan Borbély) A considera un text drept ?carte a ilumin?rilor mele“ ?i a a?eza ca titlu al primei p?r?i a volumului sintagma Povestea subteranei ne plaseaz? sub semnul aproape imposibil al drumului c?tre Sine, al cuprinderii, al denud?rii ?i al efortului de a ?n?elege un obiect al c?rui adev?r se va afla ?ntotdeauna ?n proximitatea pe?terii lui Platon. E un demers perpetuat, dar niciodat? epuizat ?i aproape exclus din plasma comunic?rii, care – ?n situa?ia ?romanului“ Aurei Christi – nu are coresponden?e, nu se apropie de experien?a budhist?, nici de prerogativele ocultismului de New Age, ci ne aduce ?n vecin?tatea ?ndemnului de pe frontispiciul templului lui Apollo din Delphi, preluat apoi, ca solu?ie ?ntre a fi ?i a p?rea, de c?tre Socrate: ?Cunoa?te-te pe tine ?nsu?i!“. Po?i ?nt?lni, pe acest drum, ?i acel daimonion care a str?juit g?ndirea aceluia?i ?n?elept atenian ca alt? fa?? a ?subteranelor“ fiin?ei, acolo unde lumina se ?ngem?neaz? cu ?ntunericul, stare ?poetizat?“ de Goethe, dar pr?bu?it? ?n tragic de Dostoievski. E o cobor?re spre ?n?elegere prin cuprindere ?i, implicit, prin atingerea nelimitatului. (Mircea Braga) Cartea Aurei Christi Geniul inimii pare o st?nc? masiv?, singuratic?, ?ntr-un peisaj ?mioritic“. Geniul inimii are originalitate ?i for??. Prima parte e liric?, a doua (?ntr-un fel) – o comedie negru-satiric?, a treia – predominant epic-narativ?. Prima parte este excelent?; mi-am ?nsemnat un num?r de poezii memorabile. A doua, ?n centrul ei mai ales, are sec?iuni, pasaje extrem de interesant-pl?cute-amuzante, ?n pofida tonului, uneori, foiletonistic. A treia e impresionant? ?n ansamblu, armonios-coerent?, de o sinceritate sf??ietoare. ?n tot volumul, istoricul, religiosul, subiectivul se leag? foarte frumos ?ntre ele. Nu-mi plac laudele la adresa lui Nietzsche! De fapt, cum se leag? acest autor de Biblie, de Evanghelii?! Aura Christi poate fi m?ndr? de o realizare major?, cu totul original?. Probabil, nu l-a citit pe romanticul britanic Wordsworth; dar el e cel care a scris (sau a ?nceput s? scrie) o memorabil? autobiografie ?n versuri. Pu?ini l-au continuat. Am putea spune c? Aura se num?r? printre cei pu?ini. (Virgil Nemoianu)