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Anthony van Dyck: 70 Drawings ＆ Studies
￥9.48
Anthony van Dyck: 70 Drawings ＆ Studies
Music Business Bastards: How to do well in the music business without getting ri
￥53.55
Music Business Bastards: How to do well in the music business without getting ripped off
Royal Doulton Shaving Mugs
￥31.07
Royal Doulton Shaving Mugs
In the Scene: Jane Campion
￥38.99
In the Scene: Jane Campion
The Dance
￥16.27
The Dance
Gitanjali
￥24.44
Gitanjali
Whispers of a soul
￥7.72
Whispers of a soul
High Concept Harry: Hollywood Hustler
￥32.29
High Concept Harry: Hollywood Hustler
Dark Snow: A Collection of Poignant, Deeply Emotional Soliloquies and Duets
￥32.29
Dark Snow: A Collection of Poignant, Deeply Emotional Soliloquies and Duets
My Picture Collection: A Compilation of My Everyday Life, Social Events and Leis
￥32.62
My Picture Collection: A Compilation of My Everyday Life, Social Events and Leisure Pictures
Fourths Tuning Scales and Arpeggios
￥48.97
Fourths Tuning Scales and Arpeggios
Jazz Practice Ideas with Your Real Book
￥48.97
Jazz Practice Ideas with Your Real Book
Hymns of the Christian Life No.2
￥24.44
Hymns of the Christian Life No.2
?uli?i i ?uli?i uveoci
￥33.27
ulii i ulii uveoci
Musings On Cats And Dogs: Collection Of Poems On Cats And Dogs Respectively
￥32.62
Musings On Cats And Dogs: Collection Of Poems On Cats And Dogs Respectively
Cinco sentidos: II Edición
￥7.72
Cinco sentidos: II Edición
Hamlet
￥16.27
Hamlet
Macbeth
￥16.27
Macbeth
Les Fleurs Du Mal
￥24.44
Les Fleurs Du Mal
From Scales to Solos: Zonal Improvisation on Guitar
￥48.97
From Scales to Solos: Zonal Improvisation on Guitar
The Cherry Orchard
￥24.44
The Cherry Orchard is one of the best known plays by the prolific Russian dramatist Anton Chekhov. It has been translated into practically all languages and is part of the classic repertoire of all world stages. Chekhov is known for his art of subtlety, humour, stream of consciousness technique, and fine balance which is often difficult to get right. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. The play concerns an aristocratic Russian landowner who returns to her family estate just before it is auctioned to pay the mortgage. Unresponsive to offers to save the estate, she allows its sale to the son of a former serf. The story presents themes of cultural futility – both the futile attempts of the aristocracy to maintain its status and of the bourgeoisie to find meaning in its newfound materialism. It dramatises the rise of the middle class after the abolition of serfdom in the mid-19th century and the decline of the power of the aristocracy.
