In issuing this second treatise on Crayon Portraiture, Liquid Water Colors and French Crystals, for the use of photographers and amateur artists, I do so with the hope and assurance that all the requirements in the way of instruction for making crayon portraits on photographic enlargements and for finishing photographs in color will be fully met. To these I have added complete instructions for free-hand crayons. This book embodies the results of a studio experience of twenty-four years spent in practical work, in teaching, and in overcoming the everyday difficulties encountered, not alone in my own work, but in that of my pupils as well. Hence the book has been prepared with special reference to the needs of the student. It presents a brief course of precepts, and requires on the part of the pupil only perseverance in order that he may achieve excellence. The mechanical principles are few, and have been laid down in a few words; and, as nearly all students have felt, in the earlier period of their art work, the necessity of some general rules to guide them in the composition and arrangement of color, I have given, without entering into any profound discussion of the subject, a few of its practical precepts, which, it is hoped, will prove helpful. While this book does not treat of art in a very broad way, yet I am convinced that those who follow its teachings will, through the work they accomplish, be soon led to a higher appreciation of art. Although this kind of work does not create, yet who will say that it will not have accomplished much if it shall prove to be the first step that shall lead some student to devote his or her life to the sacred calling of art? It has been said that artists rarely, if ever, write on art, because they have the impression that the public is too ill-informed to understand them—that is, to understand their ordinarily somewhat technical method of expression. If, therefore, in the following pages I may sometimes seem to take more space and time for an explanation than appears necessary, I hope the student will overlook it, as I seek to be thoroughly understood. My hope with reference to this work is that it may prove of actual value to the earnest student in helping him reach the excellence which is the common aim of all true artists. ? ?J. A. Barhydt. About Author: To many who know nothing about the art of crayon portraiture, the mastery of it not only seems very difficult, but almost unattainable. In fact, any work of art of whatever description, which in its execution is beyond the knowledge or comprehension of the spectator, is to him a thing of almost supernatural character. Of course, this is more decided when the subject portrayed carries our thoughts beyond the realms of visible things. But the making of crayon portraits is not within the reach alone of the trained artist who follows it as a profession. I claim that any one who can learn to write can learn to draw, and that any one who can learn to draw can learn to make crayon portraits. Making them over a photograph, that is, an enlargement, is a comparatively simple matter, as it does not require as much knowledge of drawing as do free-hand crayons. But you must not suppose that, because the photographic enlargement gives you the drawing in line and an indistinct impression of the form in light and shade, you are not required to draw at all in making a crayon portrait over such an enlargement. Some knowledge of drawing is necessary, though not a perfect knowledge. Many people err in supposing that only the exceptionally skilled can produce the human features in life-like form upon the crayon paper. While recognizing great differences in natural aptitude for drawing in different persons, just as those who use the pen differ widely in their skill, some being able to write with almost mechanical perfection of form, I still hold that any one who is able to draw at all can succeed in producing creditable crayons.. J. A. Barhydt.

"A fun and quirky adventure. Chris Sick Hong is an author to watch!" - Patricia Briggs Dick Richards lives and breathes a world full to bursting with technology and magic, wonder and whimsy. Skyscrapers kiss the edge of space, the magical races are quietly mixing back into thronging humanity, and itinerant superheroes are one step ahead of the law. Dick is at home in the seamy underbelly of this world—if you wrung his coat, it would drip cynicism. But when his latest case endangers his friends...?it becomes personal. ____________________________________________________________ Join Dick Richards on his next adventure! The 2nd part of the series,? Dick Richards: Planeswalker is now available as an ebook.?? Readers' reviews “ Chris Sick Hong knows his craft well and strikes a daring pose with DICK RICHARDS, PRIVATE EYE. Entertaining, informed and informing, humor and action driven, this Noir Cyberpunk adventure is sure to thrill and entertain. With tinges of Harrison’s Stainless Steel Rat and Gibson’s Burning Chrome, DICK RICHARDS forges a unique alloy of fantasy, magic, and science into an engaging and entertaining story. ”?- Kevin Noel Olson, author of TOCSIN CODEX " This is such a fun, quirky book. So many authors do the noir style badly, but Chris absolutely nails it. In a futuristic world that's like Blade Runner with elves, a jaded private detective gets drawn into a case that becomes increasingly dangerous...and increasingly personal. " - 5 star review on Goodreads? "I loved this book from start to finish. The world is engaging, the characters are colorful and interesting. The plot is engaging and dynamic. If you are a fan of the sci-fi genre, this is a great book to read. " - 5 star review on Amazon " I definitely recommend this to anyone looking for a fresh take on the traditional detective/mystery story. " - 4 star review on Amazon

It’s 1914 – the biggest war the world has known has just broken out in Europe. Far away in New Zealand, William is keen to join up and fight the Germans but his younger brother, Edmund, is totally against the war and refuses to fight. While William trains to be a soldier, Edmund is arrested for being a ‘conchie’ and locked up in prison. Then he too is made to work for the army. What happens on the terrible battlefields in France? Will either brother live to fight another day? This book is a triple award-winner by acclaimed New Zealand writer of YA fiction, David Hill.

Rose cannot remember what came before the house at the edge of the forest. Gwynne says he magicked her out of the flowers, but she’s not so sure. She has played the part of the perfect farmer’s wife for Lewis, who is kept firmly in place by his uncle Gwynne, and accepted her lonely existence. Then a stranger is seen in the forest. What lengths will she go to, to escape the life chosen for her? A contemporary tale of desire, beauty, betrayal and revenge. Award-winning Kaite O’Reilly has written for National Theatre Wales and the London 2012 Cultural Olympiad. Her work has been produced across the UK and internationally. Her awards include the Peggy Ramsay Award, and the Ted Hughes prize for New Works in Poetry.

A masterpiece of modern drama, The Seagull dramatises the romantic and artistic conflicts between four characters: the ingenue Nina, the fading actress Irina, her son the symbolist playwright Konstantin, and the famous middlebrow story writer Trigorin.

In his 1980 essay,? The World of Tomorrow and the Person of Tomorrow , the psychologist Carl Rogers contemplated the future. He described those who would usher in this new era as people with the capacity to understand, bring about and absorb a paradigm shift. He added: "I have an uneasy feeling about this chapter… It is a beginning, an outline, a suggestion… I believe that what I am saying here will some day be fleshed out much more fully, either by me or someone else." Maureen O’Hara and Graham Leicester are uniquely qualified to flesh out Carl Rogers’s vision (Maureen worked closely with Rogers for many years). Here they explore the competencies – the ways of being, doing, knowing and organising - that can help us navigate in complex and powerful times. They argue that these competencies are innate and within reach of all of us – given the right setting, plenty of practice and some gentle guidance. But they are seldom seen because they are routinely undervalued in today’s culture. That must change, the authors insist, and this book is intended to begin that change. The book is based on the authors’ extensive research and their practical experience observing the qualities demonstrated by some of today’s most successful cultural, political and business leaders.?

The length of the front in the East was much longer than in the West. The theater of war was roughly delimited by the Baltic Sea in the West and Moscow in the East, a distance of 1,200 kilometers, and Saint Petersburg in the North and the Black Sea in the South, a distance of more than 1,600 kilometers. This had a drastic effect on the nature of the warfare. While World War I on the Western Front developed into trench warfare, the battle lines on the Eastern Front were much more fluid and trenches never truly developed. This was because the greater length of the front ensured that the density of soldiers in the line was lower so the line was easier to break. Once broken, the sparse communication networks made it difficult for the defender to rush reinforcements to the rupture in the line to mount a rapid counteroffensive and seal off a breakthrough. There was also the fact that the terrain in the Eastern European theater was quite solid, often making it near impossible to construct anything resembling the complicated trench systems on the Western Front, which tended to have muddier and much more workable terrain. In short, on the Eastern front the side defending did not have the overwhelming advantages it had on the Western front. Because of this, front lines in the East kept on shifting throughout the conflict, and not just near the beginning and end of the fighting, as was the case in the West. In fact the greatest advance of the whole war was made in the East by the German Army in the summer of 1915. With the aid of numerous black and white and color photographs, many previously unpublished, the World War I series recreates the battles and campaigns that raged across the surface of the globe, on land, at sea and in the air. The text is complemented by full-color maps that guide the reader through specific actions and campaigns.

A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description.

Leviathan is one of the earliest and most influential examples of social contract theory. A classic western work on statecraft comparable to Machiavelli's The Prince. Written during the English Civil War (1642–1651), Leviathan argues for a social contract and rule by an absolute sovereign.

You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you’re captivated. Or perhaps, you’ve been dancing and investigating for years. What’s next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: ·??????Contact Improvisation in performance ·??????Boundaries and sexuality ·??????Political activism ·??????Dancing while aging ·??????Expanded teaching research notes ·??????Advanced skills Whether you are the improviser who savors the slow rivers of sensation…or who delights in spontaneous acrobatics…or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still. ? Martin Keogh dances, teaches, and researches Contact Improvisation. His love for the dance has taken him to 31 countries across six continents. Keogh was named a Fulbright Senior Specialist for his contribution to the development of the form. Martin spent time in monasteries in Japan and Korea and was the director of the Empty Gate Zen Center in Berkeley, CA before he discovered the world of dance. He is the author of: As Much Time as it Takes and the anthology: Hope Beneath Our Feet: Restoring Our Place in the Natural World. He lives with his family by the Salish Sea in British Columbia. martinkeogh.com

Shakespeare was familiar with all beautiful forms and images, with all that is sweet or majestic in the simple aspects of nature and human life, of that indestructible love, and clear waters, and soft airs and sounds, and bright skies and woodland solitudes, and moon-light bowers. The writings of Shakespeare have been justly termed the richest, the purest, the fairest, that genius uninspired ever penned. This collection of Shakespeare love tales includes: Romeo and Juliet, King Lear, Pericles. These timeless stories are retold in modern English retaining all key elements of Shakespeare's original storyline, characters and wisdoms.

Shakespeare instructed by delighting. His comedies and tragedies contain more actual wisdom than the whole body of English learning. He is the teacher of all good – pity, generosity, true courage, love. His bright wit is cut out into little stars. This collection of Shakespeare tales includes: The Tempest, Much Ado About Nothing, Cymbeline. These timeless stories are retold in modern English retaining all key elements of Shakespeare's original storyline, characters and wisdoms.

This Classic Edition contains the original version of "The Elements of Style" written by Cornell University English professor William Strunk Jr. Generations of college students and writers have learned the basics of grammar from this short primer over the years. It was rated "one of the 100 most influential books written in English" by Time in 2011, and iconic author Stephen King recommended it as a grammar handbook that all aspiring writers should read. Written one hundred years ago, "The Elements of Style" is a nostalgic link to a momentous time in American history that ushered in the Art Deco era and the Roaring Twenties. Many of the English grammar rules it cites are as relevant today as they were at the turn of the 20th century; but, one by one, these rules are becoming out-of-date This Classic Edition, updated as we head into 2017, is intended as a tribute to Prof. Strunk's enduring book. It follows the original version but includes these enhancements for today's readers: 1. Editorial notes have been inserted to indicate grammar rules now considered obsolete, and to provide brief insights on updated rules for present-day writers. 2. Easily recognizable symbols have been added to the grammar examples throughout the book so that readers can discern correctly written sentences from errors at a glance. 3. A Study Guide has been added at the conclusion of the book. 4. The paperback version includes blank, lined pages at the end for convenient note taking. 5. The digital version has been restyled for improved display on all modern e-book readers.

When Sheherazad is brought to the palace to be the Sultan’s new bride, her very life depends upon her skill as a storyteller. She tells him tales of lost cities and buried treasure, of slave girls and robbers, of genies in bottles and evil sorcerers. But will it be enough to save her? The stories of the Arabian Nights date back more than a thousand years and originate from Persia, India and Arabia. Neil Duffield has combined elements of many of them, keeping alive the excitement and humour to produce a show which will transport the audience into a world of myth and legend where fantasy and reality can never be separated.

Bradford, in the month of Ramadan. Shaz, a local garage mechanic, is trying to keep his business going despite the terrible scandal of Asian men involved in grooming young girls for sex in the area. A protest march through the city is planned and Samina, Shaz’s sister wants to make a speech at a counter-demonstration for Peace. Shaz just wants a quiet life so that his prospective in-laws will let him marry their beautiful daughter, but as the city gets swept up in the protest, his world gets turned upside down. Asif Khan’s debut play is a fabulously comic take on the combustion surrounding young British Muslim lives.

A dual language edition in English and French. The genocide in Rwanda shocked the world. Back then, Ery Nzaramba was only a teenager and his family’s escape to Europe turned him into a “survivor”. How should he now respond to questions about who he is and where he comes from? In this autobiographical one-man play, performed to acclaim on the Edinburgh Festival Fringe, the author journeys back to his Rwandan childhood. With the help of a cassette player, he brings to life nearly a dozen characters, exploring memories of kinship, cultural attitudes and personal identity. Both funny and poignant, the play highlights not only the intolerance that can breed violence and war but also the importance of power and privilege in the struggle for survival. Le génocide au Rwanda a choqué le monde. ? l'époque, Ery Nzaramba était un adolescent. Après que sa famille se fut échappé en Europe, il est devenu un ?survivant?. Désormais, que doit-il répondre à des questions sur qui il est et d'où il vient? Dans ce one-man show autobiographique, salué par la critique lors de sa présentation au Festival d'?dimbourg, l'auteur retourne vers son enfance au Rwanda. Accompagné d'un lecteur cassette, il donne vie à une bonne douzaine de personnages, explorant souvenirs de famille et d'affinités, attitudes culturelles et identité. ? la fois poignante et pleine d'humour, la pièce met en lumière non seulement l'intolérance qui peut engendrer violence et guerre, mais aussi l'importance du privilège dans la lutte pour la survie.

The Seagull is one of the best ever dramas about the theatre, yet on the very first opening night it was a famous failure. The play triumphed later in Stanislavski's production and became one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama.

A watchman on top of the house, reporting that he has been lying restless there like a dog for a year, for so rules the expectant manly-willed heart of a woman (that woman being Clytemnestra awaiting the return of her husband, who has arranged that mountaintop beacons give the signal when Troy has fallen). He laments the fortunes of the house, but promises to keep silent: 'A huge ox has stepped onto my tongue.' However, when Agamemnon returns, he brings with him Cassandra, the enslaved daughter of the Trojan king, Priam, and a priestess of Apollo, as his concubine, further angering Clytemnestra.

The Best Selling Indie film making manuals. The books On Low Budget Film Making, On, Writing A Low Budget Screenplay and On Making A Found Footage Film all in one book. Featuring dozen of interviews with a whole new generation of micro budget film makers along with hands on advice on every aspect of film making in this new DSLR age. This set of books will take you from crafting a low budget screenplay straight through to post production. There is no one better on earth to learn the ins and outs of micro budget filmmaking than those who are in the trenches doing it on a day to day basis. You will pick up so much useful information from the interviews done with these filmmakers in On Low Budget Filmmaking. People for decades have said if you want to get started in the film industry you need to write a low budget screenplay. Great, but no one bothered to tell you how to do this. Well, I have. In my book On Writing a Low Budget Screenplay, I teach you the basic rules and concepts to aid you in crafting a low to micro budget screenplay. I believe that a quality screenplay can to crafted with a budget of fewer than ten thousand dollars in mind. This book is not only going to teach you to focus on the budget but to create a compelling character. This book will make you a better screenwriter. With the rules, you learn you will be able to craft a strong screenplay at any budget level. The Found Footage film is never going away. I realized this a while a go so I spent over a year studying these films and interview dozens of film makers who have made Found Footage films, including the guys behind Found Footage 3D, and tried to put the lessons that they learned all into one book. If you wish to make a Found Footage film then my book On Making A Found Footage Film is a must read. You can enjoy all three books in one collection.

Environmental Degradation and Dryland Agro-Technologies in Northwest China” is a documentation of past and present research, training and extension experiences on: environmental degradation; conservation farming systems; water and nutrient management options; soil and water management technologies and training; soil erosion control; dryland agriculture and soil erosion; soil fertility and crop production; drought and soil water use, demonstration of ecologically sustainable agriculture; and dissemination of farming system technologies in the arid and semi-arid lands of Northwest China. These concerns are expounded on both from the national (China) and Regional (Loess Plateau) perspectives. The information provided herein was obtained through a review of all relevant literature and firsthand consultations/discussions undertaken by the author with professors and local research scientists, technicians and farmers in Northwest China. The facts and figures presented are based on their experiences of many years. This publication does provide valuable scientific information on the status of environmental degradation and dryland agro-technologies within Northwest China that are either traditional or newly developed through scientific research at various relevant Institutions such as NWAU, NWISWC and Regional Academies of Agricultural Sciences such as SAAS, GAAS, NAAF and QAAF. There are lessons to be learnt and plausible remedial conservation measures to be adopted elsewhere from these experiences in Northwest China.

Do you tell your dog to lay down or lie down? How do you respond to the question of "How are you?" Do you say good or well? If these questions confuse you, imagine how tough it is for your kids. Don't worry about it anymore. Let Queen Shinobi teach them the proper way. She's been around a long, long time and she knows her stuff. So invest a few bucks in your child's learning and let Queen Shinobi show them how to do it. ?