Junimea ?i revista Convorbiri literare, pentru o ?ar? ca a noastr?, a tuturor nea?ez?rilor, au fost un suflu de temeinicie care s-a mai repetat ?n perioada interbelic?, f?r? a reu?i s? se coaguleze ca urmare a r?zboiului ?i dictaturilor ce l-au ?nso?it ?i urmat; suflu care pare ?nc? departe, ca s? nu spunem imposibil s? revin? ?n cultura rom?n? sub presiunea globalismului ?i multiculturalismului, a deconstruc?iei cu program ?n toate manifest?rile social-culturale, materiale ?i spirituale. E un model care, dup? o sut? cincizeci de ani, ?nc? ??i trimite razele f?r? a primi o reflectare pe m?sur?.Ceea ce deosebe?te criticismul junimist de criticile epocii ?i, ?n parte, ?i de al ?nainta?ilor este atitudinea comun?, afirmat? de Maiorescu, respectul adev?rului.Importan?a ?i influen?a junimismului ?n sfera politic? sunt de acela?i nivel cu cele afirmate ?n plan cultural ?i literar, e drept, nu cu aceea?i durabilitate, politicul este mult mai efemer, dar nu mai pu?in implicat ?i cu efecte imediate ?i adesea pe termen mediu ?i lung ?n via?a social? a ??rii. (Cassian Maria Spiridon)

ARCHITECTURE seems to me to be the most wonderful of all the arts. We may not love it as much as others, when we are young perhaps we cannot do so, because it is so great and so grand; but at any time of life one can see that in Architecture some of the most marvellous achievements of men are displayed. The principal reason for saying this is that Architecture is not an imitative art, like Painting and Sculpture. The first picture that was ever painted was a portrait or an imitation of something that the painter had seen. So in Sculpture, the first statue or bas-relief was an attempt to reproduce some being or object that the sculptor had seen, or to make a work which combined portions of several things that he had observed; but in Architecture this was not true. No temples or tombs or palaces existed until they had first taken form in the mind and imagination of the builders, and were created out of space and nothingness, so to speak. Thus Painting and Sculpture are imitative arts, but Architecture is a constructive art; and while one may love pictures or statues more than the work of the architect, it seems to me that one must wonder most at the last. We do not know how long the earth has existed, and in studying the most ancient times of which we have any accurate knowledge, we come upon facts which prove that men must have lived and died long before the dates of which we can speak exactly. The earliest nations of whose Architecture we can give an account are called heathen nations, and their art is called Ancient or Heathen Art, and this comes down to the time when the Roman Emperor Constantine was converted to Christianity, and changed the Roman Capitol from Rome to Constantinople in the year of our Lord 328. The buildings and the ruins which still remain from these ancient times are in Egypt, Assyria, Persia, Judea, Asia Minor, Greece, Etruria, and Rome. Many of these have been excavated or uncovered, as, during the ages that have passed since their erection, they had been buried away from sight by the accumulation of earth about them. These excavations are always going on in various countries, and men are ever striving to learn more about the wonders of ancient days; and we may hope that in the future as marvellous things may be revealed to us as have been shown in the past. EGYPT: As we consider the Architecture of Egypt, the Great Pyramid first attracts attention on account of its antiquity and its importance. This was built by Cheops, who is also called Suphis, about 3000 years before Christ. At that distant day the Egyptians seem to have been a nation of pyramid-builders, for even now, after all the years that have rolled between them and us, we know of more than sixty of these mysterious monuments which have been opened and explored. Of all these the three pyramids at Ghizeh are best known, and that of Cheops is the most remarkable among them. Those of you who have studied the history of the wars of Napoleon I. will remember that it was near this spot that he fought the so-called Battle of the Pyramids, and that in addressing his soldiers he reminded them that here the ages looked down upon them, thus referring to the many years during which this great pyramid had stood on the border of the desert, as if watching the flight of Time and calmly waiting to see what would happen on the final day of all earthly things. There have been much speculation and many opinions as to the use for which these pyramids were made, but the most general belief is that they were intended for the tombs of the powerful kings who reigned in Egypt and caused them to be built.The pyramid of Cheops was four hundred and eighty feet and nine inches high, and its base was seven hundred and sixty-four feet square. It is so difficult to understand. CLARA ERSKINE CLEMENTAUTHOR OF "HANDBOOK OF LEGENDARY AND MYTHOLOGICAL ART," "PAINTERS, SCULPTORS, ENGRAVERS, ARCHITECTS AND THEIR WORKS," "ARTISTS OF THE NINETEENTH CENTURY"

A hilarious field guide to the world’s most remarkable and unusual creatures: the English. Thanks to television documentaries by Bruce Parry and David Attenborough, we are better acquainted with the hunting rituals of the San bushmen and the mating habits of Papua New Guinean tribes than we are with the everyday lives of that most peculiar of species – the English. In ‘The English: A Field Guide’, Sunday Times journalist Matt Rudd, sets out to uncover what makes us, the English, tick. He will examine us in our natural habitats, starting with the living room and moving out to the kitchen, the garden, the commuter train, the office, the motorway, the high street, the sports stadium, the pub, club, bingo hall, balti house, beach and ending up in the bedroom. Hilarious, warm-hearted and surprisingly enlightening, ‘The English’ shines a strong searchlight on us all.

Stop Wondering What to Wear and Wear. This… Now. That first date, job interview or dinner with your future in-laws may be stressful, but figuring out what to wear for it shouldn’t be. And thanks to style expert Michelle Madhok and the editors of SHEfinds.com, it isn’t. Members of the team behind SHEfinds.com make a living putting the perfect outfit together (at the right price), and they’ve taken the guesswork out of getting dressed. From basic essentials to special events, learn how to build a foolproof wardrobe―without breaking the bank―and look stylish for every season, every occasion, every single day of the year. Get the inside scoop on: Designer deals and steals, When to invest and when to spend less, The essentials for every season, S.O.S. for any (and every) style conundrum, Navigating the sales racks―and seasons!―like a pro

The Optimist’s Encyclopedia. In this A-Z of all things nice, Steve Stack takes the reader on an alphabetical tour of the good things in life. Trivial things such as dunking biscuits, drawing pictures in steamed up windows and the sound jelly makes. Big important things like falling in love, Nobel Peace Prize winners and the Internet. And pretty much everything in between from Lego to the shipping forecast, popping bubble wrap to meerkats with guest appearances from Sir David Attenborough, Oliver Postgate, Columbo and The Flaming Lips. It Is Just You, Everything’s Not Shit is the perfect gift for the cynic in your life. It will cheer up even the most miserable of old gits.

A witty, personal and entertaining reflection on the history and meaning of paper during the (passing) era of its universal importance. Paper serves nearly every function of our lives. It is the technology with which we have made sense of the world. Yet the age of paper is ending. Ebooks now outsell their physical counterparts. Still, there are some uses of paper that seem unlikely to change – Christmas won’t be Christmas without wrapped presents or crackers. And the language of paper – documents, files and folders – has survived digitisation. In ‘Paper: An Elegy’ Ian Sansom builds a museum of paper and explores its paradox – its vulnerability and durability.

Simon Morrison is a professor of music at Princeton University, a contributor to the New York Times and the New York Review of Books, and the author of, most recently, The Love and Wars of Lina Prokofiev. He lives in Princeton, New Jersey.

Aceast? carte este un demers pe care l-am g?ndit ca pe o lucrare de sintez? care s? surprind?, ?n m?sura posibilit??ilor, puncte de referin?? ?ntre texte ?i autori din perioade diferite, din Evul Mediu european ?i Rena?tere, con?tient? fiind c? epoca medieval? nu trebuie considerat? cu nimic mai prejos dec?t grandorile Greciei vechi sau ale Rena?terii. Problematica acestui concept al Alegoriei ?n receptarea sa de c?tre literatura Evului Mediu, dar ?i de c?tre epocile ulterioare, este complex? ?i bogata bibliografie ce i s-a consacrat ?n ultimele decenii nu face dec?t s? provoace la noi discu?ii ?i interpret?ri a?a cum este ?i aceast? lucrare.

Pogácsa Tánc: ?sszegy?jt?tt Versek 2003-2007

Following the phenomenal success of Grumpy Old Men, the quintessential grumpy old man, David Quantick, has taken a well-deserved holiday. But no matter where you go, there is always something to moan about. You're stuck behind endless caravans on the M4, waiting for a non-existent filthy train, hanging around looking at crap luggage in an airport. Is it going to be worth the effort? Of course is b****y well isn't. David Quantick here explores everything that makes the rest of the world different – and therefore worse – than Britain and lets us know exactly why it is safer to stay at home than to become grumpy old men on holiday. The indispensable guide to the grumpy old xenophobe in us all.

Dincolo de miza succesului ?colar (examenul de Evaluare Na?ional? fiind un prag important pentru fiecare elev), studiul limbii ?i al literaturii rom?ne trebuie s? r?m?n?, ?n gimnaziu, o experien?? cultural? pertinent? ?i interesant?, care s? implice imagina?ia, gustul estetic, nevoia de autointerogare ?i de comunicare. Respect?nd programa specific?, structura oficial? a subiectelor ?i maniera de formulare a sarcinilor de lucru stabilite de Ministerul Educa?iei, volumul ??i propune s? nuan?eze preg?tirea continu? ?i sistematic? pentru Evaluarea Na?ional?, intervenind cu fi?e teoretice esen?ializate, teme de portofoliu, modele ?i sugestii de rezolvare, r?spunsuri selective ?i o cons istent? baterie de teste de antrenament. De asemenea, cartea are ?n vedere, prin selec?ia textelor (clasice sau contemporane, din autori celebri sau mai pu?in cunoscu?i ?n anii de gimnaziu), redescoperirea ?n adolescentul de 14?15 ani a cititorului pasionat sau m?car avizat, dornic s???i sus?in? punctele de vedere, s???i l?rgeasc? orizontul cultural ?i s? descopere, dincolo de informa?ii, reguli, canoane, adev?ratele provoc?ri, ierarhii, idoli, ca form? de acomodare cu specificul ?i noile problematici ale orelor de limba ?i literatura rom?n? din clasa a IX?a de liceu.

You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you’re captivated. Or perhaps, you’ve been dancing and investigating for years. What’s next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: ·??????Contact Improvisation in performance ·??????Boundaries and sexuality ·??????Political activism ·??????Dancing while aging ·??????Expanded teaching research notes ·??????Advanced skills Whether you are the improviser who savors the slow rivers of sensation…or who delights in spontaneous acrobatics…or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still. ? Martin Keogh dances, teaches, and researches Contact Improvisation. His love for the dance has taken him to 31 countries across six continents. Keogh was named a Fulbright Senior Specialist for his contribution to the development of the form. Martin spent time in monasteries in Japan and Korea and was the director of the Empty Gate Zen Center in Berkeley, CA before he discovered the world of dance. He is the author of: As Much Time as it Takes and the anthology: Hope Beneath Our Feet: Restoring Our Place in the Natural World. He lives with his family by the Salish Sea in British Columbia. martinkeogh.com

An American comic icon tells the story of his second act rise from obscurity to multimedia stardom. "When I was a kid," writes Rodney Dangerfield, "I worked tough places in show business places like Fonzo's Knuckle Room. Or Aldo's, formerly Vito's, formerly Nunzio's. That was a tough joint. I looked at the menu. They had broken leg of lamb." For once, one of America's most beloved comic icons isn't kidding. Dangerfield has seen every aspect of the entertainment industry: the rough and tumble nightclubs, the backstage gag writing sessions, the drugs, the hookers, the lousy day jobs and the red carpet star treatment. As he traces his route from a poor childhood on Long Island to his enshrinement as a comedy legend, he takes readers on a roller coaster ride through a life that has been alternately touching, sordid, funny, raunchy, and uplifting equal parts "Little Orphan Annie" and "Caligula." And unlike most celebrity autobiographers, he seems to have no qualms about delivering the unfiltered whole story, warts and all. Dangerfield's personal story is also a rollicking show business tale, full of marquee name droppings (Adam Sandler, Sam Kinison, Jim Carrey, Johnny Carson, Jerry Seinfeld) and good stories about same. Defying the old saws about the fleeting nature of fame and the dearth of second acts in American life, Dangerfield transformed himself from a debt ridden aluminium siding salesman named Jack Roy to a multimedia superstar and stayed an icon for decades. His catchphrase "I get no respect" has entered the lexicon, and he remains a visible cultural presence and perennial talk show guest. Dangerfield's hilarious and inspiring musings should thrill comedy fans and pop culture watchers, and his second act comeback will strike a chord with readers of all stripes. Maybe he'll even get some respect.

If business is a hamster wheel, what kind of hamster do you want to beThe one who runs all day long, huffing and puffing to keep things turningOr the sleek and happy rodent who works in the corner office down the hallStanley Bing has seen the way the big furballs operate in good times and bad.Core skills taught in this book:DelegationTelling people what to do and having them do it.AbsenceOperating from the digital vacuum.Abuse of statusIt can be done.DecisivenessEven when confused.EngagementBut only when necessary.Step off the wheel.Grab this book.And relax.

You drag yourself to work wearing your office uniform, complete with khaki pants and sense of impending doom. After grabbing a cup of the office sludge, you settle in with your fellow cube dwellers and wonder: How will I last another day in this freaky corporate jungleCheaper than therapy, Cube Monkeys is your secret weapon to surviving the longest 40 hours of the week. Wanna get the overachieving intern firedDon't know how to tell the Stink Bomb down the hall he needs a scrub a dub dubAfraid you may have told off the boss after your fifth margarita at last night's happy hourNeed a handy list of excuses good for any occasionLook no further. The editors of CareerBuilder.com and Second City Communications have answers to your most pressing office survival questions, as well as advice, tips, and more to help you make it through the day without killing anyone. (Well, maybe the intern will take a hit. But that little snitch had it coming.)

Traditionally, women share their secrets with their hairdressers. But what about their manicurists, masseurs, chi gong teachers, and tattoo artistsIn Damage Control, women wax poetic about the experts and gurus who help them love themselves, sharing stories of everything from friendships born in the make-up chair to the utter dismay of a truly horrible haircut. Minnie Driver finally meets a Frenchman who understands her hair . . . and tries to teach her not to hate it.Marian Keyes remembers the blow-dry that pushed her over the edge.Francesca Lia Block tells the ugly story of the plastic surgeon who promised to make her beautiful.Rose McGowan explains why it's harder to be depressed when you're glamorous . . . and shows how it takes a village to transform from mere mortal to movie star.Witty and wise, Damage Control is an intimate, sometimes dark, look at our experiences with the professionals who pluck, prod, and pamper every inch of our bodies and a reminder why we surrender ourselves to their (hopefully) very capable hands.

Liza Goddard is one of the country's best loved and hardest working actresses, but few people know the real woman behind the 'dizzy blonde' image. In this much-anticipated autobiography, Liza talks about her work, her loves and the real-life dramas that have shaped her as a woman and an actress. The book charts her early life in England and follows her to Australia, where her beloved father played a key role in helping to set up the country's fledgling television industry. As a young actress, Liza was cast in the long-running children's drama series, Skippy the Bush Kangaroo. She later returned to England, where she appeared in a host of classic TV series, including Pig In The Middle, The Brothers, Bergerac, Dr Who and Midsomer Murders. Liza talks about her working relationship with Alan Ayckbourn and explains how a planned move to America failed to materialise. Find out how Liza got together with her first husband, actor Colin Baker on the set of The Brothers, why her marriage to '70s rocker Alvin Stardust failed and how she eventually found true love with producer David Cobham. Liza also reveals the truth about her alleged affair with Bergerac star John Nettles, and reveals how she successfully sued a tabloid newspaper over the allegations. She describes her courageous battle against breast cancer and reveals how beating the disease has given her a new perspective on life. Liza explains why animals continue to play an important part in her life and recounts some hilarious stories about the assortment of creatures that have featured in her life. A warts and all account from one of Britain's most popular actresses, Working With Children And Animals will have you laughing and crying in equal measure.

When Brian Sack's mother passed away, he was left with a letter and a pink cardigan. The cardigan was promptly placed in a drawer, but the letter was pure gold. In just a few pages of fancy cursive, her posthumous dispatch offered the kind of guidance you would expect from a mother to her young son. And while he didn't necessarily follow all the advice, he never forgot how very important those words and that letter were to him. Decades later, on the verge of parenthood himself, Brian decided to write something for his own child, wanting a legacy, and not just a pink cardigan, to leave to his son. But far from the usual collection of advice, Brian has written a sharp, sage, warts-and-all survival guide to life.With quick wit and self-deprecating honesty, Sack draws from his experiences, tapping them for the humor within. Holding nothing back, he: Gives the skinny on relationships don't let the woman you love wander alone in France Commiserates about the death of the meritocracy wanting to sing doesn't mean you can Recounts his awkward entry into fatherhood you'll overcome your aversion to poo Offers firsthand advice avoid any bipolar lady with a drug-sniffing wonder-cat And argues that the Empire State Building is not a phallic symbol no matter what the professor said Every chapter takes on subjects ranging from the universal and mundane to the life changing and inevitable. With its funny and heartfelt musings from a father to a son, In the Event of My Untimely Demise is a delightful life primer for all of us.

Fans of Jason Mulgrew's wildly popular blog know that everything really is wrong with him. The product of a raucous, not-just-semi-but-fully-dysfunctional Philadelphia family, Jason has seen it all from Little League games of unspeakable horror to citywide parades ending in stab wounds; from hard-partying longshoremen fathers to feathered-hair, no-nonsense, kindhearted mothers; and from conscience-crippling Catholic dogmas to the equally confounding religion of women. With chapter titles like "My Bird: Inadequacy and Redemption" (no, he is not referring to a parakeet) and "On the Relationship Between Genetics and Hustling," Everything Is Wrong with Me proves that, as Jason puts it, "writing is a fantastical exercise in manic depression" but he never fails to ensure that laughter is part of the routine.Includes an excerpt from Jason Mulgrew's new book 236 Pounds of Class Vice President.

If anything, in this presidential election special, he's madder than ever!In his earlier bestseller, There's Nothing in the Middle of the Road but Yellow Stripes and Dead Armadillos, Hightower only began to tap into the deep yearning that Americans have for a new politics that speaks to them from a real-world, kitchen-table perspective. Now, with the year 2000 being an especially significant marker for contemplating our country's direction, not only for the new year but for the new century and the new millennium, it's time for citizens to reclaim their political, economic, and cultural heritage.Leading the way with his hilariously irreverent yet profoundly serious book is our name-naming, podium-pounding, point-them-in-the-right-direction populist, Hightower himself. He whacks conventional wisdom right upside the head,showing,with startling facts and compelling personal stories, that despite a so-called period of prosperity, America's middle class is getting mugged, and that far from being ordained by the gods,globalization is globaloney! Hightower rips the mass off of the candidates, the parties, the consultants, and especially the moneyed powers whoa re supporting all of the leading presidential hopefuls. he's mad about them all--but what he's maddest about, what really gets his goat,is that they are all the same! To paraphrase Jim, American politicians are alike because they don't come cheap. In fact, they're all very expansive. which is why only the rich can own them and why their allegiance is definitely not to regular,worka-day citizens.No one is spared in this insightful and engaging blend of horror and success stories, hard-hitting commentary, laugh-out-loud humor, useful facts, and sparkling language. An equal opportunity muckraker and conscientious agitator for "We the people," Hightower inspires us to take charge again, to build a new politics, and, together, to build a better tomorrow. Jim Hightower's If the Gods Had Meant Us to Vote They Would Have Given Us Candidates proves yet again that his is a uniquely wise and peerlessly singular voice in the maelstrom of political prattle.

At last, a humorous, anecdote-filled exploration of the many ways in which women stab each other in the back and talk about each other behind closed doors If you exhibit any of these traits, you may be guilty of being a Player hateHER: You get upset when people don't notice how fabulous you are. You vow to get revenge on your boyfriend's mistress, instead of him. You become angry when you see someone wearing the same outfit you purchased, as if it were produced just for you. Player hateHER shows women why they hate on one another, and, most important, how they can stop! A much-needed lesson in respecting one another and respecting yourself.