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Emily of New Moon
￥7.93
Emily of New Moon
Gli amori pastorali di Dafni e Cloe
￥7.93
Gli amori pastorali di Dafni e Cloe
Great Astronomers: Pierre-Simon Laplace
￥7.93
Great Astronomers: Pierre-Simon Laplace
The Lust of Hate
￥7.93
The Lust of Hate
Il gatto nero
￥7.93
Il gatto nero
The Ghost-Extinguisher
￥7.93
The Ghost-Extinguisher
The Lady, or the Tiger?
￥7.93
The Lady, or the Tiger?
The Donnington Affair
￥7.93
The Donnington Affair
The Man Who Knew Too Much
￥7.93
The Man Who Knew Too Much
The Experiences of Loveday Brooke, Lady Detective
￥7.93
The Experiences of Loveday Brooke, Lady Detective
The Thames Valley Catastrophe
￥7.93
The Thames Valley Catastrophe
Olanda
￥7.93
Olanda
Chronicles of Avonlea
￥7.93
Chronicles of Avonlea
Hop Frog
￥7.93
Hop Frog
La saga di G?sta Berling
￥7.93
La saga di G?sta Berling
Il sorbetto della regina
￥7.93
Il sorbetto della regina
A Tale of the Ragged Mountains
￥7.93
A Tale of the Ragged Mountains
Maelstrom of Treason: Book Six of the Opus X Series
￥40.79
There is a new definition of danger when your enemy is in the military. It's one thing when you go up against crooks, gangsters and businesses. It's a completely?different situation when your enemy can send black-ops teams to end your existence Now the path leads into halls of power beyond Jia and Erik's existing resources. Will they be forced to end their chase, or will others support them no matter the cost? Jia and Erik need to uncover the truth – but is revealing the truth good for those around them? --- Two years ago, a small moon in a far off system was set to be the location of the first intergalactic war between humans and an alien race. It never happened. However, something was found many are willing to kill to keep a secret. Now, they have killed the wrong people. How many will need to die to keep the truth hidden?? As many as is needed. He will have vengeance no matter the cost.?She will dig for the truth. No matter how risky the truth is to reveal. "An incredibly good fictionalized accounting of humanities future, and what Lin and Blackwell uncovered that shook the foundations of both the powerful and the elite." -?UFE Interstellar News.
The Stone Dragon
￥32.62
Cat has finally?settled into her new town and is?happy with life?just the way it is. Until the day that her friend Evelyn shows up on her front step?with a?recurring?nightmare about stranger surrounded by fire and destruction. In a race?to help her friend, Cat?must discover the truth about the dark man before Evelyn loses her mind. Will she succeed, or will the girls fall to his dark power the same way so many others have before?
X-ing a Paragrab
￥7.93
X-ing a Paragrab
The Classic Fairytales: Retold for the Stage
￥40.79
Three timeless tales retold for the stage by one of the UK’s most renowned writers of plays for children, Charles Way. Winner of the Writers Guild Best Children’s Play Award, his plays appeal to audiences of all ages and are translated into several languages and performed internationally. Each of the three plays explores the journey from childhood to adulthood, but each takes a specific angle. Sleeping Beauty is driven by the notion of duality. Everyone and everything in the play has a complimentary aspect; King and Queen, Castle and forest, bright witch and dark witch, etc. Gryff, half-dragon, half-human is the physical embodiment of the idea of duality and is at war with himself. This is both dramatic, since it provides the conflict needed for the drama, and thematically rich, since it explores what all of us, but more precisely children, feel as they grow up. Cinderella is a play about a journey from darkness to light, from sickness to health. Everyone in the play is under the influence of some kind of loss, and the play explores these feelings and the sometimes painful route one must take to accommodate them and move on in life. It’s a moving and beautiful play, that also manages to be tremendously funny and the introduction of Mozart as a character, whose music charts the whole journey toward light and joy, is a theatrical coup. Where Cinderella has music at its core, Beauty and the Beast has dance. This is a play about overcoming fear, and the subconscious world is represented through imagery and movement. The play begins with a startling dream sequence and then segues into the drawing-room world of a Jane Austen novel, before moving to the wilds of Dartmoor. Throughout this journey one is never sure if the play is in dreamtime or not, and Way connects this feeling to the very act of theatre itself. As ever, the themes are explored through dramatic action, and the result in Beauty and the Beast is a script of rare brevity that allows actors and directors room to explore the profound nature of the story.
