Kelly Oxford is . . . A wunderkind producer of pirated stage productions for six-year-olds Not the queen of the world An underage schnitzel-house dishwasher The kid who stood up to a bully and almost passed out from the resulting adrenaline rush A born salesman Capable of willing her eyesight to be 20/20 That girl who peed her pants in the gas station that one time Totally an expert on strep throat Incapable of making Leonardo DiCaprio her boyfriend A writer A certified therapy assistant who heals with Metallica mixtapes Not fat enough to be super snuggly. Bea, age four Not above using raspberry-studded sh*t to get out of a speeding ticket Bitingly funny. But everybody knows that. Roger Ebert Sad that David Copperfield doesn't own a falcon A terrible liar

Forced from her downtown Manhattan apartment by the terrorist attack of September 11, journalist Wendy Bounds was delivered to Guinan's doorstep -- a legendary Irish drinking hole and country store nestled along the banks of the Hudson River in the small town of Garrison, New York -- by a friend. Captivated by the bar's charismatic but ailing owner and his charming, motley clientele, Bounds uprooted herself permanently and moved to tiny Garrison, the picturesque river town they all call home. There she became one of the rare female regulars at the old pub and was quickly swept up into its rhythm, heartbeat, and grand history -- as related by Jim Guinan himself, the stubborn high priest of this little chapel. Surrounded by a crew of endearing, delightfully colorful characters who were now her neighbors and friends, she slowly finds her own way home. Beautifully written, deeply personal, and brilliantly insightful, Little Chapel on the River is a love story about a place -- and the people who bring it to life.

A Brown Man in Russia?describes the fantastical travels of a young, colored American traveler as he backpacks across Russia in the middle of winter via the Trans-Siberian. The book is a hybrid between the curmudgeonly travelogues of Paul Theroux and the philosophical works of Robert Pirsig. Styled in the vein of Hofstadter, the author lays out a series of absurd, but true stories followed by a deeper rumination on what they mean and why they matter. Each chapter presents a vivid anecdote from the perspective of the fumbling traveler and concludes with a deeper lesson to be gleaned.?For those who recognize the discordant nature of our world in a time ripe for demagoguery and for those who want to make it better, the book is an all too welcome antidote. It explores the current global climate of despair over differences and outputs a very different message – one of hope and shared understanding.?At times surreal, at times inappropriate, at times hilarious, and at times deeply human,?A Brown Man in Russia?is a reminder to those who feel marginalized, hopeless, or endlessly divided that harmony is achievable even in the most unlikely of places.?

Anatomy of a Ponzi, Scams Past and Present

Maria Rybakova’s Gnedich captures the reader’s attention in its first stanzas with a striking allusion to Homeric Greece: “The rage that killed so many/the wretched rage of Achilles/who knew that he would perish/ that he would perish young. This is a novel-in-verse about the first Russian translator of the Iliad, the romantic poet and librarian Nikolai Gnedich (1784-1833). Since Gnedich spent almost his entire life translating Homer’s epic poem, Maria Rybakova has chosen verse as the most appropriate stylistic means in recreating his life. To the English-speaking world, this genre of poetic biography is best exemplified by Ruth Padel’s Darwin – A Life in Poems. Like the Iliad itself, the novel consists of twelve Songs or Cantos, and covers the life of Gnedich from his childhood to his death. It depicts the lives of Gnedich and his best friend, the poet Batyushkov, who is slowly losing his sanity, and incorporates motifs from their poetry, from Homer’s epics, and from Greek mythology, as well as magnificent images of imperial Russia and the Homeric world. The space of the novel covers snowy Russian villages, aristocratic St. Petersburg salons, magnificent Italian landscapes, and the austere Greece of Homer’s heroes. Rybakova conjures a fittingly romantic vision of the dramatic lives of Gnedich and his best friend. A major part of the novel is the moving correspondence between the two poets. Philosophical reflections on the fate of the individual are intertwined with poignant stanzas devoted to the great but unhappy love to the tragic actress Ekaterina Semyonova that consumed Gnedich. The novel culminates in Batyushkov’s final breakdown in the lunatic asylum and Gnedich’s ruminations on Russia’s tragic future fate. The poetic language of Gnedich is refined: it combines the clarity of Rybakova’s syllabic verses and the sophistication of her metaphors with distinct, novelistic depictions of certain landscapes, people, and their interactions. The novel is spectacularly designed: Rybakova’s style resembles a movie projection with stop-cards at the key moments in Gnedich’s life, his long conversations with his friend, and particular striking sceneries. It creates a novelistic effect on the tale about Gnedich’s life, spanning over twenty years. The narrative is often interrupted by streams of consciousness and reminiscence by its main heroes. At the same time, it continues the traditions of Russian classic literature with its attention to detail and the psychology of the characters. A significant part of the novel is dedicated to the description of Gnedich’s friendship with Konstantin Batyushkov, a talented poet of the Pushkin epoch. Gnedich, disfigured by a childhood disease, was a librarian at the Imperial Library in St. Petersburg and became famous through his translation of the Illiad. Batyushkov, an officer of the Russian Imperial court who participated in military campaigns, as well as one of the best poets of the beginning of the 19th century, went through deep crisis and mental illness. The friendship between the two becomes one of the themes within the novel. Rybakova builds the novel-in-verse’s plot around Gnedich’s translation of the Illiad into Russian. The narrative progresses from the adult Gnedich’s recollection of his childhood in a small country estate in Ukraine in the first Song, his illness and discovery of the magnificent Greek epic about the siege of the Troy that changed his life forever, to the completion of his work on his translation as a final victory over his life’s circumstances. The titanic work on the translation continued for almost twenty-two years (1807-29).

“It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva,” writes eminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry. Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron all appear in her poems as well as more familiar Russian images. At the heart of Grigorieva’s poetry is what she calls its ‘musicality’ – her firm belief in the power of rhyme and rhythm in creating a poetic experience. In this first major collection of her work in English, English poet John Farndon, working with Grigorieva and co-translator Olga Nakston, has recreated this musicality in English so that English readers might experience for the first time what makes her work so revered in her Russian homeland. Translated by John Farndon with Olga Nakston. Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

Hryhory Skovoroda is considered by many as the first great Slavic philosopher and poet. Written over a period stretching from the 1750s until 1785, his The Garden of Divine Songs is a unique collection of 30 poems, featuring a complex system of strophic structures and with only a few of the songs written in a traditional way. Skovoroda never repeats one and the same strophic structure; this being the case, his Garden of Divine Songs according to writer-scholar Valery Shevchuk functions as a “practical guide to the art of poetry”, exemplifying all the meters and strophic patterns that were possible in Ukrainian poetry of that time. The poet makes masterful use of the accomplishments of academic poetry; the so-called “songs of the world” are the most prominent poems in this collection. These songs are an expression of Skovoroda's views in poetic form, and many ideas from The Garden of Divine Songs, such as the search for happiness in the world in song 21, would later form the basis for some of Skovoroda’s philosophical treatises. Skovoroda’s originality, and his ability to approach the most cardinal problems of human existence, stem from his capacity to combine known motifs, borrowed from literary sources such as classical texts, the Bible, and ancient Ukrainian poetic works, with his own system of thinking that focuses on his philosophy of the heart. The complete poems of Skovoroda are appearing in their entirety here in English for the first time, accompanied by a guest introduction by prominent Ukrainian writer Valery Shevchuk. This title has been realised by a team of the following dedicated professionals: Translated by Michael M. Naydan with an introduction by Valery Shevchuk Translations Edited by Olha Tytarenko Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

From the first pages it becomes apparent that Asystole is a novel about love of life in its purest, instinctive and intimate form. It’s also a novel about human faith in its existence and a desire to experience this love. Author Oleg Pavlov places his character – a boy who grows to be a man and is clearly personified by the writer’s own outlook on life – in impossible and familiar circumstances, impossible not to relate to. An adult is shaped in childhood. Chaotic, anxious and at the same time withdrawn narration seems to have no direction and no resolution. Except that the life of the people, who are in fact children of a broken destiny, is real and not much needs to be said to make it our own. Laconic and ‘to the point’ observations of Pavlov’s protagonist as he goes, are chilling at times. They pierce through flesh right to the bone – the quality only the naked truth can have. Asystole is moreover about the by-stander effect, about a disconnected and malfunctioning society and a struggle of one not to merge into the faceless mass of many. Modern, deeply thought through and heartfelt, this novel is an examination of the physics of human soul. Pavlov’s Universe has a special arrangement – if it was up to him, humans wouldn’t be allowed in it, for the privilege of being human requires living up to the title.

Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel A Life on the Cross provides a unique insight into the life of Andrey Tarkovsky, the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself.

Marina Tsvetaeva: The Essential Poetry includes translations by Michael M. Naydan and Slava I. Yastremski of lyric poetry from all of great Modernist Russian poet Marina Tsvetaeva’s published collections and from all periods of her life. It also includes a translation of two of Tsvetaeva’s masterpieces in the genre of the long poem, “Poem of the End” and “Poem of the Mountain.” The collection strives to present the best of Tsvetaeva’s poetry in a small single volume and to give a representative overview of Tsvetaeva’s high art and development of different poetic styles over the course of her creative lifetime. Also included in the volume are a guest introduction by eminent American poet Tess Gallagher, a translator’s introduction and extensive endnotes. Naydan and Yastremski have previously published a well-received annotated translation of Tsvetaeva’s collection After Russia with Ardis Publishers. The fourteen previously published translations from the After Russia collection have been revised for this volume.

The religious philosopher and poet Hryhory Skovoroda (1722-1794) is described by many as the Ukrainian Socrates and was one of the most learned men of his time. He was a polyglot who knew the Bible virtually by heart, as well as the writings of the Church Fathers and the literature of Greek and Roman antiquity. The eminent literary critic Ivan Dziuba considers Skovoroda the greatest Ukrainian mind ever. And Yuri Andrukhovych, one of the most prominent Ukrainian writers of today, calls him “the first Ukrainian hippie” on account of his itinerant lifestyle and rejection of worldly life. The impact of Skovoroda’s life and works has been well documented on major writers in future generations, such as Leo Tolstoy, Andrei Bely and Pavlo Tychyna, to name but a few. None of Skovoroda’s works appeared during his lifetime – they were first published in 1837 in Moscow. The texts of Skovoroda’s writings were preserved mostly by Skovoroda’s lifelong friend Mykhailo Kovalynsky, to whom he had given the manuscripts. Skovoroda’s extant writings consist of a collection of thirty poems entitled The Garden of Divine Songs along with other occasional poems, a collection of fables entitled Kharkiv Fables, which was published in 1990, and seventeen philosophical treatises. Most of the treatises were composed during the latter part of his life. The letters of Skovoroda are appearing in their entirety here in English for the first time, accompanied by a guest introduction by Leonid Rudnytzky. This title has been realised by a team of the following dedicated professionals: Translated by Eleonora Adams and Michael M. Naydan, Edited by Liliana M. Naydan, The cover shows a detail from Blessing of the Road, by Mykola Kumanovsky from the Woskob Private Collection, Interior Design by Dmytro Podolyanchuck, Guest Introduction by Leonid Rudnytzky, Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova.

Poetry has always been in the Kazakh blood, and Galym Mutanov is one of the newly independent nation’s leading poets, a shining light in the Kazakh literary world. In the range of his poetry, Mutanov truly captures the essence of the Kazakh spirit – from the tough and ageless traditions of the wild steppe to moments of tender intimacy. The measured Islamic wisdom and deep sense of morality so intrinsic to Kazakh life of old shines through in verse after verse. The figure of Abai, the 19th century visionary, the deeply spiritual poet of the steppe, looms large over Kazakh poetry. Mutanov takes up the challenge that Abai threw down – to create verse that is both steeped in the Kazakh tradition of oral verse yet rises to a new clarity and spirituality relevant today. Mutanov wrote originally in Kazakh, but many Kazakhs speak only Russian. So his poems were translated into Russian by leading poets Vladimir Buryazev and M. Adibaeva. It is these Russian versions that provided the source for John Farndon’s translations with Olga Nakston for this collection. Galym Mutanov is not only a poet but something of a polymath. He is a hugely distinguished academic, with over 400 scientific papers to his credit, and currently rector of al-Farabi Kazakh National University in Alma-Ata. In 2013, his achievements were recognized in France by the award of a Chevalier L'Ordre des Palmes académiques.

Read it. You're already living it. Was diabetes evolution's response to the last Ice AgeDid a deadly genetic disease help our ancestors survive the bubonic plagues of EuropeWill a visit to the tanning salon help lower your cholesterolWhy do we ageWhy are some people immune to HIVCan your genes be turned on -- or offJoining the ranks of modern myth busters, Dr. Sharon Moalem turns our current understanding of illness on its head and challenges us to fundamentally change the way we think about our bodies, our health, and our relationship to just about every other living thing on earth, from plants and animals to insects and bacteria. Through a fresh and engaging examination of our evolutionary history, Dr. Moalem reveals how many of the conditions that are diseases today actually gave our ancestors a leg up in the survival sweepstakes. When the option is a long life with a disease or a short one without it, evolution opts for disease almost every time. Everything from the climate our ancestors lived in to the crops they planted and ate to their beverage of choice can be seen in our genetic inheritance. But Survival of the Sickest doesn't stop there. It goes on to demonstrate just how little modern medicine really understands about human health, and offers a new way of thinking that can help all of us live longer, healthier lives. Survival of the Sickest is filled with fascinating insights and cutting-edge research, presented in a way that is both accessible and utterly absorbing. This is a book about the interconnectedness of all life on earth -- and, especially, what that means for us.

The astounding yet true rags-to-riches saga of a homeless father who raised and cared for his son on the mean streets of San Francisco and went on to become a crown prince of Wall Street 'At the age of twenty, Milwaukee native Chris Gardner, just out of the Navy, arrived in San Francisco to pursue a promising career in medicine. Considered a prodigy in scientific research, he surprised everyone and himself by setting his sights on the competitive world of high finance. Yet no sooner had he landed an entry-level position at a prestigious firm than Gardner found himself caught in a web of incredibly challenging circumstances that left him as part of the city's working homeless and with a toddler son. Motivated by the promise he made to himself as a fatherless child to never abandon his own children, the two spent almost a year moving among shelters, "HO-tels," soup lines, and even sleeping in the public restroom of a subway station.Never giving in to despair, Gardner made an astonishing transformation from being part of the city's invisible poor to being a powerful player in its financial district. More than a memoir of Gardner's financial success, this is the story of a man who breaks his own family's cycle of men abandoning their children. Mythic, triumphant, and unstintingly honest, The Pursuit of Happyness conjures heroes like Horatio Alger and Antwone Fisher, and appeals to the very essence of the American Dream.

William Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger, and a place where hope and opportunity were hard to find. But William had read about windmills in a book called Using Energy, and he dreamed of building one that would bring electricity and water to his village and change his life and the lives of those around him. His neighbors may have mocked him and called him misala crazy but William was determined to show them what a little grit and ingenuity could do. Enchanted by the workings of electricity as a boy, William had a goal to study science in Malawi's top boarding schools. But in 2002, his country was stricken with a famine that left his family's farm devastated and his parents destitute. Unable to pay the eighty-dollar-a-year tuition for his education, William was forced to drop out and help his family forage for food as thousands across the country starved and died. Yet William refused to let go of his dreams. With nothing more than a fistful of cornmeal in his stomach, a small pile of once-forgotten science textbooks, and an armory of curiosity and determination, he embarked on a daring plan to bring his family a set of luxuries that only two percent of Malawians could afford and what the West considers a necessity electricity and running water. Using scrap metal, tractor parts, and bicycle halves, William forged a crude yet operable windmill, an unlikely contraption and small miracle that eventually powered four lights, complete with homemade switches and a circuit breaker made from nails and wire. A second machine turned a water pump that could battle the drought and famine that loomed with every season. Soon, news of William's magetsi a mphepo his "electric wind" spread beyond the borders of his home, and the boy who was once called crazy became an inspiration to those around the world. Here is the remarkable story about human inventiveness and its power to overcome crippling adversity. The Boy Who Harnessed the Wind will inspire anyone who doubts the power of one individual's ability to change his community and better the lives of those around him.

Inside one of Contemporary India's most Influential Poets The twenty-four papers in Philosophical Musings for a Meaningful Life study the poetry collections Winged Reason (2010), Write Son, Write (2011), and Multicultural Symphony (2014), of Dr. K.V. Dominic and reveal his humanistic values and concept of universal brotherhood, his social criticism devoid of absurdity and obscurity, his profound concern for the marginalized sections of society, and his reverence for Nature. All the papers focus on the poet's anguish at the evils and the inhuman attitude prevalent in the society and necessitate harmony of existence. In the context of Indian English poetry, the papers find Dominic to be unique in his use of simple and plain language to address the vast canvass of human life and the neglected segment of human society. Further, the papers bring out how the universal appeal of Dominic lies in his ability to view the world as a sanctuary and acknowledge him as the promising voice of the present century for his belief in the interrelatedness of all lives that ascertains positive change in the individuals. Dr. S. Kumaran, Editor, is working as an Assistant Professor in the Postgraduate & Research Department of English, Thiruvalluvar Government Arts College, Rasipuram. He is Associate Editor of two refereed international biannual journals, Writers Editors Critics (WEC) and International Journal on Multicultural Literature (IJML); and a Member of the Editorial Boards of various journals from India and abroad. "This critical study on the poetry of Dr. K.V. Dominic deserves to be read closely for evaluation and to be on the shelf of every notable library. Philosophical Musings for a Meaningful Life will inspire scholars from the West to find rubies and diamonds in the Indian poetry of today." --Dr. Stephen Gill, Poet Laureate of Ansted University "K.V. Dominic's social consciousness is his chief forte. Not for a moment does he divert attention from the simple and innocent activities of ordinary human beings. From his lyrics originate feelings of eternal sympathy, peace, and fraternal unity." --P.C.K. Prem, critic from Himachal Pradesh, India From the World Voices Series Modern History Press www.ModernHistoryPress.com

K. V. Dominic Essential Readings gathers for the first time the three most important works of poetry from this shining new light of contemporary Indian verse in English: Winged Reason, Write Son, Write and Multicultural Symphony. A fourth collection of 22 previously unpublished poems round out a complete look at the first 12 years of Dominic's prolific and profound verse. Each poem includes unique Study Guide questions suitable for South Asian studies curricula. Written in free verse, each of his poems makes the reader contemplate on intellectual, philosophical, spiritual, political, and social issues of the present world. Themes range from multiculturalism, environmental issues, social mafia, caste-ism, exploitation of women and children, poverty, and corruption to purely introspective matters. From the observation of neighborhood life to international events, and everyday forgotten tragedies of India, nothing escapes the grasp of Dominic's keen sense of the fragility of life and morality in the modern world. Praise for the verse of K. V. Dominic "K. V. Dominic is one of the most vibrant Indian English poets whose intense passion for the burning social and national ailments makes him a disciple of Ezekielean School of poetry. His poetic passion for the natural beauty keeps him besides the Romanticists." -- Dr. A. K. Choudhary, English poet, critic and editor, Professor of English, Assam, India "K. V. Dominic's poems are important additions to the growing global movement to bring about positive change and equality for all individuals. The injustices he confronts in his poems are the arrows and thorns that pierce his heart every day and the gushing blood that runs through his pen to paper." -- Rob Harle, poet and critic, Nimbin, Australia "K. V. Dominic is a poet of the suffering masses and oppressed sections of the society. He tries to dissect corruption at all levels, political or religious, social or academic and presents it in its true colours with all the ugliness and monstrous greed." --Prof. T. V. Reddy, reputed English poet, writer and critic, Emeritus Professor of English from Andhra Pradesh, India Learn more at www.profKVDominic.com From the World Voices Series at Modern History Press LITERARY COLLECTIONS / Asian / Indic

David Lovelace, along his brother and both his parents, is bipolar. This is his extraordinary and vivid memoir of life within his memorable, maddening, loving and unique family. Full Blown is Lovelace's poignant, humorous, and vivid account of growing up and coming to terms with the highs and lows of manic depression. David's father was a Princeton-trained theology professor deemed too eccentric for the ministry and his mother battled depression all her life. Manic episodes were part of family life - they called them the 'whim-whams'. David was a teenager when his first serious depression hit, and at college when he first became manic. He ran to escape it – to Mexico, South America and then New York, to drugs and alcohol – before he realised the futility of running. A father himself, a son and a brother, David's matter-of-fact approach to growing up surrounded by the unique creativity often sparked by manic depression is compelling. In the vein of Stuart, A Life Backwards and Augusten Burroughs’ Running with Scissors , David’s poetic ability to detail the unique highs and harrowing lows makes a remarkable and gripping read.

Az új élet v?lgye

In this inspirational autobiography, Captain "Sully" Sullenberger, the airline pilot whose emergency landing on the Hudson River earned the world's admiration, tells his life story and talks about the essential qualities that he believes have been so vital to his success. In January 2009, the world witnessed one of the most remarkable emergency landings in history when Captain Sullenberger brought a crippled US Airways flight onto the Hudson River, saving the lives of all of the passengers and crew aboard. The successful outcome was the result of effective teamwork, Sully's dedication to airline safety, his belief that a pilot's judgment must go hand-in-hand with and can never be replaced by technology, and forty years of careful practice and training. From his earliest memories of learning to fly as a teenager in a crop duster's single-engine plane in the skies above rural Texas to his years in the United States Air Force at the controls of a powerful F-4 Phantom, Sully describes the experiences that have helped make him a better leader, particularly the importance of taking responsibility for everyone in his care. And he talks about what he believes is at the heart of America's "can do" spirit: the very human drive to prepare for the unexpected and to meet it with optimism and courage. His wife, Lorrie, has been a pillar of support through all the highs and lows that life has offered, from the challenges of commercial flying to the birth of their two daughters, from financial struggles to the event of January 15, 2009. Though the world may remember Sully as the hero of Flight 1549, the legacy he desires even more is that of a loving husband and father. Highest Duty is the intimate story of a man who has grown up to embrace what we think of as quintessential American values leadership, responsibility, commitment to hard work, and service to others. And it is a narrative that reminds us that cultivating seemingly ordinary virtues can prepare us to perform extraordinary acts.

A conspiracy within the Vatican to stop an outspoken Pope In 1938, Pope Pius XI was the world most prominent critic of Hitler and his rhetoric of ethnic purity. To make his voice heard, Pius called upon a relatively unknown American Jesuit whose writing about racism in America had caught the Pope attention. Pius enlisted John LaFarge to write a papal encyclical the Vatican strongest decree publicly condemning Hitler, Mussolini, and their murderous Nazi campaign against the Jews. At the same time conservative members of the Vatican innermost circle were working in secret to suppress the document. Chief among them was Cardinal Eugenio Pacelli, whose appeasement of the Germans underlay a deep-running web of conspiracy. Pacelli, who would become Pope Pius XII, was joined by Wlodimir Ledóchowski, leader of the Jesuit order, to keep the finished encyclical from reaching the increasingly ill Pope. Peter Eisner, award-winning reporter and author of the critically acclaimed The Freedom Line , combines shocking new evidence (released only recently from Vatican archives) and eyewitness testimony to create a compelling journey into the heart of the Vatican and a little-known story of an American partnership with the head of the Catholic Church. A truly essential work, it brings staggering new light to one of the most critical junctures in modern history.