Potere, cortigianeria, dispotismo, libertà, uguaglianza... attuali o inattuali la satira d'Holbach e La Boétie? Cambiano i tempi e i nomi, ma la natura umana nel suo fondo negli ultimi secoli non è mutata. Com'è virtù di tutti i classici, le loro voci continuano a farci sorridere, indignare e riflettere non solo sul passato ma ugualmente sul presente e sul futuro, su quanto in esso ci possa essere di desiderabile o indesiderabile. In Appendice, i testi si possono leggere anche nella loro originaria edizione in francese. SOMMARIO?- Fabrizio Pinna, Una introduzione (in due tempi) e qualche digressione: I. Barone d'Holbach, "Quest'arte sublime dello strisciare"...; II. ?tienne de La Boétie, "Siate determinati di non voler più servire ed eccovi liberi"... . LIBERT? & POTERE: Paul Henri Thiry d'Holbach, Saggio sull'arte di strisciare ad uso dei cortigiani; Paul Henri Thiry d'Holbach, I Cortigiani; Jean le Rond d'Alembert, Cortigiano; ?tienne de La Boétie, La servitù volontaria. APPENDICE I: Libertà Uguaglianza (1799)- Il Cittadino Editore. APPENDICE II: Essai sur l’art de ramper, à l’usage des courtisans (1764) - Paul Henri Thiry d'Holbach; Des Courtisans (1773) - Paul Henri Thiry d'Holbach; Courtisan (1752) / Courtisane (1754) - Jean le Rond d'Alembert; Discours de la servitude volontaire o Contr'un (1549) - ?tienne de La Boétie.?LE COLLANE IN/DEFINIZIONI & CON(TRO)TESTI

《金刚经》只有五千多字，本书分为三十二分，放弃传统的逐句解说，以宏观的角度贯穿全经的架构，每一分都设立纲目提要，阐述此分的意趣所在。各分各有其主题独立，但都不偏离“金刚般若”的丝缕经纬。

对中国禅学的历史脉络做了导览式的介绍，将其演化历程行了分期研究。

《楞严经》，大乘佛教经典，全名《大佛顶如来密因修证了义诸菩萨万行首楞严经》，简称《楞严经》。历来皆被修行者奉为必修的无上圭臬，尤其是对习禅者而言，更是如此。其文句优美富丽，也是文人墨客青睐的文学瑰宝。

《六祖坛经》亦称《坛经》、《六祖大师法宝坛经》，全称《南宗顿教*上大乘摩诃般若波罗蜜经六祖惠能大师于韶州大梵寺施法坛经》，是佛教禅宗六祖惠能说、弟子法海集录的一部经典。作为一部中国僧人撰着、且被冠以“经”的佛教典籍，其*核心的思想是在教人如何才能成就佛道，其*的特则是把一切归结于自心自性。本书选用的是李申的敦煌坛经合校本。

本书系统梳理、全面概括改革放40年尤其是近10年来，上海在社区治理领域所取得的经验与成就。*章为绪论，是本书的总体纲要。余下七章分为两大部分，共同勾勒出上海社区治理的主要面向。*部分是社区体制改革研究，包括街道体制改革、镇管社区体制改革两章。第二部分是社区治理专题研究，包括社区党建、居委会与居民自治、业委会与物业管理、社区社会组织、社区工作者五章。本书稿文字质量较好，学术规范，所引用的资料数据较为翔实，是一本具有较强借鉴意义的政府指导性著作。

福利问题是当今社会科学研究的一大主题，福利伦理则是从价值合理性的角度来考量社会福利制度及其相关问题。从伦理角度看，社会福利就是政府基于特定的伦理原则对社会总体礼仪予以分配与调整的结果。其目的在于保障社会成员的基本生存与发展权利，从而促社会秩序的稳定与和谐。 本书由 “基本理论”和“实证研究”两部分构成。前者通过考察和分析中西传统福利制度及其伦理理念的演，阐释并比较当代*有影响的几种福利分配正义理论，力图寻找具有基本共识特征的福利伦理观，而探讨合乎伦理的福利制度安排。后者则运用实证研究的方法来考察我国当前一些重要领域中的社会福利状况，对其中存在的主要问题行伦理分析，并结合“基本理论”部分得出的结论，提出我国福利伦理制度建设应该秉持的基本原则及其实现途径。

　　周恩来，这是一个光荣的名字，这是一个不朽的名字。周恩来总理的革命生涯，是同中国共产党的建立、发展、壮大，同我国新民主主义革命的胜利，同我国社会主义革命和建设的历史程紧密联系在一起的，他身上集中体现了中国共产党人的高风亮节，其独特的人格魅力得到世界各国人民的拥戴，在全世界人民心中矗立起一座不朽的丰碑，《我的伯父周恩来》作为*部亲人回忆周恩来总理的作品，力求把那些不为人知的历史、把关于伟人的真实情形原原本本地告诉读者。

《吕思勉白话中国史》分为《吕思勉白话中国史·上古卷·华夏初兴》《吕思勉白话中国史·中古卷·汉唐初音》《吕思勉白话中国史·近古卷·宋元兴亡》《吕思勉白话中国史·近世卷·明清流变》《吕思勉白话中国史·现代卷·民国何为》系列5本，是部用白话文写成的具有完全意义的通史，分别讲述了各个阶段的政治史事、社会经济、文化现象，还叙述了各国与中国的关系。该版本以1923年商务印书馆初版为底稿，为了更方便理解和阅读，将民国纪元改为公元纪年，对有变化的地名也做了详细标注，并对文字做了全新精校。

THIS BOOK, First published anonymously, March 1880, and soon in various unauthorized editions. It wasn't until the 1925 edition that Adams was listed as author. Henry Adams remarked (ironically as usual), "The wholesale piracy of Democracy was the single real triumph of my life."—it was very popular, as readers tried to guess who the author was and who the characters really were. ON the first of December, Mrs. Lee took the train for Washington, and before five o'clock that evening she was entering her newly hired house on Lafayette Square. She shrugged her shoulders with a mingled expression of contempt and grief at the curious barbarism of the curtains and the wall-papers, and her next two days were occupied with a life-and-death struggle to get the mastery over her surroundings. In this awful contest the interior of the doomed house suffered as though a demon were in it; not a chair, not a mirror, not a carpet, was left untouched, and in the midst of the worst confusion the new mistress sat, calm as the statue of Andrew Jackson in the square under her eyes, and issued her orders with as much decision as that hero had ever shown. Towards the close of the second day, victory crowned her forehead. A new era, a nobler conception of duty and existence, had dawned upon that benighted and heathen residence. The wealth of Syria and Persia was poured out upon the melancholy Wilton carpets; embroidered comets and woven gold from Japan and Teheran depended from and covered over every sad stuff-curtain; a strange medley of sketches, paintings, fans, embroideries, and porcelain was hung, nailed, pinned, or stuck against the wall; finally the domestic altarpiece, the mystical Corot landscape, was hoisted to its place over the parlour fire, and then all was over. The setting sun streamed softly in at the windows, and peace reigned in that redeemed house and in the heart of its mistress. "I think it will do now, Sybil," said she, surveying the scene.

When, in 1831, Alexis de Tocqueville came to study Democracy in America, the trial of nearly a half-century of the working of our system had been made, and it had been proved, by many crucial tests, to be a government of "liberty regulated by law," with such results in the development of strength, in population, wealth, and military and commercial power, as no age had ever witnessed. De Tocqueville had a special inquiry to prosecute, in his visit to America, in which his generous and faithful soul and the powers of his great intellect were engaged in the patriotic effort to secure to the people of France the blessings that Democracy in America had ordained and established throughout nearly the entire Western Hemisphere. He had read the story of the French Revolution, much of which had been recently written in the blood of men and women of great distinction who were his progenitors; and had witnessed the agitations and terrors of the Restoration and of the Second Republic, fruitful in crime and sacrifice, and barren of any good to mankind. He had just witnessed the spread of republican government through all the vast continental possessions of Spain in America, and the loss of her great colonies. He had seen that these revolutions were accomplished almost without the shedding of blood, and he was filled with anxiety to learn the causes that had placed republican government, in France, in such contrast with Democracy in America. De Tocqueville was scarcely thirty years old when he began his studies of Democracy in America. It was a bold effort for one who had no special training in government, or in the study of political economy, but he had the example of Lafayette in establishing the military foundation of these liberties, and of Washington, Jefferson, Madison, and Hamilton, all of whom were young men, in building upon the Independence of the United States that wisest and best plan of general government that was ever devised for a free people.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. It is considered by critics to be Milton's "major work", and helped solidify his reputation as one of the greatest English poets of his time. The poem concerns the Biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men" Short Summary:The poem is separated into twelve "books" or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully "Revised and Augmented" edition reorganized into twelve books was issued in 1674, and this is the edition generally used today. The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pand?monium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden. At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, He gave them one explicit command: not to eat from the Tree of the knowledge of good and evil on penalty of death.

The Republic (Greek: Politeia) is a Socratic dialogue, written by Plato around 380 BC, concerning the definition of (justice), the order and character of the just city-state and the just man, reason by which ancient readers used the name On Justice as an alternative title (not to be confused with the spurious dialogue also titled On Justice). The dramatic date of the dialogue has been much debated and though it must take place some time during the Peloponnesian War, "there would be jarring anachronisms if any of the candidate specific dates between 432 and 404 were assigned". It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city (Kallipolis) ruled by philosopher-kings; and by examining the nature of existing regimes. The participants also discuss the theory of forms, the immortality of the soul, and the roles of the philosopher and of poetry in society. Short Summary (Epilogue):X.1—X.8. 595a—608b. Rejection of Mimetic ArtX.9—X.11. 608c—612a. Immortality of the SoulX.12. 612a—613e. Rewards of Justice in LifeX.13—X.16. 613e—621d. Judgment of the Dead The paradigm of the city — the idea of the Good, the Agathon — has manifold historical embodiments, undertaken by those who have seen the Agathon, and are ordered via the vision. The centre piece of the Republic, Part II, nos. 2–3, discusses the rule of the philosopher, and the vision of the Agathon with the allegory of the cave, which is clarified in the theory of forms. The centre piece is preceded and followed by the discussion of the means that will secure a well-ordered polis (City). Part II, no. 1, concerns marriage, the community of people and goods for the Guardians, and the restraints on warfare among the Hellenes. It describes a partially communistic polis. Part II, no. 4, deals with the philosophical education of the rulers who will preserve the order and character of the city-state.In Part II, the Embodiment of the Idea, is preceded by the establishment of the economic and social orders of a polis (Part I), followed by an analysis (Part III) of the decline the order must traverse. The three parts compose the main body of the dialogues, with their discussions of the “paradigm”, its embodiment, its genesis, and its decline.The Introduction and the Conclusion are the frame for the body of the Republic. The discussion of right order is occasioned by the questions: “Is Justice better than Injustice?” and “Will an Unjust man fare better than a Just man?” The introductory question is balanced by the concluding answer: “Justice is preferable to Injustice”. In turn, the foregoing are framed with the Prologue (Book I) and the Epilogue (Book X). The prologue is a short dialogue about the common public doxai (opinions) about “Justice”. Based upon faith, and not reason, the Epilogue describes the new arts and the immortality of the soul. ? About Author: Plato (Greek: Platon, " 428/427 or 424/423 BC – 348/347 BC) was a philosopher in Classical Greece. He was also a mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his most-famous student, Aristotle, Plato helped to lay the foundations of Western philosophy and science. Alfred North Whitehead once noted: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato." Plato's sophistication as a writer is evident in his Socratic dialogues; thirty-six dialogues and thirteen letters have been ascribed to him, although 15–18 of them have been contested. Plato's writings have been published in several fashions; this has led to several conventions regarding the naming and referencing of Plato's texts. Plato's dialogues have been used to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. Plato is one of the most important founding figures in Western philosophy. His writings related to the Theory of Forms, or Platonic ideals, are basis for Platonism. ? Early lifeThe exact time and place of Plato's birth are not known, but it is certain that he belonged to an aristocratic and influential family. Based on ancient sources, most modern scholars believe that he was born in Athens or Aegina between 429 and 423 BC. His father was Ariston. According to a disputed tradition, reported by Diogenes Laertius, Ariston traced his descent from the king of Athens, Codrus, and the king of Messenia, Melanthus. Plato's mother was Perictione, whose family boasted of a relationship with the famous Athenian lawmaker an

Via?a fiec?ruia dintre noi se desf??oar? pe fundalul unor nara?iuni?sau teorii filosofice discrete ?i insesizabile, care ne ofer? sens ?i ne ?ndrum? ?n momentele de cump?n?.Au o istorie fascinant? ?i uneori extrem de agitat?, care st? m?rturie?pentru str?daniile noastre de a ?n?elege lumea ?i de a o transforma ?ntr-un mediu familiar.Cartea de fa?? ne prezint? istoriile a trei dintre aceste nara?iuni,?cunoscute mai mult filosofilor, cu toate c? ele ?ncearc? s? ofere r?spuns?la ?ntreb?ri tulbur?toare ?i de?o importan?? cov?r?itoare pentru?noi to?i: de ce exist? lumea, ?n ce const? identitatea persoanei, ce?este realitatea.

Charles Sanders Peirce (1839-1914) este o figur? important? a filosofiei secolului XIX ?i unul dintre prefa?atorii principalelor curente de g?ndire din secolul XX, fiind considerat fondatorul pragmatismului american. Cele dou? eseuri prezentate aici, primele din seria cunoscut? sub numele Ilustr?ri ale logicii ?tiin?ei, sunt reprezentative pentru opera sa, caracterizat? de profunzimi ?i subtilit??i specifice unui g?nditor care beneficiaz? ?i de preg?tirea unui om de ?tiin?a.Cu toate c? sunt uneori pur abstracte, observa?iile privitoare la convingeri ?i idei r?m?n, indiferent de sistem, puncte principale de sprijin pentru distinc?ia ?ntre g?ndirea s?n?toas? ?i cea viciat?.“ Este groaznic s? vezi cum o singur? idee neclar?, o singur? formul? f?r? ?n?eles, care se furi?eaz? ?n capul unui t?n?r, va ac?iona uneori ca un obstacol de materie inert? ?ntr-o arter?, ?mpiedic?nd circula?ia ?n creier ?i condamn?ndu-?i victima spre ofilire ?n plenitudinea vigorii intelectuale ?i ?n mijlocul abunden?ei intelectuale.“ - Charles Sanders Peirce

Critic erudit ?i pamfletar de for??, Paul Zarifopol (1874-1934) a fost un fin observator al omului ?i al fibrei care alc?tuie?te ?es?turile sociale profunde. Volumul de fa?? cuprinde eseuri care au r?mas de o actualitate acut?, chiar ?i la aproape un secol dup? ce au fost scrise.Coroziv ?i doct, discursul aduce ?n fa?a cititorului concepte esen?iale pentru morala ?i politica mai mult sau mai pu?in balcanice ale Rom?niei interbelice. Lumina ?n care ne sunt prezentate tipul politic ?i geniul organizator, de pild?, ne ofer? at?t senza?ia unei glacia?iuni temporale, c?t ?i pe aceea a unei familiarit??i inefabile.

A bírósági végrehajtási eljárás foganatosítása során gyakran el?fordulnak problémák és félreértések a gyakorlati életben. Jelen monográfia ezek magyarázatára t?rekszik azzal, hogy azon élet- és jogi helyzetekre ?sszpontosít, amelyekben a bírósági végrehajtó és a végrehajtási eljárás foganatosítása által érintett személyek interakciója magában hordozza a konfliktus lehet?ségét. Vizsgálat tárgya továbbá az eljárás társadalomra és gazdaságra gyakorolt hatása, a bírósági végrehajtási eljárás elhelyezkedése a jogon mint társadalmi alrendszeren belül.A végrehajtási ügyek manapság magas száma igényel egy ilyen jelleg? jogi szakmai és szociológiai ?sszefoglaló munkát, amely iránymutatás keretében igyekszik válaszokat adni minden érdekl?d? és érintett fél számára. A k?nyv nem csak a jogásztársadalomnak szól, hanem minden, a témában érintett vagy érdekelt résztvev?nek is.A k?tet a legfrissebb információkat tartalmazza, a 2012-ben jelent?sen módosult irányadó jogszabályi hátteret is k?veti.A k?nyvet Dr. Krejniker Miklós a Magyar Bírósági Végrehajtói Kamara eln?ke lektorálta, az el?szót Dr. Schadl Gy?rgy PhD f?iskolai docens írta.

More’s “Utopia” was written in Latin, and is in two parts, of which the second, describing the place ([Greek text]—or Nusquama, as he called it sometimes in his letters—“Nowhere”), was probably written towards the close of 1515; the first part, introductory, early in 1516. The book was first printed at Louvain, late in 1516, under the editorship of Erasmus, Peter Giles, and other of More’s friends in Flanders. It was then revised by More, and printed by Frobenius at Basle in November, 1518. It was reprinted at Paris and Vienna, but was not printed in England during More’s lifetime. Its first publication in this country was in the English translation, made in Edward’s VI.’s reign (1551) by Ralph Robinson. It was translated with more literary skill by Gilbert Burnet, in 1684, soon after he had conducted the defence of his friend Lord William Russell, attended his execution, vindicated his memory, and been spitefully deprived by James II. of his lectureship at St. Clement’s. Burnet was drawn to the translation of “Utopia” by the same sense of unreason in high places that caused More to write the book. Burnet’s is the translation given in this volume. The name of the book has given an adjective to our language—we call an impracticable scheme Utopian. Yet, under the veil of a playful fiction, the talk is intensely earnest, and abounds in practical suggestion. It is the work of a scholarly and witty Englishman, who attacks in his own way the chief political and social evils of his time. Beginning with fact, More tells how he was sent into Flanders with Cuthbert Tunstal, “whom the king’s majesty of late, to the great rejoicing of all men, did prefer to the office of Master of the Rolls;” how the commissioners of Charles met them at Bruges, and presently returned to Brussels for instructions; and how More then went to Antwerp, where he found a pleasure in the society of Peter Giles which soothed his desire to see again his wife and children, from whom he had been four months away. Then fact slides into fiction with the finding of Raphael Hythloday (whose name, made of two Greek words [Greek text] and [Greek text], means “knowing in trifles”), a man who had been with Amerigo Vespucci in the three last of the voyages to the new world lately discovered, of which the account had been first printed in 1507, only nine years before Utopia was written. Designedly fantastic in suggestion of details, “Utopia” is the work of a scholar who had read Plato’s “Republic,” and had his fancy quickened after reading Plutarch’s account of Spartan life under Lycurgus. Beneath the veil of an ideal communism, into which there has been worked some witty extravagance, there lies a noble English argument. Sometimes More puts the case as of France when he means England. Sometimes there is ironical praise of the good faith of Christian kings, saving the book from censure as a political attack on the policy of Henry VIII. Erasmus wrote to a friend in 1517 that he should send for More’s “Utopia,” if he had not read it, and “wished to see the true source of all political evils.” And to More Erasmus wrote of his book, “A burgomaster of Antwerp is so pleased with it that he knows it all by heart.” Sir Thomas More, son of Sir John More, a justice of the King’s Bench, was born in 1478, in Milk Street, in the city of London. After his earlier education at St. Anthony’s School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor. It was not unusual for persons of wealth or influence and sons of good families to be so established together in a relation of patron and client. The youth wore his patron’s livery, and added to his state. The patron used, afterwards, his wealth or influence in helping his young client forward in the world.

Valamikor a muzsika egyszer volt, szerény és tiszteletreméltó, ma cicomás lett és zrzavaros, méltóságát és értékét veszített, gyalázatos iparrá süllyedt.” Mikor volt a muzsika egyszer, szerény és tiszteletreméltó, és vajon milyen úton-módon veszítette el méltóságát és értékét Meg tudjuk határozni, hogy melyek a zene zrzavaros és cicomás stíluselemei Tudjuk-e, hogy hogyan és miért süllyedt a zene gyalázatos iparrá Végül, de nem utolsósorban fel tudjuk-e mérni annak jelentségét, hogy a fenti idézet a 6. századból származik, a nagy keresztény gondolkodó, Boethiusz tollából E knyv a zene és a kereszténység hagyományosan feszültségektl terhelt kapcsolatát vizsgálja, a valamikor” és a ma” szakrális zenéjének tükrében. A szerz szándéka, hogy a zene a dicséret és magasztalás eszkze, és ne a feszültségek állandó forrása legyen a keresztény egyházak és gyülekezetek életében. BOLYKI LSZL 1994-ben szerezte mvész-tanári diplomáját a budapesti Zeneakadémián. A Bolyki Brothers énekegyüttes, a Budapesti Fesztiválzenekar és az Erkel Ferenc Kamarazenekar tagjaként rendszeresen fllép Európa, Amerika és zsia legjelentsebb zenei kzpontjaiban. Spirituális szemlélet lelkigondozó, párkapcsolati és nismereti témákra szakosodott tréner, a Kegyelem és kalmárszellem cím ktet szerzje.

美国以自由的代/言/人自居，然而以民主思想为基础的政治制度、司法体制和社会文化却暴露出越来越多的弊端。本书以卡特里娜飓风袭新奥尔良为切，展现了一幅美国社会纵断式的景观图，灾害暴露出的贫困、不平等、政治分裂、种族壁垒等问题始终困扰着美国的政治家和普通人。美国式民主是否具有本质上的缺陷？以“他者”的视角，着眼于美国的政治困境，日本学者尝试解构美国式民主。

Commercial air travel began just over a century ago. In that time there have been groundbreaking civilian aircraft, such as flying boats, the first pressurized cabin aircraft, jet and supersonic aircraft, as well as immense changes in the capacity of a typical airliner: in the 1920s aircraft struggled to carry 20 passengers, today some models can carry up to 800 people. The book includes many types, from cargo transports and freighters, through flying boats, passenger airliners, business jets and supersonic carriers. Featured aircraft include: the Ford Trimotor ‘Tin Goose’, one of the great workhorses of early aviation history; the first post-war intercontinental airliners, such as the Douglas DC-4 Skymaster, De Havilland Comet and Boeing 377 Stratocruiser; the Vickers VC10, one of the greats of the 1960s golden age of commercial airliners, when jet-powered air commerce was new and airliners pampered passengers; the massive Super Guppy heavy transport, one of the widest aircraft in aviation history; the supersonic Tupolev Tu-144 ‘Charger’ and Concorde, Cold War competitors in aviation excellence; the Embraer ERJ, part of a new range of narrow-bodied airliners; and the most popular passenger aircraft of the present, including the Boeing 747 and Airbus A320. Each entry includes a brief description of the model’s development and history, a profile view, key features and specifications. Packed with more than 200 artworks and photographs, The World’s Greatest Civil Aircraft is a colourful guide for the aviation enthusiast.