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Assez ! Extrait du journal d'un peintre défunt
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Assez ! me disais-je à moi-même, en gravissant péniblement le flanc d’une montagne escarpée qui s’élevait depuis les rives d’un fleuve paisible. Assez ! me répétai-je, en humant l’haleine résineuse d’un bosquet de sapins, particulièrement odorante dans la fracheur du crépuscule… Assez ! me dis-je de nouveau en m’asseyant sur un tertre moussu qui surplombait le fleuve, les yeux fixés sur les vagues sombres et paresseuses que dominaient les tiges vert clair des joncs… Assez,assez remué, assez erré : il est temps de rentrer en soi-même, de se prendre la tête à deux mains, et d’ordonner à son cur de ne plus battre.
Fant?mes
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Je voulus discerner les traits de la femme mystérieuse, mais un tremblement involontaire me parcourut tout entier et une bouffée d'air glacé me frappa au visage. Je n'étais plus couché, mais assis sur mon séant, et, à l'endroit où j'avais cru apercevoir la vision, il n'y avait plus qu'une longue raie de lumière blanche, projetée par la lune.
Les ?tranges noces de Rouletabille
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La suite du Ch?teau noir... Les noces dont il est question dans le titre concerne Ivana et notre sympathique reporter...
La Machine à assassiner
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Le roman para?t, sous le titre La Poupée sanglante, 2e partie : Gabriel, en 41 feuilletons quotidiens du journal Le Matin entre le 10 ao?t et le 19 septembre 1923. L'?uvre est reprise en volume l'année suivante chez Tallandier. Bien que La Machine à assassiner ait été publiée initialement dans un volume indépendant, la plupart des éditions modernes l'incluent à la suite de La Poupée sanglante en ne conservant que ce dernier titre sur la couverture.
Rouletabille chez le Tsar
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Et, cette nuit, cette nuit où elle sent Rouletabille quelque part, autour d’elle… voilà, vraiment, qu’elle est moins inquiète… et pourtant les policiers ne sont plus là !… Aurait-il raison, ce petit ?… Il est certain (elle ne saurait se le dissimuler) qu’elle est beaucoup plus tranquille… plus tranquille maintenant que les policiers ne sont plus là… elle ne passe pas son temps à rechercher leurs ombres, dans l’ombre… à t?ter l’ombre… les fauteuils… les canapés… à secouer leur torpeur… à les appeler tout bas, par leur petit nom et le petit nom de leur père… à leur promettre le natcha? important s’ils veillent bien… à les compter, pour savoir où ils sont tous… et, tout à coup, à leur jeter en plein visage le jet de lumière de sa petite lanterne sourde pour être s?re, bien s?re, qu’elle a en face d’elle, un de la police… et non point un autre… un autre avec une petite bo?te infernale sous le bras !…
Un homme dans la nuit
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Jonathan Smith, le ?roi de l'huile?, est immensément riche. Mary, enfant de rien, du hasard, de la misère, qu'il a ramassée, un jour de promenade, avec sa mère, va devenir son centre du monde, ses beaux grands yeux clairs l'ayant séduit tout de suite. Mais Mary en aime un autre et va être amenée à ?tuer? Jonathan. Celui-ci, laissé pour mort, en réchappe par miracle et après vingt ans de préparatifs, il lance sa ?terrible? vengeance, corrompant et achetant tous ceux qui lui permettront d'atteindre le but qu'il s'est fixé...
Le Parfum de la dame en noir
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Une cérémonie de mariage réunit tous les protagonistes du célèbre Mystère de la chambre jaune.
The Merchant of Venice
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The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598. Although classified as a comedy in the First Folio, and while it shares certain aspects with Shakespeare's other romantic comedies, the play is perhaps more remembered for its dramatic scenes, and is best known for the character of Shylock. The title character is the merchant Antonio, not the Jewish moneylender Shylock, who is the play's most prominent and more famous villain. Though Shylock is a tormented character, he is also a tormentor, so whether he is to be viewed with disdain or sympathy is up to the audience (as influenced by the interpretation of the play's director and lead actors). As a result, The Merchant of Venice is often classified as one of Shakespeare's problem plays.
The Taming of the Shrew
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The Taming of the Shrew is a comedy by William Shakespeare. It was one of his earlier plays, believed to have been written between 1590 and 1594. The play begins with a framing device in which a drunkard is deceived into thinking he is a nobleman who then watches the "play" itself, which depicts a nobleman, Petruchio, who marries an outspoken, intelligent, and bad-tempered shrew named Katherina. Petruchio manipulates and "tames" her until she is obedient to his will. The main subplot features the courting of Katherina's more conventional sister Bianca by numerous suitors.
Henry VI, Part 3
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Henry the Sixth, Part 3, is a history play by William Shakespeare, believed written in approximately 1590, and set during the lifetime of King Henry VI of England. It prepares the ground for one of his best-known and most controversial plays: the tragedy of King Richard III (Richard III of England). It continues the action from Henry VI, Part 1 and Henry VI, Part 2, though they may not have been written in that order.
Henry IV, Part 2
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Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.
King John
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The Life and Death of King John, a history play by William Shakespeare, dramatizes the reign of King John of England (ruled 1199–1216), son of Henry II of England and Eleanor of Aquitaine and father of Henry III of England. It is believed to have been written in the mid-1590s but was not published until it appeared in the First Folio in 1623.
The Survivors of the Chancellor
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The Survivors of the Chancellor: Diary of J. R. Kazallon, Passenger is an 1875 novel written by Jules Verne about the final voyage of a British sailing ship, the Chancellor, told from the perspective of one of its passengers (in the form of a diary).
Eight Hundred Leagues On The Amazon
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Joam Garral grants his daughter's wish to travel to Belém where she wants to marry Manuel Valdez in the presence of Manuel's invalid mother. The Garrals travel down the Amazon River using a giant timber raft. At Belém, Joam plans to restore his good name, as he is still wanted in Brazil for a crime he did not perpetrate. A scoundrel named Torres offers Joam absolute proof of Joam's innocence but the price that Torres wants for this information is to marry Joam's daughter, which is inconceivable to Joam. The proof lies in an encrypted letter that will exonerate Garral. When Torres is killed, the Garral family must race to decode the letter before Joam is executed.
The Magic World
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This collection includes, "The Cat-hood of Maurice", "The Mixed Mine", "Accidental Magic", "The Princess and the Hedge-Pig", "Septimus Septimusson", "The White Cat", "Belinda and Bellamant", "Justnowland", "The Related Muff", "The Aunt and Anabel; "Kenneth and the Carp" and "The Magician's Heart"
The Story of the Amulet
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When Cyril, Robert, Anthea and Jane rescue the magic sand-fairy from a pet shop, they have no idea of the astonishing adventures to come!
The Incomplete Amorist
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A gentle tale of romance and art from a noted children's author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- 'When is he to teach me? Where? How?' -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: 'And when shall I see you again?'
In the Dark
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Nice, moody, horror story. Two best friends are bedevilled by a third friend, who haunts them from grade school to adulthood. He seems to intuit things he can't know, and always tells the truth. One friend escapes to India to get away, the other stays in England. When the escapee returns, he finds his friend shattered and half-mad. Why, is the story.
Werke
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Diese Gesamtausgabe der Werke von Jens Peter Jacobsen, zu dessen Kennenlernen ich gerne die kleine einfühlsame Biographie von Hans Bethge empfehle, enth?lt das vollst?ndige erz?hlerische Werk des Dichters sowie die lyrischen Werke (einschlie?lich der sp?ter von Arnold Sch?nberg vertonten "Gurre-Lieder") und Entwürfe. Sie reproduziert den Band "S?mtliche Werke" aus dem Insel Verlag zu Leipzig (1912, 877 Seiten); die ?bersetzungen stammen von Mathilde Mann, Anka Mathiesen und Erich de Mendelssohn.
Complete Novels
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Aphra Behn (1640-1689) was a spy for Charles II, a playwright, poet, and novelist, and the first English woman to make a living from writing. Her pen name was Astrea. Ernest A. Baker (1869-1941) was an English writer and historian of literature. In 1905, 216 years after Mrs Behn's death, he introduced this collection of ten of her novels in the language of his day, a form which was not a facsimile of her texts. This ebook, prepared 329 years after her death, silently corrects some typos, and makes further changes. The Introduction and three of the stories contain many poems. The ten stories are: Oronooko, The Fair Jilt, The Nun, Agnes de Castro, The Lover's Watch, The Case for the Watch, The Lady's Looking Glass, The Lucky Mistake, The Court of the King of Bantam, and, The Adventure of the Black Lady.
La tribuna
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En esta novela se ven las ideas políticas de la escritora a través de sus personajes. El obrero, como capa social aparece aquí por primera vez en el panorama novelístico espa?ol. La crisis marcada por la Revolución de 1868, la emancipación de la mujer trabajadora y las reivindicaciones laborales del incipiente proletariado constituyen la atmósfera espiritual que envuelve el mundo narrativo de esta obra.
