购物车
个人中心
Only Fools and Horses (The Best of British Comedy)
￥50.62
Richard Webber writes regulary about TV in his job as a journalist and writer. He contributes to a host of newspapers and magazines, including TV Quick, Daily Express, Sunday Express and the Sunday Telegraph and is the author of over a dozen books celebrating classic comedy.
Pottery Analysis, Second Edition
￥453.22
Just as a single pot starts with a lump of clay, the study of a piece's history must start with an understanding of its raw materials. This principle is the foundation of Pottery Analysis, the acclaimed sourcebook that has become the indispensable guide for archaeologists and anthropologists worldwide. By grounding current research in the larger history of pottery and drawing together diverse approaches to the study of pottery, it offers a rich, comprehensive view of ceramic inquiry.This new edition fully incorporates more than two decades of growth and diversification in the fields of archaeological and ethnographic study of pottery. It begins with a summary of the origins and history of pottery in different parts of the world, then examines the raw materials of pottery and their physical and chemical properties. It addresses ethnographic and ethnoarchaeological perspectives on pottery production; reviews the methods of studying pottery's physical, mechanical, thermal, mineralogical, and chemical properties; and discusses how proper analysis of artifacts can reveal insights into their culture of origin. Intended for use in the classroom, the lab, and out in the field, this essential text offers an unparalleled basis for pottery research.
Poet's Freedom
￥229.55
Why do we need new artHow free is the artist in makingAnd why is the artist, and particularly the poet, a figure of freedom in Western cultureThe MacArthur Award-winning poet and critic Susan Stewart ponders these questions in The Poet's Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work.Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets-Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create.?A book about the pleasures of making and thinking as means of life, The Poet's Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
A Grammar of Murder
￥282.53
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim's point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film.?Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene's intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
Sorcery in the Black Atlantic
￥253.10
Girls abused in London and torsos of black boys found in the Thames; African boys disappearing from school and child traffic in Africa; child sacrifice and Brazilian Pentecostal exorcism. Unrelated events are swiftly connected in an uncanny work of prestidigitation, including hitech digital images of torsos and forensic drawings of abused children. Les correspondances symboliques, Baudelaire would say, or contiguous magic, in Frazer’s more prosaic de*ion. It all could make sense, if we believe in our fears, suspicions, gossip, and prejudices. Furthermore, this incredible work of prestidigitation was engineered by two respectable institutions, known for their enlightened search of truth: the BBC and Scotland Yard. But where was the evidence that all these things were connectedThe “exorcism scandal” bewitched the media in Britain for the whole month of June, until some dissenting voices started to talk about a “racist witch hunt.” 5 By then, however, a population of hundreds of thousands of Africans, in particular Pentecostal Africans, was already under suspicion. “What if some of that was true?” some people still may ask. In fact, shortly before completing this introduction, the local London newspaper Evening Standard published a two-page report on an African church in the United Kingdom, with the title “Miracles and claims of baby-snatching,” mixing rumors of child trafficking, sorcery, syncretism, and extreme wealth. 6 That is how sorcery works: not by fully demonstrating its power, but by opening a possible doubt; one is never fully sure it is not true.
Paul Klee
￥370.82
The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In?Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
Daguerreotypes
￥288.41
In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise.By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home-we find traces of photography's "e;fugitive subjects"e; throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.
The Southern Belle's Handbook
￥55.86
Learn how to navigate life with the effortless savior faire of a true daughter of the South with The Southern Belle's Handbook.Sissy LeBlanc's rules to live by will teach you how to hook, hold on to, and handle any man as well as conquer any personal situation with the poise and confidence of a sophisticated southern stunner.And because every woman possesses her own sassy instincts, you can also record your own rules for unstoppable fabulousness and success.
Broadside e-books
￥109.31
It's hard to remember the dark days before 2008. It was a time of hatred, racism, violence, obese children, war, untaxed rich people, and incandescent light bulbs -- perhaps the worst days we had ever seen. And at the heart of it all was a thuggish, thoughtless man, George W. Bush, who lashed out angrily at whatever he didn't understand -- and he understood so very little. Then there was that laugh of his -- that horrible snicker that mocked everything intelligent and nuanced. Also, he looked like a chimp. It seemed like the end for the United States of America. We would crumble in the hands of vicious, superstitious dimwits determined to hunt "ter'ists" or other figments of Bush's rotten mind. There was nothing left to do but head to Whole Foods to prepare our organic, sustainable, fair-trade last meal as the country ended around us. Despair had overtaken us, and we wondered aloud whether we could ever feel hope again. And then a man emerged who firmly answered, "Yes we can!" Oh, but Barack Obama was no mere man. He was a paragon of intelligence and civilized society. A savior to the world's depressed. A lightbringer. A genius thinking thoughts the common man could never hope to comprehend. And his words -- his beautiful words read from crystal panes -- reached down to our souls and told us all would be well. With the simple act of casting a ballot for Barack Obama, we could make the world an immeasurably better place -- a world of peace, of love, of understanding, of unicorns, of rainbows, of expanded entitlements. This was his promise. And now, having had him as president for more than two years, we can say without reservation that he has delivered all his promises and more and is the best president this country -- or any country -- has ever had or could even imagine to have.
Why Girls Can't Throw
￥72.70
Warning: the truth can be shocking, seductive, offensive, outrageous...even disgusting!Are you perplexed by the mysteries of the universe, confounded by the workings of the human body, prone to pondering the great imponderablesAt long last, the answers are here for every inquiring mind that's not afraid to face up to the cold, hard facts of life. The author who brought you That Book . . . of Perfectly Useless Information now addresses the quirky, the eclectic, and the essential conundrums of our age in Why Girls Can't Throw . . . and Other Questions You Always Wanted Answered, including: What's the kindest way to tell a friend he has halitosisIs it cheaper to send yourself as a package to Australia rather than fly on an airplaneAre there any benefits to smokingIs it true that Keith Richards used to regularly replace all the blood in his body?
Fifteen Candles
￥84.05
For the uninitiated, the quincea era celebrates the passage of a fifteen-year-old girl into adulthood: It's a bit bat mitzvah with a dash of debutante ball, and loaded with the same potential for hilarity and adolescent angst. In this original anthology, fifteen of the brightest and funniest Latino writers, men and women alike, share their own memories of these moving and often absurd extravaganzas tales of that unique form of familial humiliation that is borne of the best intentions, fierce love, and the infectious joy of parents finally allowing their little girl to grow up.
A Field Guide to Evangelicals and Their Habitat
￥83.93
They're Going to Heaven . . . and They Know ItAt last, a complete, unsparing guide to evangelical Christians. This hilarious and highly useful manual, written by an insider, illuminates this rapidly growing and unique segment of America and offers a thoroughly entertaining, no-holds-barred, laugh-out-loud survey of evangelical culture. See inside for the scoop on: What Evangelicals Believe -- Plus a Master List of Who Is Going to Hell How to Party Like an Evangelical -- Ambrosia, Li'l Smokies, and Potluck Fever The Diversity of Evangelical Politics -- From Right-Wing to Wacko Evangelical Mating Habits -- The Shocking Truth
The Dictionary of Love
￥83.93
In its more than three hundred pages, The Dictionary of Love gets to the heart of the matter: To rusticate is to get out of town with one's lover.A ballabust is a controlling wife or girlfriend.Bob Hope had the longest Hollywood marriage.Kinkalicious is your girlfriend in a teddy.Tahiti is an island where lovers do the 'upa'upa. From "afterglow" to "zipper," "Ikea" to "Twister," The Dictionary of Love is chockablock with everything you ever wanted to know about love but couldn't find in your Funk Wagnalls. The book draws from all areas of life: love songs, poems, history, law books, sex manuals, medical and psychology texts, folklore, modern science, cookbooks, classical literature, Internet dating sites, TV shows, and today's slang. What famous people best define loveAccording to The Dictionary of Love, they include Johnny Depp, Angelina Jolie, Bill Clinton, Casanova, Lana Turner, Nefertiti, Zsa Zsa Gabor, Don Quixote, Ben & Jerry even Flipper and Lassie!Included, too, are charts, graphs, and illustrations, plus a G-spot directional map for women to give their boyfriend or lover. An indispensable tool for anyone who is composing a love sonnet, breaking up over e-mail, writing a romance novel, planning a romantic getaway, or just looking for something juicy to whisper in their lover's ear, The Dictionary of Love is a first-of-its-kind compendium of all things amorous.
Daddy, Stop Talking!
￥94.10
Last Will & Testament of Adam CarollaI, Adam Carolla, being of beaten-down mind, declare this to be my Last Will and Testament. I revoke all wills and addendums previously made by me. (You guys never did listen, anyway.) Article II appoint the rest of the world's unappreciated dads as Personal Representatives to administer this Will. I bequeath to them the right to crack a couple cold ones in the garage after working their asses off all week and ask that they be permitted to watch all the porn they like and not have to change diapers and get dragged to every preschool "graduation" and PTA meeting. Article IITo my wife, I leave a safe-deposit box, the sole content of which is a note reading "Get a job. I'm dead," and my best wishes on trying to keep up with the unending demands of our houses, cars, dog, and kids.Article IIII devise, bequeath, and give my kids this book, Daddy, Stop Talking. Since you guys were the death of me, I leave you these pages of wisdom. But no cash, cars, or property. You've got to earn those. On that note, I further demand that the following message be placed on the marker of my grave: "You're All on Your Own Now. Enjoy."
Art of the Film: Fantastic Beasts and Where to Find Them
￥279.90
Step inside the world of the talented art departments who, led by Academy Award?-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts from the eagerly anticipated new adventure in J.K. Rowling’s Wizarding World.The Art of Fantastic Beasts and Where to Find Them, edited by Dermot Power, concept artist on the film, takes you on a magical journey through a design process every bit as wonderful as that encountered by Newt Scamander in the wizarding world: from the earliest gatherings of the artists, designers and filmmakers to the magical time of the film’s production itself at Leavesden Studios.Bursting with hundreds of production paintings, concept sketches, storyboards, blueprints and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this superb book – officially licensed by Warner Bros. Consumer Products – presents a visual feast for readers, and will welcome fans of Harry Potter films into the world of Fantastic Beasts and Where to Find Them.
Last of the Summer Wine (The Best of British Comedy)
￥50.62
Compo: I thought you'd be open. Sid: Well that's a natural assumption if you ignore the drawn blinds and the forty foot sign that says closed. Set and filmed in and around Holmfirth, West Yorkshire, Last of the Summer Wine follows the adventures of three quirky pensioners and their equally unusual neighbours. A true British classic that appeals to all generations, it is our nation's longest running comedy programme. The line-up of the comedy trio has changed numerous times over the years, but the calibre of the family-friendly humour Roy Clarke creates has remained the same, and it's as funny and eccentric now as it was in the first episodes he wrote over 25 years ago. Including the pilot, broadcast ten months before the first series, 29 series, made up of 279 episodes, have been screened to date, with the 30th series set to air this autumn. The sitcom has consistently been a favourite in the ratings, with viewing figures peaking at 18.8 million in the mid-eighties. Famous fans include Prince Charles, the Queen Mother and the Queen, who said it was her favourite TV show. The Best of British Comedy - Last of the Summer Wine includes: ”? The History: an overview of how Last of the Summer Wine was born and developed ”? Gags and Catchphrases: a collection of classic quotes ”? Did You Know?: snippets of info about the show, cast, etc. ”? Favourite scenes: the most memorable scenes in full ”? A LOSW quiz 'If God's omnipotent, what could he possibly want with my old woman?' Clegg Compo: Your old lady's dog is crapping all over the pavement. Blamire: That's funny. He usually sews it up in little bags and sends it by post.
The Little Book of Calorie Burning
￥31.59
A quirky guide to counting the calories as they come off, through ways you may never have considered possible Exactly how long would you have to kiss in order to burn off a bottle of beer? Or how long would you have to argue with someone to burn off a Mars bar? From playing ping-pong to having sex (at different levels of intensity!), this little guide contains over 100 activities and their calorie-burning powers. For instance, have you ever thought about the calories you burn simply by eating and digesting? Activities are arranged A-Z and show the calories burned for four different weights (yes, sadly the heavier you are, the more calories you’ll burn even when asleep). Each entry also gives an example food, telling you how long you must do that activity to burn it off.
The Garden in the Clouds: From Derelict Smallholding to Mountain Paradise
￥66.22
A warm, witty memoir of one man’s escape from the city in an unlikely quest to create out of a mountainous Welsh landscape a garden fit for inclusion in the prestigious Yellow Book – the ‘Gardens of England and Wales Open for Charity’ guide – in just one year. It was a derelict smallholding so high up in the Black Mountains of Wales it was routinely lost in cloud. But to Antony Woodward, Tair-Ffynnon was the most beautiful place in the world. Equally ill-at-ease in town and country after too long in London’s ad-land, Woodward bought Tair-Ffynnon because he yearned to reconnect with the countryside he never felt part of as a child. But what excuse could he invent to move there permanently? The solution, he decided, was a garden. In just a year he’d create a garden so special it would be selected for the prestigious Yellow Book – the famous National Gardens Scheme guide to gardens open to the public for charity. It’s an unlikely ambition to entertain in this most unlikely of settings, and one that soon sees Woodward driven by odder and odder compulsions – from hauling a 20-tonne railway carriage up the mountain to making hay with hopelessly antiquated machinery. The path to Woodward’s elusive sense of belonging turns out to be a rocky and winding one, taking in childhood haunts, children’s books and Proustian nostalgia trips. As the family battles gales, mud and Welsh mountain sheep of marble-eyed cunning, not to mention the notoriously fastidious NGS County Organiser, it remains deeply uncertain whether the ‘Not Garden’ and the ‘infinity vegetable patch’ (that grows only stones) will ever make the grade… Warm, thought-provoking and brilliantly funny, this is a memoir of a hopeless romantic with a grandly ludicrous ambition – an ambition to which anyone who’s ever dropped into a garden centre, or opened a packet of seeds, has already succumbed.
Life Moves Pretty Fast
￥66.22
Hadley Freeman brings us her personalised guide to American movies from the 1980s – why they are brilliant, what they meant to her, and how they influenced movie-making forever. For Hadley Freeman, American moves of the 1980s have simply got it all. Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, Back to the Future and Trading Places; all a teenager needs to know – in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club and Mystic Pizza; the ultimate in action – Top Gun, Die Hard, Young Sherlock Holmes, Beverly Hills Cop and Indiana Jones and the Temple of Doom; love and sex – in 9 ? Weeks, Splash, About Last Night, The Big Chill, Bull Durham; and family fun – in The Little Mermaid, ET, Big, Parenthood and Lean On Me. Born in the late 1970s, Hadley grew up on a well-rounded diet of these movies, her entire view of the world, adult relations and expectations of what her life might hold was forged by these cult classics. In this personalised guide, she puts her obsessive movie geekery to good use, detailing the decades key players, genres and tropes, and how exactly the friendship between Dan Aykroyd and John Belushi influenced the evolution of comedy. She looks back to a cinematic world in which bankers are invariably evil, despite this being the decade of Wall Street, where children are always wiser than adults, and science is embraced with an intense enthusiasm, and the future viewed with excitement. She considers how the changes between movies then and movies today say so much about pop culture’s and society’s changing expectations of women, young people and art, and explains why Pretty in Pink and Sixteen Candles should be put on school syllabuses immediately.
Painting Expressive Watercolours
￥82.31
Mike Chaplin is one of the most popular art experts on the very successful Channel 4 series Watercolour Challenge. In this book he reveals how he works and puts forward his ideas and teaching methods, offering plenty of tips and practical advice for the amateur artist. This book is intended for artists with some painting experience who wish to develop their technique, style and outlook. It is a book to make them think and to push the technical and personal boundaries of what they believe they can achieve in paint. Mike’s teaching focuses not only on techniques but also on expanding the readers’ approach to their painting as a whole. Starting with a fascinating look at the development of watercolour as an expressive art, the book then covers selective techniques, both traditional and the more unusual, and topics such as observation, drawing, colour and composition. All kinds of painting subjects are included, from the natural landscape to urban scenes, and throughout the book Mike provides plenty of practical advice and useful tips about techniques. There are also a number of special features, focusing on particular aspects of painting, as well as several full step-by-step demonstration paintings.
Trusts a Practical Guide
￥24.44
Within the genre of financial selfhelp, ‘Trusts A Practical Guide’ is an invaluable and rare resource for financial experts and members of the public alike who need a reference work on a subject that is, on the face of it, complex but which undeniably affects many people’s lives at one point or another. Whatever your occupation or background, you are almost certain at some time to need some understanding of this subject, whether in your own financial planning or in advising those around you – and this guide is particularly helpful when dealing with a relative’s probate or the complex issues arising from an inheritance.After thirtyfive years at the top of his profession, FSA member Terry O'Halloran writes passionately and informatively, not only about his subject but also about the importance of spreading the word to others. He has seen many times first hand the benefits of wellorganized and implemented financial planning on people’s lives. More poignantly, he has seen what can happen when such matters are left to chance.Using famous historical characters, placing them in recognizable situations and using real life case histories, he explains the organization and procedure of Trusts simply and easily bringing his subject alive by putting it in a perspective that is easily assimilated by the layman. Terry O'Halloran clearly explains the intricacies of Trusts and confronts their realities with reallife examples such as a family case involving a number of exwives, a business partnership that goes very expensively wrong and even the attempted murder of a director and removal of the wouldbe assassin (as a Trustee). Building the full picture from simple steps, the author explains the merits or otherwise of trusts and their uses with life assurance and pension products. “Trusts are the most important adjunct to life assurance, business protection, estate planning and pension provision. A basic understanding is essential,” he insists. After searching in vain for a book for his own use, the need for a reference book on this subject was clear. “I needed a reference book that I could refer to during the working day but which would also be simple enough for any of my clients to understand. So I wrote one – in fact I had to write it because there was simply nothing suitable in existence. Moreover, I use it all the time. My own copies are dogeared from use.” “I believe,’ Trusts’ is a practical tool for the professional’s everyday use and a good guide for the layman.
