Marisa Mitton ist keinesfalls das, was sie vorgibt zu sein: eine gew?hnliche Gouvernante. Auch ihr flammendrotes Haar pa?t so gar nicht zu der Rolle, die sie sich zu spielen bemüht. In ihrer Maskerade als Angestellte im Haushalt des Herzogs von Milverley hofft sie Material sammeln zu k?nnen, das die Korruptheit und Oberfl?chlichkeit der nur scheinbar ?guten“ Gesellschaft aufzeigen soll. Doch ihr Plan ist schwieriger zu realisieren, als sie geglaubt hat. Da ist zum einen ihr Verantwortungsgefühl für ein einsames, liebes Kind, das als unkontrollierbar, ungezogen und verstockt gilt. Und da ist zum anderen der Herzog: ein arroganter, skrupelloser Schürzenj?ger.

Ruth is a young orphan girl working in a respectable sweatshop for the overworked Mrs Mason. She is selected to go to a ball to repair torn dresses. At the ball she meets the aristocratic Henry Bellingham, a rake figure who is instantly attracted to her. They meet again by chance and form a secret friendship; on an outing together they are spotted by Mrs Mason who, fearing for her shop's reputation, dismisses Ruth.

From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of Sleepy Hollow... A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere.

London 1970: Experimental psychiatrist R.D. Laing is facing eviction from his pioneering asylum in the East End’s Kingsley Hall. Local residents are up in arms – and to make matters worse, Ronnie’s revolutionary colleague David Cooper is flipping out on the roof… With his personal life going down the pan and his mental state heading the same way, Ronnie takes an acid trip to the future. His mission is to save his therapeutic collective The Philadelphia Association and secure his professional legacy. Will it be a one-way ticket to madness – or can breakdown sometimes mean breakthrough?

A kaleidoscope of stories about war, displacement, revolution and liberation taking us on an emotional journey across three continents. Based on the actors’ personal and family experiences, the stories interweave and overlap, exploring moments of joy, sadness and laughter set against key historical events over the last hundred years. Poignant, moving, funny, inspiring, this is the first piece of work created by the Visible Ensemble, dedicated to putting older performers and their rich lives centre stage.

Ceylon born and bred, yet English through and though thanks to their stern father, who is the local Vicar, beautiful young Dominica Radford and her five sisters are excited when one Sunday a very handsome English gentleman comes calling on their father in their rundown Vicarage in Colombo. But excitement turns to shock when Lord Hawkston out of the blue asks for Dominica’s hand in marriage for his twenty-four year old nephew Gerald Warren, who is running Lord Hawkston’s estate in Northern Ceylon. Having discovered that Gerald, recently spurned by a previous fiancée, is drinking heavily, letting the Hawkston tea estate go to wrack and ruin and treating his native lover cruelly, Lord Hawkston is desperate to see him married and settled and so sees the intelligent and sensible Dominica as the perfect bride for him. Overwhelmed by his Lordship’s generosity in giving her a glorious trousseau of pretty clothes, Dominica initially agrees, but soon she realises not only that she does not love Gerald she is repelled by him and the ugliness and coarseness he brings to the new Garden of Eden where she now finds herself. Nevertheless the lovely Dominica is happier than she has ever been in her entire life. And the reason suddenly comes to her in a blinding light. She is in love with Lord Hawkston!

Dodo Collections brings you another classic from Arnold Bennett, ‘"Judith, a Play in Three Acts; Founded on the Apocryphal Book of Judith."’ ? Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. ? After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. ? Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist. His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

Pièce d'histoire de Shakespeare, Henry IV Part One, en traduction fran?aise. Selon Wikipédia: "Henry IV, Part 1 est une pièce d'histoire de William Shakespeare, qui aurait été écrite au plus tard en 1597. C'est la deuxième pièce de la tétralogie de Shakespeare traitant des règnes successifs de Richard II, Henri IV (deux pièces ), et Henry V. Henry IV, partie 1 dépeint une période de l'histoire qui commence avec la bataille de Hotspur à Homildon contre le Douglas à la fin de 1402 et se termine avec la défaite des rebelles à Shrewsbury au milieu de 1403. Dès le début il a été un jeu extrêmement populaire à la fois avec le public et les critiques. "

Dodo Collections brings you another classic from Arnold Bennett, ‘"The Title: A Comedy in Three Acts."’ ? Set against the backdrop of World War I, this play is a rollicking send-up of Britain's class system and its growing absurdity in the heady period of democratization that began to transpire in the early twentieth century. When mild-mannered protagonist Culver finds out that he is entitled to a formal honor (i.e., a title), he begins to reconsider the age-old hierarchy and all that it entails. ? Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc. ? After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France. ? Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist. His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

L'art pour tous was written in the year 1862 by Stéphane Mallarmé. This book is one of the most popular novels of Stéphane Mallarmé, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.

In The Beginner's American History, D. H. Montgomery provides a wide-ranging and authoritative history of America, capturing in a compact space the full story of our nation. The Beginner's American History offers an illuminating account of politics, diplomacy, and war as well as the full spectrum of social, cultural, and scientific developments that shaped our country.?Illustrated, Maps, Full-Page Illustrations. Contents start with Columbus, last chapter is Since the Civil War. Some of the other contents: Captian Sutter, General Sam Houston, General Andrew Jackson, General George Rogers Clark and lots more.

Un fascinant discurs despre unul dintre cei mai celebri ?i cei mai disputa?i actori ?i regizori, cu istorii scandaloase al c?ror personaj atipic a fost, cu via?? – nu totdeauna lipsit? de r?sp?ntii ?i suspans – de culise a acestui filosof al scenei ?i bufon metafizic al existen?ei. Autoarei i s-a decernat pentru aceast? carte Premiul Uniunii Cinea?tilor din Rom?nia.

Specialist ?n domeniul avangardei, scriitorul – extrem de incomod uneori! – Ovidiu Morar, scrie despre scriitorii evrei din Rom?nia ?ntr-un stil incomod, m?nat de un zeu al drept??ii, impar?ial ?i feroce. Cine sunt scriitorii evrei? ?n ce m?sura ei se deosebesc de rom?ni, unguri, francezi, ?i ?n ce m?sur? se aseam?n?? Aceste ?i multe alte ?ntreb?ri mai mult sau mai pu?in comode revin aidoma unui laitmotiv pe parcursul c?r?ii, scrise ?ntr-un stil alert, incitant, cu note v?dit incomode, iar pe aclouri de-a dreptul provocatoare.

Doamna Marusia CIRSTEA, doctor in stiinte istorice, a investigat, in baza cercetarii unei extrem de bogate bibliografii si a unor studii intense in arhivele diplomatice si militare interne (Arhiva Ministerului de Externe al Romaniei - Bucuresti, Arhivele Militare Nationale – Bucuresti si Pitesti, Arhivele Nationale ale Romaniei - Bucuresti, Biblioteca Nationala si Biblioteca Academiei Romane, ambele din Bucuresti), o problema de mare interes, abordata pana acum de numerosi istorici romani si straini (Paul D. Quinlan, Elisabeth Barker, V. F. Dobrinescu, Gh. Pascalau, Ion Patroiu s.a.). Tocmai de aceea, meritul autoarei este cu totul deosebit, intrucat, bazandu-se pe rezultatele cercetarilor anterioare, dar, aprofundandu-le si completandu-le substantial cu documente inedite, este in masura sa realizeze o contributie stiintifica de reala valoare pe marginea evolutiei raporturilor politico-diplomatice intre Romania si Marea Britanie intr-una din perioadele cele mai captivante si mai dificile ale epocii contemporane – ajunul conflagratiei mondiale din 1939-1945. Asa dupa cum se subliniaza in ampla Introducere, problema cercetata ?constituie o tema de studiu si de reflectie importanta, interesanta si plina de invataminte, nu numai pentru istoricul de astazi, dar si pentru omul simplu, pasionat de istorie si, indeosebi, pentru politicianul si diplomatul care trebuie sa gaseasca solutii practice unor aspecte interesand raporturile internationale“ (p. 3). Astfel, dupa o pertinenta si documentata Introducere, care elucideaza si aspectele istoriografice ale cercetarii, autoarea realizeaza o consistenta monografie privind relatiile dintre Bucuresti si Londra intre 1936 si 1939, in cuprinsul a patru capitole judicios repartizate pentru a se asigura tratarea globala si unitara a materiei. De un mare interes si cu o importanta pondere in economia lucrarii se dovedesc, nu mai putin, Concluziile (pp. 200-213), Bibliografia (pp. 214-232) si cele 25 de Anexe (pp. 233-350).Ultimele luni de pace si inceputul celui de-al doilea razboi mondial, evolutia raporturilor anglo-romane in context fac obiectul celui de-al IV-lea capitol. Principalele evenimente tratate sunt, in ordine cronologica, faimosul caz Tilea; garantiile franceze si britanice acordate Poloniei, Greciei si Romaniei; rostul pactului sovieto-german din 23 august 1939 in politica europeana; declansarea razboiului si atitudinea Romaniei si, in sfarsit, proclamarea neutralitatii Romaniei in razboi vizavi de implicarea Marii Britanii in ostilitati. Temeinicia cercetarii este atestata de o bogata si sistematica Bibliografíe, care, fara indoiala, intregeste, in chip fericit, textul lucrarii. In acelasi timp, Anexele ingaduie specialistului si cititorului interesat sa aprecieze amploarea si seriozitatea investigatiilor arhivistice.

Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter.Leonardo di Ser Piero d'Antonio di Ser Piero di Ser Guido da Vinci—for that was his full legal name—was the natural and first-born son of Ser Piero, a country notary, who, like his father, grandfather, and great-grandfather, followed that honourable vocation with distinction and success, and who subsequently—when Leonardo was a youth—was appointed notary to the Signoria of Florence. Leonardo's mother was one Caterina, who afterwards married Accabriga di Piero del Vaccha of Vinci. His BirthLeonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter. His ArtLeonardo, whose birth antedates that of Michelangelo and Raphael by twenty three and thirty-one years respectively, was thus in the forefront of the Florentine Renaissance, his life coinciding almost exactly with the best period of Tuscan painting.Leonardo was the first to investigate scientifically and to apply to art the laws of light and shade, though the preliminary investigations of Piero della Francesca deserve to be recorded.He observed with strict accuracy the subtleties of chiaroscuro—light and shade apart from colour; but, as one critic has pointed out, his gift of chiaroscuro cost the colour-life of many a noble picture. Leonardo was "a tonist, not a colourist," before whom the whole book of nature lay open. His MindWe can readily believe the statements of Benvenuto Cellini, the sixteenth-century Goldsmith, that Francis I. "did not believe that any other man had come into the world who had attained so great a knowledge as Leonardo, and that not only as sculptor, painter, and architect, for beyond that he was a profound philosopher." Leonardo anticipated many eminent scientists and inventors in the methods of investigation which they adopted to solve the many problems with which their names are coupled. Among these may be cited Copernicus' theory of the earth's movement, Lamarck's classification of vertebrate and invertebrate animals, the laws of friction, the laws of combustion and respiration, the elevation of the continents, the laws of gravitation, the undulatory theory of light and heat, steam as a motive power in navigation, flying machines, the invention of the camera obscura, magnetic attraction, the use of the stone saw, the system of canalisation, breech loading cannon, the construction of fortifications, the circulation of the blood, the swimming belt, the wheelbarrow, the composition of explosives, the invention of paddle wheels, the smoke stack, the mincing machine! It is, therefore, easy to see why he called "Mechanics the Paradise of the Sciences."Leonardo was a SUPERMAN.

The Winter's Tale is a play by William Shakespeare, originally published in the First Folio of 1623. Although it was grouped among the comedies, some modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's "problem plays", because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation called Florizel and Perdita (first performed in 1754 and published in 1756). The Winter's Tale was revived again in the 19th century, when the third "pastoral" act was widely popular. In the second half of the 20th century The Winter's Tale in its entirety, and drawn largely from the First Folio text, was often performed, with varying degrees of success. Short Summary of the Tale: John Fawcett as Autolycus in "The Winter's Tale" (1828) by Thomas Charles WagemanFollowing a brief setup scene the play begins with the appearance of two childhood friends: Leontes, King of Sicilia, and Polixenes, the King of Bohemia. Polixenes is visiting the kingdom of Sicilia, and is enjoying catching up with his old friend. However, after nine months, Polixenes yearns to return to his own kingdom to tend to affairs and see his son. Leontes desperately attempts to get Polixenes to stay longer, but is unsuccessful. Leontes then decides to send his wife, Queen Hermione, to try to convince Polixenes. Hermione agrees and with three short speeches is successful. Leontes is puzzled as to how Hermione convinced Polixenes so easily, and Leontes suddenly goes insane and suspects that his pregnant wife has been having an affair with Polixenes and that the child is a bastard. Leontes orders Camillo, a Sicilian Lord, to poison Polixenes. Camillo instead warns Polixenes and they both flee to Bohemia. Furious at their escape, Leontes now publicly accuses his wife of infidelity, and declares that the child she is bearing must be illegitimate. He throws her in prison, over the protests of his nobles, and sends two of his lords, Cleomenes and Dion, to the Oracle at Delphi for what he is sure will be confirmation of his suspicions. Meanwhile, the queen gives birth to a girl, and her loyal friend Paulina takes the baby to the king, in the hopes that the sight of the child will soften his heart. He grows angrier, however, and orders Paulina's husband, Lord Antigonus, to take the child and abandon it in a desolate place. Cleomenes and Dion return from Delphi with word from the Oracle and find Hermione publicly and humiliatingly put on trial before the king. She asserts her innocence, and asks for the word of the Oracle to be read before the court. The Oracle states categorically that Hermione and Polixenes are innocent, Camillo an honest man, and that Leontes will have no heir until his lost daughter is found. Leontes shuns the news, refusing to believe it as the truth. As this news is revealed, word comes that Leontes' son, Mamillius, has died of a wasting sickness brought on by the accusations against his mother. Hermione, meanwhile, falls in a swoon, and is carried away by Paulina, who subsequently reports the queen's death to her heartbroken and repentant husband. Leontes vows to spend the rest of his days atoning for the loss of his son and his queen.

Mindannyian tudjuk még, mit jelentett az ?tvenes években, ha valakir?l azt mondták: ?elvitte egy fekete autó”, ahogy a ma emberének nem csengenek ismeretlenül az ?VO vagy az ?VH bet?szavak sem. Ezt hallva mindenki tudja: a kommunista diktatúráról, és annak legfontosabb eszk?zér?l, a politikai rend?rségr?l van szó. M?LLER ROLF k?nyve e szervezet t?rténetét dolgozza fel. A második világháború végét?l az 1956-os forradalomig kalauzolja el az olvasót, mik?zben számos k?zszájon forgó fogalmat tisztáz. Sorra veszi a kül?nb?z? elnevezések alatt m?k?d? titkos nyomozó szerveket, az átalakítások m?g?tt meghúzódó okokat. Elbeszéli az államvédelem évekig els? számú vezet?jének, Péter Gábornak az élett?rténetét, bemutatja kevésbé ismert riválisát, segít?it, és pozíciójának ?r?k?seit. Szemléletes példákat hoz a Rákosi Mátyás és sz?kebb k?re által gyakorolt ?kézi irányításra”, amelynek során még a felejthetetlen helsinki olimpia és a magyar-angol labdarúgó mérk?zés is el?kerül. A k?tetb?l természetesen nem maradhatnak ki az ügyn?k?k és a besúgók sem: a hálózat m?k?désén és a titkos technikákon túl az érdekl?d? megismerheti azt is, hogy kikb?l szervezték a hivatásos állományt, bepillanthat mindennapjaikba, és végigjárhatja azokat a helyszíneket, amelyek valamilyen módon a magyar politikai rend?rség legs?tétebb évtizedéhez k?t?dtek. Müller Rolf 1974-ben született Kaposváron. A Kossuth Lajos Tudományegyetem b?lcsészkarán végzett t?rténelem-politológia szakon. 1998-tól a T?rténeti Hivatalnak, 2033 óta jogutódjának, az ?llambiztonsági Szolgálatok T?rténeti Levéltárának munkatársa. Alapító szerkeszt?je a Betekint? cím? internetes folyóiratnak, t?bb éven át a lap f?szerkeszt?je. 2007-ben védte meg doktori disszertációját. 2011 szeptemberét?l a Magyar Tudományos Akadémia Bolyai-?szt?ndíjasa. Kutatási területe az 1945 és 1990 k?z?tt m?k?d? magyar politikai rend?rség t?rténete, illetve a fényképek és az emlékezet kapcsolata.

"Ugyanabban az id?ben, és ugyanazon a napon, amelyen a nemzetek megszentégtelenítették, ugyanakkor szentelték fel a templomot énekszóvel, lantok, hárfák és cintányérok kíséretével. Az egész nép arcra borult, imádta és áldotta at Eget, hogy szerencséssé tette útjukat. Az oltár újraszentelését nyolc napig végezték, és ?r?mmel áldoztak ég?álozatokat és dícs?it? áldozatokat a szabadulásért. A templom homlokzatát aranykoszorúkkal és -pajzsocskákkal díszítették fel, megújították a kapukat és a papi kamrákat, és ajtókkal láttál el ?ket. Igen nagy ?r?m t?lt?tte le a népet, mivel sikerült elhárítaniuk magukról a nemzetek gyalázatát. Júdás és testvérei Izrael egész gyülekezetével együtt elhatározták, hogy évr?l évre megünnepilik az oltár újraszentelésének napjait a maga idején a Kiszlév hónap huszon?t?dik napjától kezdve nyolc napon át vidámsággal és ?r?mmel."? A Makkabeusok els? k?nyve Izrael népe t?rténelmének olyan fejezetét mutatja be, amikor az ?s?k hitéért való harc egyben a nemzeti ?nrendelkezésért való küzdelmet is jelentett a hellenizmus globális trendjével szemben.?

ARCHITECTURE seems to me to be the most wonderful of all the arts. We may not love it as much as others, when we are young perhaps we cannot do so, because it is so great and so grand; but at any time of life one can see that in Architecture some of the most marvellous achievements of men are displayed. The principal reason for saying this is that Architecture is not an imitative art, like Painting and Sculpture. The first picture that was ever painted was a portrait or an imitation of something that the painter had seen. So in Sculpture, the first statue or bas-relief was an attempt to reproduce some being or object that the sculptor had seen, or to make a work which combined portions of several things that he had observed; but in Architecture this was not true. No temples or tombs or palaces existed until they had first taken form in the mind and imagination of the builders, and were created out of space and nothingness, so to speak. Thus Painting and Sculpture are imitative arts, but Architecture is a constructive art; and while one may love pictures or statues more than the work of the architect, it seems to me that one must wonder most at the last. We do not know how long the earth has existed, and in studying the most ancient times of which we have any accurate knowledge, we come upon facts which prove that men must have lived and died long before the dates of which we can speak exactly. The earliest nations of whose Architecture we can give an account are called heathen nations, and their art is called Ancient or Heathen Art, and this comes down to the time when the Roman Emperor Constantine was converted to Christianity, and changed the Roman Capitol from Rome to Constantinople in the year of our Lord 328. The buildings and the ruins which still remain from these ancient times are in Egypt, Assyria, Persia, Judea, Asia Minor, Greece, Etruria, and Rome. Many of these have been excavated or uncovered, as, during the ages that have passed since their erection, they had been buried away from sight by the accumulation of earth about them. These excavations are always going on in various countries, and men are ever striving to learn more about the wonders of ancient days; and we may hope that in the future as marvellous things may be revealed to us as have been shown in the past. EGYPT: As we consider the Architecture of Egypt, the Great Pyramid first attracts attention on account of its antiquity and its importance. This was built by Cheops, who is also called Suphis, about 3000 years before Christ. At that distant day the Egyptians seem to have been a nation of pyramid-builders, for even now, after all the years that have rolled between them and us, we know of more than sixty of these mysterious monuments which have been opened and explored. Of all these the three pyramids at Ghizeh are best known, and that of Cheops is the most remarkable among them. Those of you who have studied the history of the wars of Napoleon I. will remember that it was near this spot that he fought the so-called Battle of the Pyramids, and that in addressing his soldiers he reminded them that here the ages looked down upon them, thus referring to the many years during which this great pyramid had stood on the border of the desert, as if watching the flight of Time and calmly waiting to see what would happen on the final day of all earthly things. There have been much speculation and many opinions as to the use for which these pyramids were made, but the most general belief is that they were intended for the tombs of the powerful kings who reigned in Egypt and caused them to be built.The pyramid of Cheops was four hundred and eighty feet and nine inches high, and its base was seven hundred and sixty-four feet square. It is so difficult to understand. CLARA ERSKINE CLEMENTAUTHOR OF "HANDBOOK OF LEGENDARY AND MYTHOLOGICAL ART," "PAINTERS, SCULPTORS, ENGRAVERS, ARCHITECTS AND THEIR WORKS," "ARTISTS OF THE NINETEENTH CENTURY"

1974-ben az Emmanuelle meghódította a francia mozikat, és r?vid id?n belül az egész világon hatalmas sikert aratott. A korabeli plakátokról egy húsz év k?rüli, r?vid hajú, félmeztelen szépség nézett kihívóan egy fonott karosszékéb?l. Ekkor még senki sem sejtette, hogy SYLVIA KRISTEL, ez az akkor még ismeretlen holland lány hamarosan a szexuális forradalom egyik emblematikus alakjává válik. A hírnévt?l és a sikert?l megrészegült színészn? egy csapásra a nemzetk?zi filmvilág ünnepelt sztárja lett, azonban nem kapott elég id?t, hogy feldolgozza a hirtelen j?tt népszer?séget, sem pedig a gyermekkorában ?t ért sérelmeket. A sztárok fény?z? és gondtalan életét élte, udvarlók seregei hevertek a lába el?tt, bejáratos volt a legcsillogóbb hollywoodi fogadásokra. Magánéletében azonban már k?zel sem volt ilyen szerencsés. Házasságai zátonyra futottak, a sorozatos sorscsapások és a múlt démonai el?l az alkoholba és drogokba menekült. Kicsapongásainak végül egy súlyos betegség vetett véget. Visszaemlékezéseiben ?szintén tárja elénk egy olyan asszony felemel? és megrendít? t?rténetét, akinek nem csak meztelen teste érdemel figyelmet.

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