Golf, A Very Peculiar History' takes a sideways look at one of Britain's greatest exports, tracing its history from the earliest ball-in-hole games right up to the scandals that rock its current celebrities and tournaments, with a fair few mulligans in between. From its origins as a strictly men-only, exclusive sport, golf has matured a great deal through the ages and has distanced itself from the elitist pursuit it once was, today allowing players from all creeds and sexes. This ebook takes a look at how these prejudices have (sometimes) been overcome, while indulging you with some of the bizarrest stories known to the world of golf. Just remember, it's not always the caddie's fault...

2017 is the 130th anniversary of the publication of A Study in Scarlet, the first recorded adventure of Sherlock Holmes and Dr. John H. Watson. What an amazing journey it's been! In addition to the pitifully few sixty tales originally presented in The Canon, published between 1887 and 1927, there have been literally thousands of additional Holmes adventures in the form of books, short stories, radio and television episodes, movies, manuscripts, comics, and fan fiction. And yet, for those who are true friends and admirers of the Master Detective of Baker Street, where it is always 1895 (or a few decades on either side of that!) these stories are not enough. Give us more!In March 1998, legendary radio dramatist, producer, writer, director, and founder of Imagination Theatre listened to this request and broadcast the first of an astounding number of Holmes radio shows over their United States network of stations. In the intervening years, 128 original Holmes episodes (and one recently found "e;lost"e; episode"e;) were broadcast before Imagination Theatre closed its doors in early 2017. Additionally, the cast and crew performed their version of the entire Holmes Canon between 2005 and 2016, featuring the same actors as Holmes and Watson, (John Patrick Lowrie and Larry Albert, respectively,) as well as having every script adapted by the same author, M.J. Elliott - something that has never been done before.Astonishingly, this great number of episodes were written by a relatively small group of dramatists. Imagination Theatre's departure from the airwaves left a great void, both in terms of those seeking "e;movies for your mind"e;, but also those wanting new quality stories about the true Sherlock Holmes, set in the correct period, and featuring tales that truthfully represented Holmes and Watson.This book serves both to honor Jim French and his lifetime of achievements, and also Mr. Sherlock Holmes, along with the dramatists, cast, and crew who brought the new adventures to life. Inside this volume, you will find a script by every one of the authors who wrote about Holmes for Imagination Theatre, representing some of the finest new Holmesian storytelling to be found, and honoring the man described by Watson as "e;the best and wisest ... whom I have ever known."e;Featuring fourteen scripts from every writer who contributed to the series run of Imagination Theatre's Sherlock Holmes.

From its beginnings in Ancient Greek antiquity, right up to its arrival in Great Britain, the home of so many modern sports and favoured pastimes, the Olympic Games have always been a grand and exciting spectacle, whether you're watching a no-holds-barred wrestling match or a mesmerising, freewheeling gymnast. 'The Olympics, A Very Peculiar History' gives an overview of the strange, the unbelievable and the downright bizarre events that have occurred over the many years that this esteemed competition has seen. This ebook features amazing athlete statistics, biographies and records, and well as quirky stories and fascinating facts from the world of the Olympiad.

"e;A psychological account of a crime"e; - that's how Fyodor Dostoyevsky described his novel Crime and Punishment, which tells of two horrific axe murders in St. Petersburg. It becomes much more than a mere "e;account,"e; however, when a pair of dead bodies turn up in London's East End, their heads split open by an axe-blade. To Scotland Yard, the crimes are murders to solve. To Sherlock Holmes, they present an intriguing puzzle. But to the literary man, Dr. John H. Watson, they seem a deliberate re-staging of the brutal murders depicted in Dostoyevsky's narrative. If Watson is right, what can be the purpose behind an actual recreation of the fictional killings? Blocking the answer to that question is a mysterious assortment of English and Russian eccentrics, and one can only wonder if the startling revelation at the end will be dramatic enough to set matters straight.

It boasted libraries, palm trees, swimming pools, a 50-phone switchboard and was nearly as tall as the Eiffel Tower... No, she's not a skyscraper, she's the Titanic! Marking the centenary of the sinking of the White Star Liner RMS Titanic in 1912, 'Titanic, A Very Peculiar History' delves into the human stories of both crew and passengers and the incredible feats of engineering and design involved in the ship's construction. The ebook also takes a look at events that occurred once the ship was wrecked, from discovering what dead passengers had tried to take with them to assessing the likelihood of us ever being able to raise the wreck for more study. Featuring letters from the liner's passengers and crew and a taste of the superstitions and creepy coincidences that surround the ship's sinking, it's a great all-round look at the incredible facts and stories at the heart of the Titanic's conception, construction and maiden voyage.

When war broke out in 1939, few knew that they would soon be fighting to survive, let alone how or when it would end. 'Rations: A Very Peculiar History' looks at the measures the British government took to ensure the wellbeing of its people during wartime, and how the British public dealt with it. With some stealing, some hoarding, but most just trying to get by, it was one of the bleakest periods in British history. But there's a reason they called it 'the Blitz spirit' - this title features amazing tales of camaraderie and good humour in the face of bombs and hunger. Featuring incredible food-and-energy-saving recipes used at the time, along with quotes from survivors, 'Rations: A Very Peculiar History' will transport you back to a time when even Buckingham Palace and the Ritz hotel weren't above swapping a bit of venison for a bit of lobster.

This highly readable new collection of thirty pieces by Michael Oakeshott, almost all of which are previously unpublished, covers every decade of his intellectual career, and adds significantly to his contributions to the philosophy of historical understanding and political philosophy, as well as to the philosophy of education and aesthetics. The essays were intended mostly for lectures or seminars, and are consequently in an informal style that will be accessible to new readers as well as to those already well acquainted with Oakeshott's works. Early pieces include a long essay 'On the Relations of Philosophy, Poetry, and Reality', and Oakeshott's comments on 'The Cambridge School of Political Science' through which he himself had passed as an undergraduate. The collection also reproduces a substantial wartime essay 'On Peace with Germany'. There are two new essays on the philosophy of education, and the essay which gives the work its title, 'What is History?', is just one of over half a dozen discussions of the nature of historical knowledge. Oakeshott's later sceptical, 'hermeneutic', thought is also well represented by pieces such as 'What is Political Theory?' and 'The Emergence of the History of Thought.' Reviews of books by English and European contemporaries such as Butterfield, Hayek, Voegelin, and Arendt also help to place him in context more clearly than before. The book will be indispensable for all Oakeshott's readers, no matter which area of his thought concerns them most.

Taking a unique look at how Britain survived the bombing of its major cities, 'The Blitz, A Very Peculiar History' tells a story of blackouts, Bletchley Park and bravery during the darkest (literally) period of World War II. From Dunkirk to Dad's Army, explore the many ways in which Britain tried to foil the incoming bomber planes, featuring quirky stories and fascinating trivia about this period of history. Were German paratroopers really dropped disguised as nuns? Find out the answer to this question and many more even more bizarre ones throughout the course of this amazing tale of sacrifice and survival in the face of adversity.

Are you prepared, either as an atheist or a religious believer, to have your ideas of God, the self, other people, the body, the soul, spirituality, and faith challenged in an unexpected and original way? Here is a book that moves out from under and away from the received notions of those ponderous topics, whether or not you believe in the divine. The author is a confessed atheist but one who rejects the approach of Richard Dawkins, Christopher Hitchens, Michel Onfray and the rest when they depart from their justifiable criticisms of the historical record of the established creeds and endeavour to rubbish what faith could actually be. The book takes its origin from an exploration of the idea of an avatar; the writing of it was stimulated by seeing the Cameron film, though it subjects that film itself to an assessment of its hidden assumptions. The book finally arrives at specific recommendations for our time, ones to which the argument of the book has been directed throughout.

Dragged from the deepest, darkest depths of the 'Very Peculiar History' vaults, this book collects tales of terror, morbid myths and frightening facts that will chill you witless. Introduced by everyone's favourite bloodsucker, Count Dracula, 'Vampires: A Very Peculiar History' features the origin of vampire-like creatures and a biological and mythological look at human blood (including the best places to bite if you were a vampire!) alongside tales of the real-life vampires that may have inspired the first vampire stories. It includes advice on how to spot a vampire as well as how to become one! Even vampires of film, graphic novel and manga get a taste of the action! Don't be scared, be prepared...with 'Vampires, A Very Peculiar History'!

This volume examines historical and contemporary engagements of anarchism and literary production. Anarchists have used literary production to express opposition to values and relations characterizing advanced capitalist (and socialist) societies while also expressing key aspects of the alternative values and institutions proposed within anarchism. Among favoured themes are anarchist critiques of corporatization, prisons and patriarchal relations as well as explorations of developing anarchist perspectives on revolution, ecology, polysexuality and mutual aid. A key component of anarchist perspectives is the belief that means and ends must correspond. Thus in anarchist literature as in anarchist politics, a radical approach to form is as important as content. Anarchist literature joins other critical approaches to creative production in attempting to break down divisions between readers and writer, audience and artist, encouraging all to become active participants in the creative process.

Michael Oakeshott (1901-90) made his reputation as a political philosopher, but for a long time it seemed as if he had little interest in politics before 1945. His major pre-war work, Experience and its Modes (1933) was an examination of the nature of philosophy and its relation to other forms of thought that made almost no mention of politics. However, it has become increasingly clear that this initial judgment was misleading. A posthumous collection of early essays, Religion, Politics, and the Moral Life (1993), proved that political philosophy was a lifelong concern. Nevertheless, the belief that Oakeshott was relatively uninterested in politics, at least in the 1920s, has persisted. This volume dispels that notion for good. It contains two previously unpublished works, a manuscript entitled 'A Discussion of some Matters preliminary to the Study of Political Philosophy', and the first version of a course of lectures on 'The Philosophical Approach to Politics' that Oakeshott gave between 1928 and 1930. These works establish that politics was a central concern in the first decade of his intellectual career, and show beyond any doubt that the ideas of Experience and its Modes actually grew out of Oakeshott's prior philosophical interest in politics.

The book explores the role of leisure in modern life. It was written in the belief that leisure sets us apart as a species, that what is "e;useless"e; by commercial standards is probably the best thing we have going for us, and that leisure is under attack, in high danger of being lost, and has been for some time (since at least the end of the Second World War). The source of the problem is the ascendancy of the economic imperative, the subordination of the science of means (philosophy) by the science of ends (economics). The book argues that our leisurely impulse has been so squandered that boredom is now a significant problem in modern life. The essays canvass the distinctive contributions of art, science and religion, and provide a synthetic account of these three forces driving human culture. Although the book covers the science/religion question, this book differs from others on the science/religion debate in that it connects the traditional discussion to questions of economics and social policy. It takes an innovative approach in weaving the fundamentals of human life (art, science, economics and so on) into one fabric, namely, leisure.

To call someone a reactionary is to insult them and to end any argument. There is no possible rejoinder: no one could possibly wish to be a reactionary. But what if one were to gratefully accept the label? What would it mean to wilfully and honestly be a reactionary? Referencing thinkers as diverse as Burke, de Maistre, Guenon, Ratzinger, Scruton and the Prince of Wales this book considers the nature of reaction as a justified response to modernity and the constant call for change. Reaction is shown to take two distinct forms: first, as a rejection of progress and a defence of traditional culture and values; and second, as a common sense disquiet and distaste towards elites. These are seen as entirely valid responses to the failure of modernity. 'Reaction' presents an original and thoughtful critique of modernity and a defence of tradition. It will be of interest to anyone concerned that we are heading too far and too quickly in the wrong direction.

Something has gone deeply wrong with the university - too deeply wrong to be put right by any merely bureaucratic means. What's wrong is, simply, that our official idea of education, the idea that inspires all government policies and 'initiatives', is itself uneducated. With the growing emphasis in higher education on training in supposedly useful skills, has the very ethos of the university been subverted? And does this more utilitarian university succeed in adding to the national wealth, the basis on which politicians justify the large public expenditure on the higher education system? Should we get our idea of a university from politicians and bureaucrats or from J.H. Newman, Jane Austen and Socrates?The New Idea of a University is an entertaining and highly readable defence of the philosophy of liberal arts education and an attack on the sham that has been substituted for it. It is sure to scandalize all the friends of the present establishment and be cheered elsewhere.

Plan for six weeks of learning covering all six areas of learning and development of the EYFS through the topic of weather. The Planning for Learning series is a series of topic books written around the Early Years Foundation Stage designed to make planning easy. This book takes you through six weeks of activities on the theme of the weather. Each activity is linked to a specific Early Learning Goal, and the book contains a skills overview so that practitioners can keep track of which areas of learning and development they are promoting. This book also includes a photocopiable page to give to parents with ideas for them to get involved with their children's topic, as well as ideas for bringing the six weeks of learning together. The weekly themes in this book include: wet weather, sunny weather and everything in between.

High into air are the great New York buildings lifted by a ray whose source no telescope can find.It seemed only fitting and proper that the greatest of all leaps into space should start from Roosevelt Field, where so many great flights had begun and ended. Fliers whose names had rung—for a space—around the world, had landed here and been received by New York with all the pomp of visiting kings. Fliers had departed here for the lands of kings, to be received by them when their journeys were ended. Of course Lucian Jeter and Tema Eyer were disappointed that Franz Kress had beaten them out in the race to be first into the stratosphere above fifty-five thousand feet. There was a chance that Kress would fail, when it would be the turn of Jeter and Eyer. They didn't wish for his failure, of course. They were sports-men as well as scientists; but they were just human enough to anticipate the plaudits of the world which would be showered without stint upon the fliers who succeeded. The warship simply vanished into the night sky. "At least, Tema," said Jeter quietly, "we can look his ship over and see if there is anything about it that will suggest something to us. Of course, whether he succeeds or fails, we shall make the attempt as soon as we are ready.""Indeed, yes," replied Eyer. "For no man will ever fly so high that another may not fly even higher. Once planes are constructed of unlimited flying radius ... well, the universe is large and there should be no end of space fights for a long time."

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka never did give an explanation. The rest of Kafka's novella deals with Gregor's attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repulsed by the horrible, verminous creature Gregor has become. Part I: One day, Gregor Samsa, a traveling salesman, wakes up to find himself transformed into a "ungeheures Ungeziefer", literally "monstrous vermin", often interpreted as a giant bug or insect. He believes it is a dream, and reflects on how dreary life as a traveling salesman is. As he looks at the wall clock, he realizes he has overslept, and missed his train for work. He ponders on the consequences of this delay. Gregor becomes annoyed at how his boss never accepts excuses or explanations from any of his employees no matter how hard working they are, displaying an apparent lack of trusting abilities. Gregor's mother knocks on the door and he answers her. She is concerned for Gregor because he is late for work, which is unorthodox for Gregor. Gregor answers his mother and realizes that his voice has changed, but his answer is short so his mother does not notice the voice change. His sister, Grete, to whom he was very close, then whispers through the door and begs him to open the door. All his family members think that he is ill and ask him to open the door. He tries to get out of bed, but he is incapable of moving his body. While trying to move, he finds that his office manager, the chief clerk, has shown up to check on him. He finally rocks his body to the floor and calls out that he will open the door shortly.

Видано 45 мовами! Донна Тартт — лауреат Пул?тцер?всько? прем?? № 1 у списку 100 видатних книжок за верс??ю The New York Times Отямившись п?сля вибуху в музе?, тринадцятир?чний Тео ще не розум??, що там, п?д уламками, залишилися його мат?р ? його дитинство. Пробираючись до виходу, повз кам?ння та т?ла, в?н п?дбира? безц?нну картину фламандського майстра, яку так любила його мати. Дивний старий, вмираючи, в?дда? йому свого персня та просить винести картину зв?дси... Тео буде кидати ?з родини в родину, ?з Нью-Йорка до Амстердама, ?з глибин в?дчаю до ейфор??. Викрадений ?Щиголь? стане його прокляттям та над??ю на порятунок... Vidano 45 movami! Donna Tartt — laureat Pul?tcer?vs'ko? prem?? № 1 u spisku 100 vidatnih knizhok za vers??ju The New York Times Otjamivshis' p?slja vibuhu v muze?, trinadcjatir?chnij Teo shhe ne rozum??, shho tam, p?d ulamkami, zalishilisja jogo mat?r ? jogo ditinstvo. Probirajuchis' do vihodu, povz kam?nnja ta t?la, v?n p?dbira? bezc?nnu kartinu flamands'kogo majstra, jaku tak ljubila jogo mati. Divnij starij, vmirajuchi, v?dda? jomu svogo persnja ta prosit' vinesti kartinu zv?dsi... Teo bude kidati ?z rodini v rodinu, ?z N'ju-Jorka do Amsterdama, ?z glibin v?dchaju do ejfor??. Vikradenij ?Shhigol'? stane jogo prokljattjam ta nad??ju na porjatunok...

Underground* *The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.--AUTHOR'S NOTE. II am a sick man.... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don't consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can't explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot "pay out" the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don't consult a doctor it is from spite. My liver is bad, well--let it get worse! I have been going on like that for a long time--twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!) When petitioners used to come for information to the table at which I sat, I used to grind my teeth at them, and felt intense enjoyment when I succeeded in making anybody unhappy. I almost did succeed. For the most part they were all timid people--of course, they were petitioners. But of the uppish ones there was one officer in particular I could not endure. He simply would not be humble, and clanked his sword in a disgusting way. I carried on a feud with him for eighteen months over that sword. At last I got the better of him. He left off clanking it. That happened in my youth, though. But do you know, gentlemen, what was the chief point about my spite? Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not only not a spiteful but not even an embittered man, that I was simply scaring sparrows at random and amusing myself by it. I might foam at the mouth, but bring me a doll to play with, give me a cup of tea with sugar in it, and maybe I should be appeased. I might even be genuinely touched, though probably I should grind my teeth at myself afterwards and lie awake at night with shame for months after. That was my way.

A Pulitzer-díjas Michael Chabon újabb irodalmi remekm?vel jelentkezik igazságról és hazugságról, családi legendákról és egzisztenciális kalandokról, valamint azokról az er?kr?l, amelyek el akarnak bennünket pusztítani. A regény vallomás egy ?regember halálos ágyáról. A szerz? egy egész kort zsugorít egyetlen életbe, és egyetlen életet egyetlen hétbe a háború el?tti Philadelphia zsidó nyomornegyedeit?l Németország elfoglalásáig, egy floridai nyugdíjas falutól egy New York-i b?rt?nig, az amerikai ?rprogram aranykorától ?az amerikai évszázad” alkonyáig. Egy élet sodró, megható, tragikomikus, alaposan kikutatott és abszolút fiktív átirata, egy olyan életé, amely átível a huszadik század s?tét szívén. A k?nyv egy olyan hazugság, amely igazat mond, olyan kitaláció, ami tény; Michael Chabon legmerészebb és legmegindítóbb m?ve. ? A Ragyog a hold cím? k?nyv nemzetk?zi díjai, elismerései: NEW YORK TIMES BESTSELLER Winner of the Sophie Brody Medal ? An NBCC Finalist for 2016 Award for Fiction ? ALA Carnegie Medal Finalist for Excellence in Fiction ? Wall Street Journal’s Best Novel of the Year ? A New York Times Notable Book of the Year ? A Washington Post Best Book of the Year ? An NPR Best Book of the Year ? A Slate Best Book of the Year ? A Christian Science Monitor Top 15 Fiction Book of the Year ? A New York Magazine Best Book of the Year ? A San Francisco Chronicle Book of the Year ? A Buzzfeed Best Book of the Year ? A New York Post Best Book of the Year iBooks Novel of the Year ? An Amazon Editors' Top 20 Book of the Year ? #1 Indie Next Pick ? #1 Amazon Spotlight Pick ? A New York Times Book Review Editors’ Choice ? A BookPage Top Fiction Pick of the Month ? An Indie Next Bestseller