Hyena, o adolescent? de aproape 14 ani, se ?ntoarce acas? dup? o lung? perioad? de absen?? din mijlocul familiei. Este primit? deopotriv? cu entuziasm ?i scepticism de c?tre Becks, sora sa geam?n?, care ?ncearc? s? reconecteze rela?ia lor ?i s? recupereze to?i acei ani pierdu?i. Dar secretele mamei, ale tat?lui vitreg ?i ale ambelor fete sunt amenin?ate s? ias? la iveal? odat? cu sosirea straniului unchi din America.Citind aceast? carte, e?ti obligat s? la?i deoparte toate cli?eele pe care le-ai auzit despre tinerii de azi. Sex, droguri, alcool, nop?i ?n cluburi, haine de fi?e? Pentru Becks si Hyena sunt doar punctul de pornire al propriilor reflec?ii ?i raport?ri fa?? de via?? – o foarte ciudat? raportare, de altfel…Un roman ca o c?l?torie fascinant? ?i ame?itoare, cu umor sumbru ?i, ?n acela?i timp, o atent? celebrare a individualit??ii extreme.

Universul a nceput cu un Bang i s-a terminat cu un srut, ca toate marile iubiri“Ana Mnescu este o scriitoare tulburtor de generoas: ea nu mprtete cu cititorii doar ceea ce este la suprafa, explicit, nedureros, blnd; i plac subteranele, ascunziurile, visele uitate, ameninrile mute, teama fiinei de ea nsi, ntunericul care are nevoie doar de o scnteie pentru a se preschimba n lumin orbitoare. i ni le ofer pe toate, cu sinceritate i o delicatee care nu se mai regsete n nicio alt carte pe care ai putea-o citi vreodat. Quasarul poate construi o lume i o poate exploda ntr-o btaie de aripi. Pentru c totul i nimicul nseamn altceva numai dup ce au fost atinse de iubire. Ana scrie despre acele clipe n care eti cel mai adevrat tu care a existat vreodat. i eti cel mai mult tu cnd eti prins n iubire, ca ntr-o capcan de soare.“ (Cristina Nemerovschi)

?n timp ce mul?i studen?i americani din anii 1960 participau la mar?uri ?mpotriva r?zboiului, luau droguri halucinogene ?i erau adep?ii amorului liber, Hannah Latham, fiica unui faimos profesor universitar ultraradical ?i al unei pictori?e foarte cultivate, nu vrea dec?t s? se c?s?toreasc? cu iubitul ei, viitor doctor, ?i s? tr?iasc? ?n provincie o via?? conven?ional?. T?n?rul cuplu ?i b?ie?elul lor nou-n?scut se stabilesc ?ntr-un or??el din statul Maine, ?ns? Hannah ajunge s? se simt? cur?nd izolat? ?i plictisit? de visul ei de fat? cuminte. ?ntr-o bun? zi, ?n lipsa so?ului, un t?n?r – veche cuno?tin?? de pe vremea studen?iei – apare ?n ora?, schimb?ndu-i lui Hannah via?a pentru totdeauna... O carte pe care n-o po?i l?sa din m?n?, cu un suspans bine dozat, scris? cu m?iestria unui autor de romane poli?iste. De acela?i autor, la Editura Trei au ap?rut romanele Nu pleca..., O rela?ie special?, Jocurile destinului ?i Tenta?ia. O femeie se treze?te prizoniera unei vie?i prea conven?ionale ?i a micului ei act de rebeliune, ale c?rui consecin?e o h?ituiesc peste zeci de ani. Farmecul discret al vie?ii conjugale este un roman despre limita dintre via?a privat? ?i via?a public?, despre imensa pr?pastie dintre p?rin?i ?i copii ?i despre felul ?n care nu po?i sc?pa niciodat? cu adev?rat de trecutul t?u. De asemenea, constituie ?i o analiz? a moravurilor societ??ii contemporane, ?n care mass-media poate distruge vie?i ?n c?teva ore. “Kennedy este ne?ntrecut ?n a crea personaje feminine pline de rafinament, dar b?ntuite de fr?m?nt?ri. Stilul s?u emo?ioneaz? ?i captiveaz? deopotriv?.“ Daily Mirror

Va putea frumuse?ea s? salveze lumea? este ?ntrebarea ?n jurul c?reia Monique Proulx construie?te pove?tile personajelor sale. ?inutul s?lbatic al Canadei nu va fi doar fundalul ?n care se mi?c? protagoni?tii, ci le va fi refugiul ?i martorul confrunt?rilor furtunoase. Lila Szach este ecoul unui timp trecut ?i simbolul posesiunii. Simon este ?ntruchiparea entuziasmului incurabil, iar Claire p?streaz? echilibrul fragil ?ntre idealism ?i scepticism. Cu aceea?i precizie, Monique Proulx surprinde statornicia naturii ?i instabilitatea emo?iilor umane, trec?nd cu u?urin?? de la triste?e la umor. Champagne ?n titlul s?u original, duc?nd cu g?ndul la vechea form? a fran?uzescului ?campagne“, romanul este un tribut adus naturii, dar ?i un tablou ?n mi?care al rela?iilor dintre oameni.

Un nou gen de proz? literar?? A?a s-ar p?rea, dac? pornim de la separarea ?n con?tient ?i incon?tient a sinelui uman, aprofundat? magistral de marele psihiatru elve?ian C.G. Jung ?n celebra ?i monumentala sa Carte Ro?ie. Dumitru Popescu are o bogat? oper? literar?-fic?ional? ?i nonfic?ional? – inspirat? din yona con?tientului. Baletul fantasmelor ne propune sondarea cu mijloace literare a celeilalte zone a spiritului, cu origini ?i mecanisme ?nc? greu decelabile ?i care deschide o alt? fabuloas? perspectiv? a l?untricului omenesc.

There are, roughly speaking, two distinct types of Scottish Fairy Tales. There are what may be called "Celtic Stories," which were handed down for centuries by word of mouth by professional story-tellers, who went about from clachan to clachan in the "High-lands and Islands," earning a night's shelter by giving a night's entertainment, and which have now been collected and classified for us by Campbell of Isla and others.??These stories, which are also common to the North of Ireland, are wild and fantastic, and very often somewhat monotonous, and their themes are strangely alike. They almost always tell of some hero or heroine who sets out on some dangerous quest, and who is met by giants, generally three in number, who appear one after the other; with whom they hold quaint dialogues, and whom eventually they slay. Most of them are fairly long, and although they have a peculiar fascination of their own, they are quite distinct from the ordinary Fairy Tale.

Caragiale a delimitat si impus teritoriul dramaturgiei romanesti cu numai cinci piese patru comedii si o drama scrise pe durata a doar unsprezece ani. Timp de un secol si peste trei decenii cat a trecut pana astazi de la prima lectura publica a Noptii furtunoase cea dintai dintre marile lui piese perimetrul problematic de viziune stilistic si tipologic al teatrului romanesc atat in registrul comediei cat si in cel al dramei fie aceasta ?de idei“ fantastica ori mitologizanta a ramas cel stabilit de Caragiale. Pentru literatura dramatica romaneasca el a avut si are acelasi rol ca in literatura franceza Corneille Racine si Molière laolalta. I-a fixat pentru eternitate probabil tiparele si ?ntinderea specificul si frontierele. MIRCEA IORGULESCU

"White House, June 1st, 1789"? ? ? The president was a little bit nervous for days on end; and he was bemused because of his thoughts which he abstained to confess to himself, but it was requiring that his ideas should become reality for the future of America.He was in conscious of this but he had definitely made a decision; just at that moment, he summoned his staff Andy who he loves very much.? ? ? ?Andy had understood that somethings went wrong; he was being able to see President's nervous situation; they caught each other's eyes; and the President notified that he assigned Andy for a new duty; he said that it is not possible to be unsuccessful in his new duty; and congratulated him.? ? ? ?No longer, Andy was the teacher of the Grey Class; Andy's apprehension had started to increase, and he was trying to attribute meanings to those what had been, and on the other hand he was also carefully hearing the President.The president was telling Andy the Grey Class, its departments, his duties; and was not hiding his excitement; Andy was being the more surprised the more hear him; and also getting excited as well.? ? ? ?Andy was carefully examining the file which had put before him; departments for the Gray Class and their responsible staffs, and also his students and sidekicks were written in the file.? ? ? ?The President had submitted to his staff his program which will create the strategy, will design the strategy of the world, and will transfer America into world emperorship.

Güney yurdundan Kuzey yurduna her yl gnderilen dokuz lüm mahkumu... Mahkumlardan birinin yeminine ihanet ederek kamas... Yeniden seilen mahkumlar bu sefer ant ierler nedensiz, sonu belirsiz bu düzeni bozmaya. Son mahkum olmaya... Onlar ZGRLK SAVAILARI!!! Nam- dier LM MAHKUMLARI!! lüm mahkumlarnn ak, kskanlk, mücadele ve heyecanla dolu zorlu yolculuu elik ederek Güne ve Ay Tapnaklar arasna incecik ipliklerle dokunmu tasavvuf mistik dokuyu kefetmeniz; kendi isel uyannz gerekletirmeniz temennisiyle... YAZAR: Neslihan Gültepe Maden, 1987 Konya doumlu. Seluk niversitesi Türke Eitimi Ana Bilim Dal mezunudur. Antalya’da Türke retmeni olarak grev yapmakta, Evli ve ü ocuk annesi..

Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV (2 plays), and Henry V. Henry IV, Part 1 depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics.

The speaker had just pushed his horse over the brow of a slope which he and his servant had for some time been mounting, through the steamy warmth of a foggy May morning. The thick haze which lay heavy in this region of marshy ground had hidden the surrounding country from them hitherto; but as they reached the summit of the gradual rise they had been ascending, the cloud wreaths suddenly drifted away, and the sun began to shine out upon the undulating plain stretched before their eyes; and lo, the plain was alive with squadrons of soldiers—infantry, cavalry, artillery—drawn up in battle array; and the note of the bugle rang through the air, whilst away in the distance, on the opposite side of the plain, there was a movement which told that already the battle had begun. A sullen roar from the guns boomed forth, and the whole plain shook with the reverberation. Great masses of smoke rolled along and slowly dispersed after each salvo; but it was upon the evolutions of the bodies of horsemen and footmen that the keen eyes of the youthful traveller were intently fixed. "Dicon," he cried, "this is in all sooth a battle; and where the battle rages, there will the great victor of Blenheim be. We have not chanced upon this route in vain. Men warned us of the perils of seeking passage through a country which has become the theatre of war; but fortune's star has befriended us thus far, and now, if I mistake me not, we stand within sight of the greatest warrior of the age. For greatly shall I be astonished if the Duke of Marlborough himself be not conducting the evolutions of yonder squadrons."The brilliant dark eyes of the young man lighted with a great glow of excitement and admiration. He shaded them with his hand, and intently followed the evolutions of the moving masses in the plain stretched before his eyes. He was looking upon the village of Tavières and the mound of Ottomond, and the waters of the Mehaign rolled below at his feet. The right wing of the French army rested here, as he quickly saw; but for the moment the main activity lay over in the distance beyond Ramillies and Offuz, in the direction of Anderkirk. Yet as the traveller stood intently gazing, he saw a movement in the line of the allied army on this nearer side, and he exclaimed aloud in his excitement,— "See, Dicon, see! That attack yonder is but a feint. The key of the position lies here beneath us at Tavières, with its Tomb of Ottomond. See yonder those regiments of marching soldiers creeping round beneath the shelter of that rising ground! They will fling themselves upon the enemy's right, whilst the French general is diverting his available forces to protect his left. Villeroi, my friend, you did not well to dispose your forces in concave lines. You lose time in passing from place to place; and with such a general as our English Duke pitted against you, you cannot afford to lose any point in the game. Ha! See that? The Dutch and English soldiers are charging down upon Tavières! Watch how they come on—a great resistless tide of well-drilled veterans. See how they sweep all before them! See how the French fly forth! Ha, Villeroi, what think you now? Yes, you see your error; fain would you hurry back your reserves from left to right. But the time has gone by. They are miles away, and here are the Allies carrying all before them! Hurrah for old England! hurrah for the great Duke! Dicon, have you stomach for the fight? Do you remember Barcelona and Mountjuich? If we were men enough to help there, why not here too?"

Loongunis need constant changes to thrive, while the strange-haired Earthmen hate the endless moving around. When a sabotage impairs the shift engines of their traveling Box, the forced immobility might drive all Loongunis mad… unless their translator can work out a solution!?? Science fiction adventure at its best, told by multiple award-winning author Michèle Laframboise.?? ?? If you like first-contact situations featuring an alien POV, this one is for you! A chunky 7000-word SF story.?? ? * "The author does a good job narrating from the point of view of an alien who thinks in very different ways from a human." --Tangent Online "...the psychological and mathematical elements of the tale come even more to the fore and they are quite interesting." -- Featured Futures

Can mere clouds threaten their now home?? Blanche, a young paraplegic girl, watches the clouds dancing in the Phoenix sky.? She wonders if their coordinated figures signal a threat. But the adults are too busy to listen, even her big sister Lupianne worries more about the air production’s failing quotas than? some weird clouds. Then, as the dances grow complex and temperatures rise, the sisters must hurry to prevent the annihilation of their budding settlement. A clever planet-opera featuring a disabled heroine, told by multi-award winning author Michèle Laframboise.?The French version of this novel received the 2001 Cecile Gagnon Award for best first YA novel. "We can only be fascinated by the powerful images?born from the descriptions, by the originality?and coherence of her universe (...)"?-- Le Devoir ?An excellent introduction to science fiction?and to a number of questions about the environment,?social relations and communication.? --Hélène Marchetto,?Les vagabonds du rêve

The Revenge of One Man: Book 1

In Amore e in Guerra

Leufang: Book 2

Sky In The Ground

The Swirl Resort, Swinger's Vacation, Cinco De Mayo

Nixon Ebere

Deception

Second Chances