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The Micro Budget Filmmaking Collection
￥16.27
The Best Selling Indie film making manuals. The books On Low Budget Film Making, On, Writing A Low Budget Screenplay and On Making A Found Footage Film all in one book. Featuring dozen of interviews with a whole new generation of micro budget film makers along with hands on advice on every aspect of film making in this new DSLR age. This set of books will take you from crafting a low budget screenplay straight through to post production. There is no one better on earth to learn the ins and outs of micro budget filmmaking than those who are in the trenches doing it on a day to day basis. You will pick up so much useful information from the interviews done with these filmmakers in On Low Budget Filmmaking. People for decades have said if you want to get started in the film industry you need to write a low budget screenplay. Great, but no one bothered to tell you how to do this. Well, I have. In my book On Writing a Low Budget Screenplay, I teach you the basic rules and concepts to aid you in crafting a low to micro budget screenplay. I believe that a quality screenplay can to crafted with a budget of fewer than ten thousand dollars in mind. This book is not only going to teach you to focus on the budget but to create a compelling character. This book will make you a better screenwriter. With the rules, you learn you will be able to craft a strong screenplay at any budget level. The Found Footage film is never going away. I realized this a while a go so I spent over a year studying these films and interview dozens of film makers who have made Found Footage films, including the guys behind Found Footage 3D, and tried to put the lessons that they learned all into one book. If you wish to make a Found Footage film then my book On Making A Found Footage Film is a must read. You can enjoy all three books in one collection.
A to Z Gardening for Beginners
￥32.62
Gardening might seem like an easy thing to do. Buy a plant, dig a hole in the ground, drop the plant in it, and cover it up waiting for blooms to suddenly appear. If only it were that simple. The overall idea of gardening is basic, but gardening is very intricate. It’s not as simple as just buying a plant and planting it. Gardening involves pest control, weeding, knowing the needs of each plant, soil types, etc. But if you’ve just started to become interested in gardening, there’s a lot to know. It can be easy to get excited and buy everything you see garden related, but take it slow. This guide will help you know all the basics of gardening. Everything from types of gardens, how much sunlight plants need, companion planting, essential gardening tools to have, and much more. When you’re done reading, you’ll be fully prepared to create your garden and make it one of the best. The Benefits of Gardening So, you decided to give gardening a try. That’s great! Gardening has many benefits for your health. It can not only help to improve it, but it has the ability to reduce stress and anxiety and works to keep your mind active. It also good to help relax. Relax? Yes, gardening can lead to relaxation in many ways. One is that you’re outside and in nature. It’s been scientifically proven that being outside can help give you daily doses of Vitamin D, help improve your mood, and give you a better night’s sleep. The other way of relaxation is just that, sleep. Working in a garden can help give you a better’s night sleep. So, before you decide to take other means to fall asleep, try spending a day gardening instead. These benefits are just a sample of the happiness and fulfillment that gardening will give you.
The Adventures of Robinson Crusoe
￥40.79
Set on a tropical island where Robinson Crusoe found himself after a terrible storm at sea, we follow his life and adventures far away from civilization. A novel which has inspired countless imitations and adaptations, remains one of the most original and inspiring stories in the English language.
Dead Souls
￥40.79
Chichikov, a gentleman of middling social class and position arrives in a small town and quickly tries to make a good name for himself by impressing the officials of the town. Despite his limited funds, he spends extravagantly hoping that a great show of wealth and power at the start will gain him the connections he needs to carry out his mysterious plan to acquire 'dead souls.'
The Eastern Front 1914–1920: From Tannenberg to the Russo-Polish War
￥81.67
The length of the front in the East was much longer than in the West. The theater of war was roughly delimited by the Baltic Sea in the West and Moscow in the East, a distance of 1,200 kilometers, and Saint Petersburg in the North and the Black Sea in the South, a distance of more than 1,600 kilometers. This had a drastic effect on the nature of the warfare. While World War I on the Western Front developed into trench warfare, the battle lines on the Eastern Front were much more fluid and trenches never truly developed. This was because the greater length of the front ensured that the density of soldiers in the line was lower so the line was easier to break. Once broken, the sparse communication networks made it difficult for the defender to rush reinforcements to the rupture in the line to mount a rapid counteroffensive and seal off a breakthrough. There was also the fact that the terrain in the Eastern European theater was quite solid, often making it near impossible to construct anything resembling the complicated trench systems on the Western Front, which tended to have muddier and much more workable terrain. In short, on the Eastern front the side defending did not have the overwhelming advantages it had on the Western front. Because of this, front lines in the East kept on shifting throughout the conflict, and not just near the beginning and end of the fighting, as was the case in the West. In fact the greatest advance of the whole war was made in the East by the German Army in the summer of 1915. With the aid of numerous black and white and color photographs, many previously unpublished, the World War I series recreates the battles and campaigns that raged across the surface of the globe, on land, at sea and in the air. The text is complemented by full-color maps that guide the reader through specific actions and campaigns.
The Transitional Social Art Group: For Children with Autism or Adjustment Diffic
￥31.56
According to various research data, transition from primary to secondary school causes concern to many children (Jindal-Snape, 2010). This is more intense in the case of children with autism, because of their difficulty to face changes (Al-Ghani & Kenward, 2009). In the Transitional Social Art Group numerous topics can be explored systematically about this transition through an arts activity programme. Furthermore meetings involve presentation of sensory material, group discussion and group games relevant to each topic. Mainstream students can participate voluntarily in this group; in this case they could be prepared to provide practical and social support to peers with autism/communication difficulties during this transition under adult supervision. In this way this programme could also contribute to the prevention or elimination of bullying. In the present book there is an analytical presentation of the Transitional Social Art Group Programme addressed to practitioners or parents of children with autism. Additionally it could be implemented for children having communication or adjustment difficulties due to other reasons. The Transitional Social Art Group Programme can be used during other transitions, too.
Beyond The Law of Attraction: A Compendium For Creativists: Insights For Creativ
￥19.58
This is not a book about writing or innovation, arts or craft but a guide to being more creative and to applying the creative process to everything. Orna Ross, award-winning and best-selling novelist, and founder of the global non-profit self-publishing association, the Alliance of Independent Authors, has gathered extracts from a selection of her books -- novels, poems and the Go Creative! series into this anthology of inspirations, aimed at helping you to be more creative in everything you do. Ranging widely across her work, this anthology is at once a memoir, a meditation on the creative process, and an eloquent companion to living life as a conscious creator: a creativist. At its core is the concept of creativism, the art of creating more of what you truly want in your life and less of what you don’t. Through a blend of stories from lore and literature, from science and psychology, from her students and from her own life, Orna offers enduring wisdoms about creative practice as it applies to life, love and the pursuit of happiness -- including how to foster flow, overcome self-sabotage and enjoy true creative living. Chapters include: "The Seven Stages of The Creative Process"; "How To Create Anything" and "Where The Law of Attraction Goes Wrong” but what makes this volume unique is the stories and poems. Extracts from Orna's novels illustrate creative principles in action in the lives of her characters. And inspirational poems ignite the state of creative presence as you read. The combination of ancient wisdoms and up-to-date creative research equips you for the creative age in which we now live. Guaranteed to inspire and ignite your own creative spark, this compendium is also an excellent introduction to the Go Creative! series, as well as a practical guide to being more creative at work, at home and in everything you do.
From the Earth to the Moon; and, Round the Moon
￥40.79
The Gun Club, a society based in Baltimore and dedicated to the design of weapons of all kinds, come up with a plan to construct a cannon capable of shooting a projectile to the moon. The projectile is successfully launched, but the destinies of the three astronauts are left inconclusive. The sequel, Around the Moon, deals with what happens to the three men in their travel from the earth to the moon.
Ten Years Later
￥40.79
In this continuing sequel to The Three Musketeers, d'Artagnan discovers Belle-Isle is being fortified and the engineer ostensibly in charge is Porthos. The blueprints show Aramis' handwriting. Despite his friends, d'Artagnan hides the true reason for his presence. Aramis, suspicious of d'Artagnan, sends Porthos back to Paris to warn Fouquet, whilst tricking d'Artagnan into searching for Porthos around Vannes. Porthos warns Fouquet in time, and he cedes Belle-Ile to the king, humiliating Colbert. On returning from the mission, d'Artagnan is made Captain of the King's Musketeers.
Music Theory for Teenagers
￥92.95
Music Theory for Teenagers, delivers music theory without confusive movement. By the way you'll get system knowledge of music. This book contains no junk which useally confuse many people forever. Read this book and you’ll gain the perception how to play any musical instrument quite professionally in a short period.
On Making A Found Footage Film
￥24.44
After almost two decades the first guide dedicated solely to the making of a found-footage film has arrived. In this book, you will be offered clear advice on how to write, direct and produce a quality found footage film. Advice coming from over half a dozen young filmmakers who are in post-production of their films as this book is being published. On Making a Found Footage Film is more than a how-to guide it is a call to refocus and redesign a genre of filmmaking. To take if from a sub-genre of horror films into comedy, action, suspense and straight drama. There is no limit to what the found-footage film can become in the hands of inventive new film-makers. Back in the 1970's the first true experiment in the genre of Found Footage, Cannibal Holocaust, shocked the world, but it would be the arrive of The Blair Witch Project in the year 1999 that would change the world of filmmaking forever. Since then this subgenre has grown in popularity if not quality. Films such as Paranormal Activity, Rec, Rec 2 and The Visit show that if done right these films can be both profitable and effective. This book features an interview with the film-makers behind Found Footage 3D a film that may again allow the genre to reach an entirely new audience. If you want a understand the basics of what goes into producing a Found Footage film this is the book to start with. I also invite you to take this genre to the next level by filming Comedies and Dramas along with Horror films. Anything is possible. Filmmaking is the art of recording dreams. If you can dream it then you can film it.
Little Hermes and the Animals of his Yard
￥31.56
Lydia Galanou offers the world of children's literature, an amazing little story which talks about children's mischief and how one can impart to them important advice about their future in a beautiful and vivid way!
Vertical Gardening:Vertical Gardening for Beginners
￥38.62
WANT TO LEARN THE INS AND OUTS OF VERTICAL GARDENING? Here Is A Preview Of What You'll Learn... Setting Up the Base You Need in Your Garden Working on the Maintenance of Your Vertical Garden Making Room for the Plants Picking Out the Right Plants Some Tips for Your Vertical Garden Much, Much, More!
The Clash of Images
￥57.14
The Clash of Images is a sweet, Borgesian mix of bildungsroman memoir, family history, short-story collection, fable, and literary criticism. Written in a graceful and charming style, Kilito’s story takes place in an unnamed coastal city of memories where a child experiences first-hand the cultural clash of text and image in a changing, modern society. It is a time when the old Arabic world of texts and oral traditions is making way for something new: the era of the image, the comic book, photo IDs, and the cinema. The stories form a kaleidoscopic memoir of growing up in two worlds, a brilliant mixture of cultural and family history. Here are tales of first kisses and first reads, Tintin and the Prophet Muhammad, fantasies of the Wild West, the inferno of the bathhouse, and the lost paradises of childhood. The Clash of Images is a celebration of the pleasures of storytelling, a magic lantern that delicately reveals how the world of books intimately connects with the world outside their pages.
Summer
￥40.79
Charity Royall is eighteen, bored with life in the small town of North Dormer. While working at the library, Charity meets visiting architect Lucius Harney and they become friends. Will their growing closeness lead to a happy marriage? Charity was born in an impoverished mountain community and her life is complicated by Mr. Royall who intruded into her bedroom when she was seventeen and later urged her to marry him. Lucius starts an affair with Charity Royall, all the while hiding the fact that he is engaged to society girl Annabel Balch.
Great Expectations
￥8.09
This unique edition of Great Expectations from Dead Dodo Vintage includes the full original text as well as exclusive features not available in other editions.
Dancing Deeper Still:The Practice of Contact Improvisation
￥77.31
You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you’re captivated. Or perhaps, you’ve been dancing and investigating for years. What’s next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: ·??????Contact Improvisation in performance ·??????Boundaries and sexuality ·??????Political activism ·??????Dancing while aging ·??????Expanded teaching research notes ·??????Advanced skills Whether you are the improviser who savors the slow rivers of sensation…or who delights in spontaneous acrobatics…or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still. ? Martin Keogh dances, teaches, and researches Contact Improvisation. His love for the dance has taken him to 31 countries across six continents. Keogh was named a Fulbright Senior Specialist for his contribution to the development of the form. Martin spent time in monasteries in Japan and Korea and was the director of the Empty Gate Zen Center in Berkeley, CA before he discovered the world of dance. He is the author of: As Much Time as it Takes and the anthology: Hope Beneath Our Feet: Restoring Our Place in the Natural World. He lives with his family by the Salish Sea in British Columbia. martinkeogh.com
Dornen im Wind: Facette eines Narzissten
￥90.03
Buchbeschreibung: Jo Liebling erz?hlt die ungew?hnliche Liebesgeschichte zwischen Evelyn und Martin, die romantisch und z?rtlich beginnt und als Alptraum endet. Martin entpuppt sich als Narzisst. Evelyn begibt sich in eine ungesunde Opferhaltung und bringt sich damit in eine gef?hrliche Lage. Evelyn verliert ihr Ged?chtnis. Martin wird tot aufgefunden, fast nackt, mit einem String gekleidet und einem Eispickel im Hals. Die Spannung steigt. Es ist pur, auf den Punkt gebracht - Romantik, Erkenntnis, Dramatik und Mordaufkl?rung in einem Buch. Es lohnt sich!? www.echt-lieblich-verlag.de , kontakt@echt-lieblich-verlag.de.
Classic Plays by Women: From 1600 to 2000
￥40.79
Classic Plays by Women: an anthology of the best plays by female dramatists from 1600-2000 Staged in theatres by successive generations and proving relevant to contemporary audiences, the plays demonstrate the wit, theatrical skill and innovation of their creators in exploring timeless topics from marriage, morality and money to class conflict, rage and sexual desire. An essential resource for students, playwrights, colleges, universities and libraries, this collection also provides theatres with the opportunity to programme a range of theatrical classics by women. Plays from: Hroswitha’s Paphnutius (extract); Elizabeth Cary’s The Tragedy of Mariam(extract); Aphra Behn’s The Rover; Susanna Centlivre’s A Bold Stroke For A Wife; Joanna Baillie’s De Montfort; Githa Sowerby’s Rutherford and Son; Enid Bagnold’s The Chalk Garden; Caryl Churchill’s Top Girls (extract); Marie Jones’ Stones in his Pockets. ?
Media Labs: what you need to know
￥40.79
SHORTLISTED FOR PEOPLE'S BOOK PRIZE This is an essential guide to the evolving and dynamic world of digital media. Explains how the media lab as a place (actual or virtual) encourages, nurtures and provides tangible support for creative talents and their projects. While the focus of the book is on filmmaking and gaming, the author also delves into the ‘brave new worlds’ of Virtual Reality and Augmented Reality. Providing an overview of the range of media labs on offer in both academia and festivals, the book is enriched by interviews with contemporary practitioners working in digital media culture around the world. Reviews “... an inspirational and timely new resource, packed with contacts, leading edge initiatives, tips from seasoned media practitioners …. It can’t fail to help you get new creative content made, and seen, around the world.”– Nic Millington, CEO Rural Media “With digital technologies and the blurring of creative boundaries changing the way that content is made and seen, this book proves an invaluable guide for those looking to successfully navigate this constantly evolving landscape.” – Nikki Baughan, Film Industry Journalist About the author James Clarke?has written for the magazines?3D Artist, 3DWorld, Moviescope?and?Empire. His work has also featured in?The Guardian, on BBC Radio 3 and for the BFI. As an educator he is a Fellow of the Higher Education Academy and has taught at the University of Gloucestershire, Hereford College of Arts and the University of Warwick. James is currently a Visiting Lecturer at the London Film School. ?James’s books include the recently published?Through Her Lens: The Stories Behind the Photography of Eva Sereny?(ACC Books),?The Year of the Geek?(Aurum Press) and?Bodies in Heroic Motion: The Cinema of James Cameron?(Columbia University Press). James also writes A Level Film Studies resources for Edusites and has been a consultant to the British Council, writing and producing content on the subject of various literary icons.
Road to Damascus
￥19.52
August Strindberg's classic trilogy of plays entitled To Damascus (also known as The Road to Damascus) is known as his greatest work.A very complex and thought provoking play series, it follows the conversations between two characters: the Stranger and the Lady.An excerpt from the Introduction:The Road to Damascus might be termed a marriage drama, a mystery drama, or a drama of penance and conversion, according as preponderance is given to one or other of its characteristics. The question then arises: what was it in the drama which was of deepest significance to the author himself? The answer is to be found in the title, with its allusion to the narrative in the Acts of the Apostles of the journey of Saul, the persecutor, the scoffer, who, on his way to Damascus, had an awe-inspiring vision, which converted Saul, the hater of Christ, into Paul, the apostle of the Gentiles. Strindberg's drama describes the progress of the author right up to his conversion, shows how stage by stage he relinquishes worldly things, scientific renown, and above all woman, and finally, when nothing more binds him to this world, takes the vows of a monk and enters a monastery where no dogmas or theology, but only broadminded humanity and resignation hold sway. What, however, in an inner sense, distinguishes Strindberg's drama from the Bible narrative is that the conversion itself - although what leads up to it is convincingly described, both logically and psychologically - does not bear the character of a final and irrevocable decision, but on the contrary is depicted with a certain hesitancy and uncertainty. THE STRANGER'S entry into the monastery consequently gives the impression of being a piece of logical construction; the author's heart is not wholly in it. From Strindberg's later works it also becomes evident that his severe crisis had undoubtedly led to a complete reformation in that it definitely caused him to turn from worldly things, of which indeed he had tasted to the full, towards matters divine. But this did not mean that then and there he accepted some specific religion, whether Christian or other. One would undoubtedly come nearest to the author's own interpretation in this respect by characterising The Road to Damascus not as a drama of conversion, but as a drama of struggle, the story of a restless, arduous pilgrimage through the chimeras of the world towards the border beyond which eternity stretches in solemn peace, symbolised in the drama by a mountain, the peaks of which reach high above the clouds.
