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NYC Basic Tips and Etiquette
￥72.71
Living in New York City for five years as a transplant from Ohio, illustrator and T-shirt designer Nathan Pyle was fascinated by the unique habits and unspoken customs New Yorkers follow to make life bearable in a city with 8 million people (and seemingly twice the number of tourists). Nathan decided to draw his favorite tips and etiquette lessons and post them on the internet, where his 12 original panels went viral immediately and became the basis for this hilarious illustrated book (check out the fully animated ebook, too!).In NYC Basic Tips and Etiquette, Pyle reveals the secrets and unwritten rules for living in and visiting New York including the answers to such burning questions as, which cabs should I try to hailWhat is a bodegaWhich way is UptownWhy are there so many doors in the sidewalkHow do I walk on an escalatorDo we need to be touching right nowWhere should I inhale or exhale while passing sidewalk garbageHow long should I honk my hornIf New York were a game show, how would I winWhat happens when I stand in the bike laneWho should get the empty subway seatsHow do I stay safe during a trash tornadoEach tip is a little story illustrated in simple black and white drawings.Visitors and newcomers to New York will love it because the advice is smart, funny, and not condescending. New Yorkers will love it for its strategic and humorous approach to mastering the daily chaos of the city.
Raising the Perfect Child Through Guilt and Manipulation
￥83.03
Raising the Perfect Child Through Guilt and Manipulation is not one of those traditional, all-too-earnest parenting guides that, for generations, have sucked all the fun out of child rearing. The foundation of Elizabeth Beckwith's Guilt and Manipulation family philosophy is simple: We do things a certain way, and everyone else is an a**hole. Is that something you should put on a bumper sticker and slap on your minivanOf course not that would be trashy. But in the privacy of your own home, you can employ these essential components of Guilt and Manipulation to mold the little runts ruthlessly yet effectively into children you won't be embarrassed to admit are yours: Creating a Team: "Us" vs. "Them" How to Scare the Crap Out of Your Child (in a Positive Way) Don't Be Afraid to Raise a Nerd Mind Control: Why It's a Good Thing
How Not to Act Old
￥83.03
How to be cool when you're afraid you've forgotten how . . . Sure, you can try to stay younger by exercising, coloring your hair, and wearing stylish clothes but how do you respond when someone asks, "Do you Twitter?" How Not to Act Old gives you simple ways to come back from over the hill and to act as young as you look.Covering everything from old-people entertainment (cancel that dinner party!) to old-people communication (it's called a "voice mail," not a "message," and no one leaves or listens to them anyway), Pamela Redmond Satran decodes the behaviors, viewpoints, and cultural touchstones that separate you from the hip young person you wish you still were. This irreverent guide is essential for anyone who doesn't want to embarrass their kids or themselves.
Little Pink Raincoat
￥84.16
A little Coco Chanel, a lot Carrie Bradshaw, with a dash of Maureen Dowd a hip, hilarious collection of mini-profiles in shopping and romantic courage. From one very fabulous and elusive little pink raincoat (to woo the commitment phobe) to a pair of very persuasive peach panties (gift from a dazzling doc), author Gigi Anders relates her experiences as they deal with her dual obsessions of clothing and men. Here are ten vignettes chronicling ten choice sartorial items and the corresponding boyfriends that would undoubtedly love her stylishly ever after...even if they didn't.Featuring items and boyfriends from Anders's real life, real (extremely jammed) closet, and real bed, Little Pink Raincoat is a very tasty, very funny, universal, uplifting, pop cultural meditation on the things we crave and the lengths we'll go to get them.
Imponderables
￥72.01
Why does an "X" stand for a kiss?Which fruits are in Juicy Fruit gumWhy do people cry at happy endings?Why do you never see baby pigeons?Pop-culture guru David Feldman demystifies these topics and so much more in Why Don't Cats Like to Swim-- the unchallenged source of answers to civilization's most perplexing questions. Part of the Imponderables series, Feldman's book arms readers with information about everyday life -- from science, history, and politics to sports, television, and radio -- that encyclopedias, dictionaries, and almanacs just don't have. Where else will you learn what makes women open their mouths when applying mascara?
President Me
￥88.56
My fellow Americans,President John F. Kennedy once famously said, "Hey, is that blond intern eighteen yet?" He also said, "Ask not what your country can do for you, but what you can do for your country."We've changed a lot since JFK asked us all to pitch in. We've become a nation of narcissistic, yoga-mat-toting, service-dog-having, absentee dads and gluten-free, hand-wringing, hypochondriac moms of overcaffeinated (yet somehow still lazy) twerking tweens. And our government is an inept bureaucracy incapable of doing anything except getting in our wallets and in our way. We've got to get it together, America.That is why I, Adam Carolla, hereby declare myself Candidate Carolla. The tome you hold in your hands is a statement of my intent to whip our country back into fighting shape, to eliminate the "what are you going to do for me?" mentality that has invaded our country.President Me is my manifesto, my vision for a better place . . . free of Big Government, barefoot fliers, lazy hipsters who'd rather "Occupy" than work, and the other things that are bringing our country down. With my cabinet appointees, my list of worthy and necessary presidential ManDates, and tons of great ideas for fixing our health care, education, energy, and even national parks systems . . . behold an America we can be proud of. The America I see in my head.You're welcome in advance.Your future leader,Adam
My Drunk Kitchen
￥129.07
One day, sad cubicle dweller and otherwise bored New York transplant Hannah Hart decided, as a joke, to make a fake cooking show for her friend back in California. She turned on the camera, pulled out some bread and cheese, and then, as one does, started drinking. (Doesn't everyone cook with a spoon in one hand and a bottle of wine in the other?) The video went viral and an online sensation was born. My Drunk Kitchen includes recipes, stories, full color photos, and drawings to inspire your own culinary adventures in tipsy cooking. It is also a showcase for Hannah Hart's great comedic voice. Hannah offers key drink recommendations, cooking tips (like, remember to turn the oven off when you go to bed) and shares never-before-seen recipes such as: ?The Hartwich (Knowledge is ingenuity! Learn from the past!) ?Can Bake (Inventing things is hard! You don't have to start from scratch!) ?Latke Shotkas (Plan ahead to avoid a night of dread!) ?Tiny Sandwiches (Size doesn't matter! Aim to satisfy.) ?Saltine Nachos (It's not about resources! It's about being resourceful.) This is a book for anyone who believes they have what it takes to make a soufflé for the holiday party and show up the person who apparently has nothing better to do than bake things from scratch. It also recommends the drink you'll need to accompany any endeavor of this magnitude. In the end, My Drunk Kitchen may not be your go-to guide for your next dinner party . . . but it will make you laugh and drink . . . I mean think . . . about life.
It's Not Easy Bein' Me
￥77.49
An American comic icon tells the story of his second act rise from obscurity to multimedia stardom. "When I was a kid," writes Rodney Dangerfield, "I worked tough places in show business places like Fonzo's Knuckle Room. Or Aldo's, formerly Vito's, formerly Nunzio's. That was a tough joint. I looked at the menu. They had broken leg of lamb." For once, one of America's most beloved comic icons isn't kidding. Dangerfield has seen every aspect of the entertainment industry: the rough and tumble nightclubs, the backstage gag writing sessions, the drugs, the hookers, the lousy day jobs and the red carpet star treatment. As he traces his route from a poor childhood on Long Island to his enshrinement as a comedy legend, he takes readers on a roller coaster ride through a life that has been alternately touching, sordid, funny, raunchy, and uplifting equal parts "Little Orphan Annie" and "Caligula." And unlike most celebrity autobiographers, he seems to have no qualms about delivering the unfiltered whole story, warts and all. Dangerfield's personal story is also a rollicking show business tale, full of marquee name droppings (Adam Sandler, Sam Kinison, Jim Carrey, Johnny Carson, Jerry Seinfeld) and good stories about same. Defying the old saws about the fleeting nature of fame and the dearth of second acts in American life, Dangerfield transformed himself from a debt ridden aluminium siding salesman named Jack Roy to a multimedia superstar and stayed an icon for decades. His catchphrase "I get no respect" has entered the lexicon, and he remains a visible cultural presence and perennial talk show guest. Dangerfield's hilarious and inspiring musings should thrill comedy fans and pop culture watchers, and his second act comeback will strike a chord with readers of all stripes. Maybe he'll even get some respect.
Life Moves Pretty Fast
￥66.22
Hadley Freeman brings us her personalised guide to American movies from the 1980s – why they are brilliant, what they meant to her, and how they influenced movie-making forever. For Hadley Freeman, American moves of the 1980s have simply got it all. Comedy in Three Men and a Baby, Hannah and Her Sisters, Ghostbusters, Back to the Future and Trading Places; all a teenager needs to know – in Pretty in Pink, Ferris Bueller’s Day Off, Say Anything, The Breakfast Club and Mystic Pizza; the ultimate in action – Top Gun, Die Hard, Young Sherlock Holmes, Beverly Hills Cop and Indiana Jones and the Temple of Doom; love and sex – in 9 ? Weeks, Splash, About Last Night, The Big Chill, Bull Durham; and family fun – in The Little Mermaid, ET, Big, Parenthood and Lean On Me. Born in the late 1970s, Hadley grew up on a well-rounded diet of these movies, her entire view of the world, adult relations and expectations of what her life might hold was forged by these cult classics. In this personalised guide, she puts her obsessive movie geekery to good use, detailing the decades key players, genres and tropes, and how exactly the friendship between Dan Aykroyd and John Belushi influenced the evolution of comedy. She looks back to a cinematic world in which bankers are invariably evil, despite this being the decade of Wall Street, where children are always wiser than adults, and science is embraced with an intense enthusiasm, and the future viewed with excitement. She considers how the changes between movies then and movies today say so much about pop culture’s and society’s changing expectations of women, young people and art, and explains why Pretty in Pink and Sixteen Candles should be put on school syllabuses immediately.
How to Be Black
￥83.03
If You Don't Buy This Book, You're a Racist.Have you ever been called "too black" or "not black enough"Have you ever befriended or worked with a black personIf you answered yes to any of these questions, this book is for you.Raised by a pro-black, Pan-Afrikan single mother during the crack years of 1980s Washington, DC, and educated at Sidwell Friends School and Harvard University, Baratunde Thurston has over thirty years' experience being black. Now, through stories of his politically inspired Nigerian name, the heroics of his hippie mother, the murder of his drug-abusing father, and other revelatory black details, he shares with readers of all colors his wisdom and expertise in how to be black.Beyond memoir, this guidebook offers practical advice on everything from "How to Be The Black Friend" to "How to Be The (Next) Black President" to "How to Celebrate Black History Month."To provide additional perspective, Baratunde assembled an award-winning Black Panel three black women, three black men, and one white man (Christian Lander of Stuff White People Like) and asked them such revealing questions as:"When Did You First Realize You Were Black?""How Black Are You?""Can You Swim?"The result is a humorous, intelligent, and audacious guide that challenges and satirizes the so-called experts, purists, and racists who purport to speak for all black people. With honest storytelling and biting wit, Baratunde plots a path not just to blackness, but one open to anyone interested in simply "how to be."
The Best Thing About My Ass Is That It's Behind Me
￥145.49
Follow one woman's bumpy, cellulite-riddled ride through size-0 Hollywood and learn how she went from body-dysmorphic to sassy-asstastic in only twenty-five short years of dieting, thousands of dollars in "procedures,". . . and one pair of industrial-strength Spanx.From the best girlfriend you didn't know you had comes this "I Can't Believe She Said That" guide to life in the real world. Actress and comic Lisa Ann Walter dishes about parenthood and the dangers of girl-on-girl snarking, explains why skinny actresses act crazy, and gives riotous advice on everything from the dating mistakes we all make to ten things you should subtract when you weigh yourself (self-tanner and dental work, for starters . . .).So what do you get when you drop a longtime self-loather into the glitz and glamour of HollywoodThis hysterical, and brutally honest, look at the impossible standard of perfection for which so many of us strive. Walter boldly shares her lifelong struggle with low self-esteem which, in her case, includes plenty of painful auditions, failed relationships, and awkward celebrity encounters, plus lots of impossible diets, questionable injectables, and dubious cosmetic procedures. Along the way, the "celebrity adjacent" Walter also tells her sometimes warm, often cringeworthy, and always funny Hollywood stories (including the reason she'd kill for Richard Gere). She also shares her sage advice by offering features such as ways to improve your self-esteem that won't cost you a dime:Four words:Push-up. Bra. Construction. Site. You don't even have to look good to get a response. Just wear sunglasses, square your shoulders, and toss your hair. Then count the whistles.Start frequenting your local gay bar. Both gays and lesbians are much more effusive about how fabulous you are! And you'll get free drinks! Always be seen with decrepit old men you'll look young and beautiful in comparison. Think how well this works for those Girls Next Door.
Red, White & Liberal
￥83.93
As one of the foremost liberal voices in television and radio today, Alan Colmes has long been braving the wilds of controversial issues and conservative slander. The host of the talk-radio show Fox News Live with Alan Colmes and cohost of Fox News Channel's hit debate show Hannity Colmes, Colmes now offers this witty, passionate wake-up call to America.Colmes takes on the fundamental question: How can we protect our nation without diminishing our liberties, and regain our place in the world as an example of democracyColmes urges Americans to see past the government's manipulation of the War on Terror to silence critics; the lies we've been force-fed about the war in Iraq and Afghanistan; and the conservative smear campaign that has turned "liberal" into a four-letter word. From debunking the myth of the liberal media to exposing conservative hypocrisy, Colmes presents the issues with thoughtful, provocative arguments, hard facts and logic, and searing humor.Certain to spark debate and cause readers to reevaluate and reaffirm their beliefs, Red, White Liberal powerfully argues that despite our differences, we must extend our hands across party lines to find solutions, protect our shores, and preserve our freedoms.
How Paul Robeson Saved My Life and Other Stories
￥56.15
Carl Reiner has been making people laugh since the days of The Dick Van Dyke Show. His showbiz bits with Mel Brooks about the 2000 Year Old Man have become the stuff of comedy legend. Jerry Seinfeld, Alan Alda, Neil Simon, Steve Allen, and Richard Lewis were all bowled over by the comic genius of The 2000 Year Old Man in the Year 2000: The Book. Now, in his wonderful new book, Carl Reiner shows off the talent and humor that have made him a comedic superstar.Filled with rich, multidimensional tales, this collection of short stories from one of America's truly great comedic minds is at once poignant, nostalgic, and laugh-out-loud funny. "How Paul Robeson Saved My Life." the story of Reiner's experiences in the army during World War II, is a darkly funny look at racism. "Lance and Gwendolyn" is a modern-day fairy tale with some surprising twists. "Dial 411 for Legal Smut" is a tongue-in-cheek look at phone sex. Whatever topic he tackles, Reiner always manages to capture the highs and lows, the follies and foibles of everyday life.
Art of the Film: Fantastic Beasts and Where to Find Them
￥279.90
Step inside the world of the talented art departments who, led by Academy Award?-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts from the eagerly anticipated new adventure in J.K. Rowling’s Wizarding World.The Art of Fantastic Beasts and Where to Find Them, edited by Dermot Power, concept artist on the film, takes you on a magical journey through a design process every bit as wonderful as that encountered by Newt Scamander in the wizarding world: from the earliest gatherings of the artists, designers and filmmakers to the magical time of the film’s production itself at Leavesden Studios.Bursting with hundreds of production paintings, concept sketches, storyboards, blueprints and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this superb book – officially licensed by Warner Bros. Consumer Products – presents a visual feast for readers, and will welcome fans of Harry Potter films into the world of Fantastic Beasts and Where to Find Them.
Pottery Analysis, Second Edition
￥453.22
Just as a single pot starts with a lump of clay, the study of a piece's history must start with an understanding of its raw materials. This principle is the foundation of Pottery Analysis, the acclaimed sourcebook that has become the indispensable guide for archaeologists and anthropologists worldwide. By grounding current research in the larger history of pottery and drawing together diverse approaches to the study of pottery, it offers a rich, comprehensive view of ceramic inquiry.This new edition fully incorporates more than two decades of growth and diversification in the fields of archaeological and ethnographic study of pottery. It begins with a summary of the origins and history of pottery in different parts of the world, then examines the raw materials of pottery and their physical and chemical properties. It addresses ethnographic and ethnoarchaeological perspectives on pottery production; reviews the methods of studying pottery's physical, mechanical, thermal, mineralogical, and chemical properties; and discusses how proper analysis of artifacts can reveal insights into their culture of origin. Intended for use in the classroom, the lab, and out in the field, this essential text offers an unparalleled basis for pottery research.
Poet's Freedom
￥229.55
Why do we need new artHow free is the artist in makingAnd why is the artist, and particularly the poet, a figure of freedom in Western cultureThe MacArthur Award-winning poet and critic Susan Stewart ponders these questions in The Poet's Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work.Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets-Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create.?A book about the pleasures of making and thinking as means of life, The Poet's Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
A Grammar of Murder
￥282.53
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim's point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film.?Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene's intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
Sorcery in the Black Atlantic
￥253.10
Girls abused in London and torsos of black boys found in the Thames; African boys disappearing from school and child traffic in Africa; child sacrifice and Brazilian Pentecostal exorcism. Unrelated events are swiftly connected in an uncanny work of prestidigitation, including hitech digital images of torsos and forensic drawings of abused children. Les correspondances symboliques, Baudelaire would say, or contiguous magic, in Frazer’s more prosaic de*ion. It all could make sense, if we believe in our fears, suspicions, gossip, and prejudices. Furthermore, this incredible work of prestidigitation was engineered by two respectable institutions, known for their enlightened search of truth: the BBC and Scotland Yard. But where was the evidence that all these things were connectedThe “exorcism scandal” bewitched the media in Britain for the whole month of June, until some dissenting voices started to talk about a “racist witch hunt.” 5 By then, however, a population of hundreds of thousands of Africans, in particular Pentecostal Africans, was already under suspicion. “What if some of that was true?” some people still may ask. In fact, shortly before completing this introduction, the local London newspaper Evening Standard published a two-page report on an African church in the United Kingdom, with the title “Miracles and claims of baby-snatching,” mixing rumors of child trafficking, sorcery, syncretism, and extreme wealth. 6 That is how sorcery works: not by fully demonstrating its power, but by opening a possible doubt; one is never fully sure it is not true.
Daguerreotypes
￥288.41
In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise.By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home-we find traces of photography's "e;fugitive subjects"e; throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.
The Gospel of the Flying Spaghetti Monster
￥87.51
It all began in June 2005 when Bobby Henderson wrote an open letter to the Kansas School Board proposing a third alternative to the teaching of evolution and intelligent design in schools. Bobby is a prophet of sorts, the spiritual leader of a growing, world-wide group of followers who worship the teachings of The Flying Spaghetti Monster (FSM). The FSM appeared to Bobby as a giant ball of spaghetti, with meatballs for eyes, and touched Bobby with “His noodly appendage” – resulting in the revelation that the FSM is the real creator of the universe. The FSM faithful look to Bobby as their prophet and spiritual leader. Shortly after Bobby’s revelation a website (www.flyingspaghettimonster.org) came into existence to promote the word. Then came the articles, which were worldwide: The New York Times, The Washington Post, The Guardian (UK), Die Welt (Germany), Surprise (Austria), and many others chimed in to report the existence of the FSM. Bobby received letters of support from academics and Kansas School Board members alike – not to mention a couple million hits per day on the website – and it was all-too-clear that there needed to be a book to lay out FSM *ure, rites and observances, proofs, and answers to the Big Questions. This is that book.
Paul Klee
￥370.82
The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In?Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
