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Grumpy Old Men on Holiday (Text Only)
￥76.03
Following the phenomenal success of Grumpy Old Men, the quintessential grumpy old man, David Quantick, has taken a well-deserved holiday. But no matter where you go, there is always something to moan about. You're stuck behind endless caravans on the M4, waiting for a non-existent filthy train, hanging around looking at crap luggage in an airport. Is it going to be worth the effort? Of course is b****y well isn't. David Quantick here explores everything that makes the rest of the world different – and therefore worse – than Britain and lets us know exactly why it is safer to stay at home than to become grumpy old men on holiday. The indispensable guide to the grumpy old xenophobe in us all.
Wear This Now
￥73.58
Stop Wondering What to Wear and Wear. This… Now. That first date, job interview or dinner with your future in-laws may be stressful, but figuring out what to wear for it shouldn’t be. And thanks to style expert Michelle Madhok and the editors of SHEfinds.com, it isn’t. Members of the team behind SHEfinds.com make a living putting the perfect outfit together (at the right price), and they’ve taken the guesswork out of getting dressed. From basic essentials to special events, learn how to build a foolproof wardrobe―without breaking the bank―and look stylish for every season, every occasion, every single day of the year. Get the inside scoop on: Designer deals and steals, When to invest and when to spend less, The essentials for every season, S.O.S. for any (and every) style conundrum, Navigating the sales racks―and seasons!―like a pro
The Garden in the Clouds: From Derelict Smallholding to Mountain Paradise
￥66.22
A warm, witty memoir of one man’s escape from the city in an unlikely quest to create out of a mountainous Welsh landscape a garden fit for inclusion in the prestigious Yellow Book – the ‘Gardens of England and Wales Open for Charity’ guide – in just one year. It was a derelict smallholding so high up in the Black Mountains of Wales it was routinely lost in cloud. But to Antony Woodward, Tair-Ffynnon was the most beautiful place in the world. Equally ill-at-ease in town and country after too long in London’s ad-land, Woodward bought Tair-Ffynnon because he yearned to reconnect with the countryside he never felt part of as a child. But what excuse could he invent to move there permanently? The solution, he decided, was a garden. In just a year he’d create a garden so special it would be selected for the prestigious Yellow Book – the famous National Gardens Scheme guide to gardens open to the public for charity. It’s an unlikely ambition to entertain in this most unlikely of settings, and one that soon sees Woodward driven by odder and odder compulsions – from hauling a 20-tonne railway carriage up the mountain to making hay with hopelessly antiquated machinery. The path to Woodward’s elusive sense of belonging turns out to be a rocky and winding one, taking in childhood haunts, children’s books and Proustian nostalgia trips. As the family battles gales, mud and Welsh mountain sheep of marble-eyed cunning, not to mention the notoriously fastidious NGS County Organiser, it remains deeply uncertain whether the ‘Not Garden’ and the ‘infinity vegetable patch’ (that grows only stones) will ever make the grade… Warm, thought-provoking and brilliantly funny, this is a memoir of a hopeless romantic with a grandly ludicrous ambition – an ambition to which anyone who’s ever dropped into a garden centre, or opened a packet of seeds, has already succumbed.
Pottery Analysis, Second Edition
￥453.22
Just as a single pot starts with a lump of clay, the study of a piece's history must start with an understanding of its raw materials. This principle is the foundation of Pottery Analysis, the acclaimed sourcebook that has become the indispensable guide for archaeologists and anthropologists worldwide. By grounding current research in the larger history of pottery and drawing together diverse approaches to the study of pottery, it offers a rich, comprehensive view of ceramic inquiry.This new edition fully incorporates more than two decades of growth and diversification in the fields of archaeological and ethnographic study of pottery. It begins with a summary of the origins and history of pottery in different parts of the world, then examines the raw materials of pottery and their physical and chemical properties. It addresses ethnographic and ethnoarchaeological perspectives on pottery production; reviews the methods of studying pottery's physical, mechanical, thermal, mineralogical, and chemical properties; and discusses how proper analysis of artifacts can reveal insights into their culture of origin. Intended for use in the classroom, the lab, and out in the field, this essential text offers an unparalleled basis for pottery research.
Poet's Freedom
￥229.55
Why do we need new artHow free is the artist in makingAnd why is the artist, and particularly the poet, a figure of freedom in Western cultureThe MacArthur Award-winning poet and critic Susan Stewart ponders these questions in The Poet's Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work.Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets-Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create.?A book about the pleasures of making and thinking as means of life, The Poet's Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
Sorcery in the Black Atlantic
￥253.10
Girls abused in London and torsos of black boys found in the Thames; African boys disappearing from school and child traffic in Africa; child sacrifice and Brazilian Pentecostal exorcism. Unrelated events are swiftly connected in an uncanny work of prestidigitation, including hitech digital images of torsos and forensic drawings of abused children. Les correspondances symboliques, Baudelaire would say, or contiguous magic, in Frazer’s more prosaic de*ion. It all could make sense, if we believe in our fears, suspicions, gossip, and prejudices. Furthermore, this incredible work of prestidigitation was engineered by two respectable institutions, known for their enlightened search of truth: the BBC and Scotland Yard. But where was the evidence that all these things were connectedThe “exorcism scandal” bewitched the media in Britain for the whole month of June, until some dissenting voices started to talk about a “racist witch hunt.” 5 By then, however, a population of hundreds of thousands of Africans, in particular Pentecostal Africans, was already under suspicion. “What if some of that was true?” some people still may ask. In fact, shortly before completing this introduction, the local London newspaper Evening Standard published a two-page report on an African church in the United Kingdom, with the title “Miracles and claims of baby-snatching,” mixing rumors of child trafficking, sorcery, syncretism, and extreme wealth. 6 That is how sorcery works: not by fully demonstrating its power, but by opening a possible doubt; one is never fully sure it is not true.
A Grammar of Murder
￥282.53
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim's point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film.?Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene's intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
Paul Klee
￥370.82
The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In?Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
Daguerreotypes
￥288.41
In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise.By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home-we find traces of photography's "e;fugitive subjects"e; throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.
Broadside e-books
￥109.31
It's hard to remember the dark days before 2008. It was a time of hatred, racism, violence, obese children, war, untaxed rich people, and incandescent light bulbs -- perhaps the worst days we had ever seen. And at the heart of it all was a thuggish, thoughtless man, George W. Bush, who lashed out angrily at whatever he didn't understand -- and he understood so very little. Then there was that laugh of his -- that horrible snicker that mocked everything intelligent and nuanced. Also, he looked like a chimp. It seemed like the end for the United States of America. We would crumble in the hands of vicious, superstitious dimwits determined to hunt "ter'ists" or other figments of Bush's rotten mind. There was nothing left to do but head to Whole Foods to prepare our organic, sustainable, fair-trade last meal as the country ended around us. Despair had overtaken us, and we wondered aloud whether we could ever feel hope again. And then a man emerged who firmly answered, "Yes we can!" Oh, but Barack Obama was no mere man. He was a paragon of intelligence and civilized society. A savior to the world's depressed. A lightbringer. A genius thinking thoughts the common man could never hope to comprehend. And his words -- his beautiful words read from crystal panes -- reached down to our souls and told us all would be well. With the simple act of casting a ballot for Barack Obama, we could make the world an immeasurably better place -- a world of peace, of love, of understanding, of unicorns, of rainbows, of expanded entitlements. This was his promise. And now, having had him as president for more than two years, we can say without reservation that he has delivered all his promises and more and is the best president this country -- or any country -- has ever had or could even imagine to have.
How Not to Act Old
￥83.03
How to be cool when you're afraid you've forgotten how . . . Sure, you can try to stay younger by exercising, coloring your hair, and wearing stylish clothes but how do you respond when someone asks, "Do you Twitter?" How Not to Act Old gives you simple ways to come back from over the hill and to act as young as you look.Covering everything from old-people entertainment (cancel that dinner party!) to old-people communication (it's called a "voice mail," not a "message," and no one leaves or listens to them anyway), Pamela Redmond Satran decodes the behaviors, viewpoints, and cultural touchstones that separate you from the hip young person you wish you still were. This irreverent guide is essential for anyone who doesn't want to embarrass their kids or themselves.
Damage Control
￥78.32
Traditionally, women share their secrets with their hairdressers. But what about their manicurists, masseurs, chi gong teachers, and tattoo artistsIn Damage Control, women wax poetic about the experts and gurus who help them love themselves, sharing stories of everything from friendships born in the make-up chair to the utter dismay of a truly horrible haircut. Minnie Driver finally meets a Frenchman who understands her hair . . . and tries to teach her not to hate it.Marian Keyes remembers the blow-dry that pushed her over the edge.Francesca Lia Block tells the ugly story of the plastic surgeon who promised to make her beautiful.Rose McGowan explains why it's harder to be depressed when you're glamorous . . . and shows how it takes a village to transform from mere mortal to movie star.Witty and wise, Damage Control is an intimate, sometimes dark, look at our experiences with the professionals who pluck, prod, and pamper every inch of our bodies and a reminder why we surrender ourselves to their (hopefully) very capable hands.
The Southern Belle's Handbook
￥55.86
Learn how to navigate life with the effortless savior faire of a true daughter of the South with The Southern Belle's Handbook.Sissy LeBlanc's rules to live by will teach you how to hook, hold on to, and handle any man as well as conquer any personal situation with the poise and confidence of a sophisticated southern stunner.And because every woman possesses her own sassy instincts, you can also record your own rules for unstoppable fabulousness and success.
Raising the Perfect Child Through Guilt and Manipulation
￥83.03
Raising the Perfect Child Through Guilt and Manipulation is not one of those traditional, all-too-earnest parenting guides that, for generations, have sucked all the fun out of child rearing. The foundation of Elizabeth Beckwith's Guilt and Manipulation family philosophy is simple: We do things a certain way, and everyone else is an a**hole. Is that something you should put on a bumper sticker and slap on your minivanOf course not that would be trashy. But in the privacy of your own home, you can employ these essential components of Guilt and Manipulation to mold the little runts ruthlessly yet effectively into children you won't be embarrassed to admit are yours: Creating a Team: "Us" vs. "Them" How to Scare the Crap Out of Your Child (in a Positive Way) Don't Be Afraid to Raise a Nerd Mind Control: Why It's a Good Thing
Hokusai
￥110.28
毫无疑问，葛饰北斋是十九世纪中期以来负盛名的日本艺术家，他的作品在西方世界广为人知。葛饰北斋的作品是对于一种被孤立的文明的艺术表达和反应，极大影响了诸如梵高之类的欧洲印象派和后印象派画家；这也使得葛饰北斋成为了跻身欧洲艺术界个日本艺术家。葛饰北斋是位日本浮世绘的大师，他的作品丰富多样、意蕴重大，创作年限长达九十年，其气势恢宏和类型缤纷的特点在本书中展现得淋漓尽致。
Art Nouveau
￥110.28
作为对工业革命的回应，新艺术运动以装饰和建筑风格发端。新艺术运动初的目标是通过回归自然主题，创造新的自然美学。该运动中的设计常常伴有植物图案和高度风格化、反大起大落曲线的细致刻画，是谓之新艺术风格。 为了达到该目标，诸如古斯塔夫克林姆(Gustav Klimt)、科罗曼穆塞尔(Koloman Moser)、安东尼高迪（Antoni Gaudi）、扬托罗普（Jan Toorop）、威廉莫里斯(William Morris)等艺术家更加偏爱技术创新和形式新颖。新艺术运动试图将艺术融合进生活的所有侧面，从物质的家具到家中的装饰物品再到建筑物；建立在艺术与日常生活相融合的艺术哲学之上。1900年在巴黎世界博览会大获成功之后，这一趋势继续流行且营销了不少艺术家以及装饰艺术运动。新艺术运动的继承者在次世界大战之后依然层出不穷。所以说新艺术运动时装饰艺术“文艺复兴”的核心，一点都不为过。
Russian Avant-Garde
￥110.28
The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.
Art Deco
￥110.28
Art Deco style was established on the ashes of a disappeared world, the one from before the First World War, and on the foundation stone of a world yet to become, opened to the most undisclosed promises. Forgetting herself in the whirl of Jazz Age and the euphoria of the “Années Folles”, the Gar?onne with her linear shape reflects the architectural style of Art Deco: to the rounded curves succeed the simple and plain androgynous straight line… Architecture, painting, furniture and sculpture, dissected by the author, proclaim the druthers for sharp lines and broken angles. Although ephemeral, this movement keeps on influencing contemporary design.
Pascin
￥61.23
朱勒·帕金斯，在今天看来仍然是个“坏小子”。这位才华横溢的艺术家生活在毕加索、莫迪利阿尼和其他同代艺术家的阴影中。他擅长于描绘女性的躯体，可以说他的油画就是他那派对生活的写照。这位艺术家的充满了性欲色彩的作品被视为不道德，但仍得以在很多画展上展出，特别是在柏林、巴黎和纽约。
Art of India
￥61.23
如果“爱之宫”或者说泰姬陵是印度艺术的象征，这决不可能是的代表。印度艺术高雅、辉煌，受波斯和欧洲的影响，在建筑和艺术领域也有与装饰艺术相媲美的盛誉。
Little Boys
￥61.23
Ever since the ancient greeks sculpted the first kouros, children have been a source of inspiration for some of the world’s greatest artists. Whether portraits of their own children, friends, and family members, or a nostalgic psychological portrayal of the artist’s own youth, depictions of children in art remain arresting examples of an intersection between the picturesque innocence of childhood and the methodical work of adult artistry. In this delightful new puzzle book, children get a chance to see little boys and girls just like them as portrayed by great artists, learning about how children grew up throughout history while experiencing a genuine connection with works of artistic genius.
