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Hokusai
￥110.28
毫无疑问，葛饰北斋是十九世纪中期以来负盛名的日本艺术家，他的作品在西方世界广为人知。葛饰北斋的作品是对于一种被孤立的文明的艺术表达和反应，极大影响了诸如梵高之类的欧洲印象派和后印象派画家；这也使得葛饰北斋成为了跻身欧洲艺术界个日本艺术家。葛饰北斋是位日本浮世绘的大师，他的作品丰富多样、意蕴重大，创作年限长达九十年，其气势恢宏和类型缤纷的特点在本书中展现得淋漓尽致。
Russian Avant-Garde
￥110.28
The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.
Art Deco
￥110.28
Art Deco style was established on the ashes of a disappeared world, the one from before the First World War, and on the foundation stone of a world yet to become, opened to the most undisclosed promises. Forgetting herself in the whirl of Jazz Age and the euphoria of the “Années Folles”, the Gar?onne with her linear shape reflects the architectural style of Art Deco: to the rounded curves succeed the simple and plain androgynous straight line… Architecture, painting, furniture and sculpture, dissected by the author, proclaim the druthers for sharp lines and broken angles. Although ephemeral, this movement keeps on influencing contemporary design.
Early Italian Painting
￥110.28
在古拜占庭传统的宏伟壮观与乔托（Giotto）预言的现代性之间摇摆，早期意大利绘画强调了场重要的美学运动（这也带来了之后的文艺复兴）——意大利原始艺术。这些革命性的艺术家们不再在墙壁上创作壁画，他们尝试新的媒介和技巧，在木板上创造了幅可以移动的绘画作品。为了强调所代表人物的神性，画中人物的脸庞震惊了欣赏者。亮丽的金边框背景用来强调主题的虔诚与信仰，优雅的线条和色彩强化了明确的象征性选择。终，意大利早期绘画艺术家希望能够以无形胜有形。在这本华丽的著作中，作者强调了科学与佛罗伦萨画派之间的对抗在艺术史演变中的重要性。读者能够从中发现，在这些被遗忘的杰作中，神圣开始展现出人形，为人神同形同性打开了零散但具有决定性的大门，为文艺复兴所珍视的价值观开辟了道路。
Pascin
￥61.23
朱勒·帕金斯，在今天看来仍然是个“坏小子”。这位才华横溢的艺术家生活在毕加索、莫迪利阿尼和其他同代艺术家的阴影中。他擅长于描绘女性的躯体，可以说他的油画就是他那派对生活的写照。这位艺术家的充满了性欲色彩的作品被视为不道德，但仍得以在很多画展上展出，特别是在柏林、巴黎和纽约。
Art of India
￥61.23
如果“爱之宫”或者说泰姬陵是印度艺术的象征，这决不可能是的代表。印度艺术高雅、辉煌，受波斯和欧洲的影响，在建筑和艺术领域也有与装饰艺术相媲美的盛誉。
Little Boys
￥61.23
Ever since the ancient greeks sculpted the first kouros, children have been a source of inspiration for some of the world’s greatest artists. Whether portraits of their own children, friends, and family members, or a nostalgic psychological portrayal of the artist’s own youth, depictions of children in art remain arresting examples of an intersection between the picturesque innocence of childhood and the methodical work of adult artistry. In this delightful new puzzle book, children get a chance to see little boys and girls just like them as portrayed by great artists, learning about how children grew up throughout history while experiencing a genuine connection with works of artistic genius.
Pollock
￥40.79
Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings - success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of
Velasquez
￥40.79
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by ?douard
Goya
￥61.23
Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was born in 1746, in Fuendetodos, a small mountain village of a hundred inhabitants. As a child he worked in the fields with his two brothers and his sister until his talent for drawing put an end to his misery. At fourteen, supported by a wealthy patron, he went to Saragossa to study with a court painter and later, when he was nineteen, on to Madrid. Up to his thirty-seventh year, if we leave out of account the tapestry cartoons of unheralded decorative quality and five small pictures, Goya painted nothing of any significance, but once in contro
Kirchner
￥61.23
The self-appointed “leader” of the artists’ group Die Brücke (Bridge), founded in Dresden in 1905, Ernst Ludwig Kirchner was a key figure in the early development of German Expressionism. His first works show the influence of Impressionism, Post-impressionism and Jugendstil, but by about 1909, Kirchner was painting in a distinctive, expressive manner with bold, loose brushwork, vibrant and non-naturalistic colours and heightened gestures. He worked in the studio from sketches made very rapidly from life, often from moving figures, from scenes of life out in the city or from the Die Brücke group’s trips to the countryside. A little later he began making roughly-hewn sculptures from single blocks of wood. Around the time of his move to Berlin, in 1912, Kirchner’s style in both painting and his prolific graphic works became more angular, characterized by jagged lines, slender, attenuated forms and often, a greater sense of nervousness. These features can be seen to most powerful effect in
Bauhaus
￥122.54
The appendix, with its compressed chronology summarising the history of the Bauhaus and evoking parallel events in culture, politics, technology and science, allows for individual conclusions and the identification of links and references not included in the text.
Francisco Goya
￥85.76
Astudy of Francisco Goya’s life and work appears to present many contradictions. For nearly forty years Goya was the principal painter at court and he recorded the glittering wealth of the Spanish nobility. At the same time, in one of the least enlightened countries in Europe, Goya was a liberal thinker. He was a tireless commentator on the social conditions of his age. He hated authority in any form, be it priest, soldier or official, and above all he hated those who exploited the helpless. He was concerned with the floating population, with criminals and prostitutes, and by the crippling poverty that resulted from the injustices of an uneven distribution of wealth. The court must have been ignorant of his criticism or blind to his cries of protest.
Paul Gauguin
￥85.76
On 8 May 1903, having lost a futile and fatally exhausting battle with colonial officials, threatened with a ruinous fine and an imprisonment for allegedly instigating the natives to mutiny and slandering the authorities, after a week of acute physical sufferings endured in utter isolation, an artist who had devoted himself to glorifying the pristine harmony of Oceania’s tropical nature and its people died. There is bitter irony in the name given by Gauguin to his house at Atuona – “Maison du Jouir” (House of Pleasure) – and in the words carved on its wood reliefs, Soyez amoureuses et vous serez heureuses (Be in love and you will be happy) and Soyez mystérieuses (Be mysterious). After receiving news of the death of their old enemy, the bishop and the brigadier of gendarmes – the pillars of the local colonial regime – hastened to demonstrate their fatherly concern for the salvation of the sinner’s soul by having him buried in the sanctified ground of a Catholic cemetery. Only a small gr
Lempicka
￥122.54
Tamara de Lempicka created some of the most iconic images of the twentieth century. Her portraits and nudes of the years 1925-1933 grace the dust jackets of more books than the work of any other artist of her time. Publishers understand that in reproduction, these pictures have an extraordinary power to catch the eye and kindle the interest of the public. In recent years, the originals of the images have fetched record sums at Christie’s and Sotheby’s. Beyond the purchasing power of most museums, these paintings have been eagerly collected by film and pop stars.
Remington
￥122.54
After the New World had been settled by European immigrants landing on America’s eastern coastline, the only direction to go was west. This new country contained untold fortunes, and drew adventurers who wished to explore this vast frontier, and settlers who longed to make it their own.
Vincent van Gogh
￥85.76
在向日葵之上，在鸢尾花之外，在加谢医生的肖像背后，有一个男人——梵高。他敏感脆弱，他天赋异禀，从1853年出生到1890年去世这几十年的岁月里，后印象主义画家梵高用他的创造力和技巧塑造了十九世纪绘画的概念。他成为了表现主义、野兽派和现代艺术的先驱。但是今天，梵高成为了备受疾病折磨的画家的象征，受制于他人，更受制于自己。在这本著作中，作者从梵高的书信和绘画入手，探索色彩的新的表现方式。传奇总是与平庸并存，伟大的艺术天才也总会遭遇现实的繁琐。
Canaletto
￥122.54
乔凡尼安东尼奥康纳尔（Venetian Giovanni Antonio Canal），通常被叫做卡纳莱托（Canaletto，1697-1768）受父亲的影响进入了绘画和透视的世界。他是一位剧院的装修师，他的城市景观图为有名。当时的业余爱好者从意大利旅行归来后，也带回了他们的城市绘画。卡纳莱托成为了巴洛克时代西罗尼希玛的化身。卡纳莱托在绘画中注重隔开不同位面，他也是这一技巧的先驱人物，他以精确的细节装饰绘画。为了更好地强调距离，卡纳莱托层用一架针孔照相机把摄得的画面投影到幕布上，然后在幕布上精确地描绘出风景。卡纳莱托的绘画是静态的，利用线条的准确性和调色板的不同色调，在他手中创造了艺术*美丽的全景图。 在这本引人入胜、内容丰富的著作中，Octave Uzanne激发了读者对于这位十七世纪的不同寻常的威尼斯画家的热情。
Andrea Mantegna and the Italian Renaissance
￥122.54
The art of Andrea Mantegna (born c.1431, died 1506) has long maintained a broad and deep appeal. From the impressive illusionism of his earliest works (Fig. 4) to the narrative power of his mature paintings (Fig. 2), Mantegna's art remained vivid and heroic, dramatic and emotional. They are also painted in stunning detail: pebbles, blades of grass, veins, and hair are rendered with excruciating care, and he depicted even in his great narrative works the mundane particulars of earthly existence, showing laundry hanging out to dry and buildings fallen into disrepair. He had a deep interest in human nature and issues of moral character. Perhaps most strikingly, Mantegna's pictures are filled with references to classical antiquity. No other painter of the fifteenth century so thoroughly understood and abundantly included in his art the costumes, drapery folds, in*ions, architecture, subject matter, ethical attitude, and other aspects of ancient classical civilisation. And instead of t
Antoni Gaudí
￥122.54
安东尼·高迪（1852-1926）是西班牙建筑师和设计师，是西班牙当代艺术史上十分重要和具有影响力的人物。他对于色彩的运用，对材料的采纳和将有机形态融入到建筑中，都是建筑领域的创新。在他的日记中，高迪自由地表达了自己对艺术的看法：“用于建筑的色彩要紧实、有序和丰富。”他已经完成的作品巴特罗公寓（Casa Batllo, 1905-1907）和米拉公寓（Casa Mila, 1905-1910）以及他尚未竣工的作品（修复巴塞罗那的波夫莱特修道院和阿雷亚祭坛）展示了这一重要的艺术哲学。他的家具设计也蕴含着同样的哲理，例如他自己的办公室（1878）或者是巴塞罗那皇家广场的灯具都体现了这一点。圣家族大教堂（Sagrada Familia, 1882-1926）是具有重大纪念意义的项目，高迪终未能见到它的竣工（在高迪去世之时，该教堂尚未完成）。
Russian Painting
￥122.54
At the time when Dionysius and his sons were active, ownership of icons became increasingly common. Previously nobles and merchants had begun the practice of displaying them in a place of honour in their homes, sometimes even in a special room, but now peasant families who could afford it also began to hang icons in a krasny ugol, or“beautiful corner”.
