万本电子书0元读

万本电子书0元读

Shoes
Shoes
Carl, Klaus
¥61.23
美加广场鞋着眼于鞋子的历史,并将鞋子提升到了艺术作品的高度。本书的作者是法国鞋子博物馆的馆长,也是鞋子艺术的领军专家。美加广场是一份完美的礼物,将以鞋子这种小而实用的形式为读者展示有趣而不同的主题。
Angels
Angels
Erskine Clement, Clara
¥61.23
天使——这些神秘的长着翅膀的宗教神话人物——在几个世纪以来影响了无数作家和艺术家。这本书中收藏了很多伟大的古典和现代艺术家绘画的天使,包括了从精致的异想天开的丘比特到宏大的天使长米迦勒,不一而足。这些神秘的生物的画像特点都是半小孩,半神仙的模样。这本方便携带的册子《天使》将是一份完美的礼物。
Chinese Porcelain
Chinese Porcelain
Sartel, O. du
¥61.23
瓷器早出现在七世纪,瓷器艺术在中国迅速成为了皇室贵族的象征,承载着极其重要的意义。这本书中的瓷器作品涵盖了从简单的茶碗到华美的花瓶,发饰、雕像摆件和鼻烟壶等等,不一而足,设计错综复杂,颜色五彩缤纷。这本精美的材质曾经吸引了并将继续吸引着全世界的艺术爱好者,使得这本Mega Square的《中国瓷器》成为了礼物的*。
Impressionism
Impressionism
Brodskaya, Natalia
¥61.23
“我画我所见,而非他人所想见。”难道还有什么能比 爱德华马奈(Edouard Manet)的这句话更能诠释印象主义运动了。马奈的这句话似乎与莫奈(Monet)或雷阿诺(Renoir)的情感表达完全不同。莫奈在去世前不久曾写道:“印象主义之名源我而起,但却冠以了一群并非印象主义者的群体,对此我深表遗憾。” 在这本书中,Nathalia Brodskaia考察了这场十九世纪末期的印象主义运动的矛盾之处,分析了印象主义群体在艺术家个人的主张之下形成了的连贯整体的悖论。学术艺术和现代抽象绘画之间的道路漫长而艰辛。作者逐一分析这场艺术运动的基本元素,通过每位艺术家的作品考察了个人的需求是如何催生出现代绘画。
Monet
Monet
Brodskaya, Natalia
¥61.23
Mega Square的《莫奈》通过优美地展示印象主义的作品,带领我们探索十九世纪绘画大师之一——莫奈的非凡的作品。莫奈的风景画和日常生活场景画中画锋急促,阐释了他对于光线和色彩的迷恋。对印象主义运动的爱好者来说,这本小书是一份完美的礼物。
Raphael
Raphael
Müntz, Eugène
¥61.23
拉斐尔(Raphael,1483-1520),意大利文艺复兴鼎盛时期的画家和建筑家,是位超越时代的天才人物。他与米开朗琪罗和莱昂纳多达芬奇并称为古典艺术的“文艺复兴三杰”,它们的作品展现了和谐和几何的多种风格。作为文艺复兴时期的大家之一,作为欧洲皇室和罗马教廷的艺术家,拉斐尔的作品包括了多种神学和哲学的主题,包括但不限于著名的圣母玛利亚画像。拉斐尔成长的环境和经历使他更倾向于将人文主义的理想和宗教相结合,从而在心中树立起坚定的信念,即艺术是揭开自然之美面纱的必然中介。
Mucha
Mucha
Bade, Patrick
¥61.23
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Tiffany
Tiffany
De Kay, Charles
¥61.23
路易斯·康福特·蒂芙尼(Louis Comfort Tiffany)是闻名于世的珠宝商,也是美国新艺术运动的领头人。在美国处于不断增长的时期,蒂芙尼成功地将装饰提升到了艺术的高度。蒂芙尼的工作室尤其擅长处理玻璃,他们开创了独特的玻璃技艺,使得幻彩玻璃极具美感。追随着加勒(Galle)或多姆(Daum)的脚步,蒂芙尼对玻璃物尽其用:色彩、遮光、透光,戏玩于他的手掌间。当然,他为成功的还是充满色彩与阴影交汇的镶嵌玻璃台灯,类似于教堂的染色玻璃天窗。沉浸在色彩的棱镜之中,作者让我们梦回这家历久弥新的公司的诞生之期。
Michelangelo
Michelangelo
Müntz, Eugène
¥110.28
米开朗基罗(Michelangelo)的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》(The Italian Painting)这本书中,作者司汤达写道:“在古希腊风物和米开朗基罗之间,没有任何距离,除了或多或少技术娴熟的伪造物。”在《漫步罗马》(Promenade in Rome)一书中,沙特布莱表达了对《圣母怜子像》(Pieta)中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问,米开朗基罗的作品经历住了时间的考验。在若干年后,米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源?米开朗基罗是创造性的天才和超人,是意大利文艺复兴中无与伦比的艺术家,他的影响力和成就与达芬奇可相媲美。在这本著作中, Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份:雕塑家、建筑师、画家和美术家。
Hieronymus Bosch
Hieronymus Bosch
Pitts Rembert, Virginia
¥110.28
Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of religion. Medieval traditions and values were crumbling, thrusting man into a new universe where faith had lost some of its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. Believing that everyone had to make their own moral choices, he focused on themes of hell, heaven and lust. He brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes.
Edward Hopper
Edward Hopper
Souter, Gerry
¥110.28
爱德华·霍普,1882年出生于奈阿克,是重要的美国画家之一。在学习了插图画之后,他进入了大名鼎鼎的纽约艺术学院学习,师从罗伯特·亨利(Robert Henri)。亨利对霍普产生了重大的影响,他鼓励霍普从美国人的生活中去发现素材。在创作中,诗意地表达了人们反对二十世纪二十年代的美国生活方式的孤独。受到电影作品—特别是多种摄影角度和人物性格的影响,他的绘画作品表达了对大众文化的疏离感。通过采用冷色调和绘画匿名人物,霍普的作品同样象征性地反映了大萧条时期。尽管霍普曾多次游历欧洲,但他在当时流行的的改革绘画面前仍然无动于衷,例如立体主义,例如超现实主义。霍普用一种非常个性化的形式来表达主题,致力于效仿古典艺术家,例如伦布兰特(Rembrandt)、德加斯(Degas)或者杜米埃(Daumier)。他绘画的加油站、旅馆和日常生活的场景代表了对个人主义的美学宣言、宽敞的开放空间和美国的基本价值观。霍普在1967年去世了,在美国艺术上留下了后的痕迹。
Alphonse Mucha
Alphonse Mucha
Bade, Patrick;Charles, Victoria
¥110.28
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Van Gogh
Van Gogh
Calosse, Jp. A.
¥40.79
文森特·梵·高的生活和创作是如此紧密地联系在一起,以至于不了解他的生平便无法理解其作品。他作为生存环境的局外人而不被人理解成为痛苦的现代艺术殉难者的化身。一篇文章这样描述他,“一个可怕的疯狂的天才,常常表现卓越,有时荒诞,总是站在近乎病态的边缘。”1888年2月,文森特离开巴黎前往阿尔勒,那几个月是他一生中产的时期,次年他开始了著名的自残行为并且先后三次住院。据说他是在1890年7月29日,在一片田野里朝自己开枪自杀的,他的弟弟特奥这样描述他生命的后时刻,“他说想自杀,当时我坐在他身边向他保证我们会努力治愈他······但他回答说,悲哀将会永远持续。”
Dali
Dali
Shanes, Eric
¥40.79
身为画家、设计师、奇异物品发明者、作家以及电影导演,达利可以说是著名的超现实主义者。布纽埃尔、洛卡、毕加索和布列塔尼都对他的生涯产生了巨大的影响。达利的电影,《一只安达卢西亚犬》标志着他进入了巴黎超现实派,在那里他遇到了盖拉,他一生的伴侣和灵感源泉。但是,当1939年他与安德烈·布列塔尼决裂,他与此派关系交恶。然而,达利的艺术哲学与艺术表现仍然归于超现实主义,并成为超现实主义的典范。终其一生,达利是一位天才的具有自我提升力、创造力的神秘人物。
Gauguin
Gauguin
Brodskaya, Nathalia
¥40.79
保罗·高更早是一名水手,之后成为巴黎一名成功的股票经纪人,不过1874年他开始在周末画画,9年之后,在一次股市崩盘之后,他退休成为全职画家。1891年高更离开法国,在塔希提度过两年时光,并决定了他未来的生活和职业。1895年,他回到那里。在塔希提,高更发现了原始的自然艺术,并真诚地用画布展现出来。从那时起他的画作表现了这样的风格:构图简洁;色彩纯净明亮,具有观赏性;对异度风景的从容表现。高更称之为“合成象征理论”。
August Macke
August Macke
Macke, August;Cohen, Walter
¥61.23
奥古斯特·麦克(1887-1914),德国表现主义大师。德国表现主义萌芽于19世纪早期,主张放弃勾勒物理实在的艺术,转而致力于谋求情绪的表达,尤其注重于表达悲惨和恐惧的黑暗情绪。麦克是色彩与形体大师,创作了很多吸引人眼球、引起观赏者强烈共鸣的作品。他的笔下既有阳光明媚的突尼斯街道,也有阴云密布的波恩大教堂和那些不知名的拥挤的火车站。在这本书中,作者沃尔特·科恩回顾了这位艺术家短暂的一生,看似潜力无限的他,却终英年早逝。
Art of Islam
Art of Islam
Gaston Migeon,Henri Saladin
¥122.54
伊斯兰艺术并不是某个国家或者某个民族的艺术,而是一种宗教的艺术:伊斯兰教。从阿拉伯半岛延展开来,宗教的皈依者在几个世纪中征服了从大西洋到印度洋的领土。跨越了多文化和多种族,这种多形态和高度精神化的艺术禁止所有关于人和神的东西,发展出教规和极具装饰艺术价值多种动机。这些艺术家详细而独出心裁地表达了他们的信念,创造了诸如耶路撒冷的阿克萨清真寺、阿格拉的泰姬陵和格拉纳达的阿罕布拉宫等不朽之作。
Bauhaus
Bauhaus
Michael Siebenbrodt,Lutz Sch?be
¥122.54
The appendix, with its compressed chronology summarising the history of the Bauhaus and evoking parallel events in culture, politics, technology and science, allows for individual conclusions and the identification of links and references not included in the text.
Bikini Story
Bikini Story
Patrik Alac
¥122.54
The beginning of a new millennium – let alone a new century – simply demands a quick but thorough look back at the past hundred years. Different outline sketches of the history of the twentieth century might all too quickly resort to headline-style formulae about “a century of war and terrorism”, “a century of barbarism”, and omit any mention of a great number of events and triumphs that should be rightfully regarded as entirely positive. These might seem to have been of secondary significance in relation to more sombre events, but they certainly cannot be excluded if our historical round-up of a hundred years is to retain its proper balance, if it is to be truly historical, and not be reduced to checklists of damage and destruction, of wars and disasters alike and their cost of lives and property, of the numbers of casualties, and of the people, places, and things that are now as if they had never been.
Bonnard and the Nabis
Bonnard and the Nabis
Albert Kostenevitch
¥122.54
The Nabis group, assembled by Paul Sérusier, was comprised of several members from the Académie Julian. In refusing to comply with the rules of Impressionism, these artists claimed instead to be largely influenced by Gaugin. Their name, derived from the Hebrew Nahbi, signifies a prophet or a visionary, thus symbolizing their will to discover the sacred nature of writing. They were largely influenced by Japanese art, most notably wood engravings, as well as popular and primitive art and the art of the symbolic artist, Pierre Puvis de Chavannes. Although they all differed considerably from one another, there were two lines of thought in particular on which they all agreed; firstly, subjective misinterpretation, born within the artist’s emotions accentuating certain aspects of the subject that is being depicted, and secondly, objective misinterpretation ensuring the depiction finds its place in the fundamental order of the work. Their art is characterized by an absence of perspective and
Bosch
Bosch
Virginia Pitts Rembert
¥122.54
在电子游戏发明之前,希罗尼穆斯波希(Hieronymus Bosch)的笔下就已经创作出了恐怖但丑萌的怪物,还带有一点小幽默。他的作品是自信的宣言,有力地挑战了背叛基督教教义之人的精神恐慌。波希生于1450年,死于1516年,他的出生之时正值文艺复兴的高潮时期,也见证了这一时期的宗教战争。中世纪传统和价值观轰然倒塌,为新世纪的到来开辟了道路。在这样的新世纪里,信念失去了力量和魔力。 ?波希开始警告那些不信教者和对上帝丧失了信仰的人——等待是危险的。波希相信所有人必须要有自己的道德选择,他关注地狱、天堂和欲望的主题,才华横溢地挖掘了水果和植物的象征意义,让他的意向充满了强烈的性欲色彩。这本独特的选集展示了波希为引人入胜的作品,小巧的形式也让它成为了一份完美的礼物。
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