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Pokol vagy mennyország?
￥48.80
Pokol vagy mennyország?
A füvészkerti galeri
￥65.97
A füvészkerti galeri
LoveClub
￥74.56
LoveClub
Romana 601. - Egyszer már elhagytál
￥20.11
Romana 601. - Egyszer már elhagytál
A St. Oswald fiúiskola
￥66.79
A St. Oswald fiúiskola
Romana 604. - Kamera indul!
￥20.11
Romana 604. - Kamera indul!
Júlia kül?nszám 77. k?tet
￥46.03
Júlia kül?nszám 77. k?tet
Egyszercsak: Gábriel-duológia - Második k?nyv
￥67.12
Egyszercsak: Gábriel-duológia - Második k?nyv
Romana kül?nszám 60. k?tet
￥42.92
Romana kül?nszám 60. k?tet
Romana 533. (Párizsi randevú)
￥18.56
Romana 533. (Párizsi randevú)
Romana 531. (Reflektorfény)
￥18.56
Romana 531. (Reflektorfény)
Egy forint a krumplis lángos: A Kádár-kor társadalma
￥75.54
Egy forint a krumplis lángos: A Kádár-kor társadalma
Bianca 271–272. (Cukormáz, Higgy a csodákban!)
￥48.74
Bianca 271–272. (Cukormáz, Higgy a csodákban!)
Beszélgetések a szerelemr?l
￥66.79
Beszélgetések a szerelemr?l
Szívhang 472. (Lábadozó álomherceg)
￥18.56
Szívhang 472. (Lábadozó álomherceg)
A rendes lányok csendben sírnak
￥75.86
A rendes lányok csendben sírnak
A mostoha
￥70.06
A mostoha
The Prince and the Pauper
￥40.79
The story of two young boys who are identical in appearance: Tom Canty, a pauper who lives with his abusive father in Offal Court off Pudding Lane in London, and Prince Edward, son of King Henry VIII. One day Tom is nearly caught and beaten by the Royal Guards; however, Edward stops them and invites Tom into his palace chamber. There the two boys get to know one another, fascinated by each other's life and their uncanny resemblance. They decide to switch clothes temporarily.
Andrei Tarkovsky:A Life on the Cross
￥90.03
Andrei Tarkovsky died in a Paris hospital in 1986, aged just 54. An internationally acclaimed icon of the film industry, the legacy Tarkovsky left for his fans included Andrei Rublev, Stalker, Nostalgia and a host of other brilliant works. In the Soviet Union, however, Tarkovsky was a persona non grata. Longing to be accepted in his homeland, Tarkovsky distanced himself from all forms of political and social engagement, yet endured one fiasco after another in his relations with the Soviet regime. The Soviet authorities regarded the law-abiding, ideologically moderate Tarkovsky as an outsider and a nuisance, due to his impenetrable personal nature. The documentary novel A Life on the Cross provides a unique insight into the life of Andrey Tarkovsky, the infamous film director and a man whose life was by no means free of unedifying behaviour and errors of judgement. Lyudmila Boyadzhieva sets out to reveal his innate talent, and explain why the cost of such talent can sometimes be life itself.
The Alchemist
￥18.74
Of all the myths which have come down to us from the East, and of all the creations of Western fancy and belief, the Personality of Evil has had the strongest attraction for the mind of man. The Devil is the greatest enigma that has ever con-fronted the human intelligence. So large a place has Satan taken in our imagination, and we might also say in our heart, that his expulsion therefrom, no matter what philosophy may teach us, must for ever remain an impossibility. As a character in imagi-native literature Lucifer has not his equal in heaven above or on the earth beneath. In contrast to the idea of Good, which is the more exalted in proportion to its freedom from anthropomor-phism, the idea of Evil owes to the presence of this element its chief value as a poetic theme. The discrowned archangel may have been inferior to St. Michael in military tactics, but he cer-tainly is his superior in matters literary. The fair angels—all frankness and goodness—are beyond our comprehension, but the fallen angels, with all their faults and sufferings, are kin to us. There is a legend that the Devil has always had literary aspi-rations. The German theosophist Jacob B?hme relates that when Satan was asked to explain the cause of God’s enmity to him and his consequent downfall, he replied: “I wanted to be an author.” Whether or not the Devil has ever written anything over his own signature, he has certainly helped others compose their greatest works. It is a significant fact that the greatest im-aginations have discerned an attraction in Diabolus. What would the world’s literature be if from it we eliminated Dante’s Divine Comedy, Calderón’s Marvellous Magician, Milton’s Paradise Lost, Goethe’s Faust, Byron’s Cain, Vigny’s Eloa, and Lermon-tov’s Demon? Sorry indeed would have been the plight of litera-ture without a judicious admixture of the Diabolical. Without the Devil there would simply be no literature, because without his intervention there would be no plot, and without a plot the story of the world would lose its interest. Even now, when the belief in the Devil has gone out of fashion, and when the very mention of his name, far from causing men to cross themselves, brings a smile to their faces, Satan has continued to be a puissant personage in the realm of letters. As a matter of fact, Beelzebub has perhaps received his greatest elaboration at the hands of writers who believed in him just as little as Shake-speare did in the ghost of Hamlet’s father.
Ecaterina cea Mare & Potemkin: O poveste de dragoste imperial?
￥130.72
Actorii ne druiesc generos gnduri despre viaa pe care i ei o triesc ca orice oameni, cu necazuri i bucurii. Alexandru Arinel – fiind definit n timp de Marele Public drept o valoare artistic naional – se destinuie acum, cu privire la drumul parcurs din satul de batin Dolhasca pn pe Calea Victoriei. Citind amintirile sale sincere, vei cunoate un om, nu numai un artist, care evoc trei epoci istorice prin care a trecut, fiind prin argumentele invocate mai convingtor dect orice carte de istorie banal. i pune pe tav sufletul prin relatarea unei biografii netiute de nimeni. n aceste destinuiri, Alexandru Arinel ne propune discret s gndim atent la calea profesiei alese, de actor sau de orice fel, i s nu uitm nicio clip de cei din preajma noastr, de familie.“ – Ileana Lucaciu
