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Manifestele avangardei ruse. Antologie
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Amurgul ora?elor este o antologie care reune?te cele mai valoroase poezii scrise de Nichita Danilov de la debutul din anii ‘80 p?n? ?n prezent. De?i este un membru de seam? al optzecismului, prezent ?n toate antologiile importante ale acestui curent literar, Nichita Danilov propune o poezie atemporal?, metaforic?, parabolic?, cu scenarii mitice, al c?rei model este, cum remarca ?i Nicolae Manolescu, Lucian Blaga. Se poate detecta la Nichita Danilov un neoexpresionism mistic ?i vizionar, dublat de o con?tiin?? ironic? vie. Exist?, ?n Amurgul ora?elor, superbe poezii de dragoste, de o clasic? simplitate, c?t ?i poeme alegorice, cu substrat filozofic, dar ?i capodopera Nou? varia?iuni pentru org?.
Schi?e ?i nuvele aproape… futuriste
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Lumin?, ?ncet este o antologie care reune?te cele mai valoroase poeme scrise de Marian Dr?ghici – un poet atipic, greu de integrat ?ntr-o anume genera?ie, de?i, structural, pare s? r?m?n? afiliat unei ontologii postmoderniste. Marian Dr?ghici scrie o poezie cerebral?, fragmentar?, ironic? ?i autoironic?, din care nu lipsesc ?ns? m?rcile unui vizionarism ?bine temperat“. De?i poezia din Lumin?, ?ncet e mai degrab? geometric?, ?n care, totu?i, abund? artele poetice, se poate remarca aici – cum sus?ine ?i criticul literar Dan Cristea – ??mbinarea dintre religia poeziei ?i poezia religiei“.
Cum se fabric? o emo?ie
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n paginile acestei cri, am redat situaia general din Paradisul Vestului“ i a exilatului romn venit aici, vzut n dublu avantaj de persoana particular i jurnalist. Majoritatea celor venii n perioada tranziiei romne“, dar i o buna parte din ceilali au fost i sunt buni aici – cu preponderen n Germania – la muncile de jos“ (…) Romnia nu e cunoscut n Occident dect ca zona srciei, a copiilor orfani, a hoilor i a corupiei“!
101 poeme
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mi nchipui pe pmnt locuriUnde nu ajunge raza de soareLocuri unde nu adie vntulLocuri oarbe i surde, fr cldurFr memorie –Dar nu am destul putere s-mi nchipuiLocuri unde s nu ajungi s nu m ajungDurerea.
Despre lucrurile ultime
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Iubitafizica este ?tiin?a iubirilor imaginare. Toate iubirile ?i iubitele imaginare s?nt excep?ii ce se supun, ?n t?cere, iubitafizicii. Adev?rul care conteaz? pentru iubitafizic? este cel inventat, adev?rul ?nchipuit, adev?rul visat, adev?rul din flori.
Epistolar avangardist
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Augustin Fr??il? (1953-2010), scriitor ?i cantautor, a fost un apropiat al lui Nichita St?nescu ?i membru al Cenaclului de Luni. A publicat ?n cele mai importante reviste culturale, iar ?ntre 1991 ?i 2010 a fost redactor-?ef al Editurii ALLFA, departamentul de literatur? al Grupului Editorial ALL. C?r?i publicate: Gramatica mor?ii, poezie, 1995 (premiul USR), El-Roi, poezie, 1996, Plaja nudi?tilor, poezie, 1998. Dintre c?r?ile traduse de Augustin Fr??il? din englez?: Legende franceze, Pove?ti japoneze, 1001 de nop?i, Moby Dick, 100 de minuni ale lumii, 100 de ora?e ale lumii, 100 de muzee ale lumii, Islamul ?i Vestul. A tradus poezie din limbile francez?, italian? ?i spaniol?. C?r?ile sale au fost traduse ?n german?, croat?, greac?, spaniol?, englez?. Ca muzician, a ?nregistrat ?i editat discul O recitare, 1982, muzic? original? pe versurile lui Nichita St?nescu, ?i dou? CD-uri ?n 2005: Mai sunt pentru c? el mai este ?i A?a am tr?it. Al treilea CD, Balad? pentru Transilvania, c?ntece originale pe versurile lui A. Fr??il?, a ap?rut ?n 2007. Voce muzical? ?i poetic? unic? ?n literatura rom?n? contemporan?, el declara ?ntr-un tulbur?tor, ultim interviu publicat ?n revista Luceaf?rul: ?N-am f?cut niciodat? nici cel mai mic efort de a cultiva vreo rela?ie, m-am l?sat doar ?n voia valului – asum?ndu-mi riscurile de rigoare, – am l?sat destinul s? lucreze pentru mine, s?-mi arate dac? trebuia s? fiu acolo ori nu. Asta m-a costat, ?ns?: imagine, notorietate, carier?, via?? de familie, via?? social?... n-a fost zi s? nu pl?tesc pre?ul dezordinii, aventurii mele existen?iale.“
Era m?ritat? ?i se plicitisea
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Nicolae Breban este stpnit de – i ajunge s stpneasc el nsui – voina de putere creatoare. Creaia este, dup Fr. Nietzsche, adevrata voin de putere. Ct pot crea – att exist“, iat relaia definitorie i poate chiar sensul vieii, raliat adnc unei ontologii a artei literare. Scriitorul se teme cel mai mult de insuficiena voinei. ntotdeauna a fost ngrozit de un succes de mna a doua. Un succes a fost faptul c n Frana i-au fost publicate romane dificile“, ntr-un context literar i istoric defavorabil. (…) Breban triete cu luciditate abisal; vis estetic“. Urmeaz, aadar, i nu contrazice autonomia esteticului. Omul i cultura sunt artificioase, nu naturale. El crede c, n esen, literatura nu s-a schimbat niciodat de la Homer ncoace.“ (Marian Victor Buciu) Un romancier pentru o generaie a literaturii. Nici un prozator romn nu a trit, dup 1960, o evoluie att de rapid. Succesul fulgertor al lui Nicolae Breban nu poate i nici nu trebuie s fie judecat independent de momentul 1965 al literaturii tinere. O generaie de povestitori i de poei avea nevoie de un adevrat romancier pentru a-i consacra, aa cum se cuvine, strlucirea. Nu de un romancier fcut prin aglomerarea povestirilor, strlucitor pe fiecare pagin, spectaculos prin fiecare personaj al su; generaia reclam nu un autor care tie s povesteasc, ci un scriitor nzestrat cu vocaie de romancier: de adevrat constructor.“ (Cornel Ungureanu)
B?tr?na canapea albastr? ?i alte povestiri
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eu rd ca s nu gndesc,tu rzi de mutrele mele,de lustra din tavan,de piciorul mesei.sunt att de mic sub tinenct nu m vede nimeni de pe marte.dac big brother triete,pe tine te observ primul.“
Saris and a Single Malt
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Saris and a Single Malt is a moving collection of poems written by a daughter for and about her mother. The book spans the time from when the poet receives a phone call in New York City that her mother is in a hospital in New Delhi, to the time she carries out her mother's last rites. The poems chronicle the author's physical and emotional journey as she flies to India, tries to fight the inevitable, and succumbs to the grief of living in a motherless world. This collection will move you, astound you, and make you hug your loved ones. "There are few books like Saris and a Single Malt in which the loss of a mother, a homeland, and the self come together in a sustained elegy." --Justen Ahren, Director Noepe Center, Author of A Strange Catechism "In life, as in poetry, one must come from the heart. Sweta Vikram has done both with touching eloquence. Her work resonates deeply within one's deepest emotional sacristy." --Sharon Kapp, Owner & Founder, Houston Yoga & Ayurvedic Wellness Center "Saris and a Single Malt is a fitting and delightful tribute of a writer daughter to her affectionate mother which goes deep into the minds of all children who love their moms." --K. V. Dominic, English language poet, critic, short-story writer, and editor from Kerala, India Sweta Srivastava Vikram, featured by Asian Fusion as "one of the most influential Asians of our time," is an award-winning writer, Pushcart Prize nominee, author of ten books, and a wellness practitioner. A graduate of Columbia University, Sweta performs her work, teaches creative writing workshops, and gives talks at universities and schools across the globe. Learn more at www.swetavikram.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com POE005060 POETRY / American / Asian American
U.P. Reader:Bringing Upper Michigan Literature to the World -- Issue #1
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Michigan's Upper Peninsula is blessed with a treasure chest of writers and poets, all seeking to capture the diverse experiences of Yooper Life. Now U.P. Reader offers a rich collection of their voices that embraces the U.P.'s natural beauty and way of life, along with a few surprises.The twenty-eight works in this first annual volume take readers on a U.P. road trip from the Mackinac Bridge to Menominee. Every page is rich with descriptions of the characters and culture that make the Upper Peninsula worth living in and writing about.Whether you're a native Yooper or just wish you were, you'll love U.P. Reader and want to share it with all your Yooper family and friends."U.P. Reader offers a wonderful mix of storytelling, poetry, and Yooper culture. Here's to many future volumes!" --Sonny Longtine, author of Murder in Michigan's Upper Peninsula"Share in the bounty of Michigan's Upper Peninsula with those who love it most. The U.P. Reader has something for everyone. Congratulations to my writer and poet peers for a job well done." --Gretchen Preston, Vice President,?Upper Peninsula Publishers and Authors Association"As readers embark upon this storied landscape, they learn that the people of Michigan's Upper Peninsula offer a unique voice, a tribute to a timeless place too long silent." --Sue Harrison, international bestselling author of Mother Earth Father Sky"I was amazed by the variety of voices in this volume. U.P. Reader offers a little of everything, from short stories to nature poetry, fantasy to reality, Yooper lore to humor. I look forward to the next issue." --Jackie Stark, editor, Marquette Monthly"Like the best of U.P. blizzards, U.P. Reader covers all of Upper Michigan in the variety of its offerings. A fine mix of nature, engaging characters, the supernatural, poetry, and much more." --Karl Bohnak, TV 6 meteorologist and author of??So Cold a Sky: Upper Michigan Weather StoriesU.P. Reader is sponsored by the Upper Peninsula Publishers and Authors Association (UPPAA) a non-profit 501(c)3 corporation. ?A portion of proceeds from each copy sold will be donated to the UPPAA for its educational programming. Learn more at www.UPReader.org
Creating a Local Historical Book:Fiction and Non-Fiction Genres
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Does Your City or Region Have a Fascinating Story that needs to be told before it's forgotten? Yes, it does, and you can be the person to write it! In this short text, Tyler Tichelaar, author of My Marquette and The Marquette Trilogy, talks in a conversational format about how he became interested in writing both local history and regional and historical fiction and his research and writing process to bring his books to fruition. Readers of "Creating a Local Historical Book" will learn: ·What kind of research is required ·What counts as research ·Where to do research ·How to organize that research into a book ·How not to go overboard with details ·Finding images and gaining usage permission ·How to make your book stand out from others ·Tips on marketing your history book Tyler R. Tichelaar, Ph.D. and seventh generation Marquette resident, was raised on tales of his hometown's past. His other interests include literary studies ranging from King Arthur to Gothic texts. He is also a professional editor and writing coach who has guided dozens of authors through the treacherous seas of composition. "Our committee would like to honor Tyler with this award in honor of his meticulous research, his enlightened and personal testimony about Marquette and his educational contributions to the preservation of Marquette's history." --The Marquette Beautification & Restoration Committee, presenting Tyler with the Barbara H. Kelly Historic Preservation Award "Tyler Tichelaar speaks from the heart about his love affair with the town of his birth. Join him on a nostalgic tour of one of the great small cities of America." --Karl Bohnak, author of So Cold a Sky: Upper Michigan Weather Stories Learn more at www.MarquetteFiction.com From Modern History Press www.ModernHistoryPress.com
K. V. Dominic's Write My Son, Write--Text and Interpretation
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"Write My Son, Write" is K. V. Dominic's longest poem, in 21 sections taken from his collection of poems entitled Write Son, Write. Dominic unabashedly tackles every-day issues of India such as the social injustice of poverty, man's crass exploitation of natural resources that ought to belong to everyone, terrorism, and the eternal beauty of the natural world. This poem is the manifesto of Dominic's views and philosophies. About this work, K.V. Dominic writes, "People today are crazy after materialism, and divinity in them is being lost to such an extent that they give no importance to principles, values, family and social relations, cohabitance with human beings and other beings. Instead they are trying their maximum to exploit their fellow beings, other beings and the planet itself. If it goes like this, the total destruction is not far away. It is the duty of the religious leaders, political leaders and the intelli-gentsia to inject the lost values to the masses and thus preserve this planet and the inhabitants from the imminent devastation. Instead, majority of these leaders become mafias and inject communal and corruptive venom to the minds of the masses. Corruption has become the hallmark of these leaders and influenced by them the masses also deviate from the right track to the evil track. And who will save this society? Writers, particularly poets who are like prophets." Dr. Ramesh Chandra Mukhopadhyaya's commentary provides the most complete critical analysis of the poem, section-by-section and line-by-line. Born in 1947 Ramesh Chandra Mukhopadhyaya M A (Triple) MPhil, PhD is a retired college teacher now residing at Howrah, West Bengal, India,. A Bilingual writer (English and Bengali), he has been writing on different subjects for the last thirty years. He seeks to retrieve the wealth of poetry when it is a revelation. Dr. Mukhopadhyaya regards K. V. Dominic as a poet of a seer. From the World Voices Series Modern History Press
Kaleidoscope:An Asian Journey with Colors
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About the Author Sweta Srivastava Vikram is a multi-genre writer and marketing professional living in New York City. She is the author of Because All Is Not Lost from Modern History Press and the co-author of Whispering Woes of Ganges & Zambezi (Cyberwit 2010). Her work has appeared in six countries across three continents. Sweta has held recent artist residencies and workshops in Portugal, Ireland, and several within USA. She is a graduate of Columbia University. "In this innovative series, Sweta Srivastava Vikram re-appropriates color. Cultures and mythologies collide along the way, and the result is a chapbook that feels like a quest. In the end, the colors are a map to identity. The child's pink tonsils or the bride's red sari are not symbols, but rather mile markers. Like Vikram's poems, they lead toward understanding" --Erica Wright, Senior Poetry Editor, GuernicaAbout the Chapbook The book delves into the implication and philosophy of colors from a Hindu woman's point of view, from birth until death. The color she adorns herself with almost depicts the story of her life. Expressed through different poetic and verbal forms, each color in the book has its own tone and is specific to different age groups. Learn more at www.SwetaVikram.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com
Return of the Penguins
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Things are looking bleak for Malcolm and his adventurer friends. ?The Pentagram Council have been defeated and Diablo is now in full control of their forces. ?Casper is lost, presumed dead. Their victory in Asperios is looking increasingly hollow and Diablo is still possessing Stephanie's body. ?Is there any hope he can be vanquished? ?Is the last piece of the key safe? ?Will Malcolm ever be reunited with his love Stephanie? ?Find out in the third and final book in the Magpies and Magic series of books.
Via?a continu?
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De ce o carte despre via?a ?i opera lui Vasile Voiculescu?R?spunsul poate fi complex ?i nuan?at. Pe de o parte, acumularea unei cantit??i mari de contribu?ii biografice ?i critice a impus reevaluarea lor. Pe de alt? parte, chiar varietatea ?i bog??ia informa?iilor pun sub semnul ?ndoielii destule afirma?ii anterioare. Dincolo de aceste motive r?m?ne faptul c? Vasile Voiculescu a fost un erudit cu o g?ndire profund?, un nemuritor. Personalitatea sa multilateral? trebuie rea?ezat? ?n actualitate. Nu din retoric? trufa?? repet?m ?ntrebarea, modific?nd-o pu?in: de ce o monografie Voiculescu ?n epoca demitiz?rilor? ?nainte de a da alte r?spunsuri, m?rturisim c? suntem preocupa?i de felul ?n care va fi receptat?. Probabil c? voiculescologii consacra?i vor fi curio?i s? afle cum ?l prezint? Gheorghe Postelnicu din P?rscov pe Vasile Voiculescu, ilustrul s?u ?nainta? ?i cons?tean. Sper?m s? constate c? nu au ?n fa?? o carte de celebrare, de?i nu am spune adev?rul dac? nu am recunoa?te c? ?n perioada document?rii am fost ?nso?i?i de o sensibilitate admirativ?.
Cucamonga
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Nu sunt obi?nuit s?-mi prezint singur c?r?ile. Nu se obi?nuia asta pe c?nd publicam ?i eu mai des. Oricum, la pierderea speran?ei n-a fost conceput? ca atare, o carte cu o structur? de rezisten??, a?a cum se fac azi, ?i c?r?ile, ?i casele. Au fost nota?ii disparate, iar dac? exist?, totu?i, o aparen?? de unitate, atunci asta vine de altundeva dec?t din inten?ia de construc?ie. Din constan?a obsesiilor mele ?i a celor ce-mi trec prin cap, fie ?i ?nt?mpl?tor.Poate p?rea o carte trist? sau demobilizatoare (Doamne fere?te!), de?i sunt momente c?nd e d? r?s, ca la Ion de la gar?, mai ales ?n cele dou? pasaje cu sexul, cu toate c? nu pentru ele am scris-o, ele sunt doar ni?te accesorii, a?a cum e ?i sexul prea adesea... M? gr?besc s? v? spun c? accesoriile nu sunt, chiar ?ntotdeauna, inutile.Toat? via?a, ?nc? de acum 45 de ani, c?nd am publicat prima carte a mea de versuri, din care azi nu mai pot p?stra dec?t titlul, Turnul ?nclinat, am fost... ?nclinat spre partea neagr? a existen?ei. A?a c? nu pot da vina pe b?tr?ne?e c? mi-am pierdut cu totul speran?ele. Ele erau cam pierdute ?nc? de atunci, de la Cluj, demult. Acum doar pierderea lor a ie?it ?n pagin?, ?i chiar pe o copert?. (Nicolae Prelipceanu)
Marketingul politic. Repere teoretice ?i strategii de ac?iune
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13 interviuri de: Alexandru Vakulovski / deschide.md Dumitru Crudu / Europa Liber? Veronica D. Niculescu / zilesinopti.ro Diana Iepure / revistalaplic.md Sorin-Mihai Grad & Ormeny Francisc / EgoPhobia Ioana Vighi / hyperliteratura.ro Andra Rotaru / luceafarul.ro Amelia St?nescu / Zona Literar? Jovi Ene / filme-carti.ro Nicolae Baldovin / muzaholic.ro Aurelia Borzin / Ziarul Na?ional C?t?lin Stanciu / Merg ?n Bra?ov un cristian / Observator cultural Nu mai ?in minte care a fost primul interviu publicat, dar ?tiu sigur c? primul interviu nescris a fost jucat cu tata, adic? el se juca cu noi, ?nv???ndu-ne ce e o poezie, poveste, proz?, ce e un interviu. (Mihail Vakulovski)
Despre enigmele sufletului
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Femeile vin de pe Venus, b?rba?ii de la b?ut s?a n?scut ?n paginile s?pt?m?nalului de umor Ca?avencii. La cererea insistent? a cititorilor, o parte dintre textele rubricii B?t?i ?n dialog sunt adunate acum ?n acest volum. De?i pare c? e vorba de un ?r?zboi ?ntre sexe“, ?n realitate, autorii n?au dus niciodat? un r?zboi, ci un dialog. Ei lanseaz?, alternativ, c?te o tem? la care r?spunde cel?lalt. R?nd pe r?nd, toate stereotipurile care circul? despre via?a de cuplu sunt puse ?ntr?o lumin? umoristic?, eliberatoare. ?n mod normal, paginile care urmeaz? ar trebui s? v? salveze de la divor? sau m?car s? v? scuteasc? de a mai da banii pe terapie de cuplu. Cu o singur? condi?ie: s? ave?i umor.
Supravie?uitorii. Vol. 2 - Du?manul ascuns
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Vladimir Dr?ghia ni se confeseaz? cu toat? sinceritatea ?ntr-un volum de poeme care c?nt?re?te exact 21 de grame, ?n care dulcea cucut? ??i des?v?r?e?te efectele ?n simbioz? cu cele mai ale noastre cuvinte. Sunt ni?te note t?rzii din b?t?i de inimi vii, prin care autorul creioneaz? convingerea absolut? care, de altfel, d? titlul c?r?ii.?Omul ?sta cu p?tr??ele pe burtic? are ?nc? for?a unui copil ne?lefuit. Aia pe care noi to?i am pierdut-o acum mult? vreme. Sper ca placheta asta de versuri s? ?ncap? pe m?inile unui editor de treab?. S-o fac? mic?-mic?, s?-ncap? ?n buzunarul de la piept. Acolo, ?n dreptul inimii. Whatever. Po?i s-o bagi ?i-n buzunarul de la blugi. Pe buca st?ng?. S-o mai sco?i din c?nd ?n c?nd ?i s?-?i speli ochii de praf cu o lacrima stupid?.“ – Florin Piersic Junior
Elegii noi / vechi
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Culorile r?scolite ale oceanului, ce se arunc? furibund spre ??rm, nu cu puterea insuportabil? a unei M?ri, ci cu ?nmiita putere a Oceanului Suprem...; valuri translucide sau verzi, ca ?n Aivazovski, care ?i el trebuie s? fi sim?it Oceanul. Un schifist, siluet? neagr?, de-o grafie subtil?, ?nfrunt?nd coamele ?nspumate. Algele sofisticate de pe plaja cu pietri? foarte m?runt ?i viu colorat (?n locul tradi?ionalului nisip), st?ncile negre, vuietul autoritar al Oceanului, cel mai mare ?i puternic din lume. Extaz f?r? seam?n ?i f?r? cuvinte. Lidia c?nt?. Desc?tu?at?, leg?n?nd ?n m?n? o alg? supl?, coco?at? pe-o st?nc?, ?n cel mai v?dit gen romantic, ?n vreme ce ?iruri de valuri se n?pustesc spre ??rm, explod?nd, readun?ndu-se ?n evantaie de spum?. Ileana ?i Jerry se ?ndep?rteaz? c?teva zeci de pa?i, apoi revin, trec pe l?ng? mine, ?n timp ce filmez, vr?jit, hipnotizat. ?not?torul cu schif a ie?it din valuri, ?l percep cu coada ochiului, ??i adun? sc?ndura, ?ncepe s? urce treptele de lemn din buza falezei, cele pe care am cobor?t ?i noi, acum zece minute. Sau c?nd??i totu?i, ce mi se ?nt?mpl? de-am ame?it a?a? Mi?c infinitezimal aparatul, ?i tot ce intr? ?n cadru mi se pare de domeniul miraculosului. Nu vreau s? pierd nimic. Panoramez, trec de st?nci, spre cealalt? parte a plajei, unde se deschide un golfule? ?i unde coamele de valuri se r?stoarn? sacadat. La o mic? distan??, un ?ir de insuli?e negre, ca ni?te piloni lustrui?i, ?nfrunt?nd hula cea mare. Pelicani pe sus, trec?nd ?ntins spre nord. Extaz ?i sf??iere...
Lec?ii de via?? de la Nietzsche
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Cartea de fa?? ?ncearc? s? dea seam? cu privire la c?teva dintre c?r?ile ?i figurile critice importante ale culturii rom?ne, de la E. Lovinescu, la Al. Paleologu, Nicolae Mano?lescu, Eugen Simion, Lucian Raicu, Paul Cornea, Ion Iano?i, Dan Horia Mazilu sau Gheorghe Cr?ciun. Exist?, ?n cuprinsul c?r?ii de fa??, ?i c?teva comentarii consacrate memorialisticii rom?ne?ti de dup? 1989, ?n care am c?utat s? relev?m dimensiunile scriiturii depozi?ionale ?i valoarea documentar? a unor texte revelatoare prin deschidere ideatic? ?i prin adev?rul dic?iunii etice ?i afective.Un manual indirect de literatur? postdecembrist?.
