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Parodicul nu este doar unul dintre modurile comice; el este rezultatul variatelor ncercri pe care literatura le face spre a se rennoi prin autonegare. Asumndu-i acest rol, literatura parodic are luciditatea de a-i etala mecanismul auto-producerii, analizndu-i exagerrile, dar i constitutivele convenii. Aceast ntoarcere spre literaritatea literaturii pe care mizeaz orice demers parodic este camuflat prin aparena orientare spre diferii autori, texte sau stiluri. Orice parodist este, simultan, explorator prin textele altora, dar i autorul ce-i analizeaz lucid teritoriul propriului text. Una dintre aceste dou dimensiuni poate fi dominant ntr-o parodie, oscilaiile fiind generate att de parodist, ct i de contextul estetic cruia acesta i aparine. Dac, n mod normal, principiile critice urmeaz dezvoltrii formelor literare, discursul parodic este un discurs critic contient deghizat n form literar sau un discurs literar cu finalitate critic. Vorbim de parodia studiat estetic i nu de parodia ca simpl deformare, comis din ignoran.“ O fenomenologie a parodicului din Evul Mediu, epoc modern i postmodern, aceast carte ofer i analiza parodicului n operele unor scriitori ca Urmuz, Caragiale, Crtrescu .a.
Dezvoltare personal?, vindecare emo?ional? ?i maturizare. 12 povestiri terapeuti
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n doar opt ani, Peggy Guggenheim a schimbat faa artei secolului XX; iar viaa sa, cea public i cea privat, a fost la fel de radical precum colecia pe care a deinut o. --The IndependentPatroan a artelor nc din anii 1930, Peggy Guggenheim ne ofer, ntr un autoportret plin de sinceritate, o perspectiv din interior asupra nceputului artei moderne, fcnd mrturisiri revelatoare despre familia sa bogat i excentric, despre relaiile sale personale i oferindu ne portrete adesea surprinztoare ale artitilor nii.Confesiunile unei dependente de art imortalizeaz un capitol nsemnat din istoria artei moderne, precum i personalitatea uneia dintre cele mai fervente susintoare a ei.Ar trebui s ne mulumim, deocamdat, cu ceea ce a produs secolul XX — Picasso, Matisse, Mondrian, Kandinsky, Klee, Léger, Braque, Gris, Ernst, Miró, Brncui, Arp, Giacometti, Lipchitz, Calder, Pevsner, Moore i Pollock. Astzi este vremea colecionrii, nu a creaiei.Haidei cel puin s conservm i s le oferim oamenilor toate marile comori pe care le avem. -- Peggy Guggenheimntlnirea cu frumosul ne modific. Arta, n toate formele ei de exprimare, ne vorbete despre frumuseea acestei lumi, indiferent ct de sublim sau atroce este ea.Prin Colecia StArt pe care o inaugureaz odat cu apariia Confesiunilor lui Peggy Guggenheim, Editura Pandora M i propune s familiarizeze cititorii cu arta modern a secolului XX i cu fabuloasa lume din spatele cortinelor care ascund de multe ori poveti extraordinare i viziuni inedite. Colecia StArt este un loc de ntlnire ntre cei care au curiozitatea de a citi viaa prin alt fel de lentile dect cele obinuite i cei mai importani actori ai scenei de art, fie c este vorba despre artiti, curatori, galeriti, colecionari, critici sau istorici.
Povesti minunate cu lucruri fermecate
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Un demers hermeneutic grav, efectuat ?n profunzimile operei ionesciene, ?i demonstr?nd cu asupra de m?sur? c? ??n prima pies? a lui Ionesco, Engleze?te f?r? profesor, comunicarea este repetitiv? ?i alienant?. Recurenta cli?eelor limbii de lemn burgheze este efectul (cauz?) unei existen?e osificate. Alienarea ?ncepe prin a fi pa?nic? ?i sf?r?e?te ?n agresiune. La ?nceput, b?tr?nii so?i Smith se afund? ?n banalitatea comunic?rii. Tinerii so?i Martin fac la fel, potrivit psihologiei v?rstei lor. Primii au o ?n?elepciune senil?. Ultimii, o vitalitate copil?reasc?. Pe parcurs (in)comunicarea se ad?nce?te, cuvintele ??i ?ndep?rteaz? tot mai mult sensurile, p?n? la a le abandona ori livra unei anamneze enun?iative. Sensul, p?r?nd genetic absent, ??i caut? identitatea ontologic? fictiv?, ?ntr-o deriv? total?. Noile contexte generate de un astfel de tip de enun?are creeaz? spa?ii retorice ale (?n)comunic?rii, inabitual proliferante, sf?r?ind adesea, cum s-a observat, ?ntr-un joc de-a masacrul logocratic, rupt de comandamentele – instan?ele – enun??rii. Personajele rostesc replicile automat, ?ntr-un ritm tot mai accentuat“.
Desene naravase
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Poemele dense, pline de miez ale lui Andrei Fischof curg unul dup altul. Fr ostentaie. Firesc, aa cum ploaia se scurge din orbitele zeilor fr nume, aa cum iarba poate fi numit iarb numai dac este pscut, din timp in timp, de pegaii morilor tineri. nfurat n toga marelui frig, poetul refuz zgomotul, nvlmeala, furtunile agitaiilor zadarnice, optnd mereu pentru ipostaza martorului tcut, marcat de o sensibilitate atent, ochiul su, da, cel triunghiular, din frunte, nregistrnd totul, aproape totul. Poemele-peisaje contureaz o lume a sfritului ntunecat, a degenerescentei, a decadenei i pierderii reperelor. E o lume de comar, o lume nurubat n albia apocalipsei care se inventa, clipa de clipa, provocnd martorul – adunat, strns n el nsui, atent la forurile-i luntrice i la vocea creia i se supune necondiionat – s imagineze discret, evaziv, surpat n uimirea de a fi el nsui: o ans de salvare. i martorul rspunde provocrii, aa cum un copil, fiind, pe malul mrii, harponat spre orizonturile mirabile ale dorinei de a fi, deseneaz, cu un beior, pe nisip, o uria corabie fantastic...“ – Aura Christi.
Iluzoria vulpe a fericirii
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Din nord, dup? o experien?? de dasc?l la ?coala din Ieud, Ioan Es. Pop a naufragiat prin ’88, ?n Capital? ca muncitor pe un ?antier, mai apoi, dup? ’89, ca redactor la Luceaf?rul, izbutind s?-?i transforme naufragiul ?n descoperire esen?ial?, precum eroul lui Defoe. Cu migal?, cu entuziasm, cu r?bdare, cu Vineri, Robinson a f?cut din naufragiul s?u o terapeutic? a oric?rei alien?ri, inclusiv a celei de sine ?nsu?i. Cu talent, cu intui?ie, cu imagina?ie, cu nou?zeci?tii, Ioan Es. Pop ?i-a convertit naufragiul ?ntr-o splendid? revocare dramatic-liric? a neantului zilnic, cum numai poe?ilor de tot li se poate ?nt?mpla. Ieudul f?r? ie?ire este expresia plin? de prospe?ime poetic? a cestei convertiri. Lauren?iu Ulici
Strada. Loc de trecere ?i petrecere
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O panoram? edificatoare a poeziei rom?ne?ti, un dosar de critic ?i poet realizat pe ?ntinderea anilor, aceast? carte cuprinde texte critice publicate ?n revistele Contemporanul, Luceaf?rul, Ramuri ?.a.
The Further Adventures of Robinson Crusoe
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A sequel to Daniel Defoe's legendary Robinson Crusoe story of his adventures and survival on a remote tropical island. In this volume we follow Crusoe's return to his island, his voyages to Brazil, Southeast Asia, China, Madagascar, Siberia, and his adventures with the local tribes.
Moby-Dick: The Whale
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Moby-Dick, one of the Great American Novels and a treasure of world literature, follows the adventures of wandering sailor Ishmael, and Captain Ahab who seeks out Moby Dick, a ferocious, enigmatic white sperm whale. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg, which now drives Ahab to take revenge.
Dubliners
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Ireland is at a crossroads of history and culture, and so are the characters in Joyce's collection of fifteen stories in this book. The initial stories are narrated by child protagonists, and later deal with the lives and concerns of progressively more mature characters. The stories centre on Joyce's idea of an epiphany: a moment where a character experiences self-understanding or illumination.
Mansfield Park
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Fanny Price, a young girl from a large and relatively poor family, is taken to be raised by her rich uncle and aunt, Sir Thomas, and Lady Bertram, of Mansfield Park. Fanny grows up with her four older cousins but is always treated as something of a poor relation. Only Edmund, the second son, shows her real kindness. Over time, Fanny's gratitude for Edmund's thoughtfulness secretly grows into romantic love.
The Awakening
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Set in New Orleans, the story follows Edna Pontellier and her struggle to reconcile her increasingly unorthodox views on femininity and motherhood. It is one of the earliest American novels that focuses on women's issues. The novel's blend of realistic narrative, incisive social commentary, and psychological complexity makes The Awakening a precursor of American modernism.
The Grey Woman and other Tales
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A collection of gothic tales from one of the finest Victorian writers featuring: The Grey Woman, Curious if True, Six Weeks at Heppenheim, Libbie Marsh's Three Eras, Christmas Storms and Sunshine, Hand and Heart, Bessy's Troubles at Home, Disappearances.
The Black Cat and Other Stories
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Our pet-loving narrator injures his black cat under heavy influence of alcohol. From that moment onward, the cat flees in terror at his master's approach but this does not save Pluto from his master and eventually leads to Pluto's death and a mysterious house fire. The mystery does not end there and leads to even more unexpected events. The book features twenty other stories including: The Fall of the House of Usher, The Masque of the Red Death, The Imp of the Perverse.
The Gentle Spirit: A Fantastic Story
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Can too much love be fatal? You are about to find out in this exquisite psychological drama between the owner of a pawnshop and his wife. The narrator's marriage started out cordially enough, but his miserly and reserved ways are taxing to his young wife. A dearth of communication and disagreements about how the pawnshop should be run result in arguments, though the narrator insists that they never quarrelled. One fine morning the narrator opens his eyes to see that his wife is standing over him with the revolver pointed at his temple.
The Tale of Mrs. Tiggy-Winkle
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Once upon a time there was a little girl called Lucie, who lived at a farm called Little-town. She was a good little girl—only she was always losing her pocket-handkerchiefs! One day little Lucie came into the farm-yard crying—oh, she did cry so! I’ve lost my pocket-handkin! Three handkins and a pinny! Have you seen them, Tabby Kitten?
Twenty Years After
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In this sequel to The Three Musketeers, we continue following adventured of a young man named d'Artagnan. This story follows events in France during La Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I.
Five Weeks in a Balloon
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A scholar and explorer, Dr. Samuel Ferguson, accompanied by his manservant Joe and his friend professional hunter Richard Kennedy, sets out to travel across the African with the help of a balloon filled with hydrogen. The balloon itself ultimately fails before the end, but makes it far enough across to get the protagonists to friendly lands, and eventually back to England, therefore succeeding in the expedition.
Odd Craft and Other Stories
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An exciting collection of stories from W.W. Jacobs, a London based novelist famous for his humour, horror and travel stories. This volume includes some of his iconic work: The Money-box, The Castaway, Blundell's Improvement, Bill's Lapse, Lawyer Quince, Breaking A Spell, Establishing Relations, The Changing Numbers, The Persecution of Bob Pretty, Dixon's Return, A Spirit of Avarice, The Third String, Odd Charges, Admiral Peters.
Fairy Tales of Charles Perrault
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An iconic collection of fairy tales from the master of storytelling Charles Perrault including some of his best work: Little Red Riding-Hood, The Sleeping Beauty, Puss in Boots, Little Thumb, Cinderella, Blue Beard.
The Taming of the Shrew
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The comedy begins with an induction in which we follow a drunken tinker being tricked into believing he is a nobleman. He then watches a play depicting nobleman Petruchio's marriage with an outspoken, intelligent and bad-tempered shrew named Katherine. Petruchio manipulates and tames her until she is obedient to his will. The main subplot features the courting of Katherine’s more conventional sister Bianca by numerous suitors. The content has become the subject of considerable controversy.
The Magic Skin
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Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Etudes philosophiques group of Balzac's sequence of novels.
