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We Bought a Zoo
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A film tie-in edition to 20th Century Fox’s film adaptation of the heart-warming international bestseller starring Scarlett Johansson and Matt Damon and directed by Oscar-winning director Cameron Crowe. An amazing true story that has inspired the major Hollywood motion picture this Christmas, to be repackaged for release alongside the film. We Bought a Zoo is about one young family, a broken down zoo, and the wild animals that changed their lives forever. When Ben [played by Damon] and his wife Katherine [played by Johansson] sold their small flat in Primrose Hill, upped sticks with their children and invested their savings into a dilapidated zoo on the edge of Dartmoor, they were prepared for a challenge and a momentous change in all their lives. With over 200 exotic animals to care for – including an African lion, a wolf pack, a Brazilian tapir and a jaguar – Ben’s hands, and those of his wife, children and tiny team of keepers, were full. What they weren’t prepared for was Katherine’s devastating second brain cancer diagnosis. Ben found himself juggling the daunting responsibilities of managing the park’s staff and finances, while holding the bailiffs at bay and caring for his wife. A moving and entertaining story of courage and a family’s attempts to rebuild a zoo, and carry on after Katherine’s tragic death.
Remembering Whitney：A Mother’s Story of Love, Loss and the Night the Music Died
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The definitive account of Whitney Houston's astonishing life, ground-breaking career, and tragic death -- complete with never-before-seen photographs -- from the only one who truly knows the story behind the headlines: her mother, Cissy Houston. Cissy has said little publicly about Whitney's heart-breaking death. Now, for the first time, she opens up and shares the unbelievable story of her daughter's life, as well as her own, and addresses Whitney's brightest and darkest moments. A legendary Grammy Award-winning gospel singer in her own right, Cissy Houston shows how the lessons from her own musical journey helped to shape Whitney's career -- from teaching Whitney to use her voice, to keeping her level-headed throughout her meteoric rise to fame. With candor and respect, she sets the record straight about Whitney, exploring both her turbulent marriage and her misunderstood struggles with drug abuse. Cissy goes behind the tabloid headlines to show fans around the world the true, human side of a strong, successful -- yet flawed -- musical icon who died much too young.
Hozzátok el nekem Ivy Pocket fejét!
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Hozzátok el nekem Ivy Pocket fejét!
Cary Grant: A Class Apart (Text Only)
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The ultimate biography of this ever-popular star and icon, from a young Cambridge don who has already made his name with a much praised biography of Marilyn Monroe. Cary Grant made men seem like a good idea. Tall, dark and handsome with a rare gift for light comedy, he played a leading man who liked to be led, a man of the world who was a man of the people. Cary Grant was Hollywood’s quintessential democratic gentleman. Born in England as Archie Leach, made famous in America as Cary Grant, he was a star for more than 30 years, in more than 70 movies, his popularity still intact when he brought his career to a close. He was never replaced: nobody else talked like that, looked like that, behaved like that. He was a class apart. Cary Grant never explained how he came to play ‘Cary Grant’ so well. ‘Nobody is every truthful about his own life,’ he said. ‘There are always ambiguities.’ This book explores the ambiguities in the life and work of Cary Grant: a working class Englishman who portrayed a well-bred American; the playful entertainer who became a powerful businessman; the intimate stranger who was often the seduced male. Thorough and meticulously researched, this book is a dazzling and entertaining account of Cary Grant’s broad and enduring appeal.
Livingstone’s Tribe: A Journey From Zanzibar to the Cape
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An extraordinary, passionate and personal journey into Africa’s past. ‘The most enthralling account out of Africa for years.’ Daily Mail. ‘“Livingstone’s Tribe” is excellent…Taylor is an intelligent and stimulating companion.’ Financial Times ‘At the book’s heart is a riveting examination of Livingstone’s tribe…the whites of post-independence Africa.’ Independent on Sunday ‘Taylor’s expedition into the interior of the continent’s colonial past has got everything that such a book should have.’ Guardian ‘Stephen Taylor, a third-generation émigré of British descent, finds a melancholy collection of white misfits and failures…as well as a heroic, dwindling clutch of missionaries still holding the line. The catalogue of theft, corruption, murder and superstition that Taylor chronicles makes appalling, fascinating reading. Yet Taylor is no Colonel Blimp, rather an anti-apartheid liberal who fled the old South Africa and welcomed independence for Mugabe’s Zimbabwe.’ Daily Mail ‘Sights and travel experiences are vividly described and people both from Livingstone’s and from the other tribes are handled particularly well.’ Sunday Times
Principles to Fortune: Crafting a Culture to Massively Grow a Business
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Principles to Fortune: Crafting a Culture to Massively Grow a Business
Simply Dirac
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Paul Dirac?(1902–1984) was a brilliant mathematician and a 1933 Nobel laureate whose work ranks alongside that of Albert Einstein and Sir Isaac Newton. Although not as well known as his famous contemporaries Werner Heisenberg and Richard Feynman, his influence on the course of physics was immense. His landmark book,?The Principles of Quantum Mechanics, introduced that new science to the world and his “Dirac equation” was the first theory to reconcile special relativity and quantum mechanics. Dirac held the Lucasian Chair of Mathematics at Cambridge University, a position also occupied by such luminaries as Isaac Newton and Stephen Hawking. Yet, during his 40-year career as a professor, he had only a few doctoral students due to his peculiar personality, which bordered on the bizarre. Taciturn and introverted, with virtually no social skills, he once turned down a knighthood because he didn’t want to be addressed by his first name. Einstein described him as “balancing on the dizzying path between genius and madness.” In?Simply Dirac, author?Helge Kragh?blends the scientific and the personal and invites the reader to get to know both Dirac the quantum genius and Dirac the social misfit. Featuring cameo appearances by some of the greatest scientists of the 20th century and highlighting the dramatic changes that occurred in the field of physics during Dirac’s lifetime, this fascinating biography is an invaluable introduction to a truly singular man.
?n ap?rarea femeii cavernelor
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Proiectul acestei cri m frmnta de mai muli ani. n ultimul timp am tot cutat motivaii pentru care o asemenea carte merit s fie scris. Iat ce am gsit.n primul rnd, chiar dac printr-o fereastr foarte ngust, ea este o mrturie a ultimilor 20 de ani. Conine o frm din istoria acestor dou decenii, mici instantanee ale devenirii Romniei dup 1989.n al doilea rnd, exist n mintea fiecrui romn – i aici m includ i pe mine – preconcepia c toate afacerile postrevoluionare sunt mnjite, nscute din privatizri dubioase sau dezvoltate la umbra unor reele de influen care-i ntind rdcinile n era comunist. Povestea din aceast carte arta contrariul. S-au putut constitui i iniiative independente i curate, cum sunt convins c mai exist cu miile. Povestea de fa poate fi o contribuie la schimbarea de mentalitate, att de necesar pentru intrarea n normalitate.“ (Mihail Penescu)
O inim? de Broscu??. Volumul 3. Valsul stelar al vie?ii
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Un fast spectacol despre feminitate, moarte ?i alte teme eterne, ne ofer? de ast? dat? redutabilul eseist, istoric ?i critic literar Irina Petra?, despre care Marin Mincu scria c? este ?cel mai “b?rbat“ critic al nostru“. ?Demersul constituie o modalitate de a-?i apropia moartea, propria moarte, de a o studia sub lupa m?ritoare, de a o ?ine deliberat, zi de zi, ceas de ceas, al?turi, ?n imediata proximitate, pentru a te impulsiona s? fii c?t mai mult, c?t mai decis ?n spirit, pentru a te determina s? te investe?ti ?n toate cu ?ntreaga-?i fiin??, una dintre limitele c?reia e moartea-cea-cotidian?, pentru a te remodela, sim?ind atingerea botului mor?ii, pentru a recurge la travaliul dep??irii de sine prin crea?ie. A nu te obi?nui cu vecin?tatea mor?ii, obi?nuindu-te ?n acela?i timp, a realiza eficienta ei, adun?ndu-te, sporindu-?i eficien?a, a fi, ?n pofida con?tiin?ei tragice a finitudinii umane – iat? o piatr? de ?ncercare, iat? un examen major, la care au c?zut nu pu?ini. Cei ce-au rezistat constituie pentru Irina Petra? un fast obiect de studiu, care, fiind cercetat cu acribia unui colec?ionar, nelipsit de o redutabil? experien?? ?n domeniu, alc?tuiesc o galerie acoperit? cu oglinzi, ?n care, v?z?nd reflectat propriul univers, propriile spaime, frici, angoase, nelini?ti, autorul se supune, el ?nsu?i, din spirit de fair play, dar ?i dintr-un subtil, rafinat amestec de sado-masochism intelectual, unui examen: ?i va rezista co?ul pieptului? va ?ti sa r?spund?? dar s? reziste? Ei, mon?trii sacri… au rezistat, descriind modul ?n care se men?in pe muchia abisului, ?n care ?i-au v?zut propriul chip, contemplat de cineva…“ (Aura Christi)
Civiliza?ii disp?rute ?i secrete ale trecutului
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Am ales cazul de ruptur n evoluia unor exponeni proemineni din literatura romn actual, ruptura care a dus fie la impas, fie la regenerare. Pentru termenii conflictului un factor hotrtor l-a constituit n condiiile date epoca n formele ei de constrngere i de emulaie. Sunt convins c n alte circumstane ecuaia ar fi avut componente diferite. Nu sugerez c ar fi obligatorie restrngerea n ilustrarea pe care o propun, s-ar mai fi putut aduga cu aceeai ndreptite, recunosc, i alte aplicaii. Analizele nu sunt exhaustive, ele insist asupra unui fenomen caracteristic. Deruta ivit la unii pe traseu, parial sau total, s-a articulat pe planul angajrii civice i al nchegrii estetice. Trebuie s remarc o diferen n abordare, deoarece unii din cei selectai (G. Clinescu, M. Preda) nu mai sunt n via, aadar pentru ei e exclus posibilitatea unei schimbri de destin. A survenit pentru toi necesitatea unei racordri la orizontul epocii moderne, la presiunea raporturilor de for, la nvala dogmatismului, la ansele unei sincronizri cu Europa. Imperios necesar a fost lepdarea de prejudecile naionaliste i provinciale, ieirea din comarul ideologiei i al somaiei dure.“ – S. Damian
Noua ?tiin?? a gestion?rii artritei. Cum s? prevenim sau s? alung?m durerea
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Volumul a ambi?ionat s? aduc? ?n aten?ia cititorului activitatea unuia dintre cei mai importan?i lingvi?ti ?i publici?ti ai momentului din ?ara noastr?, din perspectiva speciali?tilor, dar ?i a fo?tilor sau actualilor s?i studen?i. ?n cei aproape ?aizeci de ani de activitate ?tiin?ific? ?i didactic?, Stelian Dumistr?cel s-a impus ?n domeniile dialectologie, stilistic?, etnolingvistic?, pragmatic? lingvistic? ?.a.; la Ia?i, a pus bazele unei ?coli de cercetare doctoral? de orientare co?erian?, confrunt?nd ?tehnica liber? a vorbirii ?i discursul repetat”. Pun?nd accentul pe activitatea sa publicistic?, ?miezul” acestui volum este constituit de treizeci de articole ap?rute ?n Revista de cultur? contemporan? ?Timpul”, c?rora li s-a ad?ugat o selec?ie de interviuri ?i articole publicate ?n alte diverse periodice, dar, la aniversare, ?i testimoniale care ?l prezint? pe Stelian Dumistr?cel ?i din postura dasc?lului preocupat at?t de fenomenele limbajului, c?t ?i de problemele comunic?rii, din perspectiv? larg interdisciplinar?.STELIAN-TRAIAN DUMISTR?CEL (n. 19 august 1937, Zvori?tea, Suceava) este, din 1958, cercet?tor ?tiin?ific la Institutul de Filologie Rom?n? ?A. Philippide” al Filialei Ia?i a Academiei Rom?ne. Din 1996, anul ?nfiin??rii Departamentului de Jurnalistic? ?i ?tiin?ele Comunic?rii la Universitatea ?Alexandru Ioan Cuza”, sus?ine cursuri de limba rom?n? (fonetic?, gramatic?, vocabular) ?i de stilistic? ?i retoric?, din perspectiva pragmaticii comunic?rii. A publicat, ?n calitate de autor ?i coautor peste trei sute de titluri (volume, studii, recenzii etc.) ?i aproape o mie de articole ?n periodice culturale ?i ?n presa cotidian?. Printre cele mai cunoscute volume se num?r? ?Influen?a limbii literare asupra graiurilor dacorom?ne” (1978), ?Lupta ?n jurul literei ? ?i demnitatea Academiei Rom?ne” (1993), ?P?n?-n p?nzele albe. Expresii rom?ne?ti. Biografii – motiva?ii” (1997, 2001), ?Limbajul publicistic rom?nesc din perspectiva stilurilor func?ionale” (2006), ?Discursul repetat ?n textul jurnalistic” (2006) ?.a.
On Quiet Nights
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There's a place inside us that is cloaked in darkness, rubbed raw with silence. It's a shadow wrapped in a shadow and it screams, but it screams in harsh whispers. This collection explores the blackness within, the gritty underground that hides inside memories and cowers just outside fear. The poems, paired with illustrations from Matthias Matthies work in sync to create a collage of blunt sexuality, masochistic, and sometimes sadistic recollections of love, reflection, and self-exploration.??Lindemann paints pictures with his poems, a slave to the vulnerability and sexuality that drives mankind. His words themselves are body modifications that settle on readers, piercing then slowly penetrating and pumping his audience full with a mix of pleasure and pain. A combination of longing, emotional depth, and bestial intuition, these pieces evoke an innate nature to seek pleasure, to ask for forgiveness, to instill blame. ??On Quiet Nights pulls back the curtains at night and asks readers to think about who they are. Lindemann holds a mirror to soul, capturing desire and need, with the courage to answer some of life's biggest questions: Who am I? What am I? Why am I?
Codul fericirii
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volumul al II-lea dintr-un interviu de un cristian Ce noroc a avut Genera?ia noastr?, Genera?ia ‘60, c? a fost contemporan?, c? a avut ?n mijlocul ei ?n permanen?? un artist ca Ion Cucu, un om ?n stare s? fixeze imaginea ei ?ntr-o vreme ?n care nu puteau s? r?m?n? niciun fel de alte imagini, pentru c? televiziunea era dedicat? exclusiv perechii conduc?toare, pentru c? la un moment dat nici m?car pe c?r?ile proprii nu puteau s? apar? fotografii. Dac? n-ar fi existat Cucu ?n mijlocul scriitorilor ?i dac? n-ar fi fost ?ntr-o m?sur? aproape magic? – a? zice – prieten cu ei ?i nu i-ar fi intuit, aceast? genera?ie important? a literaturii rom?ne n-ar fi existat vizual. Nu s-ar fi ?tiut cum eram. R?sfoind albumul lui, concluzia mea e c? eram frumo?i. Senza?ia e c? ne f?cea mai frumo?i dec?t eram. ?ntotdeauna c?nd v?d o fotografie a mea f?cut? de Ion Cucu, m? ?ntreb ?oare chiar a?a ar?tam ?n realitate?“. Senza?ia este c? prietenia cu care ne privea f?cea s? ap?rem mai frumo?i. (Ana Blandiana)
Cum s? fii o fat? rea
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B?rba?ii vin de pe Marte, femeile de la coafor este urmarea best-sellerului Femeile vin de pe Venus, b?rba?ii de la b?ut. Ambele volume s-au n?scut ?n paginile s?pt?m?nalului satiric Ca?avencii. De?i pare c? e vorba de un ?r?zboi ?ntre sexe“, ?n realitate, autorii n-au dus niciodat? un r?zboi, ci un dialog. R?nd pe r?nd, toate stereotipurile care circul? despre via?a de cuplu au fost puse ?ntr-o lumin? umoristic?, eliberatoare. Primul volum s-a bucurat de o primire extraordinar? din partea publicului, ating?nd ?n mai pu?in de doi ani de la lansare un tiraj de aproape 20.000 de exemplare. Ne face pl?cere s? v? oferim acum continuarea lui, const?nd ?ntr-o nou? colec?ie de texte pline de umor, inteligen?? ?i autoironie. * * * De unde naiba s? ?tie b?rbatul care-i sunt hainele murdare??? ??i miroase, timp de dou? ore, toate c?rpele de pe scaunul-cuier. Le ?mparte ?n dou? gr?mezi, unele curate ?i altele murdare. C?nd, transpirat, anun?? c? a terminat, bestia de so?ie se ?nfiin?eaz? ?i ia ambele mormane la sp?lat. — De ce le iei ?i pe-alea curate? o ?ntreab?, confuz. — Pentru c? sunt jegoase. ?i d?-le ?i pe toate alea de pe tine, c? put. — Dar sunt proasp?t sp?late, le-am luat de-abia acum o s?pt?m?n?. Vr?jitoarea e ?ns? de neclintit. ?i ?ntoarce spatele ?i iese, l?s?ndu-l gol, dezorientat, umilit ?i mirosindu-se la subra?. * * * C?nd e o hain? murdar?? C?nd te-ai uitat la ea. Ai p?ng?rit-o cu privirea ta. E ca ?i cum s-a frecat un pechinez ?n c?lduri pe ea, trebuie aruncat? la sp?lat. Multe femei stau la u?a ?ifonierului ?i te urm?resc c?nd ??i alegi haine: — Haaaa, tricou atins, tricou ?mbr?cat, tricou ?mpu?iiiiit!
Comparatism ?i germanistic?
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Halucina?ii, semne ?i prevestiri, psihoze, scindare ?i panic?, abandon, decrepitudine, demen?? entropic?, suicid – iat? tot at?tea nume ale ?v?milor depresiunii”, ?n care sufletul nostru intrasecular se zbate, crucificat ?i, totu?i, cu speran?a m?ntuirii. Este tabloul crizei omului, profetizate de vizionari ai veacului al XIX-lea – Dostoevski, Kierkegaard, Nietzsche, Kafka – oferit acum ?n versiune milenarist? de naratori rom?ni precum Nicolae Breban, Augustin Buzura, Florin ?lapac, Radu Aldulescu, Dumitru ?epeneag, Marius Tupan. (Geo Vasile)
Ion Iano?i - 80
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Raporturile dintre cuvinte i confer poemelor sale conotaii metafizice derulate ntr-o muzic enigmatic a linitii i tcerii, fiecare cuvnt scris avnd parc viaa i destinul su (ca n poemele uruguaienei Delmira Agustini), brodnd misterioase asociaii greu de tradus chiar n limba romn, ceea ce m-a determinat s le las s zburde singure, citndu-le deseori pe acelea crora nu le-am gsit corespondentul n dicionarul meu srac n sinonime.Poemele Alinei Beiu-Deliu au o densitate i un dramatism care refuz tiparele obinuite ale feminitii, fiind ncrcate de un lirism convulsiv care explodeaza deseori cu farmecul spontaneitii imediate, alteori cu delicateea i fragilitatea disimulrilor, care printr-un inexplicabil algoritm, dezvluie mai mult dect acoper mesajul poetic, crend o atmosfer grav de filigran incomprehensibil la prima lectur, dar care se limpezete treptat, pe msura repetrii, n toat splendoarea, obligndu-l pe cititor s se ntrebe, n final, dac singurtatea poetei este o simpl izolare sau o form de aprare a libertii sale ctigate prin suferin.“ (Valeriu Cuner)
Scara din bibliotec?
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Problema fiinei romneti nu s-a rezolvat. Dei ea a reprezentat o mistic a ntregii generaii, motivaia principal a existenei acesteia, datorita conflictului dintre Occident si Orient, dintre cele dou doctrine sociale fundamentale, datorit Cortinei de Fier care a czut la finele celui de-al doilea rzboi mondial, care a separat lumea n dou lagre etane, problema a rmas nerezolvat. Ce a nsemnat de fapt problema fiinei romneti Conturarea unei identiti naionale, obsesie a naionalismului romnesc interbelic i a tinerei generaii“ care s-a confundat mai mult sau mai puin cu aceast epoc. Utopia generaiei a fost aceea de a scoate Romnia din anonimat. Totul a rmas la nivelul iluziei i al scepticismului. Din ntreaga generaie care a supravieuit exilului intern sau extern, doi reprezentani fideli ai acesteia au conturat prin preocuprile lor foarte bine ideea fiinei romneti sau mai bine zis modalitatea ei de manifestare n lume. Acetia sunt Cioran i Noica. Aceast carte – dreapt, radical, exact, ntunecat – trateaz rtcirile i mplinirile acestora n contextul n care ntregul continent, n perioada interbelic, prea ca a luat-o razna.“ – Mara Magda Maftei
Paranormalitatea. De ce vedem lucruri inexistente
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Mai presus de observaiile strlucite risipite pe parcursul analizelor romanelor lui N. Breban, de siturile pertinente, de sigurana tonului i ingeniozitatea cailor de abordare, ne ispitete n acest studiu figura spiritului creator ntrezrit de M.V. Buciu n atitudinea prozatorului fa de dubla opresiune, a codului ideologic i a scriiturii, deopotriv alienante. Cum autorul este, el nsui, prozator, teza manifest un interes special pentru o anumit specie de luciditate creatoare care recunoate sau cunoate limitele scriiturii i i alege contient forma de alienare. Ea trdeaz admiraia fa de un destin exemplar i, poate, un vis de transvazare, fapt care i explic tensiunea participativ a frazelor.“ – Eugen Negrici.E un rezultat spectaculos al aplicrii unui sistem unitar de interpretare, combinnd n proporii adecvate teoria i analiza. (...) Noiunile-cheie se potrivesc n broasca textului, deschis astfel interpretrii ntr-un mod expert, fr a utiliza peraclul impresionismului.“ – Ion Simu.Refuzndu-i conformarea la tradiiile autohtone ale reveriei impresioniste n marginea textului i a re-citirii rnd cu rnd, n faa publicului, autorul a procedat n maniera unui universitar american: nzuin a randamentului maxim, redundana minim, livrare extrem-modernizat a demersului critic ctre utilizator, o atmosfer de document informatic, cu elaborare asistat de calculator. Abordarea e complet problematizat, iar cartea e contruita n sistem fagure: celulele, odat stabilite prin identificarea i delimitarea problemelor relevante, au fost umplute compact cu pasta informaiei i analizei.“ – Nicolae Brna.Sunt sigur c Marian Victor Buciu va deveni, n urmtorii zece ani, autorul unei opere.“ – Mircea Ciobanu, 1993.mi place judecata Dvs., rapid, adnc, cu acces, a zice instinctiv, la abstract.“ – Nicolae Breban.Subtil, rafinat, erudit, Marian Victor Buciu este probabil cel mai european critic din Romnia.“ – Dumitru epeneag.
Toamna se num?r? e?ecurile
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Lectura este una dintre activit??ile umane cel mai frecvent investigate ?n diversele episteme care au ordonat g?ndirea uman? a ultimului secol. Ea a fost analizat? at?t ca proces diacronic, c?t ?i ca activitate sincronic? ?n paradigmele ?tiin?elor limbajului ?i ?n cele ale hermeneuticii ?i ofer? un c?mp conceptual foarte amplu, astfel ?nc?t orice nou demers care ?i?ar propune s??l acopere ?n integritate trebuie s? acceseze domenii variate, modalit??i distincte de conceptualizare.?
Scriitorii ?i puterea
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Talán ismered azt az érzést, amikor van két barátod, akik nem ismerik a másikat, de biztos vagy benne, hogy jól kijnnének egymással, és minden vágyad, hogy végre sszeismerkedjenek - hogy aztán reményeid szerint els látásra megkedveljék egymást. Nos, ez volt az igazi oka annak, hogy megírtam ezt a knyvet. n magam elég szerencsés voltam, hogy gyerekkoromban >>találkozhattam<< ezekkel a zeneszerzkkel - e zseniális, olykor hihetetlenül nehéz természet, máskor nagyon szórakoztató, de mindig csodálatosan elevennek ható emberekkel. s azt akartam, hogy te is megismerd ket, és életre szóló barátságot kss velük. A knyvben megpróbáltam a lehet leghitelesebb lenni. Szerencsére semmi szükség nincs rá, hogy a zeneszerzkkel kapcsolatban a fantáziámra hagyatkozzak - k maguk sokkal meglepbb dolgokat produkáltak, mint bármi, amit ki tudnék találni.” Nagyon rülk, hogy a knyvem magyarul is megjelenik. Magyarország simán pályázhatna manapság a világ legzeneibb országának címére - és maradjon is ez így még jó sokáig! Boldog leszek, ha a knyv révén kicsit tbben kezdenek érdekldni ez iránt a hat nagy zeneszerz iránt, hiszen zsenialitással áldotta meg ket a sors, külnleges életet éltek és elképeszt figurák voltak. rm volt megírni a knyvet - remélem, olvasni is az lesz.” Steven Isserlis
?n misiune cu Marian: Eu nu-s pitic, am ghiozdanul mare!
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Monumentala monografie dedicat? unuia dintre cei mai mari romancieri ai lumii are avantajul de a sintetiza o bun? parte din bibliografia scris? pe marginea operei uria?ului care a semnat, ?ntre altele, capodopera Crima ?i pedeaps?. Ion Iano?i plaseaz? ?ac?iunea“, firul epic al cercet?rii ?ntreprinse ?n contextul secolului al XIX-lea, astfel ?nc?t eroii vie?ii literare de atunci se contureaz? pregnant, provoc?tor de viu.
