The first ever comprehensive collection of plays ?in English from Southeast Asia. Features work by eight playwrights from seven countries in Southeast Asia, a region which is experiencing profound change:?Singapore, Vietnam, Malaysia, Thailand, the Philippines, Indonesia and Cambodia.? Southeast Asian Plays ?explores the rich variety of dramatic work that is only beginning to be translated into English. Theatre scripts are merely blueprints for productions, especially in this region. As elsewhere, second productions and revivals are rare, so publication is key to allowing play texts to find a wider international readership. Topics include the global financial crisis, sex workers, traditional v modern values, the role of faith in society, corruption in high places and journalistic ethics. The plays have been selected for performance. Plays: The Plunge by Jean Tay (Singapore) An Evening At the Opera by Floy Quintos (Philippines) Night of the Minotaur by Tew Bunnag (Thailand) Tarap Man by Ann Lee (Malaysia) Dark Rac e by Dang Chuong (Vietnam) Frangipani by Chhon Sina (Cambodia) Picnic by Joned Suryatmoko (Indonesia) Nadirah by Alfian Saat (Singapore) "The editors have done an excellent job of opening up our chances of reading and learning about plays from all over Southeast Asia. ...editorial choices are significant for opening up spaces to voices which are otherwise heard less often. All in all the plays are interesting for the ways in which they grapple with key concerns in their respective societies."? --The Asiatic

The story of a modern Asian young woman trying to straddle Western attitudes and traditional beliefs. You've heard of an Essex Girl or even a Chelsea Girl but what is a Hounslow Girl? The term has become a byword for confident, young Muslim women who are grappling with traditional values, city life and fashion. From the joys of Pakistani weddings to fights on the night bus, Ambreen Razia's? The Diary of a Hounslow Girl ?is a funny, bold, provocative play highlighting the challenges of being a teenage girl in a traditional Muslim family, alongside the temptations and influences of growing up in and around London. “Ambreen’s writing is poetic in its structure and intensity, funny, moving, chilling, and delivered in a style that takes inspiration from spoken word and physical theatre. She has created a rhythm that draws the audience in, as compelling as a thriller, complete with gathering ominousness, shocks and comic relief.” Deborah Bestwick, Director, Ovalhouse “Ambreen Razia’s terrific play is exactly the kind of new work we wish to support in the new home of multi-cultural theatre in London. Hounslow Girl is a wonderfully funny take on a London phenomenon and one audiences will enjoy.” Jatinder Verma, Artistic Director, Tara Arts” "a powerful piece of theatre... Ambreen Razia's performance is astonishing."?BritishTheatre.com "This is a sophisticated, moving and often very funny piece of writing, particularly nuanced in its depiction of Shaheeda's relationship with her mother ... astute in tackling the breakdown of the loving bonds between parent and child that can occur when a child becomes a teenager – and also how this experience can be magnified for the children of first-generation immigrants, whose parents feel distant from their children’s British lives... Razia's script touches on everything from first love to cultural expectations to student-teacher relationships; it’s a bit like an inner-city version of An Education."?The Stage Ambreen Razia is an actress and writer from South London.? The Diary of a Hounslow Girl is Ambreen's debut show which premiered at Ovalhouse in 2015. Passionate about re-establishing British Asian comedy within the UK, she continues to write her comedy sketch show involving two British Asian girls exploring the?clash between traditional Indian/Pakistani culture and modern British life. She is also currently writing her next play POT primarily focusing on the recent comeback of gang culture within the UK.?Performance credits include: On the Middle Day (Old Vic Theatre);? Words and Women (Edinburgh Fringe); Random Acts (Channel 4);? Fair Exchange (Hen and Chickens Theatre);? Variations on a Theme (Camden People's Theatre);? Mind the Gap (National Theatre ); No Guts, No Heart, No Glory? (BBC4/Perth Festival Australia) and Murdered by my Father? (BBC3).

With a foreword by director Ralph Lawson and introduction by Pranav Joshipura, Associate Professor of English, Mahila College, Gandhinagar, India. A follow-up anthology of three hard-hitting plays to Singh’s successful drama anthology Durban Dialogues, Indian Voice (2013) which is now studied internationally. The plays selected, namely Into the Grey, Shooting and Swing cover topics such as social activism, the death of a friend and discrimination in sport. Described through Singh’s satirical lens, these thought-provoking plays bring us up to date with the challenges of life in post-Apartheid South Africa. They focus particularly on people of Indian origin and their relationships with other South African communities and chart the loss of ideals in the dream of the Rainbow nation. Into the Grey: A harrowing drama depicting the twenty-nine year association between two Durban activists who battle a variety of challenges as their country stumbles towards a bleak future. Shooting: A one-man play about the unchanging paradigm in Durban’s small town communities in the early years of democracy as a football prodigy’s dream is brutally shattered. Swing: A two-hander about the relationship between a mixed-race Durban tennis player and her father/coach as they confront many obstacles in a society which undervalues the girl-child.

A dual language edition in English and French. The genocide in Rwanda shocked the world. Back then, Ery Nzaramba was only a teenager and his family’s escape to Europe turned him into a “survivor”. How should he now respond to questions about who he is and where he comes from? In this autobiographical one-man play, performed to acclaim on the Edinburgh Festival Fringe, the author journeys back to his Rwandan childhood. With the help of a cassette player, he brings to life nearly a dozen characters, exploring memories of kinship, cultural attitudes and personal identity. Both funny and poignant, the play highlights not only the intolerance that can breed violence and war but also the importance of power and privilege in the struggle for survival. Le génocide au Rwanda a choqué le monde. ? l'époque, Ery Nzaramba était un adolescent. Après que sa famille se fut échappé en Europe, il est devenu un ?survivant?. Désormais, que doit-il répondre à des questions sur qui il est et d'où il vient? Dans ce one-man show autobiographique, salué par la critique lors de sa présentation au Festival d'?dimbourg, l'auteur retourne vers son enfance au Rwanda. Accompagné d'un lecteur cassette, il donne vie à une bonne douzaine de personnages, explorant souvenirs de famille et d'affinités, attitudes culturelles et identité. ? la fois poignante et pleine d'humour, la pièce met en lumière non seulement l'intolérance qui peut engendrer violence et guerre, mais aussi l'importance du privilège dans la lutte pour la survie.

Nobody likes to think about death, but the world would be awfully crowded without it.From YouTube sensation Ken Tanaka and actor David Ury, who was crushed by an ATM on AMC's Breaking Bad, comes Everybody Dies, a colorful story and delightful assemblage of games that makes it easy-even fun- to come to grips with mortality.

First published in 1904, "A Kidnapped Santa Claus" by L. Frank Baum, the author of The Wizard of Oz, describes the action of some uncommon events in the land of Santa. Not far from the Laughing Valley where Santa and all his magical helpers live, and beyond the Forest of Burzee, there stands a huge mountain that contains the Cave of Demons. Each demon has a specialty: Selfishness, Envy, Hatred, Malice, and Repentance. Because the promise of Santa puts all girls and boys on their best behavior, the demons have hardly any visitors to their caves. In order to remedy their dismal foot traffic, they conspire to kidnap Santa! But oh! even when it looks as if the demons might win, one can never underestimate the power of devoted (and magical!) friends. Adapted by Alex Robinson, author of several graphic novels, the action and menace of the tale will be enhanced and lightly spoofed. It seems a most appropriate treatment of Baum's work -- he was an author who often let his profound and unsettling meanings roil beneath the surface of his otherwise fanciful stories.

Enlighten Up Already!MonetManetWho can even tell the differenceWell, with the help of the newest mental_floss tome, you can! Want to learn how to tell egg rolls from spring rolls, nuclear bombs from dirty nuclear bombs, or even how to tell an idiot from a moron (there's a real scientific difference)Piece of cake! Whether you're trying to impress your boss, your mother-in-law, attractive singles, or a pack of fourth graders (you know how they love semantics), mental_floss gives you all the tips and tricks to have you sounding like a genius.

Get revenge on all your annoying coworkers with this guide to 101 awesome office pranks Are your eyes beginning to glaze over from the fluorescent lights in your tiny cubicleHave you had one too many burnt cups of coffeeDoes the guy in the cube next to you insist on pencil-drumming while cranking "Hells Bells" and five-finger discounting your paper clipsIf your answer to any of these questions is yes, then you're in need of some Cubicle Warfare.With Cubicle Warfare, you'll never be bored at the office again. Make your coworkers jump, squeal, and run for cover with hilarious pranks such as the Paper Clip Chain, Bottomless Box, and the Sticky Note Office, as well as the more advanced Freezer Bomb, Chair Chaos, and Textless Keyboard. Even if you're not a prankster yourself, you can still use this riotous guide to recognize the warning signs and defend your desk from conniving coworkers. Bad days at the office will be a thing of the past.

Meet Karl Welzein, aka Captain Karl, aka @DadBoner on Twitter—the Midwest's most beautiful loser Karl Welzein is really lookin' forward to the weekend, you guys. His job is a drag and his wife kicked him out, but that's okay. She wears granny panties and is constantly dropping wads of cash at Target, and his son cries all the time. Now his "temporary" roommate, Dave, ate all the Totino's pizza rolls. Again. Karl Welzein is sick of this. So sick of this. Power Moves chronicles the hilarious decline of Karl Welzein on his journey from life as a Dockers-and-golfshirt-wearing dad to a ponytailed party maniac who spits out his life philosophies like a modern-day Charles Bukowski (if he preferred to get drunk at Applebee's). A middle-aged Michigan native, Karl may be overweight, prone to questionable fashion and culinary choices, oblivious to his drinking problem, a poor excuse for an employee, obsessed with the restroom, and a terrible husband, father, and friend . . . but in his heart he means well. He's just like a lot of us—he loves the USA, Guy Fieri, bold flavors, Bob Seger, and thinking he looks jacked in a tight tee and Maui Jim sunglasses. Karl is an everyman and like no other man on the planet all at once. Inspired by the Twitter feed @DadBoner, Karl finally tells his full story. He shares his wisdom on fitness (1. Look at a pic of Stone Cold Steve Austin. 2. Do 'shups 'til you look like Stone Cold. 3. Cut off your sleeves), diet (Eat only the filling of the Taco Bell Beefy Melts for maximum flavor and low-carb health), fashion (Wearin' boots with jean shorts says "I like to keep cool, but I'm ready if the action gets hot"), work life (If you don't have a job that makes you want to kill yourself, you don't deserve to drink until you want to die), and the bliss of the perfect weekend (beers, brats, and babes' chest beefers). But above all, this is a story about America—the real red, white, and blue America of today. Welcome to Karl's world. Reading this book is the ultimate Power Move.

An irreverent and ridiculous collection of "found" documents that will change everything you thought you knew about rock and roll, by the creator and star of Adult Swim's DelocatedJon Glaser delves into the unknown and highly secretive histories of dozens of rock and roll's greatest bands with sometimes spectacular, sometimes heartbreaking, always completely made-up results. In this book, you'll discover the following: Handwritten letters by Glaser's own father, which reveal him to be an early member of the band we now know as ZZ Top Old lyrics journals of, among others, Bob Dylan and David Bowie, featuring a collection of songs they probably hoped would never see the light of day A letter from Ringo to the rest of the Beatles, the week after their breakup, informing them of his plans to start a Beatles tribute band Formerly classified government documents with shocking revelations about the Navy SEALs and the Butthole Surfers Prince's set list for the bat mitzvah of Steven Spielberg's daughter Rachel, including the songs "Purple Oy Vey," "I Could Never Take the Place of Your Rabbi," and "When Doves Kvetch" My Dead Dad Was in ZZ Top is for everyone who loves absurd, made-up stories about their favorite bands. It's also for everyone who doesn't love absurd, made-up stories about their favorite real bands they just might not enjoy it as much.

If business is a hamster wheel, what kind of hamster do you want to beThe one who runs all day long, huffing and puffing to keep things turningOr the sleek and happy rodent who works in the corner office down the hallStanley Bing has seen the way the big furballs operate in good times and bad.Core skills taught in this book:DelegationTelling people what to do and having them do it.AbsenceOperating from the digital vacuum.Abuse of statusIt can be done.DecisivenessEven when confused.EngagementBut only when necessary.Step off the wheel.Grab this book.And relax.

Universal and timeless, Delia Ephron's How to Eat Like a Child is a delightful revisiting of the joys -- and tricky ploys -- of childhood. Made into a children's television special and a musical theater revue performed across the country each year, How to Eat Like a Child offers advice beyond the artful etiquette of food consumption. Ephron also teaches us "How to Laugh Hysterically," "How to Have a Birthday Party," "How to Torture Your Sister," and much, much more. As the Washington Post Book World noted, `After the giggles of recognition have subsided, one thing will be very clear: all adults are kids in grown-ups' clothing."

An ideal gift book with personality and charm, Bertha Venation is a legendary editor's lifetime collection of the amazing names of actual people, with his own inimitable wit, commentary, and stories.Roger Gotobed . . . Ida Slaptor . . . Formica Dinette . . . Honeysuckle Weeks . . . Gay Beach . . . Sappho Clissit . . . Dimple MysteryThis colorful collection of extraordinary names, sure to please every lover of miscellany, features: Celebrity Children, Weirdest Names in Sports, Aptly Named Professionals, Literary Highlights, Funny Name Marriages, Places and Houses with Strange Names, Long and Meaningless Names, and Pets.Barbara Fatt Heine . . . P. Enis . . . Razzle and Dazzle . . . Moondog . . . Casa Enima . . . Phydeaux . . . Phat Ho . . . Fitz Funfrock . . . Mone't Elysea Ann . . . and Lake Chargoggagoggmanchauggagoggchaubunagungamaugg

Valerie Harper has a message for women of a certain age: "Work those laugh lines!" With the irreverence and wit that made her one of television's most beloved personalities, Harper (a.k.a. Rhoda Morgenstern) takes on those phony "fabulous at 50" books written by women whose skin is free of laugh lines and who wouldn't know a cellulite pocket if it bit them on the backside. With her trademark shoot-from-the-hip, call-'em-like-she-sees-'em style, she helps women celebrate, with humor and grace, what it means to be middle aged. Harper's essays explore the treacherous terrain women must travel -- from the tyrannies of fashion to the unmentionables of menopause. She tackles the most perplexing questions of the day: If you wear a size zero, do you existWould menopause be revered if it happened to menDo calories count if you eat standing upAre dressing rooms fitted with fun house mirrorsToday I Am a Ma'am is the perfect antidote to the youth obsession of our culture, offered by America's most reliable girlfriend. It is Humor Replacement Therapy for midlife women, a book you can pick up when ever you need a laugh or a reminder that midriff drift is not the end of the world.

Since the latter part of the century just past, Stanley Bing has been exploring the relationship between authority and madness. In one bestselling book after another, reporting from his hot-seat as an insider in a world-renowned multinational corporation, he has tried to understand the inner workings of those who lead us and to inquire why they seem to be powered, much of the time, by demons that make them obnoxious and dangerous, even to themselves. In What Would Machiavelli Do?, Bing looked at the issue of why mean people do better than nice people, and found that in their particular form of insanity lay incredible power. In Throwing the Elephant: Zen and the Art of Managing Up, he offered a spiritual path toward managing the unruly executive beast. And in Sun Tzu Was a Sissy, he taught us how to become one of them, and wage war on the playing field that ends in a dream home in Cabo. Now he returns to his roots to offer the last word on the entity that shapes our lives and stomps through and on our dreams: The Crazy Boss. Students of Bing and there are many, secreted inside tortured organizations, yearning for blunt instruments with which to fight will note that he has walked this ground before, looking for answers. In 1992, he published the first edition of Crazy Bosses, which was fine, as far as it went. Now, some 15 years and several dozen insane bosses later, he has updated and rethought much of the work. Back in the last century, Bing was a small, trembling creature, looking up at those who made his life miserable and analyzing the mental illness that gave them their power. Today, while still trembling much of the time, he is in fact one of those people his prior work has warned us against. His own hard-won wisdom and now institutionalized dementia make this new edition completely fresh and indispensable to anyone who works for somebody else or lives with somebody else, or would like to. In short, Bing is back on his home turf in this funny, true, and essential book, peering with his keen and frosty eye at the crazy boss in all his guises: the Bully, the Paranoid, the Narcissist, the Wimp, and the self-destructive Disaster Hunter. If you loved the original, classic Crazy Bosses, you'll be thrilled to plunge back into the new, refurbished pool. If you are new to the book, strap yourself in: it's going to be a crazy ride.

From the underbelly of the nuts behind hit websites failblog.org and icanhascheezburger.com comes FAIL Nation, your silent guide and handler to the not-even-close-to-perfect nation of FAIL, chock-full of irrelevant tips and useless suggestions about why to shop, who to eat, and when to see. So fasten your exit and check for the nearest seatbelt your FAIL plane departs now.

Popular blogger Karen Alpert shares her hysterical take on the many "joys" of parenting I Heart My Little A-Holes is full of hilarious stories, lists, thoughts and pictures that will make you laugh so hard you'll wish you were wearing a diaper.

John Leguizamo's smash–hit one–man shows have been acclaimed by critics and fans alike. In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume. Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award. Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

An uproariously funny daily inspirational guide for manly men. Ralph and Reggie two regular, blue-collar buds from Boston offer one-a-day mcnuggets of affirmation, inspiration, manly wisdom and earth-shaking epiphanies from the end of the bar on the inner issues that truly matter everything from sex to sports to sex to imported vs. domestic to sex to the meaning of life.

Meet Ruthie: a recently widowed New York City Jewish grandmother who doesn't necessarily come to yoga with the most open of minds. But when her granddaughter Stephanie gives her a year of yoga classes as a gift ("I think it will help you grieve, Bubby"), she doesn't want to risk offending her.At first, Ruthie is skeptical of yoga and its promise of renewal, healing, and transformation ("You know what's wrong with yogaThey haven't mastered the art of kvetching!"). She can't resist poking fun at some of the new words and rituals she encounters, translating the exotic language of Yoga into the more familiar idiom of her native Yiddish culture.As Ruthie's journey progresses from week to week, she forges new paths, new postures, and unexpected friendships, slowly overcoming her grief. Yiddish Yoga is a poignant, witty, and human story of love in its many expressions between grandmother and granddaughter, between an older woman and her younger yoga teacher, between a widow and her beloved husband of fifty years. As Ruthie learns to let go of the past without forgetting, she shows us how to embrace the present with new vigor, strength, and courage and, above all, makes us laugh.

When Jason Mulgrew enrolls in a private high school in an exciting new neighborhood (North Philly, murder center of the city), he finds himlf displaced into a world of privilege and strict standards. His classmates, whose parents are lawyers and bankers, live in houses with yards and pools. Mulgrew, whose longshoreman father bought him a motorcycle upon completion of his driver's test, struggles to relate in this wider world, fighting his way through the gauntlet of high school as an awkward, sexless giant. Mulgrew tackles the glorious complications, misapprehensions, and obsessions of the teenage mind. He revisits his unhealthy fixations on dogs, his "bird," the Prep, friends who are girls, Kahlúa & Cream, and a certain position in student body government to craft yet another raunchy, honest, and relentlessly funny memoir.