The classic tragedy. According to Wikipedia: "Hamlet is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet's father, the King, and then taken the throne and married Hamlet's mother. The play vividly charts the course of real and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery, revenge, incest, and moral corruption."

The classic tragedy. According to Wikipedia: "Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It portrays the conspiracy against the Roman dictator of the same name, his assassination and its aftermath. It is one of several Roman plays that he wrote, based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. Although the title of the play is Julius Caesar, Caesar is not the main character in its action; he appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of honor, patriotism, and friendship. The play reflected the general anxiety of England over succession of leadership. At the time of its creation and first performance, Queen Elizabeth, a strong ruler, was elderly and had refused to name a successor, leading to worries that a civil war similar to that of Rome might break out after her death."

The classic tragedy. According to Wikipedia: "King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606, and is considered one of his greatest works. The play is based on the legend of Leir of Britain, a mythological pre-Roman king. It has been widely adapted for stage and screen, with the part of Lear being played by many of the world's most accomplished actors. There are two distinct versions of the play: The True Chronicle of the History of the Life and Death of King Lear and His Three Daughters, which appeared in quarto in 1608, and The Tragedy of King Lear, which appeared in the First Folio in 1623, a more theatrical version. The two texts are commonly printed in a conflated version, although many modern editors have argued that each version has its individual integrity. After the Restoration the play was often modified by theatre practitioners who disliked its dark and depressing tone. But since the 19th century, it has been regarded as one of Shakespeare's supreme achievements. The tragedy is particularly noted for its probing observations on the nature of human suffering and kinship.

This eBook features the unabridged text of ‘The Royal Book of Oz by Ruth Plumly Thompson by L. Frank Baum - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of L. Frank Baum’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Baum includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Royal Book of Oz by Ruth Plumly Thompson by L. Frank Baum - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Baum’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Times have been tough for young Lady Canèda Lang and her brother Harry and they neither seek not expect help from the aristocratic French family that ostracised their mother Clémentine de Bant?me in their outrage at her running away to marry their father, Gerald Lang, whom they considered beneath her. Worse still, the couple incurred the wrath of the much older and powerful Duc de Saumac, to whom Clémentine was betrothed and so a bitter vendetta began. Then, overnight, Harry discovers that he is now an Earl! He has unexpectedly inherited the Earldom of Langstone with an ancestral Castle and a large and prosperous estate. Hearing the news, their French grandmother invites them to stay – evidently the de Bant?mes have fallen on hard times themselves and now have the nerve to ask for help. Apparently their vines have contracted the deadly phylloxera disease that is ravaging vineyards all over Europe and has badly damaged the family’s finances. Harry is determined to refuse the invitation, but Canèda is set on journeying to the Dordogne to meet the family and the Duc de Saumac – and to wreak her revenge on them for all the years of misery they have caused.. But on arrival it is not hatred but love that she finds in beautiful Périgord!

The beautiful Joanna West’s parents had been killed in a very nasty road accident and as she is the only child she inherits her father and mother’s house in the County of Huntingdonshire. ???????? When she sees the condition of her house, she realises at once that it will need a great deal of money to be spent on it to make it as warm and cosy as her mother had done. ???????? Wondering what she could do to acquire the money that she so badly needs, Joanna remembers the big and impressive Castle nearby and wonders if she could use the spacious ballroom to give dancing lessons to earn her some money. ???????? When she approaches the charming and handsome Earl of Hollington, who has recently inherited the ancient Castle as well as his title, he too is desperately in need of money as The Castle had been badly neglected by his predecessors and is looking decidedly dilapidated and shoddy. ???????? He agrees to hire out the ballroom to Joanna for her dancing lessons after she has redecorated it and at her suggestion to let other members of the County rent rooms from him, providing that they pay to have those rooms restored. ???????? It is then that Lady Carisford, who the Earl only met on board the Liner when he was returning to England, arrives at The Castle unexpectedly. ???????? She is determined to capture the Earl as she realises that by marrying him she will own an important title and this will open wide the doors of High Society which she longs to shine in ???????? What happens when Lady Carisford tells Joanna that the Earl has asked her to marry him and how she and the Earl finds true happiness is all told in this romantic novel by BARBARA CARTLAND.

Vollkommen isoliert von der Au?enwelt, lebt Alita Lang auf dem Schlo? ihres Onkels, des Duke of Langstone. Doch Alita führt nicht das Leben einer jungen Dame, sondern widmet sich vor allem der Dressur der Pferde. Clint Wilbur, ein Amerikaner, der das Nachbargut erworben hat, begegnet Alita auf einem Ausritt. Fasziniert von der eigenwilligen jungen Frau, beschlie?t er, ihr Geheimnis zu lüften...

Sorildas lebt bei ihrem Onkel und der Stieftante, die kaum ?lter ist als sie selbst und m?chtig eifersüchtig auf Sorildas Sch?nheit. Obwohl sie verheiratet ist, stellt sie heimlich dem benachbarten Graf von Winsford nach und l?dt ihn zu einem Stelldichein ein als der Herzog nach London reist. Doch einem Hinweis folgend kehrt er unerwartet zurück – und findet den Grafen in Sorildas Schlafzimmer wieder, wo er sich vor dem Gatten der Geliebten versteckte. Um die Ehre beider Namen zu wahren, muss er Sorilda heiraten, doch kann daraus Glück erwachsen?

Hard Times – For These Times (commonly known as "Hard Times") is the tenth novel by Charles Dickens, first published in 1854. The book appraises English society and highlights the social and economic pressures of the times. Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as George Bernard Shaw and Thomas Macaulay have mainly focused on Dickens's treatment of trade unions and his post–Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era. F. R. Leavis, a great admirer of the book, included it—but not Dickens' work as a whole—as part of his Great Tradition of English novels. ***‘Now, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!’ ? ?The scene was a plain, bare, monotonous vault of a school-room, and the speaker’s square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster’s sleeve. The emphasis was helped by the speaker’s square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellarage in two dark caves, overshadowed by the wall. The emphasis was helped by the speaker’s mouth, which was wide, thin, and hard set. The emphasis was helped by the speaker’s voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker’s hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside. The speaker’s obstinate carriage, square coat, square legs, square shoulders,—nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was,—all helped the emphasis. ‘In this life, we want nothing but Facts, sir; nothing but Facts!’The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim.

RUINS OF ANCIENT CITIES, WITH GENERAL AND PARTICULAR ACCOUNTS OF THEIR RISE, FALL, AND PRESENT CONDITION. - BY CHARLES BUCKE This Volume contain these cities;Messene, Mycen?, Miletus, Nauplia, Nemea, Nineveh, The Destruction of Sennacherib, Numantia, Olympia, Puteoli, Palmyra (Tadmor), Patr?, Pella, Pergamus, Persepolis, Petra (Wady Mousa), Phigalia, Plat?a, P?stum, Pompeii, Rama, Rome, Saguntum, Hannibal’s Speech to His Soldiers, Sais, Samaria, Sapphura, Sardis, Seleucia, Selinus, Or Selinuntum, Sicyon, Sidon, Smyrna, Spalatro, Stratonice, Susa, Sybaris, Syene, Syracuse, Thebes, Troja, And Other Cities of the Troas, Tyre, Veii Fallen, fallen, a silent heap; their heroes allSunk in their urns:—Behold the pride of pomp,The throne of nations fallen; obscured in dustEven yet majestical.—The solemn sceneElates the soul! ? ?{DYER} The reader is requested to observe, that, though the plan of this work is entirely his own, the compiler of it does not put it forth as in any way original in respect to language or description. It is, in fact, a much better book, than if it had been what is strictly called original, (which, indeed, must have involved an utter impossibility:) for it is a selection of some of the best materials the British Museum could furnish; sometimes worked up in his own language; and sometimes—and, indeed, very frequently—in that of others: the compiler having, at an humble distance and with unequal steps, followed the plan which M. Rollin proposed to himself, when he composed his celebrated history of ancient times.—"To adorn and enrich my own," says that celebrated writer, "I will be so ingenuous as to confess, that I do not scruple, nor am ashamed, to rifle whereever I come; and that I often do not cite the authors from whom I transcribe, because of the liberty I take to make some slight alterations. I have made the best use in my power of the solid reflections that occur in the Bishop of Meaux's Universal History, which is one of the most beautiful and most useful books in our language. I have also received great assistance from the learned Dean Prideaux's 'Connexion of the Old and New Testament,' in which he has traced and cleared up, in an admirable manner, the particulars relating to ancient history. I shall take the same liberty with whatever comes in my way, that may suit my design, and contribute to its perfection. I am very sensible, that it is not so much for a person's reputation to make use of other men's labours, and that it is in a manner renouncing the name and quality of author. But I am not over-fond of that title, and shall be extremely well pleased, and think myself very happy, if I can but deserve the name of a good compiler; and supply my readers with a tolerable history, who will not be over-solicitous to inquire what hand it comes from, provided they are but pleased with it."Having followed this example,—the compiler wishes he could say with equal effect,—he will be fully satisfied, should judicious readers feel inclined to concede, that he has shown some judgment in selecting his materials, and some taste in binding "the beads of the chain," that connects them together. He disclaims, in fact, (as, in the present instance, he is bound to do), all the "divine honours" of authorship; satisfied with those of a selecter, adapter, and compiler; and happy in the hope that he has here, by means of the superior writers, whose labours he has used, furnished his readers with an useful, accurate, and amusing work.? ? ? ? ? C. B.

Saviour of the Nation

Klassisches Spiel im originalen Deutsch. Laut Wikipedia: "Johann Wolfgang von Goethe (28. August 1749 - 22. M?rz 1832) war ein deutscher Schriftsteller. George Eliot nannte ihn" Deutschlands gr??ten Literaten ... und der letzte wahre Universalgelehrte auf der Erde. "Goethes Werke die Gebiete der Poesie, des Dramas, der Literatur, der Theologie, des Humanismus und der Wissenschaft, Goethes Hauptwerk, das als einer der H?hepunkte der Weltliteratur gepriesen wird, ist das zweiteilige Drama Faust. Goethes andere bekannte literarische Werke sind seine zahlreichen Gedichte, der Bildungsroman Wilhelm Meister und der Briefroman Die Leiden des jungen Werther. "

Classic play. According to Wikipedia: "Oscar Fingal O'Flahertie Wills Wilde (1854 - 1900) was an Irish playwright, novelist, poet, and author of short stories. Known for his barbed wit, he was one of the most successful playwrights of late Victorian London, and one of the greatest celebrities of his day. As the result of a famous trial, he suffered a dramatic downfall and was imprisoned for two years of hard labour after being convicted of the offence of 'gross indecency.'"

Pièce classique / livret de Hugo, basé sur une scène de son roman Notre Dame de Paris (Le Bossu de Notre Dame), en fran?ais original. Selon Wikipedia: "Victor-Marie Hugo (26 février 1802 - 22 mai 1885) était un poète, dramaturge, romancier, essayiste, artiste visuel, homme d'?tat, militant des droits de l'homme et représentant du mouvement romantique en France. La renommée littéraire vient d'abord de sa poésie, mais repose aussi sur ses romans et ses réalisations dramatiques Parmi les nombreux volumes de poésie, Les Contemplations et La Légende des siècles sont particulièrement estimés et Hugo est parfois identifié comme le plus grand poète fran?ais. La France, ses ?uvres les plus connues sont les romans Les Misérables et Notre-Dame de Paris (connu aussi en anglais sous le titre de Le Bossu de Notre-Dame), bien que conservateur conservateur dans sa jeunesse, Hugo devint plus libéral au fil des décennies. il est devenu un partisan passionné du républicanisme et son travail touche à la plupart des questions politiques et sociales et aux tendances artistiques de son temps: il est enterré au Panthéon.

A collection of 16 pictures of Greek marbles (black and white), with introduction and interpretation by Estelle Hurll. According to Wikipedia: "Estelle May Hurll (1863–1924), a student of aesthetics, wrote a series of popular aesthetic analyses of art in the early twentieth century.Hurll was born 25 July 1863 in New Bedford, Massachusetts, daughter of Charles W. and Sarah Hurll. She attended Wellesley College, graduating in 1882. From 1884 to 1891 she taught ethics at Wellesley. Hurll received her A.M. from Wellesley in 1892. In earning her degree, Hurll wrote Wellesley's first master's thesis in philosophy under Mary Whiton Calkins; her thesis was titled "The Fundamental Reality of the Aesthetic." After earning her degree, Hurll engaged in a short career writing introductions and interpretations of art, but these activities ceased before she married John Chambers Hurll on 29 June 1908."

Elizabethan play, sometimes attributed in part to Shakespeare. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."

According to Wikipedia: "Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St. Patrick's Cathedral, Dublin. He is remembered for works such as Gulliver's Travels, A Modest Proposal, A Journal to Stella, Drapier's Letters, The Battle of the Books, An Argument Against Abolishing Christianity, and A Tale of a Tub. Swift is probably the foremost prose satirist in the English language, and is less well known for his poetry. Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier—or anonymously. He is also known for being a master of two styles of satire: the Horatian and Juvenalian styles."

Shakespeare-Kom?die, ins Deutsche übersetzt. Laut Wikipedia: "Ein Sommernachtstraum ist ein Stück, das von William Shakespeare geschrieben wurde. Es soll zwischen 1590 und 1596 geschrieben worden sein. Es zeigt die Ereignisse um die Hochzeit des Herzogs von Athen, Theseus und der K?nigin von die Amazonen, Hippolyta.Sie schlie?en die Abenteuer von vier jungen athenischen Liebhabern und einer Gruppe von 6 Laiendarstellern ein, die von den Feen, die den Wald bewohnen, in dem das meiste Stück spielt, manipuliert werden.Das Stück ist eines von Shakespeares beliebtesten Werken für die Bühne und wird auf der ganzen Welt weit verbreitet. "

Biography, first published in1905. According to Wikipedia: "Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute."[2] His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."

According to Wikipedia: "Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American folklorist and author during the time of the Harlem Renaissance, best known for the 1937 novel Their Eyes Were Watching God. In 2002, scholar Molefi Kete Asante listed Zora Neale Hurston on his list of 100 Greatest African Americans."

Bilingual, English and German. Shakespeare comedy in English with line numbers and translated to German. According to Wikipedia: "Measure for Measure is a play by William Shakespeare, believed to have been written in 1603 or 1604. It was (and continues to be) classified as comedy, but its mood defies those expectations. As a result and for a variety of reasons, some critics have labelled it as one of Shakespeare's problem plays. Originally published in the First Folio of 1623 (where it was first labelled as a comedy), the play's first recorded performance was in 1604. The play deals with the issues of mercy, justice, and truth and their relationship to pride and humility: "Some rise by sin, and some by virtue fall". Zweisprachig, Englisch und Deutsch. Shakespeare-Kom?die in Englisch mit Zeilennummern und ins Deutsche übersetzt. Laut Wikipedia ist "Measure for Measure" ein Stück von William Shakespeare, das 1603 oder 1604 geschrieben wurde. Es wurde (und wird weiterhin) als Kom?die klassifiziert, aber seine Stimmung widersetzt sich diesen Erwartungen Eine Vielzahl von Gründen wurde von einigen Kritikern als eines von Shakespeares Problemspielen bezeichnet.Erst im First Folio von 1623 ver?ffentlicht (wo es zuerst als Kom?die bezeichnet wurde), war die erste Aufnahme des Stücks 1604. Das Stück handelt von den Themen von Barmherzigkeit, Gerechtigkeit und Wahrheit und ihrer Beziehung zu Stolz und Demut: "Einige erheben sich aus Sünde, und manche fallen durch Tugend".