Em Vida sem Princípio , Henry David Thoreau nos apresenta um verdadeiro manual de como viver em sociedade e em contato com a Natureza respeitando a natureza e ao próximo.? puro Transcendentalismo , um apelo para que cada um siga a sua própria luz interior.Este ensaio foi obtido a partir da palestra''What Shall It Profit? ''apresentada ao publico em 06 de dezembro de 1854, no Sal?o Railroad em Providence Rhode Island.Foi publicado pela primeira vez na edi??o de outubro de 1863 The Atlantic Monthly, onde foi dado o título moderno.Vida sem Princípio é um ensaio em que Thoreau coloca o seu programa para viver bem. Incluem-se aqui as suas ideias sobre a forma de abordagem da comunica??o interpessoal, modos de trabalho, sustento financeiro e outros códigos de conduta baseados na filosofia de de vida de Thoreau.'

Such is the system which underlies the Meditations of Marcus Aurelius. Some knowledge of it is necessary to the right understanding of the book, but for us the chief interest lies elsewhere. We do not come to Marcus Aurelius for a treatise on Stoicism. He is no head of a school to lay down a body of doctrine for students; he does not even contemplate that others should read what he writes. His philosophy is not an eager intellectual inquiry, but more what we should call religious feeling. The uncompromising stiffness of Zeno or Chrysippus is softened and transformed by passing through a nature reverent and tolerant, gentle and free from guile; the grim resignation which made life possible to the Stoic sage becomes in him almost a mood of aspiration. His book records the innermost thoughts of his heart, set down to ease it, with such moral maxims and reflections as may help him to bear the burden of duty and the countless annoyances of a busy life. It is instructive to compare the Meditations with another famous book, the Imitation of Christ. There is the same ideal of self-control in both. It should be a man's task, says the Imitation, 'to overcome himself, and every day to be stronger than himself.' 'In withstanding of the passions standeth very peace of heart.' 'Let us set the axe to the root, that we being purged of our passions may have a peaceable mind.' To this end there must be continual self-examination. 'If thou may not continually gather thyself together, namely sometimes do it, at least once a day, the morning or the evening. In the morning purpose, in the evening discuss the manner, what thou hast been this day, in word, work, and thought.' But while the Roman's temper is a modest self-reliance, the Christian aims at a more passive mood, humbleness and meekness, and reliance on the presence and personal friendship of God. The Roman scrutinises his faults with severity, but without the self-contempt which makes the Christian 'vile in his own sight.' The Christian, like the Roman, bids 'study to withdraw thine heart from the love of things visible'; but it is not the busy life of duty he has in mind so much as the contempt of all worldly things, and the 'cutting away of all lower delectations.' Both rate men's praise or blame at their real worthlessness; 'Let not thy peace,' says the Christian, 'be in the mouths of men.' But it is to God's censure the Christian appeals, the Roman to his own soul. The petty annoyances of injustice or unkindness are looked on by each with the same magnanimity. 'Why doth a little thing said or done against thee make thee sorry? It is no new thing; it is not the first, nor shall it be the last, if thou live long. At best suffer patiently, if thou canst not suffer joyously.' The Christian should sorrow more for other men's malice than for our own wrongs; but the Roman is inclined to wash his hands of the offender. 'Study to be patient in suffering and bearing other men's defaults and all manner infirmities,' says the Christian; but the Roman would never have thought to add, 'If all men were perfect, what had we then to suffer of other men for God?' The virtue of suffering in itself is an idea which does not meet us in the Meditations. Both alike realise that man is one of a great community. 'No man is sufficient to himself,' says the Christian; 'we must bear together, help together, comfort together.' But while he sees a chief importance in zeal, in exalted emotion that is, and avoidance of lukewarmness, the Roman thought mainly of the duty to be done as well as might be, and less of the feeling which should go with the doing of it. To the saint as to the emperor, the world is a poor thing at best. 'Verily it is a misery to live upon the earth,' says the Christian; few and evil are the days of man's life, which passeth away suddenly as a shadow. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?*** ? "MARCUS AURELIUS ANTONINUS" was born on April 26, A.D. 121. His real name was M. Annius Verus, and he was sprung of a noble family which claimed descent from Numa, second King of Rome. Thus the most religious of emperors came of the blood of the most pious of early kings. His father, Annius Verus, had held high office in Rome, and his grandfather, of the same name, had been thrice Consul. Both his parents died young, but Marcus held them in loving remembrance. On his father's death Marcus was adopted by his grandfather, the consular Annius Verus, and there was deep love between these two. On the very first page of his book Marcus gratefully declares how of his grandfather he had learned to be gentle and meek, and to refrain from all anger and passion. The Emperor Hadrian divined the fine character of the lad, whom he used to call not Verus but Verissimus, more Truthful than his own name. He advanced Marcus to equestrian rank when six years of age, and at the age of eight made him a member of the ancient Salian priesthood. The boy's aunt, A

本书是美籍犹太裔神经科学家、诺贝尔奖得主埃里克?坎德尔的自传，在书中他不仅表达了个人对其生活和历史的感受和思考，也以亲历者的身份叙述了神经科学这个学科从无到有的发展史——人们如何开始用生物科学的方法研究学习和记忆，在过去的一个世纪里这个领域得到了哪些发展，科学界又对未来怀有哪些愿景和期待。通过阅读这本书，读者不仅可以了解神经科学这一学科的动向，更能窥见科学家进行科学探索的思考路径，以及一个伟大科学家的素质和襟怀。本书已被翻译成德语、法语、俄语、意大利语、西班牙语、波斯语等十多个语种，先后荣获2006年度《洛杉矶时报》图书奖和2007年度美国国家学院知识传播奖。

Cartea este o culegere de eseuri pe teme de istorie literar?, istoria ideilor ?i probleme generale de estetica artelor, toate acestea fiind abordate dintr-un accentuat unghi filozofic ?i ?tiin?ific deopotriv?.

本书强调了道德推理中的理性内涵和价值积淀，对道德推理的价值依据、逻辑形式、复杂过程以及与其相关的因素行了深的研究，探讨了道德推理在伦理学理论研究中的重要作用，倡导社会生活和道德实践中的理性精神。

“人的现代化”，虽是西方学者于20世纪中叶率先提出的“旧命题”，但却是今日中国现代化建设必须直面的“真问题”。人的现代化与社会制度和意识形态是密切相关的。本书坚持以马克思主义的立场、观和方法研究社会主义条件下人的现代化问题，梳理了马克思的人的现代化理论，描述了人的现代化的理论和实践的客观事实、发展态势，总结了人的现代化的发展的基本规律和历史经验，建立了人的现代化的动力模型，揭示了社会主义条件下人的现代化的理论和实践的意义和关联，建构了中国特色社会主义人的现代化的学术话语和发展理念，归纳了社会主义条件下人的现代化的理论和实践的因果关系和价值导向，提出了新时代中国特色社会主义条件下推人的现代化的解释模型和政策建议。

人性、处世、处己、处人的人生观，义利、公私、理欲、德才的价值观，孝、忠、仁、义、礼、智、信、中庸的道德观是中华优秀传统文化的核心与灵魂，也是我们每个人在人生的不同阶段都要思考和实践的问题。本书从哲学思想史、伦理学思想史中撷取精华，给出了大量知识性信息和实践案例，以为当下的借鉴和启示，使中华优秀传统文化在当代实现创造性转化和创新性发展，光大中华人文精神，促社会文明步和人生幸福。

本书依据《马克思主义基本原理概论（２０１8年8版）》教材，对教学内容中的相关疑难问题做了深度解析。本书坚持逻辑与历史统一的原则，依据马克思主义经典著作和马克思主义发展史，对相关问题行深细致明晰的解析。对于问题涉及的基本范畴及其构成的基本命题、观、原理，不仅依据马克思主义经典著作揭示其科学内涵以及内在逻辑关系，而且将问题置于马克思主义发展史的语境中，揭示马克思主义基本原理形成与发展的思想轨迹以及与西方传统哲学、古典政治经济学、空想社会主义的关系，帮助学生在马克思主义理论科学的逻辑架构与马克思主义发展史的时空坐标中实现对疑难问题的深理解与准确把握。同时，本书不局限于对基本范畴和原理的解释，而是运用马克思主义基本原理和方法，分析教学实践中学生关注的许多重大现实问题，充分显示出其现实性和有效性。

A true story of how a gentleman of a certain age and of respectable appearance was swallowed alive by the crocodile in the Arcade, and of the consequences that followed.

This eBook features the unabridged text of ‘The Song of Triumphant Love by Ivan Turgenev - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ivan Turgenev’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Turgenev includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Song of Triumphant Love by Ivan Turgenev - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Turgenev’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

This eBook features the unabridged text of ‘The Dream by Ivan Turgenev - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ivan Turgenev’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Turgenev includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Dream by Ivan Turgenev - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Turgenev’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

Herman Melville is a giant of American literature, whose novels are hailed as literary masterpieces. This eBook offers readers the complete works for the first time in digital print, as well as an array of bonus features. (Current version: 1) * illustrated with many images relating to Melville’s life and works * annotated with concise introductions to the novels and other works * ALL the novels, with separate contents tables * MOBY-DICK and other works are presented with their original illustrations * images of how the novels first appeared, giving your eReader a taste of the original texts * the complete short story collections * rare short stories like DANIEL ORME – first time in digital print * the complete poetry collections * the scarce poetry collection WEEDS AND WILDINGS, which Melville wrote for his wife – first time in digital print * separate CHRONOLOGICAL and ALPHABETICAL contents tables for the poetry – find that special poem easily! * includes Melville’s complete essays, available nowhere else * bonus collection of letters by Melville – explore the writer’s personal correspondence * boasts a special criticism section, with essays by writers such as D.H. Lawrence and Virginia Woolf examining Melville’s contribution to literature * features Raymond Weaver’s seminal biography on Melville, which sparked the great revival in the author * scholarly ordering of texts in chronological order and literary genres, allowing easy navigation around Melville’s immense oeuvre Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Novels TYPEE OMOO MARDI REDBURN WHITE-JACKET MOBY-DICK PIERRE ISLE OF THE CROSS (lost novel – information only) ISRAEL POTTER THE CONFIDENCE-MAN BILLY BUDD, SAILOR The Short Story Collections THE PIAZZA TALES THE APPLE-TREE TABLE AND OTHER SKETCHES BILLY BUDD AND OTHER PROSE PIECES The Short Stories LIST OF THE SHORT STORIES The Poetry Collections BATTLE PIECES AND ASPECTS OF THE WAR CLAREL: A POEM AND PILGRIMAGE IN THE HOLY LAND JOHN MARR AND OTHER SAILORS TIMOLEON AND OTHER VENTURES WEEDS AND WILDINGS, WITH A ROSE OR TWO UNCOLLECTED POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Essays FRAGMENTS FROM A WRITING DESK ETCHINGS OF A WHALING CRUISE REVIEW AUTHENTIC ANECDOTES OF ‘OLD ZACK’ MR PARKMAN’S TOUR COOPER’S NEW NOVEL A THOUGHT ON BOOK-BINDING HAWTHORNE AND HIS MOSSES The Letters SOME PERSONAL LETTERS OF HERMAN MELVILLE BY MEADE MINNIGERODE The Criticism THE BEST SEA-STORY EVER WRITTEN BY ARCHIBALD MACMECHAN HERMAN MELVILLE’S MOBY DICK BY D. H. LAWRENCE HERMAN MELVILLE’S TYPEE AND OMOO BY D. H. LAWRENCE HERMAN MELVILLE BY VIRGINIA WOOLF The Biography HERMAN MELVILLE: MAN, MARINER AND MYSTIC BY RAYMOND WEAVER

围绕当代审美领域诸多关键议题展开深入剖析，从不同维度探究当代审美现象背后的理论根源与发展趋势。可能涉及对当时流行的艺术风格、审美观念变革的探讨，如解析新艺术运动、印象派等艺术流派在审美表达上的创新与突破；分析大众文化兴起对传统审美范式的冲击，像报刊、摄影等新兴媒介如何改变人们的审美认知与体验 。同时，会研究审美与社会、文化、历史等因素的互动关系，思考在时代变迁中审美价值的重塑与坚守。

《山寨：中国式解构》: 中国思想从一开始就是解构的，因为它与存在和本质从根本上决裂开来。“道”（字面意思：道路）本身即是存在和本质的对立面。道是顺应变化的，而本质却是抗拒变化的。在无始也无终的过程中，或者说在道路上，“去—创造”和“非—实体”中的消极性使得存在变“空”。 对于中国思想来说，至关重要的不是有着*开始的创造，而是既无始也无终、既无生也无死的连续不断的过程。也正因为如此，东亚思想中既没有出现海德格尔那种对死亡的强调，也没有出现阿伦特那种对出生的强调。 过程和变化也主宰着中国的艺术史。那些不断改变着大师作品集，并使其不断适应新环境的再造或续作，本身就是大师 级的作品。在中国，不断的转化即是一种创造和创新的方法。山寨运动将创新解构为“从虚无中创造”（“无中生有”），那么山寨就是“去—创造”。它把同一性与变化的差异，即把同一性与主动的、积极的差异化对立起来，把存在与过程对立起来，把本质与道路对立起来。以这种方式，山寨体现着真正的中国精神。 《不在场：东亚文化与哲学》 西方文化遵循的是本质，而本书为您介绍的是一种“陌生的文化”，一种“非本质/不在场的文化”。 在西方，陌生者在很长一段时间里都是被全力排除或强制利用的对象，它未曾现身于本己的内在之中。那么如今呢？如今还有陌生者吗？现在人们乐于相信，大家基本上都一样。如此一来，陌生者就再次从本己的内在之中消失了。 东亚思想完全朝向内在。道则完全与世界的内在，与事物的“就是如此”，与此地此时融合在一起。在东亚的想象世界里，没有任何事物存在于世界的内在之外。如果说道避开了确定与指称，那并不是它太高，而是因为它在流动，因为它像河流一样曲折蜿蜒。它描绘着事物的不断转化，描绘着世界的过程性。 与世界的关系并不是由作为与行动的决断、意识与反思的高光所决定。相反，人们通过退避到不在场，通过忘掉或清空自己而让它发生，就好像那明亮的房间，正是因为它的空，才有能力接收很多的光。人们追求的不是果断的行动，而是随意与轻松。这大概就是与西方自由观念相对应的东亚自由观念。 《禅宗哲学》: “虽非佛，然老松，忘我而立。” 禅宗重冥思，为大乘佛教流传于中国的一支宗派。神妙传奇的初祖菩提达摩以“教外别传，不立文字；直指人心，见性成佛”揭出禅宗的特质。禅宗对语言的怀疑，尤其对概念性思维的不信任，使其用词神秘而凝练。无言中折射着言说。 本书得益于对禅宗的哲思，以及由禅宗而来的哲思，通过概念将禅宗蕴含的哲学力量阐发出来。禅宗致力于表述的存在体验或意识体验，难以完全用概念式的语言表达出来。文字或可描述禅之静谧，禅之静谧却无须囿于文字。 本书采用比较的研究进路，让柏拉图、莱布尼茨、费希特、黑格尔、尼采和海德格尔等人的哲学，与禅宗思想的不同面向之间进行碰撞。行文中多有俳句穿插其间。俳句呼应哲思，铺垫相应文段的语境氛围，读者诸君不妨将它看作衬托画作的画框。

《论语》是儒家的重要典籍，不仅在中国影响深远，而且在国际上也影响重大。本书从跨文化交流角度出发，运用翻译学、语言学、传播学等相关理论，结合具体历史背景，对《论语》的俄译行全面历时性梳理，同时对典型译本特也行了系统性研究。在此基础上，探讨不同时代的俄罗斯人对孔子形象、《论语》 基本哲学术语、《论语》 学、《论语》 的译介及受等方面的认识和解读，指出以《论语》为代表的儒学对俄罗斯政治、经济及文化等领域所产生的影响，一步挖掘 《论语》能够走俄罗斯的深层原因和价值意义。这些研究不仅为《论语》及儒学研究提供域外视角，同时也为中华典籍外译的相关理论和实践提供借鉴。

　　《沉思录》是古罗马皇帝马可·奥勒留所著的个人哲学思考札记。作者在书中对宇宙、社会、人生展了一系列思考，通过文字唤醒迷惘的灵魂，救赎彷徨的自我，为后人留下一位有哲学修养的统治者的人生感悟。 　　本书不仅是斯多葛派哲学的里程碑之书，也是一本“世界之书”，每次捧读，都好似与这位伟大的哲学家皇帝展一场跨越时空的对话，让人获益良多。

我为什么是我？宇宙有尽头吗？为什么语言能伤人？ 撒谎一定是不对的吗？ 孩子的脑袋瓜里装满了各种各样的问题。与拘谨的成年人不同，他们不在乎问题是否合适或愚蠢，而常常会质疑大人习以为常的事情，总想看到事物背后隐藏的奥秘，试图弄清楚这个世界的运作方式——他们是天生的哲学家。 像所有父母一样，赫什维茨总是被他的两个孩子——雷克斯和汉克问个不停，他发现孩子们的问题看似简单，却很重要，蕴含着哲学意义，他认真倾听并加与孩子们的对话中。他们先尝试理解惩罚、权利、权威、语言这样的道德话题，继而又探讨了性别、责任、意识、宇宙这样关乎自我和世界的话题。 在这个过程中，赫什维茨不仅观察和参与了孩子们的成长经历，还得以重新审视曾经思考过的哲学议题，围绕与孩童成长、人的心智有关的12个主题，行了多角度的哲学思考，并借助古今哲学家的思想资源，层层剖问题的核心，逼近事物的本质。 赫什维茨邀请我们加这场节奏欢快的旅程，孩子们——那些经常把自己弄得脏兮兮的小野兽，是这条哲学探索之路上我们最好的同伴。哲学不是高高在上的教导，与孩子的对话是重思哲学问题的契机，也是大人与孩子生命共同成长的始。

20世纪30年代早期，已是纽约学界新星的芒福德为弄懂工具、器械和生产工艺在世界历史中发挥的影响力，如饥似渴地遍览论述工业社会兴起的著作，他注意到尽管技术在人类事务中的重要性显而易见，却没有哪部作品充分探讨过人与技术丰富而复杂的关系。 由此，《技术与文明》以10世纪的发明创造为起稳步向前，以始技术阶段、古技术阶段和新技术阶段为三个节，记叙了艺术、工艺、科学、工程学、哲学、金融、商业等各个领域的千年技术步史。在这一千年间，西方文明的物质基础和文化形式因机器的发展而发生了深刻变化。这是如何发生的？在哪里发生的？推动环境和生活常规发生巨大转变的主要动机是什么？想达到什么目的？用了哪些手段和方法？过程中出现了哪些未曾预料的价值？芒福德都在这本书里给出了极富远见的回答。 芒福德对历史重大事件的意义有着天马行空，甚至是幽默顽皮的猜想。与普遍观相反，他认为现代生产的奇迹并非始于叮当作响的蒸汽机或其他如瓦特一样的偶像级人物的发明。他坚称，最重要的因素不仅有工具和机器，还有反映人的各种动机的活动，包括宗教信仰、科学、工程学以及无数日常活动中对美的追求和文化准备。 《技术与文明》之所以重要，不仅因为它的创性方法和丰富翔实的历史资料，也因为它阐述了一个在今天仍极具前瞻性的新颖理论：人将外部世界内化，将内心世界外化——我们在物质活动中最伟大的成功，经常是深切的精神需求与最大的理性及非理性激情的投射。因此，弄懂技术不仅是为我们的文明重新定向的第一步，还是懂得社会，而懂得我们自己的一种手段。 芒福德在审视早期现代社会的困境时表现出惊人的乐观态度。他指出导致经济、社会和环境崩坏的问题本质，包括社会组织的军事化，资源的浪费，对自然系统的粗暴破坏，以及把愚蠢的消费主义鼓吹为生活的终极满足。他相信，古技术时期的不公最终完全有可能被一个人性化的新技术时代所取代。但在目了冷战、核军备竞赛、公共舆论的神秘化等等之后，他原有的信心不复存在，代之以日益强烈的怀疑。也许正是为此，我们才应该重温芒福德从前的思想。那时，光芒尚未被阴影遮蔽，最好的可能性依然存在。 让我们和年轻的刘易斯·芒福德一起发问：我们希望建成一个什么样的世界？

《通向哲学的后楼梯》从哲学家的生平轶事出发，用幽默有趣的方式介绍了34位哲学家的哲学思想。本书经由“后楼梯”，穿堂室，呈现的不是正襟危坐的教科书知识，而是随性真实的伟大心灵。作者像与老朋友聊天那样，不拘一格，怀畅谈，将他有关哲学的所思、所想娓娓道来，使读者在轻松、愉快的氛围中，哲学的殿堂，感受哲学的魅力。

《论自由与妇女屈从的地位》是英国哲学家、经济学家约翰·斯图尔特·穆勒（John Stuart Mill）的经典著作之一，结合了他的两部重要作品《论自由》和《妇女的屈从》。在《论自由》中，穆勒探讨了个人自由与社会权威之间的界限，提出了“伤害原则”，即个人自由只有在不伤害他人时才能被限制。在《妇女的屈从》中，穆勒批判了当时社会对女性的压迫，主张男女平等，呼吁赋予女性教育、就业和政治权利。本书不仅是一部哲学经典，也是19世纪女性主义运动的重要文献，对现代自由和平等理念产生了深远影响。

本书是精神分析学奠基人、心理学家弗洛伊德晚年的集大成之作，也是他思想拼图的最后一块。在这本书中，他第一次全面地将精神分析学应用于社会文化领域，系统性地回答了他一直以来关注的问题，文明是如何内化为“超我”，而对人的“自我”行抑制的？同时，他又借助精神分析的方法，为我们理解社会和文化的历史提供了一个崭新的角度。不管是从宏观，还是微观来说，这本书都展示出精神分析理论广阔的纵深与可能性，是我们触弗洛伊德和精神分析理论系统的一个绝佳的切口。