Constantin Dobrogeanu-Gherea (1855-1920), critic literar ?i politician intelectual, s-a num?rat printre primii sociologi ai Rom?niei. Lucrarea de fa??, care ?ncheie celebrul studiu Neoiobagia, constituie prima analiz? bine ?ntemeiat? a vie?ii sociale care a caracterizat Rom?nia ?ntre 1866 ?i Al Doilea R?zboi Mondial, fiind o concluzie ?i totodata o sintez? a acestui studiu.Dincolo de cifre ?i de personajele citate, dincolo de obiectele specifice ale analizei, cititorul r?bd?tor poate descoperi c?, sub forma diferit?, vom g?si de data aceasta un fond: fibra profund? din care se ?mpletesc ve?nicele noastre probleme na?ionale.? ?i doar? din cele spuse se vede clar unde rezid? r?ul ??rii. O organiza?ie social? ?i de stat antagonic? ?i contradictorie, care preface institu?iile ei ?n aparen?e ?i minciun?. O via?? politic? ?i economic? plin? de resturi feudale, care nu vor s? moar?, ?i bazat? pe capitalismul modern,care nu poate ?nc? s? tr?iasc?.“ - Constantin Dobrogeanu-Gherea

Volumul red? circuitului public, pentru prima oar? ?n limba rom?n?, trei din operele g?nditorului atenian. Este vorba de Scrisori (?n num?r de treisprezece, deosebit de importante pentru cunoa?terea g?ndirii platoniciene, dar ?i pentru ?n?elegerea epocii ?i a personalit??ilor cu care a venit ?n contact filosoful), Dialoguri suspecte (Minos, Rivalii, Theages, Hipparhos, Clitofon) ?i Dialoguri apocrife (Axiohos, Despre drept, Despre virtute, Demodocus, Sisyfos, Eryxias).Traducerea apara?ine lui ?tefan Bezdechi, care a realizat ?i aparatul critic al Scrisorilor (introducere ?i note).

"A megsemmisülés rejtélyes sz?vege egyszerre filozófiai traktátus, misztikus beavatás és poszthumán próza. A kortárs irodalomban egyre inkább feler?s?dik ez a nem-antropocentrikus hang, mely nem emberi sorsokat akar elbeszélni, hanem a nyelv és az ember k?z?s hiányt?rténetére mutat rá. ?Mennyien kapaszkodtak a létbe, mint egy végtelen fa t?rzsébe” - írja Horváth Márk és Lovász ?dám, hiszen az emberi állapot csak a társadalmi, nyelvi és metafizikai katasztrófa terében értelmezhet?. Apokaliptikus (neo)romantika és abszurd k?ltészet. Az utolsó ember kézik?nyve a túlélés lehetetlenségér?l."Nemes Z. Márió Az Idegenre hárult a sors ajándéka, hogy els?ként az utolsó emberek k?zu?l végignézze minden ku?ls?dleges k?telék pusztulását, és bizalmát lelkébe, s?t a lelkén is túlra helyezze, minden emberit maga m?g?tt hagyva. Minden ház gerendái k?z?tt barátságok és szerelmek jól táplált holttestei indultak oszlásnak, míg csak a csont fehérlett ki a vízb?l. Mint rég elhagyott kik?t?k tornyai, olyan hívogatóak voltak ezek a csontok az új kor embere számára.

●从未有哪个时代像今天一样，科学让人类社会以肉眼可见的速度向前演化。这场两千多年的长程奔跑似乎来到了冲刺阶段，不断有人做出世界末日的预言，那么，科学*终带给我们的究竟是生存还是毁灭？科学研究的目的究竟是什么？科学能告诉我们*真理吗？ 带着这样的终极关怀，《人人都该懂的科学哲学》首先讲述了科学脱离哲学、独立成长的过程，然后以智慧设计论、弦理论、占星术、有神论、社会建构主义、女性主义等充满争议的问题为例，辨析了科学的定义、方法和目的，科学和社会的关系。伟大的科学哲学家亚里士多德、笛卡儿、休谟、培根、波普尔、库恩等纷纷出场，上演了一场绵亘数千年的*辩论。 面对未来的挑战，无论人类能否破解“公地悲剧”、实现星际殖民、活到长生不老，杰弗里·戈勒姆以科学哲学的视角安慰我们：“当生命终结，人类文化仍然存在，只不过是存在于过去。希望它永远存在就太过分了，无异于希望巴黎时时处处是春天。” ●《人人都该懂的科学哲学》属于湛庐文化重磅推出的“新核心素养”系列图书之一。本系列图书致力于推广通识阅读，扩展读者的阅读面，培养批判性思考的能力。其中涵盖了哲学、心理学、法律、艺术、物理学、生物科技等诸多人文科学和自然科学的知识，其中《人人都该懂的科学哲学》的内容涵盖了科学哲学的核心思想，让你一本书了解科学哲学的核心智慧。

"Wilde è profetico sin dalle prima righe, quando denuncia la prevalenza dell’emozione sulla razionalità, male principe del nostro tempo, e poi del pietismo sull’emancipazione, male di tanta politica di pseudo sinistra" (dall'Introduzione di Alfredo Sgarlato). Wilde: ?perché la vita raggiunga la sua più elevata perfezione, ci vuole qualche cosa di più. Ciò che ci vuole è l'individualismo?, ?Utopia? Una carta geografica del mondo in cui non sia segnato il paese dell'Utopia, non varrebbe la pena d'essere guardata, perché vi mancherebbe il paese in cui l'Umanità atterra ogni giorno. Ma non appena v'è sbarcata, ella guarda più lontano, scorge una terra ancora più bella, e spiega di nuovo le vele. Progredire significa realizzare l'Utopia?. SOMMARIO: Introduzione (di Alfredo Sgarlato) - Postfazione. Breve biblio-nota ai testi e alla traduzione (di Fabrizio Pinna) - OSCAR WILDE Società e libertà: elogio dell'individualismo - APPENDICE I Oscar Wilde, Rapporti fra il socialismo e l'individualismo (di Luigi Fabbri, 1913) - APPENDICE II The Soul of Man under Socialism (1891). LA COLLANA IN/DEFINIZIONI

南怀瑾先生常谓：立国之本是文化。中华民族历经千年万载，文化渊远流长，在新世纪到来之初，世界瞬息万变，炎黄子孙又该何去何从？ 本书为南怀瑾先生于廿一世纪初应各方邀请之讲课记录，内容涉及广泛，但终不离文化之根本；除凸显众所关心之话题，更望能唤起读者对文化教育之重视。

Cartea de fa??, pe care cititorul o ?ine acum ?n m?n?, reprezint? o form? – literar vorbind, foarte complex?, fiindc? ea evolueaz? pe mai multe voci narative, dintre care doar unele ?i apar?in ?n mod direct autoarei – de exorcism. Geniul inimii e r?spunsul unui poet la o experien?? personal? plenitudinar?, ?n care bucuria ?i suferin?a se ?ntrep?trund reciproc pentru a exprima, ?mpreun? ?i tensionat, starea de gra?ie. Exist? o voce a experien?ei biografice ?n aceast? carte scris? febril, o alta de martor sau de participant la istorie, tot a?a cum exist? o voce a puterii ?i una a victimei. Deasupra tuturor st?, ?ns?, nu neap?rat triumf?toare, dar lucid-cerebral?, chemarea celor dou? credin?e pentru care merit? s? tr?ie?ti ?i s?-?i rememorezi via?a atunci c?nd ai ajuns cu ea la r?sp?ntie: credin?a ?n cultura modelelor care te-au precedat ?i credin?a deloc ingenu?, ci ivit? din cunoa?tere, ?n sacralitatea profund? a celor tr?ite ?i ?n transcenden??. (?tefan Borbély) A considera un text drept ?carte a ilumin?rilor mele“ ?i a a?eza ca titlu al primei p?r?i a volumului sintagma Povestea subteranei ne plaseaz? sub semnul aproape imposibil al drumului c?tre Sine, al cuprinderii, al denud?rii ?i al efortului de a ?n?elege un obiect al c?rui adev?r se va afla ?ntotdeauna ?n proximitatea pe?terii lui Platon. E un demers perpetuat, dar niciodat? epuizat ?i aproape exclus din plasma comunic?rii, care – ?n situa?ia ?romanului“ Aurei Christi – nu are coresponden?e, nu se apropie de experien?a budhist?, nici de prerogativele ocultismului de New Age, ci ne aduce ?n vecin?tatea ?ndemnului de pe frontispiciul templului lui Apollo din Delphi, preluat apoi, ca solu?ie ?ntre a fi ?i a p?rea, de c?tre Socrate: ?Cunoa?te-te pe tine ?nsu?i!“. Po?i ?nt?lni, pe acest drum, ?i acel daimonion care a str?juit g?ndirea aceluia?i ?n?elept atenian ca alt? fa?? a ?subteranelor“ fiin?ei, acolo unde lumina se ?ngem?neaz? cu ?ntunericul, stare ?poetizat?“ de Goethe, dar pr?bu?it? ?n tragic de Dostoievski. E o cobor?re spre ?n?elegere prin cuprindere ?i, implicit, prin atingerea nelimitatului. (Mircea Braga) Cartea Aurei Christi Geniul inimii pare o st?nc? masiv?, singuratic?, ?ntr-un peisaj ?mioritic“. Geniul inimii are originalitate ?i for??. Prima parte e liric?, a doua (?ntr-un fel) – o comedie negru-satiric?, a treia – predominant epic-narativ?. Prima parte este excelent?; mi-am ?nsemnat un num?r de poezii memorabile. A doua, ?n centrul ei mai ales, are sec?iuni, pasaje extrem de interesant-pl?cute-amuzante, ?n pofida tonului, uneori, foiletonistic. A treia e impresionant? ?n ansamblu, armonios-coerent?, de o sinceritate sf??ietoare. ?n tot volumul, istoricul, religiosul, subiectivul se leag? foarte frumos ?ntre ele. Nu-mi plac laudele la adresa lui Nietzsche! De fapt, cum se leag? acest autor de Biblie, de Evanghelii?! Aura Christi poate fi m?ndr? de o realizare major?, cu totul original?. Probabil, nu l-a citit pe romanticul britanic Wordsworth; dar el e cel care a scris (sau a ?nceput s? scrie) o memorabil? autobiografie ?n versuri. Pu?ini l-au continuat. Am putea spune c? Aura se num?r? printre cei pu?ini. (Virgil Nemoianu)

Critica ra?iunii pure, tradus? de Nicolae Bagdasar ?i Elena Moisuc ?n 1969, a ajuns la cea de-a treia edi?ie. Cu acest prilej, profesorul dr. Ilie P?rvu, de la Facultatea de Filosofie a Universit??ii din Bucure?ti a ?ngrijit noua opera?ie de editare, fiind astfel corectate unele erori de tipar ?i unele inconsecven?e terminologice. Totodat?, exist? un motiv ?n plus pentru ca studen?ii care posed? edi?ia a II-a a traducerii, ap?rut? ?n 1995, s? apeleze ?i la cea de-a treia edi?ie: ?n aceasta din urm? au fost indicate diferen?ele dintre edi?ia I german? (din 1781) ?i edi?ia a II-a (din 1787).

Imagineaz?-?i c? e?ti într-o ma?in? a timpului care te poart? înainte ?i înapoi prin propria via??. Te duce în trecut, la anii copil?riei, când înv??ai s? mergi pe biciclet?, apoi te face s? revezi primul t?u s?rut, cel dintâi serviciu sau anii mai târzii, când te confrun?i, eventual, cu divor?ul. Înso?it de Platon, afl? ce spun marii gânditori ai lumii despre toate aceste pietre de hotar de pe drumul vie?ii noastre. Aristotel î?i va vorbi despre importan?a începerii ?colii, Freud despre îndr?gostire, Heidegger despre implica?iile psihologice ale mutatului, iar Nietzsche despre criza vârstei de mijloc. La drum cu Platon te ajut? s? în?elegi ?i s? vezi cu al?i ochi evenimentele majore, momentele-cheie ?i fazele de tranzi?ie din via?a ta, f?când filosofia s? par? accesibil? ?i plin? de umor!

De numele lui Sigmund Freud (1856-1929) se leag? poate cea mai controversat? teorie din filosofia culturii ultimelor secole: psihanaliza. ?nceput? ca ?ntreprindere psihoterapeutic?, prima cur? – din punct de vedere istoric – ?n care rolul terapeutic revenea exclusiv cuv?ntului, psihanaliza a fost condus? de Freud ?n mod firesc ?i ?n direc?ia descoperirii resorturilor abisale ale culturii.Disconfort ?n cultur? (1930) este o lucrare de maturitate ?n care p?rintele psihanalizei investigheaz? mecanismele care men?in coeziunea social?, respectiv contraponderea lor, manifestat? prin senza?ia de disconfort care ?nso?e?te mai mult sau mai pu?in evident fiin?a social?.?Supraeul unui epoci culturale are o origine asem?n?toare cu a celui individual; se sprijin? pe impresia pe care au l?sat-o mari personalit??i conduc?toare, oameni de o for?? spiritual? cople?itoare sau cei la care una dintre tendin?ele umane a g?sit configura?ia cea mai puternic? ?i mai pur?, de aceea adesea ?i cea mai unilateral?.“ - Sigmund Freud

本书为中央民族大学教授、“孔子文化奖”获得者牟钟鉴先生根据四十多年来学习中华经典积累的经验，结合古代贤哲的论述及今日道德教育建设的现实和需要，详细阐述君子人格养成路径，系统提出“君子六有”说，有仁义，立人之基；有涵养，美人之性；有操守，挺人之脊；有容量，扩人之胸；有坦诚，存人之真；有担当，尽人之责。作者用较多篇幅细讲古今中外的君子在六个方面的人格特质，列举生动的案例，解说蕴藏的内涵，使君子人格培养在现实土壤上具有落地生长的可能性，用真人真事推动道德教化，从不同侧面提炼中华精神，重塑君子人格榜样，推动人文化成，培养时代真君子。

The present publication is intended to supply a recognised deficiency in our literature—a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman's literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer's opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects. His essays were a sort of literary anatomy, where we get a diagnosis of the writer's mind, made by himself at different levels and under a large variety of operating influences. Of all egotists, Montaigne, if not the greatest, was the most fascinating, because, perhaps, he was the least affected and most truthful. What he did, and what he had professed to do, was to dissect his mind, and show us, as best he could, how it was made, and what relation it bore to external objects. He investigated his mental structure as a schoolboy pulls his watch to pieces, to examine the mechanism of the works; and the result, accompanied by illustrations abounding with originality and force, he delivered to his fellow-men in a book. W. C. H. KENSINGTON, November 1877. THE LIFE OF MONTAIGNE The author of the Essays was born, as he informs us himself, between eleven and twelve o'clock in the day, the last of February 1533, at the chateau of St. Michel de Montaigne. His father, Pierre Eyquem, esquire, was successively first Jurat of the town of Bordeaux (1530), Under-Mayor 1536, Jurat for the second time in 1540, Procureur in 1546, and at length Mayor from 1553 to 1556. He was a man of austere probity, who had "a particular regard for honour and for propriety in his person and attire . . . a mighty good faith in his speech, and a conscience and a religious feeling inclining to superstition, rather than to the other extreme. Between 1556 and 1563 an important incident occurred in the life of Montaigne, in the commencement of his romantic friendship with Etienne de la Boetie, whom he had met, as he tells us, by pure chance at some festive celebration in the town. From their very first interview the two found themselves drawn irresistibly close to one another, and during six years this alliance was foremost in the heart of Montaigne, as it was afterwards in his memory, when death had severed it.

　　《从孔子到谢灵运：唐前士人精神史探索/陕西师范大学中国语言文学“世界**学科建设”成果》为作者关于唐前士人精神史探索的文章的合集，共分三部分：一、论先秦圣贤、诗哲的理思与痛苦；二、论汉兴百年儒士、赋家的经国品质；三、论晋宋名士的飘逸与痛苦。作者深掘孔子、屈原、贾谊、陶渊明、谢灵运等人的精神历程，探讨中国人世代相续的民族精神。

《道德经说什么》是一本人人看得懂、用得上的《道德经》经典解读本。罗大伦博士把其中的智慧总结提炼成通俗易懂的语言，结合其中流传千年的智慧，助您解决生活中常见的各种实际问题。罗博士在书中告诉我们，每个人的人生不过是在“有”和“无”之间寻找平衡，不要因为自己暂时处于一个不好的状态而觉得焦虑，只要好好遵循天道去做，把自己的位置放低，把心放空，把名利看轻，把事做成，把身体照顾好，这样的人才能得道。

什么是知识分子？与早期宗教性质的知识分子不同，从18世纪起，知识分子始以强烈的使命感探讨人类的各种问题，为人类的未来设计种种蓝图，成为现代意义上的知识分子，为现代社会的建设作出了巨大贡献。 然而，正如他们对社会的反思和批判态度一样，近些年很多人也始从不同角度对这些知识分子做出思考。其中，英国著名历史学家保罗·约翰逊便对一些知识分子提出了尖锐评判。他像一位道德侦探，深度挖掘了卢梭、雪莱、易卜生、托尔斯泰、海明威、罗素、萨特等一些几近被神话的人文知识分子的生活史料，并通过这些被大众遗忘的史料对他们的日常表现在道德层面做出了考察：知识分子告诉人们该如何行事时，他的道德和判断力的可信程度有多高？他们在生活中如何行自我管理？如何对待家人、朋友和伴侣？如何处理两性和金钱的问题？他们所说所写的，都是真实的吗？他们自己的体系能否经过时间和实践的考验？ 过往，对于这些知识分子，我们多是抱着一种英雄崇拜式的态度。阅读本书，读者可以拉近与他们的距离，看到他们身上具有的普遍的人性弱，对人性有一个更全面、更深刻的思考和理解，从而更好地与这个世界相处。

本书是著名学者冯友兰的重要代表作。是自1980年以来，耗时十余年完成的“哲学思想新编”。全套书内容分为七册，以时代思潮为纲，以说明时代思潮为主，将中国哲学史划分为七个时代思潮：先秦诸子、两汉经学、魏晋玄学、隋唐佛学、宋明道学、近代变法、现代革命。体量庞大，广博而不芜杂，严谨而又生动，达到了文与质、博与约的统一。书中着重探讨了中国哲学中的精神境界学说，更使得本书具有探究人类精神发展史世界意义。 本版收录全七册内容，分为上、中、下三卷本，配有中央编译局研究员薛晓源博士手绘的中国古今著名哲学人物画像102幅，立体展现中国哲学史及哲学家的风采。

本书是著名学者冯友兰的重要代表作。是自1980年以来，耗时十余年完成的“哲学思想新编”。全套书内容分为七册，以时代思潮为纲，以说明时代思潮为主，将中国哲学史划分为七个时代思潮：先秦诸子、两汉经学、魏晋玄学、隋唐佛学、宋明道学、近代变法、现代革命。体量庞大，广博而不芜杂，严谨而又生动，达到了文与质、博与约的统一。书中着重探讨了中国哲学中的精神境界学说，更使得本书具有探究人类精神发展史世界意义。 本版收录全七册内容，分为上、中、下三卷本，配有中央编译局研究员薛晓源博士手绘的中国古今著名哲学人物画像102幅，立体展现中国哲学史及哲学家的风采。

道德经解析一书是一位八旬老人在对《道德经》行二十余年的自学、摸索、思考、体悟之后，所总结出的心得与体会。作者以长沙马王堆汉墓帛书《老子》甲本为底本，以帛书乙本和王弼本或傅奕本之文字补足缺字。在此基础上，作者对每一章的字词均作了详尽的注释，并逐句逐段行详细的语法结构分析，帮助读者弄懂字词句的意思，此为作者的研读方法，也是此书的一大特色。在解读部分，作者注重理论与实践的结合，引人思考。全书观新颖，有助于读者对《道德经》行全面的了解和学习。

《论语》《孟子》《大学》《中庸》经汉、唐至宋，理学家朱熹将之合为一体，遂有《四书》之名。朱熹等理学家对《四书》行编排、训释、诠解，使其逐渐具备了单篇所无法比拟的理论力量。本书系统地论述了《四书》学的渊源及在两宋时期的演变与发展，探讨了宋代《四书》学与理学思潮发展之间的内在联系，着重从经典诠释学的角度阐发了朱熹《四书》学的诠释方法、学术成就与思想贡献，并从儒家的人文信仰、实践工夫的角度探讨了朱熹《四书》学的学术成就与思想特色，试图通过上述分析，揭示儒家思想及其知识形态的历史特质与文化特色。

逻辑力是人类大脑理性分析和判断的基础，对于成人有助于更好地解决日常生活中的复杂实际问题，对于学生有助于准确快速解决数理化等学科问题。不管你天生聪明与否，逻辑力都可以通过后天的学习和训练得以提升。这本书列举了45道题目，它们非常有趣却又能让人脑洞大，需要用严密的逻辑推理以及灵光一现的反常识灵感才能解。作者也提供了独辟蹊径、令人大眼界的解析和讨论，帮你提高逻辑力。解这些题目，你不但可以享受解题带来的乐趣，还可以从中获得启发，解决生活中的难题。

本书主要探讨了两个方面的内容：其一，近代贵州文学发展的儒学内涵。探讨了近代贵州书院发展的儒学内涵，及其对科举文学作品的直影响。深探析了遵义文化家族的儒学内核和这些家族中有代表性的文学家及其文学创作中所呈现的儒学色彩。探讨了近代贵州方志艺文编纂的儒学化倾向和近代贵州女性文学发展的基本状况其所呈现的儒学内涵。其二，近代贵州经学著述的文学思想。以萧光远的诗歌创作和《毛诗异同》为切，考察萧光远经学著述的文学化和文学创作的儒学内涵。