Volumul cuprinde dou? traduceri clasicizate, semnate de Victor Scorade?, Dincolo de bine ?i de r?u, ?i de Janina Iano?i ?i Horia Stanca, Genealogia moralei. Un mare vinovat f?r? vin?, sihastrul de la Sils-Maria a dinamitat g?ndirea secolului al XIX-lea, figur?nd – al?turi de Dostoievski – printre uria?ii profe?i ai omenirii, care au proorocit nenorocirile ce-au urmat, crimele ?n numele unei idei, rasismul, precum ?i devastatorul totalitarism ro?u. Dincolo de bine ?i de r?u e una dintre capodoperele g?nditorului german.

Jonathan Swift (1667-1745) este cunoscut publicului larg ca autor al C?l?toriilor lui Gulliver. A fost considerat de mul?i un mizantrop des?v?r?it, de?i a f?cut parte din clerul Bisericii Anglicane. Va r?m?ne ?ns? ?n istorie ca primul pamfletar de limba englez?. Povestea unui poloboc este cea mai consistent? lucrare de acest gen, de care ?nsu?i autorul s-a declarat ?ntotdeauna foarte satisf?cut. ?n aceast? ?poveste“ satiristul irlandez ne propune o ingenioas? alegorie, ?n egal? m?sur? un atac la adresa bisericilor occidentale care au pervertit p?n? la desfigurare credin?a mo?tenit? de la biserica primar? ?i la adresa modelor care au infestat at?t operele spiritului, c?t ?i discursul teologic.Pus? la index la vremea apari?iei ei de regina Ana a Angliei din cauza nest?p?nitelor ?arje la adresa papismului ?i a puritanismului britanic, considerat? un text ?reac?ionar“ ?n Rom?nia epocii lui Ceau?escu, aceast? carte nu este, cu siguran??, o lectur? confortabil?, dar r?m?ne una dintre cele mai spumoase ?i mai fine satire scrise vreodat?.

Aceasta este prima lucrare scris? ?n limba rom?n? care se concentreaz? asupra operei lui Thomas Kuhn, probabil cel mai influent filosof al ?tiin?ei din ultima jum?tate a secolului trecut. ?n particular, lucrarea analizeaz? ?n detaliu, ?ntr-o manier? original?, o idee foarte provocatoare a filosofului american, teza incomensurabilit??ii conceptuale, conform c?reia, ?n dezvoltarea cunoa?terii ?tiin?ifice, teoriile noi utilizeaz? un limbaj ireductibil la cel al teoriilor anterioare. Totodat?, lucrarea se apleac? ?ntr-o manier? sistematic? asupra conceptului de paradigm?, introdus de Kuhn, care avea s? fie utilizat ulterior pe scar? larg? ?n filosofie ?i ?tiin?ele sociale.

Volumul de fa?? cuprinde trei eseuri ale autorului francez despre ,,r?sul provocat ?n mod special de c?tre comic“. Acestea au la baz? ideile urm?toare: comicul este uman, r?sul are nevoie de o deta?are emo?ional? fa?? de obiectul/subiectul vizat, r?sul are o func?ie social?. Autorul exploreaz? diferite ipostaze ale comicului ?n art? sau ?n via?a de zi cu zi ?n func?ie de cauza care a produs efectul respectiv. Un om care se ?mpiedic? ?i cade poate st?rni r?sul trec?torilor. ?n aceast? situa?ie comicul survine ca urmare a rigidit??ii mecanice a personajului care a c?zut pentru nu a putut evita un obstacol. ?i o diformitate poate st?rni r?sul, ?nsa una care poate fi imitat? de o persoan? care nu are acea diformitate. Exist? ?i un comic al mi?c?rilor, de exemplu, gesturile unui orator. ?n cel de-al doilea capitol, autorul analizeaz? alt? dou? categorii: comicul de situa?ie ?i pe cel de limbaj. ?n fine, al treilea capitol este consacrat comicului de caracter. Anexa de la sf?r?itul lucr?rii curprinde o scurt? discu?ie despre defini?iile comicului, dar ?i despre metoda utilizat? de autor ?n cele trei capitole. Comicul ?ine de aceast? dimensiune a persoanei prin care se seam?n? cu un lucru, acest aspect al evenimentelor umane care imit? prin rigiditatea sa de un fel cu totul spe-cial, mecanismul pur ?i simplu, automatismul, de fapt mi?carea f?r? via??. El exprim?, a?adar, o imperfec?iune individual? sau colectiv? care necesit? o corec?ie imediat?. R?sul este ?ns??i aceast? corec?ie. R?sul este un anumit tip de gest social care subliniaz? ?i reprim? o distragere special? a oamenilor ?i evenimentelor.

Publicat? ini?ial, ?n trei articole, ?n 1861, o lucrare fundamental?, cu o influen?? de necontestat ?n domeniul ?tiin?elor sociale, Utilitarismul lui J.S.Mill cuprinde o serie de discu?ii despre principiile care stau la baza doctrinei filosofice a utilitarismului. Structura lucr?rii, cu cinci capitole clare ?i concise (Considera?ii generale, Ce este utilitarismul, Despre sanc?iunea fundamental? a principiului utilit??ii, De ce fel de demonstra?ie este susceptibil principiul utilit??ii, Despre leg?tura dintre dreptate ?i utilitate), este elegant? ?i faciliteaz? ?n?elegerea ideilor aprofundate de g?nditorul englez. ?ntr-un sens, Utilitarismul reprezint? o rafinare a ideilor lui Jeremy Bentham despre ceea ce ar trebui s? constituie m?sura binelui ?i a r?ului: exigen?a de a ob?ine cea mai mare fericire pentru un num?r c?t mai mare de oameni. ?ntr-un alt sens, mai larg ?i mai important, cartea de fa?? formuleaz? ?i analizeaz? ?n profunzime toate implica?iile, pentru moral?, ale principiului utilit??ii. John Stuart Mill aduce etica ?n vecin?tatea economiei (maximizarea fericirii, ierarhizarea pl?cerilor ?n func?ie de profit, decizia bazat? pe calcularea utilit??ii alternativelor etc.) ?i ?ncearc? s? rezolve toate dificult??ile rezultate din acest mod de a trata problema drept??ii. Mill ofer? r?spunsuri la c?teva ?ntreb?ri esen?iale precum: ,,?n ce const? fericirea?“, ,,Ce urm?rim, de fapt, atunci c?nd alegem o anumit? conduit??“, ,,Ce pl?ceri sunt preferabile?“, ,,Cum trebuie s? arate legile (?i sanc?iunile inerente) dac? morala se ?ntemeieaz? pe utilitate?“, ,,De ce este preferabil principiul utilit??ii, at?t din perspectiva binelui personal, c?t ?i din aceea a binelui public?“

Magyarázatok a Srimad-Bhagavatam tizedik éneke harminckettedik fejezetének 16-22. versáhez, az el?z? acaryák írásai alapján. A Na pāraye ’ham három része ?rī K???a, ?rī Caitanya Mahāprabhu és ?rīmatī Rādhārā?ī szeretetét mutatja be. Szeretetük egy-egy hatalmas folyóként h?mp?ly?g a prema óceánja felé. ?cāryáink kegyéb?l a bhakták megérinthetik ennek az óceánnak a partját, s néhány cseppnyi nektárt megízlelhetnek bel?le.

Hegel este cel mai sistematic filozof, a c?rui oper? este coerent articulat? ?i sus?inut? de o dens? ?es?tur? conceptual? ?i o teleologie cu un pronun?at caracter axiologic. Hegel a vrut ?i ?n parte a reu?it s? construiasc? o concep?ie articulat? ?i cuprinz?toare despre om, societate, natur? ?i divinitate. Fiecare component? a sistemului s?u filozofic, structurile logice, societatea, arta, politica sau istoria nu pot fi ?n?elese f?r? ?ntregul care le cuprinde, le determin? d?ndu-le transparen?? ?i sens. G?ndirea politic? hegelian? nu e o simpl? medita?ie asupra statului ?i a institu?iilor sale determinat? de conjunctur? sau de vreo implica?ie practic? a filozofului ?n politica din timpul s?u. Medita?ia hegelian? asupra politicului este consecin?a necesar? a g?ndirii speculative cuprins? ?n masiva sa oper? filozofic?. Politicul este o component? important? a structurii ontologice a lumii, un moment esen?ial al realiz?rii ?i func?ion?rii Libert??ii. Ra?iunea ?n act, cristalizat? ?ntr-o diversitate de conduite, structuri ?i institu?ii configureaz? universul practic, concretiz?nd spiritul teoretic ?i organiz?nd a nou? regiune ontic?.

Elveink nem tudnak olyan szilárdak lenni, mint naiv pillanatainkban gondolnánk, mert világunkat az érzelmek, az értelem és a hit folyton változó egyensúlya tartja ?ssze. Az ember hajlamos nagy titkokat sejteni ott, ahol egyszer?en csak nagyobb er?k m?k?dnek, mint amiket uralni tud. Azonnal a nagy titkot keresi, amikor kiemelked? tehetségekkel találkozik, amikor a hit alapvet? kérdéseit firtatja, amikor a saját érzelmeit vizsgálja, és akkor is, amikor a tudomány eszk?zeivel igyekszik mélyebben megérteni a világot. Pedig: ?A nagy titok az, hogy nincs titok”. ?j k?nyvében Mér? László az elvek, az érzelmek, a hit és a tudomány erejét valamint korlátait járja k?rül. A csattanós, “?tperces” esszék felvillantják a témák kül?nféle arcait a mindennapi életben, a hosszabbak pedig bemutatják, mit tett mindehhez a modern pszichológia.

A partir de uma sugest?o de Gilles Deleuze e Félix Guattari – a de que todos os filósofos ocidentais terminaram construindo, no interregno do seu pensamento, personagens conceituais, uma espécie de assinatura do filósofo – este livro objetiva identificar esse tra?o a partir da obra de Michel Foucault. A tese em quest?o é que este autor n?o se enquadra em uma imagem única, como a do Juiz em Kant, ou a do sedutor em Kierkegaard, mas em uma imagem híbrida e triádica, fazendo coro com muitos filósofos chamados de transversais e que se instalaram no horizonte de filosofias chamadas de pós-estruturalistas, como Deleuze.

Em Vida sem Princípio , Henry David Thoreau nos apresenta um verdadeiro manual de como viver em sociedade e em contato com a Natureza respeitando a natureza e ao próximo.? puro Transcendentalismo , um apelo para que cada um siga a sua própria luz interior.Este ensaio foi obtido a partir da palestra''What Shall It Profit? ''apresentada ao publico em 06 de dezembro de 1854, no Sal?o Railroad em Providence Rhode Island.Foi publicado pela primeira vez na edi??o de outubro de 1863 The Atlantic Monthly, onde foi dado o título moderno.Vida sem Princípio é um ensaio em que Thoreau coloca o seu programa para viver bem. Incluem-se aqui as suas ideias sobre a forma de abordagem da comunica??o interpessoal, modos de trabalho, sustento financeiro e outros códigos de conduta baseados na filosofia de de vida de Thoreau.'

本书从康德遗留于世的300多封信中选出100封书信，根据年代先后按照编年史顺序排列。康德书信是康德哲学思想体系的一个重要组成部分。它们不仅包含了康德对自己思想体系的许多重要的说明和解释，形成了康德哲学著作的一个重要补充，而且以动态的方式再现了康德哲学思想形成的过程。同时，它们也是康德生活与事业的忠实见证人。 此外，本书的附录部分收录了康德三篇重要的论文，即《关于一种出自世界公民意图的普遍历史的观念》《回答一个问题：什么是启蒙》《重新提出的问题：人类是否在不断地向善步？》

哲学一直给人一种远在云端的感觉，对于很多人来说，读不读哲学对生活没有多少影响。但其实，这种高高在上的哲学是被经院化和学科化了的，是对哲学原来面貌的*扭曲！ 七格说，哲学与我们的距离并不遥远。哲学家可以很有趣，哲学可以很辛辣，哲学与我们的生活息息相关，可以启发我们从不同的角度看待生活中的问题。 《脑洞大的哲学简史（*部分：八世纪前）》带你认识48位哲学大师的前世今生，风趣幽默的观剖析，独具一格的人物短评，各类学科与哲学的激情碰撞，让你畅游哲学海洋，重塑不一样的哲学态度！

有件事是确定无疑的：终我们都会死亡。 　　但我们真的相信自己会死吗？ 　　死亡是生命的终吗？ 　　人是否有不朽的灵魂？ 　　为什么说永生是件坏的事情？ 　　在某些情况下自杀是否可能合理和符合道德？ 　　我们终将死掉这个事实，会怎么影响我们的生活方式？ 　　…… 　　《死亡哲学：耶鲁大学公课》一书源于受欢迎的国际名校公课之一《哲学：死亡》。在这本通俗易懂的哲学著作中，谢利卡根教授挑战了许多我们习以为常或未经深思的观，邀请读者系统反思死亡的哲学之谜，以更清晰的概念探讨死亡的意义为何，从形而上学到价值观，认真、理性地思考生命和死亡的真相。而带领我们探索生命的价值，该以什么样的态度来面对人生这趟旅程。 　　叔本华对死亡哲学的阐述，对本书来说至为贴切:“由于对死亡的认识所带来的反省，致使人类获得形而上学的见解，并由此得到一种慰藉。所有宗教和哲学体系，主要即为针对这种目的而发，以帮助人们培养反省的理性，作为对死亡观念的解毒剂。”死亡虽是我们每个人的宿命，但看待死亡的视角，却可以让人们获得拯救。

      《中国哲学史大纲》为胡适所作，是中国学者运用现代学术方法系统研究中国古代哲学史的*部著作。它的出版被视为中国哲学史学科建立的标志。它所获得的赞誉无以复加，不但被视为一本划时代的著作，而且被誉为五四新文化运动的一个积极成果，是中国思想史研究的山之作，为胡适的学术地位奠定了一块不可撼动的基石。

《西方政治哲学史》（*卷）由八位杰出学者撰写，内容涵盖了从古希腊到宗教改革的政治思想和政治哲学。*章提供了西方政治思想端处的宏大背景，讨论了希腊城邦与民主思想，以及诗人、剧作家、智者和史学家的政治洞见；第二章到第六章分别聚焦于柏拉图的统一城邦、亚里士多德的*政体、西塞罗的法权国家、奥古斯丁的上帝之城与尘世之城、阿奎那的自然法与政体理论；第七章既从宏观上考察了文艺复兴时期政治思想的巨大变革，又特别讨论了马基雅维利在其中的突出地位；第八章以路德和加尔文的政治思想为主体，同时考察了宗教改革时代的神学—政治问题。全书既关注政治思想的历史语境，又凸显重要思想家的特殊贡献，体现了汉语学界在西方政治哲学史领域的*研究成果。

本书的主要内容在于矫正后人对荀子天论和性论之误解。荀子言天道，分本体与现象两部分。本体不见其事而见其功，皆知其所以成而莫知其无形，这属于天职的部分。现象即能生之本体所产生的自然现象，有其运行的规律，所谓“天行有常”，故人若应之以治则吉，应之以乱则凶，这属于人职的部分。荀子讲明于天人之分，其目的即强调人伪比天性更重要。荀子论性，认为人既有好利疾恶之性，亦有好义欲善之性。但好利疾恶不等于恶，人一味放纵好利疾恶之性，以至争夺生而辞让亡、残贼生而忠信亡，才是恶。同理，好义欲善不等于善，只有学至全尽、知类明统、深思熟虑，实际上建构出礼仪法度来，才是善。荀子批评孟子的性善说是“幽隐而无说，闭约而无解”，是因为孟子不重视后天人为之伪。因此荀子言性，只是本始材朴，无所谓善恶。故与其说荀子是性恶论者，不如说是善伪论者。

本书是一部逐段考释《精神现象学》的评注性著作，是作者多年潜心研究黑格尔哲学与德国古典哲学，吸收国内外学者《精神现象学》研究的前沿成果，并经过多轮课堂教学、同行讨论的锤炼后写作而成的。本书不满足于对国内外某家某派观的单纯介绍，而是基于自身的判断，对这些观有取有舍，并重新界定辩证法、规律、理性、精神等关键概念，对黑格尔与现代性的关系、德国古典哲学的特质与思想史地位等问题提出作者独立的见解，堪与西方学者行对话。因此，本书对于推我国黑格尔研究和德国古典哲学研究大有裨益。

《谈美》是美学家朱光潜先生以书信形式为青年所写的一本美学门书，顺着美从哪里来、美是什么以及美的特等问题层层展，提出了美学研究的理想目标——“人生的艺术化”。朱先生以一种对老朋友的语气娓娓而谈，将他对艺术与人生关系的深刻体悟渗透在质朴清新的文字中，“引读者由艺术走人生，又将人生纳艺术之中”（朱自清语）。全书*后呼吁人们“慢慢走，欣赏啊”，认为“欣赏之中都寓有创造，创造之中也都寓有欣赏”。 　　书后收录朱先生的《近代实验美学》一文，供读者朋友参考。 名家荐评 作家、学者朱自清：作者是你的熟人，他曾写给你《十二封信》；他态度的亲切和谈话的风趣，你是不会忘记的……孟实先生引读者由艺术走人生，又将人生纳艺术之中。这种“宏远的眼界和豁达的胸襟”，值得学者深思。 当代学者钱念孙：朱先生美学的一个突出特，是中西融会、古今沟通……他灵心慧眼，博采西方美学之花；妙手剪裁，嫁中国传统之木。国人之有详赡系统美学专著，朱先生《文艺心理学》和《谈美》，风气之先。 语文教师陈小爽：他的《谈美》一书，如行云流水一般，时而诙谐，时而正经，有时比喻，有时引用，有时就像说故事一样，深浅出地一层层引领读者走高深和复杂里去。全书充满精妙之言，字字珠玑，可圈可，读来如品一杯清茶，所获匪浅。

Inigo (Ignatius de Loyola) begins as a hot-headed, street-fighting sensualist, in this action-packed play but due to serious injury in a sword-fight, he has to spend time recovering and reassessing his dissolute life. This stage version of his life follows his transformation to become the co-founder of the Jesuits in the sixteenth century, battling the powers of the day and the Inquisition. In Moore's bold, funny play, he asserts Inigo's position as a radical figure bent on changing the Catholic Church.?? This play is not only for those interested in Inigo and the Jesuits. It is also about individuals who fight for change against an implacable Establishment and it is ideal for performing in schools, colleges and theatres. Of special interest to schools and colleges, many of which are named after Inigo (Ignatius de Loyola).?Inigo's spiritual tools for change have informed other self-development programs such as the 12 step program for recovering drug and alcohol addicts. As Pope Francis is a Jesuit, this is a timely exploration of one of history's major spiritual leaders and reformers. "This is the most interesting play text to have reached me for a while... Ignatius of Loyala, founder of the Jesuits is not the most obvious choice for a play subject until you remember that he was effectively a counter-cultural radical fighting an implacable establishment suddenly it s both topical and relevant. I hope this thoughtful, engaging and very funny in places eight-hander will get more outings very soon. If not read the text anyway." --Susan Elkin, The Stage"Brilliantly written... a great evening of thoughtful and dynamic theatre." --Mark Lawson, arts correspondent"The structure and dynamism of the play, the art with which Jonathan Moore makes Ignatius accessible to us, capturing much of the drama of the Spiritual Exercises themselves, would also make I?igo an excellent discovery for schools and colleges." --James Hanvey SJ, Master of Campion Hall, University of Oxford, Thinking Faith Jonathan Moore is an award-winning actor, writer and director. As an actor he has played leading roles at the Royal Shakespeare Co, Royal Court, Donmar, the Royal Exchange and on BBC TV. He has directed theatre and opera world premieres at the Almeida, Donmar, West End, Royal Exchange, Gate, English National Opera, Covent Garden, La Fenice in Venice and on TV among many others. He has directed world premieres by composers such as Turnage, MacMillan, Henze, Schnittke, Nyman, Copeland and more, and his early work was sponsored by Joe Strummer of The Clash. He has collaborated with members of punk band Killing Joke and on several projects with Industrial group Test Dept. A published playwright and librettist, his work has been performed at leading theatres including the Donmar, Royal Exchange, Gate, BBC TV, radio and internationally. Jonathan was asked by Mark Rylance to direct the large-scale immersive project for over fifty performers What You Will, a co-production for Shakespeare s Globe, The Cultural Olympiad and Mayor s Office and several subsequent Shakespeare projects. He is due to direct a large-scale site-specific immersive project for Ludovico Einaudi in Italy and a new opera project with Stewart Copeland. He is on the Artistic Advisory Committee of the Royal Academy of Dramatic Art. He has had a Who s Who entry since 2007. A collection of Moore's plays has been previously published by Aurora Metro Books. www.jonathanmooreuk.com

Come on a journey into the nature of consciousness, finding the space 'between thoughts' as the most obvious place to recognize your true and eternal Self. We recognize overlooked aspects of the natural world around us; as ourselves, as well as using nature to demonstrate spiritual concepts such as God, union and liberation. Your true 'nature' awaits...---------------------------"No matter how it is approached, no amount of words will ever transmit to another person the indescribable 'ultimate Truth'. The fact that it's described as indescribable should be enough to stop us trying. Yet it's made even more difficult because of our troublesome human mind. As intelligent and magnificent as it is, it has a deep and tragic habit of confusing the symbols we use (for simple convenience) in our lives, for the actual things or ideas they represent. As Alan Watts used to say, it's like climbing a signpost rather than walking in the direction it points. Our greatest of misunderstandings is that we confuse the story and idea of who we are, with what is actually true; pure and simple. We make a false judgment on who or what we are, and you wouldn't believe the amount of mischief that arises in result.As exaggerated or humorous as all this may sound on first impressions, this habit of confusing symbols for reality is a very real problem plaguing our human world, and the implications are exceptionally far reaching. We have confused such things as money for wealth, status or fame for character and even the virtual world for real - but most appropriate to this book, is that religious or spiritual concepts are always confused for the things they are pointing towards. That's particularly true of our concepts of 'God', particularly true of Buddha's Dharma, particularly true of any teaching towards enlightenment or liberation."---------------------------"OmniscienceOh father in heaven, omniscience cannot be. It makes no sense, no sense to me....***Between thoughts, your functioning remains flawless. Between thoughts you are ego-less, yet still exist...?How is it so that your heart beats without your control?How do migrating birds travel without directions, newborn horses stand straight up and embryos form without instruction. How does a plant know how to flower and a seed mature into a tree??Without thought or instruction, nature around you is already omniscient. Are you different from nature, or one and the same?***Young one, nature already exists in an omniscient state with no mind…?Between thoughts, are you omniscient?Mid-thought, do you believe you're not?"

　　《什么是主体性？》由法国存在主义哲学家让-保罗·萨特1961年12月在罗马应葛兰西学院之邀讲学的记录整理而成。当年的课堂记录尤其是萨特与现场听众讨论的部分，五十多年后重获发现，2013年在法国出版，主体为题为“马克思主义与主体性”的报告，同时收数位意大利的马克思主义知识分子（如Enzo Paci, Cesare Luporini, Galvano Della Volpe）与萨特讨论的文字。并由Michel Kail与Raoul Kirchmayer作序言“意识与主体性”，跋文是詹明信的“萨特的现实意义”。 　　“主体性”是萨特强调的重要概念之一，“什么是主体性”这一问题因为与当代批评理论中针对“主体”的讨论相关而重获重要性。自1930年代以来，主体性问题就困扰着萨特。萨特认为，正是人的主体性给了我们在生活中选择走自己的道路的能力。因为并不存在客观的标准、客观的价值，也不存在确定的决定我们是谁或我们是什么的本质，我们能够把握的只有主观的标准、主观的价值以及由此而来的本质，而这些只能从一个主观的视角来拓展和理解。 　　正如“序言”所言：本书的出版，使人们得以一瞥萨特著作的整体性，并可为他艰涩的《辩证理性批判》一书提供理想的门导读，而《辩证理性批判》一书正好在讲座前一年出版，构成了一次与马克思主义的交锋。这种交锋的前提是萨特对马克思主义的悖论性评价：马克思主义已停止不前，同时也构成我们时代不可逾越的地平线。 　　萨特这次报告的抱负即为将主体性置于马克思主义分析的核心，以重新赋予它一度失去的活力。他同时抨了主观主义和客观主义，他想指出为什么主体性对于认识社会来说必不可少。萨特的特有方法就是通过分析实例来紧紧抓住自己的对象。而抓住主体性，就是理解客观条件如何被内在化和被体验，使自己有能力说明集体实践的形式如何得以建立。主体性是“特殊的普遍”，是历史的产物，是历史的基本结构，是可能的创造！