Prometheus, a Titan who defies the gods and gives fire to mankind, acts for which he is subjected to perpetual punishment. The Oceanids appear and attempt to comfort Prometheus by conversing with him. Prometheus cryptically tells them that he knows of a potential marriage that would lead to Zeus's downfall. A Titan named Oceanus commiserates with Prometheus and urges him to make peace with Zeus.

The Frogs tells the story of the god Dionysus, who, despairing of the state of Athens' tragedians, travels to the underworld to bring the playwright Euripides back from the dead. He brings along his slave Xanthias, who is smarter and braver than Dionysus. As the play opens, Xanthias and Dionysus argue over what kind of jokes Xanthias can use to open the play.

A group of women, led by the wise and redoubtable Praxagora, has decided that the women of Athens must convince the men to give them control of the city, as they are convinced they can do a better job. Disguised as men, the women sneak into the assembly and command the majority of votes needed to carry their series of revolutionary proposals, even convincing some of the men to vote for it on the grounds that it is the only thing they have not tried.

In 1969 the small Asian nation of Cambodia was under attack: first by US bombers as the Vietnam war spilled over the border, and then by the Khmer Rouge as they began their brutal reign of terror. Under the rule of Pol Pot, ordinary city folk were driven from their homes and banished to labour camps that eventually saw two million people die. Darkness descended and "Year Zero" had begun. Mother and the Tiger is the story of one small girl, who struggled to survive one of the most ruthless regimes in human history. Six-year-old Hui Lim was trapped by the madness around her and cast into a seemingly endless nightmare. Her family was cursed as a member of a hated ethnic minority and targeted by the murderous Khmer Rouge. To survive where so many others died, Hui had to tap an inner strength that she never knew she possessed. Despite her youth she was determined to find her scattered family, no matter the odds. Her memoir of that brutal regime proves that even amidst the blackest depths of human depravity, hope can endure.

n vara anului 1914, cea mai mare parte a Europei s-a prbuit ntr-un rzboi att de catastrofal nct a zdruncinat politica i nsui sistemul de credine al continentului ntr-un mod fundamental. Dezastrul i-a nspimntat pe supravieuitori i a ocat o civilizaie care i asumase total rolul de model pentru restul lumii. Totul s-a prbuit ntr-un haos de o slbticie aflat dincolo de orice termen de comparaie. n 1939, europenii aveau s nceap un al doilea conflict care a reuit s fie chiar i mai teribil – un rzboi n care uciderea civililor a ocupat scena central i care a culminat cu Holocaustul. Drumul spre iadne spune aceast poveste cu nelegere, fler i originalitate. Kershaw reia evenimentele ntr-o naraiune fascinant, dar abordeaz i problemele cele mai dificile pe care le ridic aceste ntmplri din trecut – ce au nsemnat ele pentru europenii care le-au declanat i care le-au trit i ce nseamn pentru noi. Istorie la dimensiuni epice... ar trebui s figureze n lista lecturilor obligatorii. –The New York Times Ne aflm n prezena unui istoric emerit.– Spectator Magistral.– The Economist

Three Sisters was written for the Moscow Art Theatre and was directed by Staniskavski himself on first opening. The play is often included in Chekhov's list of four outstanding plays and part of the classic repertoire of many world theatres. The play follows Chekhovian tradition of subtle character development and humour which often makes it a challenge for both performers and directors.

KING CHARLES THE FIRST was born in Scotland. It may perhaps surprise the reader that an English king should be born in Scotland. The explanation is this:??They who have read the history of Mary Queen of Scots, will remember that it was the great end and aim of her life to unite the crowns of England and Scotland in her own family. Queen Elizabeth was then Queen of England. She lived and died unmarried. Queen Mary and a young man named Lord Darnley were the next heirs. It was uncertain which of the two had the strongest claim. To prevent a dispute, by uniting these claims, Mary made Darnley her husband. ??They had it son, who, after the death of his father and mother, was acknowledged to be the heir to the English throne, whenever Elizabeth's life should end. In the meantime he remained King of Scotland. His name was James. He married a princess of Denmark; and his child, who afterward was King Charles the First of England, was born before he left his native realm.

Descent Into Hell is a novel written by Charles Williams, first published in 1937. Williams is less well known than his fellow Inklings, such as C. S. Lewis and J. R. R. Tolkien. Like some of them, however, he wrote a series of novels which combine elements of fantasy fiction and Christian symbolism. Forgoing the detective fiction style of most of his earlier supernatural novels, most of the story's action is spiritual or psychological in nature. It fits the "theological thriller" description sometimes given to his works. For this reason Descent was initially rejected by publishers, though T. S. Eliot's publishing house Faber and Faberwould eventually pick up the novel, as Eliot admired Williams's work, and, though he did not like Descent Into Hell as well as the earlier novels, desired to see it printed.SHORT SUMMARY: The action takes place in Battle Hill, outside London, amidst the townspeople's staging of a new play by Peter Stanhope. The hill seems to reside at the crux of time, as characters from the past appear, and perhaps at a doorway to the beyond, as characters are alternately summoned heavenwards or descend into hell. Pauline Anstruther, the heroine of the novel, lives in fear of meeting her own doppelganger, which has appeared to her throughout her life. But Stanhope, in an action central to the author's own theology, takes the burden of her fears upon himself—Williams called this The Doctrine of Substituted Love—and enables Pauline, at long last, to face her true self. Williams drew this idea from the biblical verse, "Ye shall bear one another's burdens" And so Stanhope does take the weight, with no surreptitious motive, in the most affecting scene in the novel. And Pauline, liberated, is able to accept truth.On the other hand, Lawrence Wentworth, a local historian, finding his desire for Adela Hunt to be unrequited, falls in love instead with a spirit form of Adela, which seems to represent a kind of extreme self-love on his part. As he isolates himself more and more with this insubstantial figure, and dreams of descending a silver rope into a dark pit, Wentworth begins the descent into Hell.HARROWING of HELL: "Christ in Limbo" and "Descent into Hell" redirect here. For the novel by Charles Williams, see Descent into Hell (novel). For the 8th-century Anglo-Saxon liturgical play, see Harrowing of Hell (drama).

O istorie politico-sentimental? a capitalei noastre. De ce o istorie politico-sentimental?? Pentru c?, ?n evolu?ia Bucure?tiului, de-alungul secolelor, afacerile politice s-au ?mpletit adesea, inevitabil, cu b?t?ile inimii. Chiar prima perioad? a cet??ii, ca ?i capital? domneasc?, tutelat? de figu ra dominant? a doamnei Chiajna, poate fi b?nuit? de un senzualism crud care a deschis drum acelui fenomen pe care Ionescu-Gion ?l numea at?t de plastic ?ginecolatrie“, adic? ascultarea dovedit? de domnitorii valahi fa?? de so?iile lor.

Adam Smith's masterpiece, first published in 1776, is the foundation of modern economic thought and remains the single most important account of the rise of, and the principles behind, modern capitalism. Written in clear and incisive prose, The Wealth of Nations articulates the concepts indispensable to an understanding of contemporary society.

The Federalist Papers are a series of 85 articles advocating the ratification of the United States Constitution. Seventy-seven of the essays were published serially in The Independent Journal and The New York Packet between October 1787 and August 1788. A compilation of these and eight others, called The Federalist, was published in 1788 by J. and A. McLean. The Federalist Papers serve as a primary source for interpretation of the Constitution, as they outline the philosophy and motivation of the proposed system of government. The authors of the Federalist Papers wanted to both influence the vote in favor of ratification and shape future interpretations of the Constitution. According to historian Richard B. Morris, they are an "incomparable exposition of the Constitution, a classic in political science unsurpassed in both breadth and depth by the product of any later American writer."

Apariia n 1948 a primei reviste romneti n exil, la Paris, intitulat de creatorii ei, Virgil Ierunca i Mircea Eliade, Luceafrul“, a venit dup ce tvlugul sovietic reuise s anihileze n ar Romnia politic, iar pe cea spiritual parial, ducnd, dup cum spunea Julien Benda, la trdarea crturarilor. Reacia la aceast stare a venit, aa dup cum era i firesc, din partea unor intelectuali exilai i cu precdere a lui Virgil Ierunca, unul dintre cei doi componeni a ceea ce putem denumi instituia Lovinescu – Ierunca“. Acest cuplu a tiut s prezerve valorile romneti i nu numai pe cele spirituale, s anime, s conving, s scoat din inerie pe acei intelectuali romni exilai care i cutau menirea n acea lume care, pe atunci, nu oferea, ca mai trziu, linitea interioar att de necesar creaiei. Ierunca a fost deseori cel care l-a mpins pe Mircea Eliade s nu rmn ancorat ntr-o literatur de mrturii, ci ntr-o via activ de creaie, de cutri. Volumul de fa, care ne restituie“ Luceafrul“, se datoreaz meritului deosebit al autorilor Mihaela Albu i Dan Anghelescu.Studiul efectuat cu ntreaga dragoste i acribie a cercetatorului ne dezvluie, cu rafinament, ndeosebi o cunoatere aprofundat a simirilor celor care, cu 60 de ani n urm, nu abdicaser de la datorie. Impresioneaz nu numai relatarea faptic, dar i bogia cu care cei doi autori pun n relaie imensul lor bagaj cultural cu ceea ce au produs cu o jumtate de secol n urm autorii Luceafrului“.“ (Dinu Zamfirescu)

The period included in the reigns of Nero, Galba, Otho, Vitellius, and Vespasian, was remarkable for two memorable events in the annals of ecclesiastical history; the first persecution of the Christian Church by the sixth Roman sovereign, and the dissolution of the Jewish polity by Titus. The destruction of Jerusalem was stupendous, not only as an act of divine wrath, but as being the proximate cause of the dispersion of a whole nation, upon which a long series of sorrow, spoliation, and oppression lighted, in consequence of the curse the Jews had invoked, when in reply to the remonstrances of Pilate they had cried out, “His blood be upon us and our children.” The church below, represented in Scripture as a type of the heavenly Jerusalem above, and having its seat then in the doomed city, was not to continue there, lest the native Jews composing it should gather round them a people of their own nation, in a place destined to remain desolate till the time when the dispersed of Israel should be converted, and rebuild their city and temple. The city bearing the ancient name of Jerusalem does not indeed occupy the same site, being built round the sacred spot where the garden once stood, in which a mortal sepulchre received the lifeless form of the Saviour of the world. But happier times seem dawning on the dispersed of Judea. Our own days have seen the foundations of a Jewish Christian church laid in Jerusalem; our Queen Victoria and the King of Prussia united to commence a work of love, thereby fulfilling in part the promise made to the Jews of old, “And kings shall be thy nursing fathers, and queens thy nursing mothers.” To those readers who feel interested in the dispersed of Israel and Judea, these pages may afford, perhaps, information on an important subject as well as amusement.

THE Mesopotamian civilization shares with the Egyptian civilization the honour of being one of the two earliest civilizations in the world, and although M. J. de Morgan’s excavations at Susa the ruined capital of ancient Elam, have brought to light the elements of an advanced civilization which perhaps even antedates that of Mesopotamia, it must be remembered that the Sumerians who, so far as our present knowledge goes, were the first to introduce the arts of life and all that they bring with them, into the low-lying valley of the Tigris and Euphrates, probably themselves emigrated from the Elamite plateau on the east of the Tigris; at all events the Sumerians expressed both “mountain” and “country” by the same writing-sign, the two apparently being synonymous from their point of view; in support of this theory of a mountain-home for the Sumerians, we may perhaps further explain the temple-towers, the characteristic feature of most of the religious edifices in Mesopotamia, as a conscious or unconscious imitation in bricks and mortar of the hills and ridges of their native-land, due to an innate aversion to the dead-level monotony of the Babylonian plain, while it is also a significant fact that in the earliest period Shamash the Sun-god is represented with one foot resting on a mountain, or else standing between two mountains. However this may be, the history of the Elamites was intimately wrapped up with that of the dwellers on the other side of the Tigris, from the earliest times down to the sack of Susa by Ashur-bani-pal, king of Assyria, in the seventh century. Both peoples adopted the cuneiform system of writing, so-called owing to the wedge-shaped formation of the characters, the wedges being due to the material used in later times for all writing purposes—the clay of their native soil—: both spoke an agglutinative, as opposed to an inflexional language like our own, and both inherited a similar culture. A further, and in its way a more convincing argument in support of the mountain-origin theory is afforded by the early art of the Sumerians. On the most primitive seal cylinders1 we find trees and animals whose home is in the mountains, and which certainly were not native to the low-lying plain of Babylonia. The cypress and the cedar-tree are only found in mountainous districts, but a tree which must be identified with one or the other of them is represented on the early seal cylinders; it is of course true that ancient Sumerian rulers fetched cedar wood from the mountains for their building operations, and therefore the presence of such a tree on cylinder seals merely argues a certain acquaintance with the tree, but Ceteris paribus it is more reasonable to suppose that the material earthly objects depicted, were those with which the people were entirely familiar and not those with which they were merely casually acquainted. Again, on the early cylinders the mountain bull, known as the Bison bonasus, assumes the r?le played in later times by the lowland water-buffalo. This occurs with such persistent regularity that the inference that the home of the Sumerians in those days was in the mountains is almost inevitable. Again, as Ward points out, the composite man-bull Ea-bani, the companion of Gilgamesh, has always the body of a bison, never that of a buffalo. So too the frequent occurrence of the ibex, the oryx, and the deer with branching horns, all argues in the same direction, for the natural home of all these animals lay in the mountains.

"Ugyanabban az id?ben, és ugyanazon a napon, amelyen a nemzetek megszentégtelenítették, ugyanakkor szentelték fel a templomot énekszóvel, lantok, hárfák és cintányérok kíséretével. Az egész nép arcra borult, imádta és áldotta at Eget, hogy szerencséssé tette útjukat. Az oltár újraszentelését nyolc napig végezték, és ?r?mmel áldoztak ég?álozatokat és dícs?it? áldozatokat a szabadulásért. A templom homlokzatát aranykoszorúkkal és -pajzsocskákkal díszítették fel, megújították a kapukat és a papi kamrákat, és ajtókkal láttál el ?ket. Igen nagy ?r?m t?lt?tte le a népet, mivel sikerült elhárítaniuk magukról a nemzetek gyalázatát. Júdás és testvérei Izrael egész gyülekezetével együtt elhatározták, hogy évr?l évre megünnepilik az oltár újraszentelésének napjait a maga idején a Kiszlév hónap huszon?t?dik napjától kezdve nyolc napon át vidámsággal és ?r?mmel."? A Makkabeusok els? k?nyve Izrael népe t?rténelmének olyan fejezetét mutatja be, amikor az ?s?k hitéért való harc egyben a nemzeti ?nrendelkezésért való küzdelmet is jelentett a hellenizmus globális trendjével szemben.?

Publica?ii, documente, scrisori ?i fotografii?n anul 1920, ?ntr-o lupt? inegal? cu trupele bol?evice, ?n fruntea Brig?zii a 2-a de Mitraliere a Armatei Na?ionale Ucrainene, locotenent-colonelul Hnat Porohivski s-a retras pe malul drept al Nistrului. Participant la Primul R?zboi Mondial, lider al emigran?ilor ucraineni care s-au salvat din fostul Imperiu Rus ?n Rom?nia, ?n anul 1931 absolv? ?coala Superioar? de ?tiin?e Administrative din Bucure?ti, iar ?n 1940 devine comisar al guvernului ucrainean ?n exil pentru statele balcanice.Din anul 1930 lucreaz? pentru Serviciul Secret de Informa?ii al Armatei Rom?ne, sub numele conspirativ Ciobanu, loialitatea sa fiind determinat? nu doar de orientarea antisovietic?, dar ?i de ospitalitatea oferit?. Lu?nd parte la lupte din primele zile ale r?zboiului rom?no-sovietic, sub numele conspirativ Dobrescu, ?n calitate de ofi?er superior al Agenturii Frontului de Est, a condus Biroul de Studii, Documentare ?i Centralizare.Volumul reprezint? un prim pas de recuperare a memoriei celui c?ruia i se datoreaz?, ?n mare parte, renumele de care s-a bucurat emigra?ia politic? ucrainean? din Rom?nia, rezisten?a acesteia ?n fa?a asaltului de distrugere ?i divizare, men?inerea pozi?iei de ostilitate fa?? de comunism ?i de imperialism.

ARCHITECTURE seems to me to be the most wonderful of all the arts. We may not love it as much as others, when we are young perhaps we cannot do so, because it is so great and so grand; but at any time of life one can see that in Architecture some of the most marvellous achievements of men are displayed. The principal reason for saying this is that Architecture is not an imitative art, like Painting and Sculpture. The first picture that was ever painted was a portrait or an imitation of something that the painter had seen. So in Sculpture, the first statue or bas-relief was an attempt to reproduce some being or object that the sculptor had seen, or to make a work which combined portions of several things that he had observed; but in Architecture this was not true. No temples or tombs or palaces existed until they had first taken form in the mind and imagination of the builders, and were created out of space and nothingness, so to speak. Thus Painting and Sculpture are imitative arts, but Architecture is a constructive art; and while one may love pictures or statues more than the work of the architect, it seems to me that one must wonder most at the last. We do not know how long the earth has existed, and in studying the most ancient times of which we have any accurate knowledge, we come upon facts which prove that men must have lived and died long before the dates of which we can speak exactly. The earliest nations of whose Architecture we can give an account are called heathen nations, and their art is called Ancient or Heathen Art, and this comes down to the time when the Roman Emperor Constantine was converted to Christianity, and changed the Roman Capitol from Rome to Constantinople in the year of our Lord 328. The buildings and the ruins which still remain from these ancient times are in Egypt, Assyria, Persia, Judea, Asia Minor, Greece, Etruria, and Rome. Many of these have been excavated or uncovered, as, during the ages that have passed since their erection, they had been buried away from sight by the accumulation of earth about them. These excavations are always going on in various countries, and men are ever striving to learn more about the wonders of ancient days; and we may hope that in the future as marvellous things may be revealed to us as have been shown in the past. EGYPT: As we consider the Architecture of Egypt, the Great Pyramid first attracts attention on account of its antiquity and its importance. This was built by Cheops, who is also called Suphis, about 3000 years before Christ. At that distant day the Egyptians seem to have been a nation of pyramid-builders, for even now, after all the years that have rolled between them and us, we know of more than sixty of these mysterious monuments which have been opened and explored. Of all these the three pyramids at Ghizeh are best known, and that of Cheops is the most remarkable among them. Those of you who have studied the history of the wars of Napoleon I. will remember that it was near this spot that he fought the so-called Battle of the Pyramids, and that in addressing his soldiers he reminded them that here the ages looked down upon them, thus referring to the many years during which this great pyramid had stood on the border of the desert, as if watching the flight of Time and calmly waiting to see what would happen on the final day of all earthly things. There have been much speculation and many opinions as to the use for which these pyramids were made, but the most general belief is that they were intended for the tombs of the powerful kings who reigned in Egypt and caused them to be built.The pyramid of Cheops was four hundred and eighty feet and nine inches high, and its base was seven hundred and sixty-four feet square. It is so difficult to understand. CLARA ERSKINE CLEMENTAUTHOR OF "HANDBOOK OF LEGENDARY AND MYTHOLOGICAL ART," "PAINTERS, SCULPTORS, ENGRAVERS, ARCHITECTS AND THEIR WORKS," "ARTISTS OF THE NINETEENTH CENTURY"

L?sa?i atunci trufia la o parte, C?ci de b?rba?i trufia ne desparte. ?i m?inile, duioase ?i supuse, ?n slujba lor pe veci s? fie puse. ?i so?ul meu, de ?ndat? ce ar vrea, ?n m?na lui mi a? pune m?na mea. Then vail your stomachs, for it is no boot,And place your hands below your husband’s foot: In token of which duty, if he please, My hand is ready; may it do him ease.

Do you love the Eurovision song contest? Do you hold a Eurovision party every year? Or do you just want to discover more about the world's premier music competition? If so, you'll love this fantastic eBook featuring more than 100 facts. From the countries who have won the competition the most to the famed entries who received 'nul points'; from information about the rules to amazing things about the competition you never would have guessed, this fun fact-filled folio has everything you need to know!

Cititorul va redescoperi, citind aceast? carte, istoriile, uneori-adeseori, scandaloase ale celebrelor cupluri bucure?tene, inclusiv c?teva din pove?tile de dragoste care s-au legat ?ntre domni?ele noastre ?i str?inii ajun?i la Bucure?ti, fie ?n calitate de diploma?i, fie de militari. Nu lipsesc din aceste pagini nici arti?tii din galeria ?aman?ilor magnifici“ ai Bucure?tilor de odinioar?. Un exemplu este povestea rivalit??ii Eminescu – Caragiale ?n ceea ce-o prive?te pe Veronica Micle sau povestea dublei pasiuni a arhitectului Alexandru Orascu – pentru so?ia sa Elena Marcovici ?i pentru ora?ul natal pe care visa s?-l ridice din cenu?? ?i ruine. Un Bucure?ti al Afroditei ?i al lui Eros (cum ?i mergea vestea ?nca din veacul fanariot, potrivit calug?rului grec Daponte), nu era de ?nchipuit f?r? evocarea vestitelor baluri din palatul ?u?u ?i nici f?r? evocarea cuplului Grigore ?i Irina ?u?u, arbitri ai elegan?ei, ospitalit??ii ?i curtoaziei specifice secolului al XIX-lea.

Carte nominalizat? la premiile Samuel Johnson, Duff Cooper ?i Marsh Biography?O biografie splendid scris?, o carte care reu?e?te s? ne surprind? ?n multiple feluri. Nu numai c? scoate din umbra istoriei personalitatea lui Potemkin ?i cariera sa excentric?, dar aduce la via?? Rusia aristocratic? a secolului al XVIII-lea… Este evident c? ceea ce l-a fascinat pe Sebag Montefiore este ?nsu?i omul – personalitatea, realiz?rile, rela?ia sa de o via?? cu suverana-amant? –, iar aceast? fascina?ie transpare ?n fiecare pagin? a c?r?ii.“ – Anne Applebaum?O carte magnific?… Reabilitarea plin? de pasiune ?i de devotament a eroului lui Montefiore este numai unul dintre nenum?ratele atuuri minunate ale acestei c?r?i. Realizat? ?n urma cercet?rii am?nun?ite a arhivelor ruse?ti, este o lucrare ?tiin?ific? deosebit?… O biografie superb?… greu de imaginat c? va putea fi ?ntrecut? vreodat?.“ – Frank McLynn?Entuziasmul ?i erudi?ia lui Montefiore fac din aceast? carte mult mai mult dec?t o biografie captivant?, lectura ei este un galop n?valnic… Un triumf al muncii de cercetare ?i o bucurie a lecturii.“ – Antony BeevorCa t?n?r ofi?er de gard?, Grigori Potemkin a atras aten?ia Ecaterinei, la acea vreme Mare Duces? a Rusiei, cu un gest teatral plin de mare galanterie ?n timpul loviturii de palat care a adus-o pe aceasta la tron. ?n cei treizeci de ani care au urmat, avea s? devin? iubitul ei, partener la domnie ?i so? ?ntr-o c?s?torie secret?, care l?sa libertate am?ndurora pentru satisfacerea propriilor extravagan?e sexuale. Potemkin s-a dovedit a fi unul dintre cei mai sclipitori oameni de stat ai secolului al XVIII-lea, ajut?nd-o pe Ecaterina s? extind? Imperiul Rus ?i manipul?nd cu ?ndem?nare alia?i ?i adversari, de la Constantinopol p?n? la Londra.Aceast? biografie recreeaz? cu ?nsufle?ire personalitatea flamboaiant? ?i realiz?rile lui Potemkin ?i ?i red? locul cuvenit ca un adev?rat colos al secolului al XVIII-lea.Volumul este o cronic? a rela?iei tumultuoase dintre Potemkin ?i Ecaterina, a extraordinarei pove?ti de dragoste dintre dou? personalit??i puternice care au influen?at cursul istoriei. Aduc?nd la via?? aceste personaje cu destine romane?ti, Montefiore relateaz? totodat? povestea cre?rii Imperiului Rus. O biografie la superlativ – intim? ?i panoramic?, explod?nd de via?? ?i pasiune.?Una dintre marile pove?ti de dragoste ale istoriei, ?n aceea?i lig? cu Joséphine ?i Napoleon, Antoniu ?i Cleopatra… O carte excelent?, scris? cu o extraordinar? m?iestrie a detaliului ?i un talent literar uluitor.“ – The Economist