Welcome! Come on in! Take part in the project launch of ArtWorks, the new back to work initiative created and run by your friend and ours, the one, the only, the most fantastic… Vince Fine! And so begins the project launch from hell… Exploring issues of how society views those living on benefits, the ‘creative industries’ and what we should value in life, this dark comedy (running in real time) charts the fall from grace of the central comedic hero, Vince Fine, as he watches everything he’s ever dreamed of slip from his fingers. Includes some audience participation and interaction.

“Midsummer Night's Dream” is Shakespeare's classic tale of two couples who can't quite pair up to everyone's satisfaction. Demetrius and Lysander love Hermia. ??Hermia loves Lysander but has been promised to Demetrius by her father. Hermia's best friend Helena loves Demetrius, but in his obsession for Hermia Demetrius barely even notices her smitten friend. ??When Hermia and Lysander plan to elope all four find themselves in the forest late at night where the fairy Puck and his lord Oberon wreck havoc on the humans with a love potion that causes the victim to fall in love with the first thing they see upon waking.??- Some Books of Shakespeare:?- Romeo and Juliet (1597)?- Hamlet (1599)?- Macbeth (1606)?- Julius Caesar (1599)?- Othello (1603)?- The Merchant of Venice (1598)?- Much Ado About Nothing (1600)?- King Lear (1606)?- The Taming of the Shrew (1594)?- The Comedy of Errors (1594)

Cei ce sus?in c? tr?im ?ntr-o er? a comunic?rii par s? confunde dezvoltarea telecomunica?iilor cu progresul comunic?rii interumane. Nu este c?tu?i de pu?in sigur c? suntem ast?zi mai capabili dec?t ?n trecut de solidaritate afectiv? cu semenii, de ?mp?rt??ire de tr?iri intime, de prietenie ?i dragoste. Poate chiar dimpotriv?. Ceea ce ?inea ?n trecut de normalitatea vie?ii de fiecare zi ?i, ca atare, nu mobiliza ?n mod special aten?ia celor implica?i, a devenit ast?zi obiect de analiz? tocmai pentru c? nu se mai produce spontan, ci necesit? un efort con?tient, inclusiv de natura teoretic-investigativ?.Cunoa?terea principiilor ?i a mecanismelor comunic?rii interpersonale a devenit indispensabil? pentru ameliorarea raporturilor dintre oameni ?i a ?ncetat s? mai fie numai o problem? a speciali?tilor. Dac? ?n trecut oamenii comunicau spontan, ?n felul ?n care f?cea proza ?burghezul gentilom“, ast?zi suntem tot mai mult ?n situa?ia unui domn Jourdain care, pentru a se apropia de semenii s?i, are nevoie de un ghid. Acestui imperativ ?ncearc? s?-i r?spund?, ?n felul s?u, ?i lucrarea de fa??.

Adam Smith's masterpiece, first published in 1776, is the foundation of modern economic thought and remains the single most important account of the rise of, and the principles behind, modern capitalism. Written in clear and incisive prose, The Wealth of Nations articulates the concepts indispensable to an understanding of contemporary society.

Apariia n 1948 a primei reviste romneti n exil, la Paris, intitulat de creatorii ei, Virgil Ierunca i Mircea Eliade, Luceafrul“, a venit dup ce tvlugul sovietic reuise s anihileze n ar Romnia politic, iar pe cea spiritual parial, ducnd, dup cum spunea Julien Benda, la trdarea crturarilor. Reacia la aceast stare a venit, aa dup cum era i firesc, din partea unor intelectuali exilai i cu precdere a lui Virgil Ierunca, unul dintre cei doi componeni a ceea ce putem denumi instituia Lovinescu – Ierunca“. Acest cuplu a tiut s prezerve valorile romneti i nu numai pe cele spirituale, s anime, s conving, s scoat din inerie pe acei intelectuali romni exilai care i cutau menirea n acea lume care, pe atunci, nu oferea, ca mai trziu, linitea interioar att de necesar creaiei. Ierunca a fost deseori cel care l-a mpins pe Mircea Eliade s nu rmn ancorat ntr-o literatur de mrturii, ci ntr-o via activ de creaie, de cutri. Volumul de fa, care ne restituie“ Luceafrul“, se datoreaz meritului deosebit al autorilor Mihaela Albu i Dan Anghelescu.Studiul efectuat cu ntreaga dragoste i acribie a cercetatorului ne dezvluie, cu rafinament, ndeosebi o cunoatere aprofundat a simirilor celor care, cu 60 de ani n urm, nu abdicaser de la datorie. Impresioneaz nu numai relatarea faptic, dar i bogia cu care cei doi autori pun n relaie imensul lor bagaj cultural cu ceea ce au produs cu o jumtate de secol n urm autorii Luceafrului“.“ (Dinu Zamfirescu)

The Federalist Papers are a series of 85 articles advocating the ratification of the United States Constitution. Seventy-seven of the essays were published serially in The Independent Journal and The New York Packet between October 1787 and August 1788. A compilation of these and eight others, called The Federalist, was published in 1788 by J. and A. McLean. The Federalist Papers serve as a primary source for interpretation of the Constitution, as they outline the philosophy and motivation of the proposed system of government. The authors of the Federalist Papers wanted to both influence the vote in favor of ratification and shape future interpretations of the Constitution. According to historian Richard B. Morris, they are an "incomparable exposition of the Constitution, a classic in political science unsurpassed in both breadth and depth by the product of any later American writer."

Three Sisters was written for the Moscow Art Theatre and was directed by Staniskavski himself on first opening. The play is often included in Chekhov's list of four outstanding plays and part of the classic repertoire of many world theatres. The play follows Chekhovian tradition of subtle character development and humour which often makes it a challenge for both performers and directors.

The Cherry Orchard is one of the best known plays by the prolific Russian dramatist Anton Chekhov. It has been translated into practically all languages and is part of the classic repertoire of all world stages. Chekhov is known for his art of subtlety, humour, stream of consciousness technique, and fine balance which is often difficult to get right. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. The play concerns an aristocratic Russian landowner who returns to her family estate just before it is auctioned to pay the mortgage. Unresponsive to offers to save the estate, she allows its sale to the son of a former serf. The story presents themes of cultural futility – both the futile attempts of the aristocracy to maintain its status and of the bourgeoisie to find meaning in its newfound materialism. It dramatises the rise of the middle class after the abolition of serfdom in the mid-19th century and the decline of the power of the aristocracy.

Uncle Vanya is different from Chekhov's other major plays as it is essentially an extensive reworking of his own other play published a decade earlier, The Wood Demon. By elucidating the specific changes Chekhov made during the revision process—these include reducing the cast-list from almost two dozen down to nine, changing the climactic suicide of The Wood Demon into the famous failed homicide of Uncle Vanya, and altering the original happy ending into a more problematic.

When Oedipus, King of Thebes, realized he had married his own mother and had two sons and two daughters with her, he blinded himself and cursed his sons to divide their kingdom by the sword. The two sons, Eteocles and Polynices, in order to avoid bloodshed, agreed to rule Thebes in alternate years. After the first year, Eteocles refused to step down, leading Polynices to raise an army of Argives captained by the eponymous Seven to take Thebes by force. This is where Aeschylus' tragedy starts.

Strepsiades complains to the audience that he is too worried about household debts to get any sleep – his aristocratic wife has encouraged their son's expensive interest in horses. Strepsiades, having thought up a plan to get out of debt, wakes the youth gently and pleads with him to do something for him. Pheidippides at first agrees to do as he's asked then changes his mind when he learns that his father wants to enroll him in The Thinkery, a school for wastrels and bums that no self-respecting, athletic young man dares to be associated with.

The protagonist, Dikaiopolis, miraculously obtains a private peace treaty with The Spartans and he enjoys the benefits of peace in spite of opposition from some of his fellow Athenians.

Trygaeus, a middle-aged Athenian, miraculously brings about a peaceful end to the Peloponnesian War, thereby earning the gratitude of farmers while bankrupting various tradesmen who had profited from the hostilities. He celebrates his triumph by marrying Harvest, a companion of Festival and Peace, all of whom he has liberated from a celestial prison.

The play begins with a strange scene—a large net has been spread over a house, the entry is barricaded and two slaves are sleeping in the street outside. A third man is positioned at the top of an exterior wall with a view into the inner courtyard but he too is asleep. The two slaves wake and we learn from their banter that they are keeping guard over a 'monster'. The man asleep above them is their master and the monster is his father—he has an unusual disease.

Space and Time are pleased to bring you The Seagull by Anton Checkov. This classic is presented as a wonderfully presented edition with a fully interactive table of contents.

Inspired by the real life experiences of Rwandan refugees in the UK, the play tells the story of two people from entirely different worlds who meet at a Refugee Centre in London: Juliette is a young Rwandan asylum seeker, detemined to write a book on the genocide that killed her famiily; Simon is a middle-aged failing novelist, whose job is to help people write. The play follows their funny and touching relationship and tackles issues that face many refugees who live in the UK today. Nominated as Time Out Critics’ Choice, the play has been broadcast by the BBC World Service and was toured nationally by iceandfire in Autumn 2004 with the support of the Arts Council England.

The Divine Comedy World's Best Collection This is the best Divine Comedy Collection available, including the most famous translations of this legendary works plus many extra free bonus materials. The Divine Comedy The Divine Comedy (Italian: Divina Commedia), better known sometimes as ‘Dante’s Inferno’, ‘Dante’s Purgatory’ or ‘Dante’s Paradise’, is an epic poem written by Dante Alighieri, considered the preeminent work of Italian literature, and one of the greatest works of world literature. The poem’s imaginative and allegorical vision is divided into three parts: Inferno, Purgatorio, and Paradiso.On the surface, the poem describes Dante’s travels through Hell, Purgatory, and Heaven, but is a deep metaphor for the soul’s journey towards God The ‘Must-Have’ Complete Collection In this irresistible collection you get the 4 most famous and well known translations of Dante’s immortal work, in Prose and Verse, Plus Notes on the Poem, as well as a biography so you can experience the life of the man behind the words. We also include other bonus material. Works Included: Translated by Courtney Langdon Dante’s The Divine Comedy - Verse Hell (Inferno), Purgatory And Paradise Translated by Henry Wadsworth Longfellow Dante’s The Divine Comedy - Verse Hell (Inferno), Purgatory And Paradise Plus Six Sonnets On Dante’s Divine Comedy By Henry Wadsworth Longfellow Translated by Rev. H. F. Cary, A.M. Dante’s The Divine Comedy - Verse Hell (Inferno), Purgatory And Paradise Translated by Charles Eliot Norton Dante’s The Divine Comedy - Prose Hell (Inferno), Purgatory And Paradise Your Free Special Bonuses Other Poetry Of Dante -?Dante’s lesser known, but equally as intriguing and important poetry, including: Love and the Gentle Heart O Intelligence Moving The Third Heaven Of Beauty and Duty The Thorn Forest Eclogues Dante - The Central Man Of All The World -?Biography of Dante?and Analysis of The Divine Comedy. Get This Collection Right Now This is the best Dante and Divine Comedy collection you can get, so get it now and start delving into this magnificent epic poem like never before!

Louisa May Alcott Complete Works World's Best Collection This is the world’s best Louisa May Alcott collection, including the most complete set of Alcott’s works available plus many free bonus materials. Louisa May Alcott Louisa May Alcott was an American novelist best known as author of the novel Little Women. She was raised by her transcendentalist parents and she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. The ‘Must-Have’ Complete Collection In this irresistible collection you get a full set of Louisa May Alcott’s work with more than 100 works - All her books, All her novels, and All her short stories. Plus there is Extra Bonus Material and a full length Biography. Works Including: Little Women and its sequel Good Wives Little Men: Life At Plumfield With Jo’s Boys Jo’s Boys: Sequel To Little Men? Under The Lilacs? Flower Fables? A Modern Cinderella; Or The Little Old Shoe And Other Stories? The Candy Country Eight Cousins and??Rose In Bloom - A Sequel To ‘Eight Cousins' An Old-Fashioned Girl Your Free Special Bonuses Louisa May Alcott - Her Life, Letters, And Journals?- Edited By Ednah D. Cheney – A biography and collection of Alcott’s intriguing correspondence. The Poetry Of Louisa May Alcott?- A complete set of Alcott’s rare poems. Get This Collection Right Now This is the best Alcott collection you can get, so get it now and start enjoying and being inspired by her world like never before!

This edition of 'Hamlet' is an adaptation of Shakespeare's eponymous play 'The Tragedy of Hamlet, Prince of Denmark'. Set in Denmark, the story dramatises the revenge Prince Hamlet is called to wreak upon his uncle, Claudius, by the ghost of Hamlet's father, King Hamlet. Narrated in plain modern English, capturing the very essence and key elements of the original Shakespeare's drama.

ESCAPECOME, shall we go, my comrade, from this denWhere falsehood reigns and we have dallied long?Exchange the curious vanities of menFor roads of freedom and for ships of song? We came as strangers, came to learn and look,To hear their music, drink the wine they gave.Now let us hence again; the happy brookShall quench our thirst, our music be the wave. Come! they are feasting, let us steal away.Beyond the doors the night awaits us, sweet.To-morrow we shall see the break of day,And goat-herds’ pipes shall lead our roaming feet. TO EVE IN TEARSYOU laughed, and all the fountains of the EastLeapt up to Heaven with their diamond rainTo hang in light, and when your laughter ceasedDropped shivered arrows to the ground again. You laughed, and from the belfries of the earthThe music rippled like a shaken pool;And listless banners at the breeze of mirthWere stirred in harbours suddenly made cool. You wept, and all the music of the air—As when a hand is laid upon a bell—Was stilled, and Dryads of the tossing hairCrept back abashed within the secret dell. MARIANA IN THE NORTHALL her youth is gone, her beautiful youth outworn,Daughter of tarn and tor, the moors that were once her homeNo longer know her step on the upland tracks forlornWhere she was wont to roam. All her hounds are dead, her beautiful hounds are dead,That paced beside the hoofs of her high and nimble horse,Or streaked in lean pursuit of the tawny hare that fledOut of the yellow gorse. All her lovers have passed, her beautiful lovers have passed,The young and eager men that fought for her arrogant hand,And the only voice which endures to mourn for her at the lastIs the voice of the lonely land. SORROW OF DEPARTURE. For D.HE sat among the shadows lost,And heard the careless voice speak onOf life when he was gone from home,Of days that he had made his own,Familiar schemes that he had known,And dates that he had cherished mostAs star-points in the year to come,And he was suddenly alone,Thinking (not bitterly,But with a grave regret) that heWas in that room a ghost. He sat among the shades apart,The careless voice he scarcely heard.In that arrested hour there stirredShy birds of beauty in his heart. The clouds of March he would not seeAcross the sky race royally,Nor yet the drift of daffodilHe planted with so glad a hand,Nor yet the loveliness he plannedFor summer’s sequence to fulfil,Nor trace upon the hillThe annual waking of the land,Nor meditative standTo watch the turning of the mill. He would not pause above the WealdWith twilight falling dim,And mark the chequer-board of field,The water gleaming like a shield,The oast-house in the elms concealed,Nor see, from heaven’s chalice-rim,The vintaged sunset brim,Nor yet the high, suspended starHanging eternally afar. These things would be, but not for him. At summer noon he would not lieOne with his cutter’s rise and dip,Free with the wind and sea and sky,And watch the dappled waves go by,The sea-gulls scream and slip;White sails, white birds, white clouds, white foam,White cliffs that curled the love of homeAround him like a whip....He would not see that summer noonFade into dusk from light,While he on shifting waters brightSailed idly on, beneath the moonClimbing the dome of night. This was his dream of happy thingsThat he had loved through many springs, And never more might know.But man must pass the shrouded gateCompanioned by his secret fate,And he must lonely go,And none can help or understand,For other men may touch his hand,But none the soul below.

AT the east end of the choir aisle of the Cathedral there is a portion of the wall which is possibly the oldest piece of masonry in Oxford, for it is thought to be a part of the original Church of St. Frideswyde, on whose site the Cathedral Church of Christ (to give its full title) now stands. Even so it is not possible to speak with historical certainty of the saint or of the date of her Church, which was built for her by her father, so the legend says, when she took the veil; though the year 740 may be provisionally accepted as the last year of her life. St. Frideswyde's was a conventual Church, with a Priory attached, and both were burnt down in 1002, but rebuilt by Ethelred. How much of his handiwork survives in the present structure it is not easy to de-termine; but the Norman builders of the twelfth century effected, at any rate, such a transformation that no suggestion of Saxon architecture is obtruded. Their work went on for some twenty years, under the supervision of the then Prior, Robert of Cricklade, and the Church was consecrated anew in 1180. The main features of the interior—the massive pillars and arches—are substantially the same to-day as the builders left them then. THIS BOOK, is not intended to compete with any existing guides to Oxford: it is not a guide-book in any formal or exhaustive sense. Its purpose is to shew forth the chief beauties of the University and City, as they have ap-peared to several artists; with such a running commentary as may explain the pictures, and may indicate whatever is most interesting in connection with the scenes which they represent. Slight as the notes are, there has been no sacrifice, it is believed, of accuracy. The principal facts have been derived from Alexander Chalmers' History of the Colleges, Halls, and Public Buildings of the University of Oxford, from Mr. Lang's Oxford, and from the Oxford and its Colleges of Mr. J. Wells. The illustrations, with the exception of six only, which are derived from Ackermann's Oxford, are reproduced from the paintings of living artists, mostly by Mr. W. Matthison, the others by Mrs. C. R. Walton, Walter S. S. Tyrwhitt, Mr. Bayzant, and Miss E. S. Cheesewright.