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Unforgettable French uses memory tricks to teach and reinforce major points of rench grammar from the basics up to high school level, to learners of all ages. It may be used: by anyone who wishes to gain confidence in speaking French, as a evision aid, to consolidate the learner's grasp of grammatical points, to complement whatever French scheme you are using, and by French teachers at all levels, from elementary school through to adult. These tried-and-tested memory tricks help to explain "e;tricky"e; bits and make learning easier. The memory tricks in are presented in a highly visual, page-by-page format. The sheets can be enlarged to make mini-posters or used as "e;aide-memoires"e;.

Every morning James Christie puts on a blue rugby shirt and jeans. His wardrobe is full of identical outfits. Every day he eats the same meal and drinks from the same mug. These are not ingrained habits, but survival strategies. For James, coping with new experiences feels like smashing his head through a plate glass window. The only relief comes from belting the heavy bag at the boxing club or watching Buffy the Vampire Slayer. He's an autistic man lost in a neuro-typical world. Differently wired. Alien.Despite a high IQ, it seems he'll spend the next 20 years cleaning toilets. But then his life takes an amazing turn - from a Glasgow tenement to a rendezvous with a Hollywood star on Sunset Boulevard.On that road trip across America, the man who feels he lacks a soul will find it. Eight time zones and 5,000 miles away, he has a date with the actress who played Drusilla, the kooky vampire who changed his life when he saw her in a Buffy episode. Drusilla has no soul either. And maybe that's the attraction. But Drusilla is fictional. The lady he'll see on Sunset is Juliet Landau. She's real, and that's a very different proposition...

Some guides to a subject could more or less be written by any expert in that field, but a small minority are unique creations of a rare individual who has their own view. Unfortunately most of the latter types of guides fail to be good general guides. Verity's genius makes him the exception. This book is arranged in chronological chapters that trace the evolution of poetry as an art form. At the same time, each chapter gives a most practical explanation of how that aspect of poetry that it covers works and why. The book is immensely readable, hugely informative, and adds to the ability of the reader to enjoy and to create poetry. It is a classic.' "Epictetus" (Amazon review) 'The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics' LIBRARY REVIEWS 'Of his first book of sonnets Kingsley Amis wrote ‘They belong within the corpus of English poetry’ Excerpts of Interview with Kenneth Verity on The Vanessa Phelps BBC Radio programme on June 2009 on the News Page (off the Home page) 'The amount of reading which underpins this book is breathtaking. The great merit of Verity's approach is that he quotes lavishly throughout, not only from the poems themselves, but also from a variety of critics ... The chapter on poetry's figurative element is a model of lucid definition and telling illustration, showing how many layers of meaning may lie behind a single word' LIBRARY REVIEWS The author writes:'The intention of this book is to examine and analyse the essential nature of the phenomenon we call poetry; to seek an understanding of the power this art form exerts over mind and heart; to comprehend its potency; and to explain its perennial ability to command the respect of mankind'. Almost a library in one volume, this unusual book, written by an accomplished poet, examines the 4000 years old phenomenon of poetry. Combining history, literature and philosophy, it explains the underlying power of this art form and how its effect is exerted over human hearts and understanding. Since the Greeks at least, poetry has been accorded pre-eminence in the arts. Poetry’s aesthetic supremacy and inhering mystery has made it the foremost form of expression when human beings need to say something important in a special way. Poetry has been defined as the best words in the best order. In poetry, the author suggests, the eternal intersects the everyday – it has been said that poetry is the language in which man explores his own amazement. He shows how poetry has provided a vehicle for inspiration and fresh ways of thinking and interpreting the perennial questions of the human race. The author makes clear that poetry ‘works’ because it acknowledges the universality of human psychology, and because it unites emotion with reason and tempers imagination with understanding. Over 200 poets from both East and West are quoted, and the work of 10 master poets is critically analysed and assessed. The major factors involved in translating poetry are discussed, particularly the difficulty of conveying the meaning without losing the spirit. The central features of inspiration and creativity are elucidated. The unbroken stream of poetry carries resonances of the growth and decay of civilisations, the vicissitudes of wars, the effects of migrations and trading, the influences of religious belief. The author considers, from his own experience, that poetry remains peerless in evaluating and articulating the riches of the human spirit.

Classic essay, first published around 1900. "Style, the Latin name for an iron pen, has come to designate the art that handles, with ever fresh vitality and wary alacrity, the fluid elements of speech. By a figure, obvious enough, which yet might serve for an epitome of literary method, the most rigid and simplest of instruments has lent its name to the subtlest and most flexible of arts. Thence the application of the word has been extended to arts other than literature, to the whole range of the activities of man. The fact that we use the word "style" in speaking of architecture and sculpture, painting and music, dancing, play-acting, and cricket, that we can apply it to the careful achievements of the housebreaker and the poisoner, and to the spontaneous animal movements of the limbs of man or beast, is the noblest of unconscious tributes to the faculty of letters. The pen, scratching on wax or paper, has become the symbol of all that is expressive, all that is intimate, in human nature; not only arms and arts, but man himself, has yielded to it. His living voice, with its undulations and inflexions, assisted by the mobile play of feature and an infinite variety of bodily gesture, is driven to borrow dignity from the same metaphor; the orator and the actor are fain to be judged by style." According to Wikipedia: "Professor Sir Walter Alexander Raleigh (5 September 1861 – 13 May 1922) was a Scottish scholar, poet and author... He was Professor of English Literature at the Mohammedan Anglo-Oriental College in Aligarh (1885-87), Professor of Modern Literature at the University College Liverpool (1890-1900), Regius Professor of English Language and Literature at Glasgow University (1900-1904), and Chair of English Literature at Oxford University and Fellow of Merton College, Oxford (1904-22. Raleigh was knighted in 1911."

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