The Canterville Ghost is a popular 1887 novella by Oscar Wilde, widely adapted for the screen and stage. “The Canterville Ghost” is a parody featuring a dramatic spirit named Sir Simon and the United States minister (ambassador) to the Court of St. James's, Hiram B. Otis. Mr. Otis travels to England with his family and moves into a haunted country house. Lord Canterville, the previous owner of the house, warns Mr. Otis that the ghost of Sir Simon de Canterville has haunted it ever since he killed his wife, Eleonore, three centuries before. But Mr. Otis dismisses the ghost story as bunk and disregards Lord Canterville’s warnings. When the Otises learn that the house is indeed haunted, they succeed in victimizing the ghost and in disregarding age-old British traditions. What emerges is a satire of American materialism, a lampoon of traditional British values, and an amusing twist on the traditional gothic horror tale.

Oscar Wilde's story of a fashionable young man who sells his soul for eternal youth and beauty is one of his most popular works. Written in Wilde's characteristically dazzling manner, full of stinging epigrams and shrewd observations, the tale of Dorian Gray's moral disintegration caused something of a scandal when it first appeared in 1890. Wilde was attacked for his decadence and corrupting influence, and a few years later the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde's homosexual liaisons, trials that resulted in his imprisonment. Of the book's value as autobiography, Wilde noted in a letter, "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be--in other ages, perhaps."

Intrus n lumea umbrelor“ este un roman de sertar… care a fost scris ntre 1982-1986 i care a zcut ascuns n beci, ntr-o lad cu nisip pentru ptrunjei i morcovi de iarn, din 1986 pn n 1991. Apoi s-a mutat ntr-un sertar al biroului… pn astzi… Aciunea primului volum, CAPCANA“, se petrece n anii 1982 – 1983. Un scriitor aflat n slujba partidului comunist, un autor care semnase pactul cu diavolul“, pact n general negat, dar existent n realitate, care scria cri la comand“, dezerteaz. Un personaj deopotriv curajos i destul de la nct s fi semnat acest pact blestemat, vicios, drept i cinstit n acelai timp, afemeiat i pctos, ncpnat i realist, vntor i braconier, ducnd o via deanat, trit pe muchie de cuit, o via plin de femei i de infideliti conjugale, chefuri, prieteni la fel de vicioi, curajoi, nelinitii i realiti ca i el. Obosit de contiina care nu-l las sa adoarm, se refugiaz la ar, n nordul extrem al rii, ntre pduri i dealuri, pentru a scpa de oameni i de minciun. i descoper prieteni uitai i rude pe care n ultimii ani le ignorase. Dar, cutnd un adevr de care nc nu era contient, i descoper i dumanii. ntr-o goan parc nebun dup regsirea de sine, i rentlnete iubirile pierdute, femei care l-au iubit i pe care el le prsise cutnd mereu altceva, femei pe care le iubise i care l-au prsit, prieteni i dumani care nu l-au uitat, oameni trectori prin viaa sa. Cu incontiena omului brusc trezit la realitate, se las purtat de valul ntmplrii, aflnd adevruri mereu ntrezrite i bnuite, dar tinuite ntr-o lege a tcerii pe care n-o nelege nc. Tenace din fire i venic gata s rite totul pe o carte dintr-o nevoie aproape bolnvicioas de senzaii tari, ncepe s ntrebe, contient c fr ntrebri, nu exist nici rspunsuri. Iar ntrebrile lui trezesc brusc furia stpnilor si comuniti. Ameninrile acestora i ale securitii care, la ordin, i urmrea fiecare micare, trezete n el i curajul neamului din care se trage i care dormise n el n toi aceti ani. ncpnat i ncrncenat, ncepe s afle adevrul despre colectivizarea din nordul ndeprtat, att de apropiat sufletului su. Pas cu pas afl despre crimele, ororile, minciunile i teroarea ce se aflau n spatele mreelor realizri ale partidului cruia i slujea. Afl despre oameni pe care i cunoscuse i care erau altceva dect crezuse el ca sunt. Obosit de atta minciun, se decide sa spun, n sfrit, adevrul. Realizeaz ns c pe nevzute i negndite, czuse n CAPCANA… pentru ca ce altceva este pn la urma adevrul, dect capcana propriei tale contiine! Cnd te hotrti s spui adevrul, nu te poi ocoli pe tine nsui pentru a-l spune doar despre ceilali! Adevrul este doar unul singur, i te include i pe tine i faptele tale… alturi de ceilali i de faptele lor…

The story describes of a strange hybrid race, half-human and half an unknown creature that resembles a cross between a fish and frog, that dwells in the seaside village of Innsmouth (formerly a large town, but lately fallen into disrepair). The townspeople worship Cthulhu and Dagon, a Philistine deity incorporated into the Cthulhu Mythos.

"Medusa's Coil" is a short story by H. P. Lovecraft and Zealia Bishop. It was first published in Weird Tales magazine in January 1939, two years after Lovecraft's death. The story concerns the son of an American plantation owner who brings back from Paris a new wife. It mixes elements of Lovecraft's Cthulhu Mythos with the ancient Greek myth of Medusa, but it has also been noted for its racist aspects.

"The Festival" is a short story by H. P. Lovecraft written in October 1923 and published in the January 1925 issue of Weird Tales. The story is set at Christmas time: "It was the Yuletide, that men call Christmas though they know in their hearts it is older than Bethlehem and Babylon, older than Memphis and mankind." An unnamed narrator is making his first visit to Kingsport, Massachusetts, an "ancient sea town where my people had dwelt and kept festival in the elder time when festival was forbidden; where also they had commanded their sons to keep festival once every century, that the memory of primal secrets might not be forgotten."

Η ζω? απ? την πρ?τη μ?ρα που γεννηθ?καμε, ε?ναι μια αν?βαση στο βουν? που ποτ? δεν σταματ? να μα? εκπλ?σσει. ?λοι μα? μπορο?με μια μ?ρα να γ?νουμε πρωταγωνιστ?? μ?σα απ? κ?ποια αληθιν? ιστορ?α, ακ?μη και π?σω απ? ?να παρ?ξενο παραμ?θι. Καθ?? ?μω? απογαλακτιζ?μαστε με π?θο? για να τη ζ?σουμε ?ντονα, τα λ?θη ?ρχονται να ακολουθ?σουν δ?πλα μα?, με τη μν?μη πολλ?? φορ?? να γ?νεται φ?λη των τ?ψε?ν μα?. Η ζω? ε?ναι ?να μεγ?λο βιβλ?ο που γρ?φεται με χρ?ματα, ?να ταξ?δι με παρελθ?ν, παρ?ν και μ?λλον, και εκε? μ?σα θα υπ?ρξουν πολλ? ακ?μη ν?α κεφ?λαια. Το καλ?τερο ?μω? κεφ?λαιο μπορε? να γραφτε? ανο?γοντα? τι? σκουριασμ?νε? π?λε? του μυαλο? μα?, ?χοντα? αποκτ?σει τι? αν?λογε? εμπειρ?ε? με τα αυτι? μα? και τα μ?τια μα? ανοιχτ?. Σ’ αυτ? το βιβλ?ο θα γνωρ?σουμε την Ανν?τα Αρμ?νη, ?να νεαρ? κορ?τσι που τρ?βηξε την προσοχ? μα?, καθ?? περπατο?σε στον δ?σβατο δρ?μο τη?. Θα βι?σουμε ?να μελαν? χρ?μα στο ταξ?δι τη?, κοντ? στα πρ?τα κεφ?λαια τη? ζω?? τη?, με πολλ? μυστικ? που θα μα? αγγ?ξουν παθιασμ?να. Μαζ? τη? θα ανακαλ?ψουμε μερικ? σπουδα?α πρ?γματα μ?σα σε μερικ?? και μ?νο λ?ξει?: εμπιστοσ?νη, ελευθερ?α, ελπ?δα, αγ?πη, ζω? και π?νω απ? ?λα δικαιοσ?νη. Λ?ξει? που θα τι? κρατ?σουμε στην ψυχ? μα? προστατευμ?νε? για π?ντα, καθ?? ανο?ξαμε την καρδι? τη? και συναντ?σαμε σκι?? του μυαλο? τη? να μ?χονται με τη φωτι?. Τ?τε που ?λοι μαζ? ανακαλ?ψαμε π?σω απ? ?να πληγωμ?νο ?σ’ αγαπ?? τι ?ταν τελικ? αυτ? που ?ψαχνε απελπισμ?να να ζ?σει αυτ? η γυνα?κα, π?τε στο φω? του ?λιου και π?τε στο σκοτ?δι τη? τ?φρου.

Fist published in 1935, "The Disinterment" is a short horror story by H.P. Lovecraft.

"Beyond the Wall of Sleep" is a science fiction short story by American writer H. P. Lovecraft, written in 1919 and first published in the amateur publication Pine Cones in October 1919. An intern in a mental hospital relates his experience with Joe Slater, an inmate who died at the facility a few weeks after being confined as a criminally insane murderer. He describes Slater as a "typical denizen of the Catskill Mountain region, who corresponds exactly with the 'white trash' of the South", for whom "laws and morals are nonexistent" and whose "general mental status is probably below that of any other native American people".

Aris, a traveler of life who is a perennial observer of the events happening around him, finds it impossible to comprehend and accept the controversies of the world around him. He finds himself trapped deeper and deeper into torturing thoughts. An attractive, voluptuous female presence dominates his mind. He comes across Anna, who is trying to solve the mystery of the Western Ward of the Hospital she works at. Her path crosses that of a mysterious man and leads her to the beautiful Glass City. Will Anna be able to solve the mystery and will Aris manage to find the exit of his dark corridor? The reader will enter into the mind of the heroes and experience all of their intense feelings and thoughts until their catharsis.

To Cyril, Anthea, Robert, Jane, and their baby brother, the house in the country promises a summer of freedom and play. But when they accidently uncover an accident Psammead--or Sand-fairy--who has the power to make wishes come true, they find themselves having the holiday of a lifetime, sharing one thrilling adventure after another. Asleep since dinosaurs roamed the earth, the ill-tempered, odd--looking Psammead --with his spider-shaped body, bat's ears, and snail's eyes --grudgingly agrees to grant the children one wish per day. Soon, though the children discover that their wishes have a tendancy to turn out quite differnetly than expected. Whatever they wish whether it's to fly like a bird, live in a mighty castle, or have an immense fortune --something goes terribly wrong, hilariously wrong. Then an accidental wish has horrible consequences, and the children are faced with a difficult choice: to let an innoncent manbe charged with a crime or to lose for all time their gift of magical wishes. Five Children and It is one of E. Nesbit's most beloved tales of enchantment.

O poveste de dragoste derulat? ?n decorul Saharei.Dintotdeauna, ?ndr?gosti?ii prefer? un loc anume pentru ?nt?lnirile lor. Fie c? este teiul lui Eminescu, Ci?migiul sau – de ce nu? – o veche, aproape uitata epopee, acel loc ?nsufle?e?te ?i coloreaz? aura iubirii. La Eneida este o frumoas? poveste cu zei ?i umbre, o poveste de dragoste derulata ?n decorul Saharei. Cei doi ?ndr?gosti?i, un b?rbat t?n?r ?i o femeie bogat?… ?n amintiri, rescriu pagini din Eneida vergilian?, retr?iesc iubirea dintre Enea, eroul troian, ?i Didona, regina Cartaginei, ad?ug?ndu-i ?ns? dimensiunea tragic? a unor evenimente recente, am?ndoi fiind marca?i, obseda?i, urm?ri?i de umbrele ?i experien?ele ultimelor zile ale Golaniei din iunie 1990.

La limita extrem? este un roman de scandal nu numai literar, o capodoper? ?n care se lupt? cu prejudec??ile morale, sexuale, sociale. O carte scris? ?n bun? tradi?ie inaugurat? de D.H. Lawrence ?i Henri Miller. Mihail Ar??ba?ev, romancier, prozator rus, este contemporan cu Nabokov ?i al?i scriitori care se formeaz? ?i se lanseaz? ?la r?scrucea“ secolelor XIX ?i XX. Moare t?n?r. Sanin, capodopera d-sale ap?ruta ?n 1907, i-a adus autorului o celebritate scandaloas?. La ini?iativa Bisericii ortodoxe ruse, lui Ar??ba?ev i s-a intentat un proces, scriitorul fiind ?nvinuit de propagarea pornografiei. ?n consecin??, Sanin ?i alte scrieri ale lui Ar??ba?ev au fost interzise ?n patria autorului r?stimp de decenii.

Sunt convins c aceast carte va intra n istoria literaturii, aa cum este ea, minunat. Nu cunosc n literatura romn un mai frumos omagiu adus mamei...“ (Ana Blandiana)Titlul unui roman care ar trebui s intre n manualele de literatur: Veneticii de Ion Lazu. Acest roman nseamn anexarea unui nou domeniu pentru literatura noastr, dar mai nseamn i un pas pentru proza romneasc de dup razboi, n-a spune doar pentru cea de dup ’89. El se detaeaz prin virtui stilistice cu totul remarcabile. Aceast oper literar condenseaz n ea att un proiect autobiografic, ct i o experien extraordinar n domeniul romanescului. Este un roman emblematic pentru secolul XX, cci figura refugiatului este ea nsi emblematic pentru acest secol… Cred c cele mai bune pagini din Veneticii pot concura cu pagini memorabile din Donul linitit, pentru c bntuie peste tot acel suflu de mare proz realist.“ (Radu Voinescu)

ngeri, demoni, fantome, mister i pasiune. Harul, primul roman paranormal romance din literatura romn, urmrete transformarea lui Amy dintr-o adolescent timid i marginalizat ntr-una puternic i ndrznea. Aici este momentul cnd viaa ei ia o ntorstur neateptat i cnd convingerile i temerile din trecut pe care credea c le uitase ncep s se adevereasc. Tocmai cnd viaa ei prea c devenise normal, dintr-o simpl dorin totul se schimb. Misterele i secretele se adncesc i sunt la ordinea zilei.Harul, prima parte a trilogiei cu acelai nume, evoc viaa adolescentei Amy de dinainte de dramatica schimbare i pn la consecinele fatale pe care le poate avea contactul permanent cu Lumea de Dincolo. Rmne de vzut dac va reui Amy s triasc la grania subire dintre cele dou lumi...

Dumitru Velea ??i continu? aventura ?n lumea xerxeian?, de aceast? dat? public?nd unul dintre cele mai consistente volume de versuri semnate de domnia sa de-a lungul anilor. Spun consistente g?ndindu-m? la un anume risc al atac?rii unei at?t de vaste tematici. Cartea face parte dintr-o pornire a poetului mai de ?ntindere, dedicat? suveranilor persani din dinastia Ahemenizilor. Iar c?nd spun aceasta, am ?n vedere, cel pu?in din punct de vedere tehnic, faptul c?, dup? piesa de teatru Xerxes, apare acum Xerxes la Hellespont. Posibilit??ile de interpretare a mesajului sunt, practic, nelimitate, fiindc? transfocaliz?nd versuri sau cuvinte, f?r? efort putem ?descinde“ ?n actualitatea imediat?. De aceea, ne putem ?ntreba, justificat: nu cumva, printr-o manevra subtil?, stilistic-epica, autorul a ?uitat“ deschis? o porti?? spre problematicile biografiei sale? (Dumitru Huruba)

Внеобычноммире,которыйсостоитизсовокупностейнародныхсказок, мифовилегендживётдевушкапоимениЛисяИнь-лучшаяученицамастера КунгФу,мечтающаястатьсильнейшиммастеромнасвете. ОднаждыгероинеприходитписьмосприглашениемпоучаствоватьвТысячелетнем турнире-битве,средисамыхвеликолепныхдевушекнавсёмбеломсвете.Но неожиданноподаренныйдругомдревнийартефактпревращаетдевушкувпарня. Чтобыизбавитьсяотпроклятия,онаотправляетсявдлинноепутешествиепо опасномуитаинственномумиру.

ngerii i rsu-plnsu reprezint un caleidoscop de proze scurte, diverse ca registru narativ i plasament tipologic, realiste sau misterioase n explorarea unor universuri afective imprevizibile n dezvoltarea ideaiei. n mare, e aici ceea ce s-ar numi Active Fictions Show. Naraiunile sunt de un laconism galo-latin, dar, n anumite pasaje, sintagme, discursuri ceva mai ample, dndu-i drumul“ spre o fantazare lingvistic, verbocreatorie, sau cvasiverbocreatorie, n descrierea existenei uor surdinizate, interiorizate, spre vis, spre supra-realitate a posibilitii noastre de a ne imagina cu ochii nchii, mijii sau chiar larg deschii. n diversitatea textelor s-ar ntmpla parc o multipl deschidere de ui, dar i plasare de antene pentru captarea semnalelor din psihocosmicitatea existenei n fantastic, n basm (intelectual, modern), n vis. E o concomiten (i interaciune) a cercetrii prin art i a intuiiei, a veridicului i a inefabilului. Leo Butnaru este un diavol cu barb care scapr din copite de sidef la mijloc de ru i de bine, adic ntr-o lume din scoar de mr domnesc plutind pe creasta valurilor ce le nal Prutul. Se vrea gladiator de destine, dar nu tie s i-l pzeasc pe al su, ceea ce nseamn c este un poet adevrat.Leo, ridic vslele i las vntul s te poarte spre limanul Nistrului romnesc, spre Delta uimirilor ce le adun Europa lng Ceatalul Ismail, spre misterele Carpailor. (Fnu Neagu) Dei tritor n lumea Prutului de dincolo, Leo aparine organic literaturii romne. Ai spune c triete la Bucureti, Rduti sau Rmnicu Srat... (Mihail Glanu)

ansa jocului i comunicrii cu necuvnttoarele“ – animale, psri, peti i alte lighioane, graie sensibilitii, mrinimiei, intuiiei, aduce copiilor foloase existeniale, recunoscute de psihologi, pedagogi, puericultori, artiti, savani, recent chiar de politicieni europeni verzi“ ce susin importana relaionrii omului cu Natura, calitile ei formative i estetice, aportul ei de vitalitate, echilibru, normalitate. Cartea de fa se refer, prin mijloacele poeziei i desenului – apte adesea a fi nelese mai uor de cei mici, dect de maturi – la bogia subiectelor vizuale i afective naturale, ce nc ne stau la dispoziie, alturi de lumea artificial pe care ne-o completeaz. Poezioare i imagini reformuleaz virtual un univers slbatic diminuat ct s ncap n raftul bibliotecii, n viziunea sever a printelui grijuliu, circumspect fa de orice pericole din planul fizic, dar mai ales n orizontul deschis al legitimei investigaii infantile. Strofele scrise n limbile romn, englez, francez dau un plus de universalitate unui ndemn generic: Admirai i iubii animalele!

"Der Judenstaat" (German, literally "The Jew State", commonly translated as "The Jewish State") is a pamphlet written by Theodor Herzl and published in February 1896 in Leipzig and Vienna by M. Breitenstein's Verlags-Buchhandlung. It is subtitled with "Versuch einer modernen L?sung der Judenfrage", "Proposal of a modern solution for the Jewish question", and originally called "Address to the Rothschilds" referring to the Rothschild family banking dynasty.It is considered one of the most important texts of early Zionism. As expressed in this book, Herzl envisioned the founding of a future independent Jewish state during the 20th century. He argued that the best way to avoid antisemitism in Europe was to create this independent Jewish state. Herzl, who had lived as a secular, largely assimilated Jew, was fluent in neither Hebrew nor Yiddish. His lack of contact with Jewish culture and intellectual currents, and his limited contact with Jews less assimilated than he was probably the reason he abandoned fundamental Jewish principles and rekindled Zionism with this text. The book was used to encourage Jews from all across Europe to purchase land in Palestine. In Der Judenstaat, Herzl noted the possibility of a Jewish state in Argentina.Herzl popularized the term "Zionism", which was coined by Nathan Birnbaum. The nationalist movement culminated in the birth of the State of Israel in 1948, though Zionism continues to be connected with political support of the State of Israel.

Pentru Sanda S?ntimbreanu a venit vremea rememor?rii, vremea c?nd amintirile caut? o alt? exprimare, respira?ia eternit??ii. A dorit s? semneze pactul cu literatura, ?i i-a reu?it, mai ales – prin repetarea unor elemente de via??, prin asem?narea caracterelor unor personaje, printr-o anume continuitate ?ntre unele povestiri, prin obsesia unor teme – cel autobiografic. Autoarea vrea prin aceste povestiri de via?? s? se ?mpace cu trecutul s?u, unul pe care nu l-a acceptat, nu l-a ?n?eles poate destul ?n momentul tr?irii. (Nicoleta Dabija)