Eski Yunan’da, ?air Homeros’un yazd??? varsay?lan büyük bir destand?r. Bir ba?ka Homeros destan? olan ?deysseia ile birlikte, bat? edebiyat?n?n en eski ?rne?i ve tüm zamanlar?n en güzel ?iirlerinden say?l?r. Hem ?lyada hem de Oysseisa, Truva Sava?? ve bu sava?ta yer alan insanlarla ilgili s?ylenceleri dile getiren, ko?ukla yaz?lm?? destanlard?r. Tarih?iler Yunanistan’tandaki Akhalar ile Bat? Anadolu’da ya?am?? olan Truval?lar aras?ndaki bu sava??n yakla??k I.O. 1199’da ge?ti?i g?rü?ündedir. Akhalar’?n Truva’y? ku?atmalar?n?n ise 10 y?l sürdü?ü san?lmaktad?r. Bu konuda o kadar ?ok ?ykü ve s?ylence vard?r ki, hangisinin ger?ek hangisinin uydurma oldu?unu bilme olana?? yoktur. Yunanca’da Truva’n?n bir ad?n?n da ?lios olmas?ndan dolay? Homeros’un destan? ?lyada ad?n? ald?. Homeros, ya?ad??? d?nemde herkesin bu ?yküyü bildi?ini dü?ünerek, Truva ku?atmas?n? ba?tan sona anlatmaz; sava??n 10. y?l?nda sadece d?rt gün i?inde ge?en olaylar? anlat?r. Sava? neredeyse bitmek üzeredir. Truva efsanesinin bu b?lümü "As?l’?n ?fkesi" olarak bilinir. ?lyada’n?n ?yküsü: Kral Agamemnon, Truva Sava?? s?ras?nda Akhalar’?n ba?komutan?yd?. Kral?n en yi?it ve bas?na buyruk sava???s? olan As?l, kimseye boyun e?meden, kendi bildi?ince hareket ediyordu. As?l’?n sava?ta ka??rd??? Briseis ad?nda Truvali bir k?z yüzünden As?l ile Agamemnon aras?nda anla?mazl?k ??kt?. Tutsa?? olan bir k?z? babas?na geri vermeye raz? olan Agamemnon, onun yerine As?l’?n sevdi?i Briseis’i istiyordu. Agamemnon’a boyun e?mek zorunda kalan As?l, k?z? ona verdi. Ne var ki, h?rs?n? alamayarak sava?tan ?ekildi. Agamemnon’u cezaland?rmas? i?in, deniz tanr??as? olan annesi Theti?’i ?a??rd?. Theti?, tanr?lar?n kral? Zeus’tan yard?m istedi. B?ylece ?ok ge?meden yaln?zca As?l ve Agamemnon de?il, tanr? ve tanr??alarda kavgaya kar??t?. Tanr?lar?n ise kar??mas? Yunan askerlerini tela?land?rd?. Agamemnon, g?rdü?ü bir dü?e aldanarak, ordusuna art?k Yunanistan’a d?nülece?ini bildirdi. Askerlerin Truva’y? ele ge?irmeden d?nmek istemeyeceklerini sanarken, onlar?n gitmeye can att?klar?n? g?rmek onu dü? k?r?kl???na u?ratt?. Yunanl? komutanlar orduyu yeniden sava? düzenine sokmakta gü?lük ?ektiler. Bütün bu olaylar Yunan ordusunun sava? gücünü ve birli?ini zay?flatm??t?. ?ki ordu aras?nda sava? yeniden ba?larken, Paris’in karde?i Hektor, sava??n nedeni Paris’in Sparta Kral? Menelaos’un kar?s? Helen ‘i ka??rmas? oldu?una g?re, anla?mazl???n Paris ile Menelaos aras?nda d?vü?le ??zümlenmesini ?nerdi. Bu d?vü?te tam Paris yenilecekken, annesi olan tanr??a Afrodit onu son anda ka??rarak kurtard?. B?ylece ordular aras?nda bir kez daha sava? ba?lad?.

PREFACE?All the stories about Princes and Princesses in this book are true stories, and were written by Mrs. Lang, out of old books of history. There are some children who make life difficult by saying, first that stories about fairies are true, and that they like fairies; and next that they do not like true stories about real people, who lived long ago. I am quite ready to grant that there really are such things as fairies, because, though I never saw a fairy, any more than I have seen the little animals which lecturers call molecules and ions, still I have seen people who have seen fairies—truthful people. ??This book about Princes and Princesses is not one which a child is obliged to read. Indeed the stories are not put in order, beginning with the princes who lived longest ago and coming down gradually to people who lived nearest our own time. The book opens with the great Napoleon Bonaparte, who died when some very old people still living were alive. Napoleon was not born a prince, far from it; his father was only a poor gentleman on a wild rough little island. But he made himself not merely a king, but the greatest of all emperors and generals in war. He is not held up as a person whom every boy should try to imitate, but it is a truth that Napoleon always remained a boy in his heart. He liked to make up stories of himself, doing wonderful things which even he was unable to do. When he was a boy he played at being a general, making snow fortresses and besieging them, just as many boys do. And when he was a man he dreamed of conquering all the East, Asia, and India, and Australia; and he tried to do all that, but it was too much even for him.

The tales in the Grey Fairy Book are derived from many countries: ”Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world. They have been translated and adapted by Mrs. Dent, Mrs. Lang, Miss Eleanor Sellar, Miss Blackley, and Miss Lang. 'The Three Sons of Hali' is from the last century 'Cabinet des Faces,' a very large collection. The French author may have had some Oriental original before him in parts; at all events he copied the Eastern method of putting tale within tale, like the Eastern balls of carved ivory. ??The stories, as usual, illustrate the method of popular fiction. A certain number of incidents are shaken into many varying combinations, like the fragments of coloured glass in the kaleidoscope. Probably the possible combinations, like possible musical combinations, are not unlimited in number, but children may be less sensitive in the matter of fairies than Mr. John Stuart Mill was as regards music.

Odysseia'n?n MO 800 ila 600 y?llar? aras?nda yaz?ld??? dü?ünülmektedir. Manzum eser ?lyada'n?n devam? niteli?indedir ve Yunan kahraman Odysseus'un Truva'n?n dü?ü?ünden sonra vatan? ?thaka'ya yapt??? maceralarla dolu uzun yolculu?u anlat?r. 10 y?l süren sava?tan sonra Odysseus'un ?thaka'ya d?nmesi 10 y?l?n? al?r, ve bu 20 y?ll?k uzakl???nda o?lu Telema?hus ve kar?s? Penelope ülkeyi y?netmek ve Penelope ile evlenerek (Odysseus'un oldu?u iddia edilmektedir) ?thaka'n?n hükümdar? olmak isteyen bir grup soylu ile mücadele etmek zorundad?rlar. ?iir Bat? edebiyat?n?n ve kültürünün temel eserlerinden say?l?r, ve antik Yunan kültürüne ???k tutan en ?nemli kaynaklardan biridir. Odysseia, Truva'n?n dü?mesinden 10 y?l sonra Odysseus'un ?thaca'ya evine d?nünceye kadar maceralar?n? anlat?r. ?lyada 10 y?l süren Truva Sava??, Odysseia, 10 y?l boyunca Odysseus'un ba??ndan ge?enlerden ibarettir. ?lyada, bir olay?, Odysseia ise bir ki?inin destan?n? anlat?r. Truva Destan?nda olaylar birbirini izleyecek ?ekilde anlat?l?r. Halbuki, Odysseia'da olaylar an?lar, geriye d?nü?ler, atlamalarla canland?r?l?r. Bat? dillerindeki Ulysses'nin türedi?i Latince Ulyxes, yi?idin bir Yunan leh?esinden al?nm?? ad?d?r. Odysseus (Ulysses, Ulis), kuzeybat? Yunanistan k?y?lar?n?n kar??s?nda bulunan ?thaca (?thaka, ?thake) adas?nda do?du. Babas?n?n ad? Learthes, anas?n?n ad? Antikleia idi. Yalan dolanda usta Autolykos'un k?z? olan Antikleia'n?n Learthes ile evlenmeden ?nce S?syphos ile yatt???, Odysseus'un bu birle?meden do?du?u da s?ylenir. Odysseus'un gen?li?i, Akhilleus'unki gibi hekim Kheiron'un yan?nda ge?ti. Birgün Odysseus, dedesi Autolykos'a konuk olarak gitti. Orada bir yaban domuzu av?na kat?ld? ve baca??ndan yaraland?. ??te, Truva Sava?? sona erdikten sonra, bir 10 y?l daha türlü maceralar ge?irerek ?thake'ye d?ndü?ünde, dad??? Eurykleia taraf?ndan ya?l? Odysseus'un tan?nmas?n? sa?layacak yara izi, bu yara izidir. Truva Sava??na kat?lmadan ?nce Odysseus, ?thake taht?na ??kt? ve kral oldu. Babas? Learthes'in o?lunu tahta nas?l ge?irdi?i pek anlat?lmaz. Ama kral olunca bir e? se?mesi olayl? oldu. Hemen dünyan?n en güzel k?z? Helena'ya talip oldu ama güzel k?z?n taliplilerinin ?oklu?undan ürkerek ondan vazge?ip, Helena'n?n babas?n?n karde?i ?karios'un k?z? Penelope'u (Penelopeia) istedi. Tyndereos'un ise akl? karmakar???k oldu?undan Odysseus'un bu yakla??m?n? ?nce be?enmedi. Odysseus ise Penelope'u almak i?in ?art?n? s?yledi. Tyndereos'u dü?tü?ü durumdan kurtaracak, buldu?u ??zümle kimse aras?nda kavga olmayacakt?. Bu arada Tyndereos'un k?z?n? türlü prensler, krallar ve sava???lar istiyorlar, türlü hediyeler g?nderiyorlard?. Tyndereos da onlar?n kalplerini k?r?p bir felakete yol a?mamaya ?al???yordu. Sonunda Tyndereos, Penelope'u vermeye raz? olunca Odysseus fikrini s?yledi: Kocas?n? Helena kendisi se?sin ama her kimi se?erse di?er tüm talipliler bunu sorun etmeyecek ve Helena'n?n kendine se?ece?i kocaya her zaman arka ??kmaya ant i?ecekti. Tyndareos, fikri be?endi ve i? k?z?n se?imine b?rak?ld?. ?karios ?nce herkesi yemin etmeye ?a??rd?. Herkes yemin etti, Odysseus dahil. Dünyan?n en güzel k?z? Helena, kocas? olarak Agamemnon'un karde?i Menelaos'u se?ti. Herkes karara sayg? duydu ve kabul etti. Herkes?e edilen bu yemin, ileride on y?l sürecek olan "Truva Sava??"na yol a?acakt?.

This is the record of a trip which the author took with Buffalo Jones, known as the preserver of the American bison, across the Arizona desert and of a hunt in "that wonderful country of deep canons and giant pines."

The story describes the recent uprising along the border, and ends with the finding of the gold which two prospectors had willed to the girl who is the story's heroine.

Iubite cititor. Multe prostii vei citit, de cnd eti. Citete, rogute, i aceste i pe undei vedea c nui vin la socoteal, ia pana n mn i d i tu altceva mai bun la iveal, cci eu atta mam priceput i atta am fcut." Autorul

Franta avu multi fabulisti nici unul insa nu ajunse pe La Fontaine si sa va spun eu pentru ce? Pentru ca fabula nu sufera secatura si umplutura; ea cere pe langa talent o armonie un stil simplu; ea e datoare sa spuna numai ce trebuie nici o silaba mai mult. Si cine avea mai multa armonie decat Donici! In bordei ca si in palat fabulele lui sunt citite si intelese. – Costache Negruzzi

In ampla structura a vitalului dincolo si mai adanc decat omul marunt si decat cel elementar Garleanu gaseste o noua forma a vietii sprijinind si incluzand pe toate celelalte mai inaintate si mai complexe forma umila a vitalitatii expresia ei cea mai simpla si cea mai generala. Povestitorul ii imbratiseaza destinul cu pietate panteista si inveselindu-se sau varsand o lacrima pe seama ei plange si rade de sine insusi de toti oamenii laolalta si poate chiar de zei. Este aci o atitudine tipica a naturalismului modern adica a acelei indrumari literare formate in scoala interpretarii stiintifice a vietii care se calauzeste de convingerea ca umanul se rezolva in biologie si ca spiritul nu are alte legi decat acele ale vietii in general. Unitatea vietii permite aflarea talcurilor ei generale in acele din formele ei care fiind mai simple sunt in acelasi timp mai limpezi...“ – Tudor Vianu Arta prozatorilor romani

Y?rede ya?am??, Halk A???? Emin Demirayak ve Kadir Türen gibi Teke kültürünün en yetkin, en üretken saz ve s?z ustalar?n?n dolu dolu ge?en s?ra d??? ya?am ?ykülerini, folklor zenginli?ini ve s?cak insan ?ykülerini masals? bir dil ile anlatan bir an? romand?r Dirmil ?mürcüsü. ?????????????? ? ? Orman?n bakanl?k eliyle kesili?ine silah?yla kar?? gelip hapis yatan, orman?n dingin gücünün i?inizde b?rakt??? inan?lmaz ya?ama iste?iyle sizi en yak?n ormana ko?turtacak bir ?a?r? ?yküsüdür. Emin Demirayak duyarl? sanat?? ki?ili?iyle haks?zl?klara kar?? duran, türküleri ta? plaklara kaz?nan dostlar? kadar dü?manlar? da olan ve sesiyle var olan Emin Demirayak, ?kavgalar?n birinde a?z? kulaklar?na kadar kesilir, kavgalar?n birinde de g?zü ??kar?l?r. Ve 1980 y?l?nda 12 Eylül’ün ilk saatlerinde 17 kur?unla sinsice ?ldürülür. Dirmil, da?larla ?evrili bir ovan?n ba??nda Oyuk da??na yaslanm??, ayaklar?n?n ucunda duran k?ylere yukardan bak?yordu. Bat?dan toplad??? tepeleri, do?uya da? s?ralar? ve platolar ?eklinde da??tm??t?. Bin y?ll?k sedirler, ard??lar tüm g?rkemiyle K?zlarsivrisi’nden ?ehre do?ru iniyordu. K?z?lc?klar, p?ynarlar, al??lar, ?am a?a?lar?, sedirler; ?i?e?ini a?m?? kekikler, papatyalar, da? menek?eleri, sessizlikte patlayan bin bir tomurcuk ar?lara, ku?lara, kelebeklere ve insanlara kollar?n? a?m?? beklemekteydi. Doruklar?n karlar? nisan ya?murlar?yla eridi. Yapraklardan dü?en damlalar, yama?lardan patlayan kara sular, p?narlar, dereler, kocaman Dirmil ?ay?’ndan k?püre k?püre ?a?layarak akt? ve Yaprakl?’da koca bir deniz olu?turdu. Oluktan akan sular, kal?n ?am a?ac? g?vdelerine oyulmu? yalaklar? doldurup da?lar?n vefal? dostu ke?ileri sulad??? gibi doruk ?ocuklar? i?in de bir plaj i?levini yap?yordu. Gulaz zaman?yd?; bütün ke?iler, koyunlar kuzulay?p sürüler ?o?ald?. Kuzular?n, o?laklar?n a??z sütlerine ?ocuklar, ?obanlar ortak oldu. Duman? tüten topraklar sürüldü. Ta?a, ku?a, topra?a deyip ü? kere at?ld? tohum. Ve bire bin verdi. HAL?L ERDEM ? 1961 Dirmil-Burdur do?umlu. Gazi ?niversitesi E?itim Fakültesi S?n?f ??retmenli?ini bitirdi. Türk?e B?lümünde lisans tamamlad?. Kar Ayd?nl??????? (Roman)?????? Fam Yay?nlar? 2014 Dirmil ?mürcüsü???? (Roman)?????? Fam Yay?nlar?2006- 2014 Goca Meryem? (Roman)?????? Fam Yay?nlar? 2014 Tokat??????????????? (?ocuk Roman?) Kendi Yay?n? 2013 Teke Y?resi Halk ?nan?lar? (Ara?t?rma - inceleme) Kendi Yay?n? 2008 Karacao?lan Gelene?inde Dirmil Güzellemeleri ve ?yküler (Ara?t?rma inceleme) 2011 Alter Yay. Gece Mavisinde A?k?????????????? (?iir)?????? Kendi Yay?n? 1998 Ve Al???ld? ?lüme???? (?iir )????? Temmuz Yay?nlar? 1990 Kardan Adam?? (?ocuk ?iirleri) Kendi Yay?n? 1998 I??k Avc?lar??????? (?ocuk ?iirleri) Kendi Yay?n?) 2013 ??pten ??rendi?im Hayat?? ?ocuk Kitab?????????????? 2015 G?l Hikayeleri?????????? (?ykü)?????????????? ??????????????????????2015 ??iir ve yaz?lar?n? Bah?e, Mavi Umut, Bahar, ?al?, ??retmen Dünyas?, Dirmil, Noktam, Bezuvar, süje, Kar dergilerinde yay?nlad?. Beykonak E?itim ve Kültür Vakf? Yirce ?iir Yar??mas?nda. Ne-Var Yok ?iiriyle Birincilik ald?.(2004) Resim ?al??malar?n? da yürüten Halil ERDEM 3 ki?isel, 25 karma resim sergi etkinli?inde bulundu.

Los trabajos de Persiles y Sigismunda es la última obra de Miguel de Cervantes. Pertenece al subgénero de la novela bizantina. El propio autor la consideró su mejor obra; sin embargo la crítica da este título unánimemente a Don Quijote de la Mancha. En ella escribió la dedicatoria al Conde de Lemos el 19 de abril de 1616, cuatro días antes de morir, donde se despide de la vida citando estos versos: Puesto ya el pie en el estribo, con las ansias de la muerte, gran se?or, esta te escribo.

The Canterville Ghost is a popular 1887 novella by Oscar Wilde, widely adapted for the screen and stage. “The Canterville Ghost” is a parody featuring a dramatic spirit named Sir Simon and the United States minister (ambassador) to the Court of St. James's, Hiram B. Otis. Mr. Otis travels to England with his family and moves into a haunted country house. Lord Canterville, the previous owner of the house, warns Mr. Otis that the ghost of Sir Simon de Canterville has haunted it ever since he killed his wife, Eleonore, three centuries before. But Mr. Otis dismisses the ghost story as bunk and disregards Lord Canterville’s warnings. When the Otises learn that the house is indeed haunted, they succeed in victimizing the ghost and in disregarding age-old British traditions. What emerges is a satire of American materialism, a lampoon of traditional British values, and an amusing twist on the traditional gothic horror tale.

Intrus n lumea umbrelor“ este un roman de sertar… care a fost scris ntre 1982-1986 i care a zcut ascuns n beci, ntr-o lad cu nisip pentru ptrunjei i morcovi de iarn, din 1986 pn n 1991. Apoi s-a mutat ntr-un sertar al biroului… pn astzi… Aciunea primului volum, CAPCANA“, se petrece n anii 1982 – 1983. Un scriitor aflat n slujba partidului comunist, un autor care semnase pactul cu diavolul“, pact n general negat, dar existent n realitate, care scria cri la comand“, dezerteaz. Un personaj deopotriv curajos i destul de la nct s fi semnat acest pact blestemat, vicios, drept i cinstit n acelai timp, afemeiat i pctos, ncpnat i realist, vntor i braconier, ducnd o via deanat, trit pe muchie de cuit, o via plin de femei i de infideliti conjugale, chefuri, prieteni la fel de vicioi, curajoi, nelinitii i realiti ca i el. Obosit de contiina care nu-l las sa adoarm, se refugiaz la ar, n nordul extrem al rii, ntre pduri i dealuri, pentru a scpa de oameni i de minciun. i descoper prieteni uitai i rude pe care n ultimii ani le ignorase. Dar, cutnd un adevr de care nc nu era contient, i descoper i dumanii. ntr-o goan parc nebun dup regsirea de sine, i rentlnete iubirile pierdute, femei care l-au iubit i pe care el le prsise cutnd mereu altceva, femei pe care le iubise i care l-au prsit, prieteni i dumani care nu l-au uitat, oameni trectori prin viaa sa. Cu incontiena omului brusc trezit la realitate, se las purtat de valul ntmplrii, aflnd adevruri mereu ntrezrite i bnuite, dar tinuite ntr-o lege a tcerii pe care n-o nelege nc. Tenace din fire i venic gata s rite totul pe o carte dintr-o nevoie aproape bolnvicioas de senzaii tari, ncepe s ntrebe, contient c fr ntrebri, nu exist nici rspunsuri. Iar ntrebrile lui trezesc brusc furia stpnilor si comuniti. Ameninrile acestora i ale securitii care, la ordin, i urmrea fiecare micare, trezete n el i curajul neamului din care se trage i care dormise n el n toi aceti ani. ncpnat i ncrncenat, ncepe s afle adevrul despre colectivizarea din nordul ndeprtat, att de apropiat sufletului su. Pas cu pas afl despre crimele, ororile, minciunile i teroarea ce se aflau n spatele mreelor realizri ale partidului cruia i slujea. Afl despre oameni pe care i cunoscuse i care erau altceva dect crezuse el ca sunt. Obosit de atta minciun, se decide sa spun, n sfrit, adevrul. Realizeaz ns c pe nevzute i negndite, czuse n CAPCANA… pentru ca ce altceva este pn la urma adevrul, dect capcana propriei tale contiine! Cnd te hotrti s spui adevrul, nu te poi ocoli pe tine nsui pentru a-l spune doar despre ceilali! Adevrul este doar unul singur, i te include i pe tine i faptele tale… alturi de ceilali i de faptele lor…

O poveste de dragoste derulat? ?n decorul Saharei.Dintotdeauna, ?ndr?gosti?ii prefer? un loc anume pentru ?nt?lnirile lor. Fie c? este teiul lui Eminescu, Ci?migiul sau – de ce nu? – o veche, aproape uitata epopee, acel loc ?nsufle?e?te ?i coloreaz? aura iubirii. La Eneida este o frumoas? poveste cu zei ?i umbre, o poveste de dragoste derulata ?n decorul Saharei. Cei doi ?ndr?gosti?i, un b?rbat t?n?r ?i o femeie bogat?… ?n amintiri, rescriu pagini din Eneida vergilian?, retr?iesc iubirea dintre Enea, eroul troian, ?i Didona, regina Cartaginei, ad?ug?ndu-i ?ns? dimensiunea tragic? a unor evenimente recente, am?ndoi fiind marca?i, obseda?i, urm?ri?i de umbrele ?i experien?ele ultimelor zile ale Golaniei din iunie 1990.

La limita extrem? este un roman de scandal nu numai literar, o capodoper? ?n care se lupt? cu prejudec??ile morale, sexuale, sociale. O carte scris? ?n bun? tradi?ie inaugurat? de D.H. Lawrence ?i Henri Miller. Mihail Ar??ba?ev, romancier, prozator rus, este contemporan cu Nabokov ?i al?i scriitori care se formeaz? ?i se lanseaz? ?la r?scrucea“ secolelor XIX ?i XX. Moare t?n?r. Sanin, capodopera d-sale ap?ruta ?n 1907, i-a adus autorului o celebritate scandaloas?. La ini?iativa Bisericii ortodoxe ruse, lui Ar??ba?ev i s-a intentat un proces, scriitorul fiind ?nvinuit de propagarea pornografiei. ?n consecin??, Sanin ?i alte scrieri ale lui Ar??ba?ev au fost interzise ?n patria autorului r?stimp de decenii.

All the other children who knew her thought Maggie a wonderfully fortunate little girl. She was sometimes spoken about as the "Little Princess of Tower Hill," for Tower Hill was the name of her father's place, and Maggie was his only child. ??The children in the village close by spoke of her with great respect, and looked at her with a good deal of longing and also no slight degree of envy, for while they had to run about in darned and shabby frocks, Maggie could wear the gayest and daintiest little dresses, and while they had to trudge sometimes even on little bare feet, Maggie could sit by her mother's side and be carried rapidly over the ground in a most delicious and luxurious carriage, or, better still, she might ride on her white pony Snowball, followed by a groom. The poor children envied Maggie, and admired her vastly, and the children of those people who, compared to Sir John Ascot, Maggie's father, might be considered neither rich nor poor, also thought her one of the most fortunate little girls in existence. Mag-gie was nearly eight years old, and from her very earliest days there had been a great fuss made about her. At the time of her birth bonfires had been lit, and oxen killed and roasted whole to be given away to the poor people, and Sir John and Lady Ascot did not seem at all disappointed at their baby being a girl instead of a son and heir to the old title and the fine old place. ??There was a most extraordinary fuss made over Maggie while she was a baby; her mother was never tired of visiting her grand nurseries and watching her as she lay asleep, or smiling at her and kissing her when she opened her big, bright blue eyes.

"Hast thou seen that lordly castle,?That castle by the sea??Golden and red above it?The clouds float gorgeously." ??Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much? ??The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story. About Author: Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879. Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green: Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice. Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction. In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story." A new edition of The Cuckoo Clock was published in 1914.

A fantastic tale of the world's beauty and unity after the Great Change occurs.

Kog??lniceanu ?n literatura istoric?? a Rom?niei ?i Alecsandri ?n literatura noastr?? poporan?? joac?? p?n?? la un punct rolul lui Columb ?n privin?a geografic??. – Bogdan P. Hasdeu Mihail Kog??lniceanu a fost una din acele naturi alese ce greu ?ncap c?teva al??turea ?n veac; pentru care timpul care l-a tr??it a fost prea scurt ?i spa?iul ?n care i-a fost ?nvoit s?? se mi?te prea ne?nc??p??tor spre a dezvolta uria?a putere a concep?iunilor cuget??rilor ?i n??zuin?ilor lui. – A.D. Xenopol

Oscar Wilde's story of a fashionable young man who sells his soul for eternal youth and beauty is one of his most popular works. Written in Wilde's characteristically dazzling manner, full of stinging epigrams and shrewd observations, the tale of Dorian Gray's moral disintegration caused something of a scandal when it first appeared in 1890. Wilde was attacked for his decadence and corrupting influence, and a few years later the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde's homosexual liaisons, trials that resulted in his imprisonment. Of the book's value as autobiography, Wilde noted in a letter, "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be--in other ages, perhaps."

Dumitru Velea ??i continu? aventura ?n lumea xerxeian?, de aceast? dat? public?nd unul dintre cele mai consistente volume de versuri semnate de domnia sa de-a lungul anilor. Spun consistente g?ndindu-m? la un anume risc al atac?rii unei at?t de vaste tematici. Cartea face parte dintr-o pornire a poetului mai de ?ntindere, dedicat? suveranilor persani din dinastia Ahemenizilor. Iar c?nd spun aceasta, am ?n vedere, cel pu?in din punct de vedere tehnic, faptul c?, dup? piesa de teatru Xerxes, apare acum Xerxes la Hellespont. Posibilit??ile de interpretare a mesajului sunt, practic, nelimitate, fiindc? transfocaliz?nd versuri sau cuvinte, f?r? efort putem ?descinde“ ?n actualitatea imediat?. De aceea, ne putem ?ntreba, justificat: nu cumva, printr-o manevra subtil?, stilistic-epica, autorul a ?uitat“ deschis? o porti?? spre problematicile biografiei sale? (Dumitru Huruba)