Vetus de pierre

L'Autre vue

Ein Blatt Liebe

L'oeil du chat - Tome I

Cinq-Mars (Une conjuration sous Louis XIII)

Du c?té de chez Swann

L'Affaire Charles Dexter Ward

L'anno 3000

Los viajes de Gulliver

Die Treibjagd

Los enemigos de la mujer

《魔戒三部曲》（The Lord of the Rings）又译作《指环王》，是英国作家、牛津大学教授托尔金长篇奇幻小说，被公认为西方现代经典奇幻文学。分为《魔戒现身》《双塔奇兵》《王者归来》三部。

Barbara Cartland was the world’s most prolific novelist who wrote an amazing 723 books in her lifetime, of which no less than 644 were romantic novels with worldwide sales of over 1 billion copies and her books were translated into 36 different languages. As well as romantic novels, she wrote historical biographies, 6 autobiographies, theatrical plays and books of advice on life, love, vitamins and cookery. She wrote her first book at the age of 21 and it was called Jigsaw. It became an immediate bestseller and sold 100,000 copies in hardback in England and all over Europe in translation. Between the ages of 77 and 97 she increased her output and wrote an incredible 400 romances as the demand for her romances was so strong all over the world. She wrote her last book at the age of 97 and it was entitled perhaps prophetically The Way to Heaven. Her books have always been immensely popular in the United States where in 1976 her current books were at numbers 1 & 2 in the B. Dalton bestsellers list, a feat never achieved before or since by any author. Barbara Cartland became a legend in her own lifetime and will be best remembered for her wonderful romantic novels so loved by her millions of readers throughout the world, who have always collected her books to read again and again, especially when they feel miserable or depressed. Her books will always be treasured for their moral message, her pure and innocent heroines, her handsome and dashing heroes, her blissful happy endings and above all for her belief that the power of love is more important than anything else in everyone’s life. Called home from his Regiment in Calcutta after having inherited the title of the Third Duke of Invercaron on the death of his uncle, Talbot McCaron is dismayed to find not only that his highland estate is all but bankrupt but also that his family seems determined to marry him off to Lady Jane Dalbeth from the neighbouring Macbeth Clan. He soon understands the reason why, when he is informed that Lady Jane has inherited a vast fortune from her American Godmother. Strolling in the grounds of his new domain, he comes across a thin half-starved yet bewitchingly beautiful young waif who appears intent on drowning herself in a torrential cascade he cannot understand. With some difficulty in persuading her not to commit suicide, the Duke takes Giovanna, for that is her name, secretly under his wing and patiently waits to hear the reason for her desperation and terror. What he eventually discovers is a Devilish Deception – an extraordinarily wicked plot – that almost defies belief and in the process of saving Giovanna he comes to realise that he has irrevocably and for ever lost his heart.

Barbara Cartland was the world’s most prolific novelist who wrote an amazing 723 books in her lifetime, of which no less than 644 were romantic novels with worldwide sales of over 1 billion copies and her books were translated into 36 different languages. As well as romantic novels, she wrote historical biographies, 6 autobiographies, theatrical plays and books of advice on life, love, vitamins and cookery. She wrote her first book at the age of 21 and it was called Jigsaw. It became an immediate bestseller and sold 100,000 copies in hardback in England and all over Europe in translation. Between the ages of 77 and 97 she increased her output and wrote an incredible 400 romances as the demand for her romances was so strong all over the world. She wrote her last book at the age of 97 and it was entitled perhaps prophetically The Way to Heaven. Her books have always been immensely popular in the United States where in 1976 her current books were at numbers 1 & 2 in the B. Dalton bestsellers list, a feat never achieved before or since by any author. Barbara Cartland became a legend in her own lifetime and will be best remembered for her wonderful romantic novels so loved by her millions of readers throughout the world, who have always collected her books to read again and again, especially when they feel miserable or depressed. Her books will always be treasured for their moral message, her pure and innocent heroines, her handsome and dashing heroes, her blissful happy endings and above all for her belief that the power of love is more important than anything else in everyone’s life. Beautiful young Claudia Anderson is all alone in the family home in Chelsea without a penny to her name after both her mother and her father, the celebrated actor Walter Wilton, are burned to death when the theatre where Walter is performing collapses in flames. Reeling from the most terrible shock of her life, little does Claudia realise that Fate has another two mortifying shocks in store for her. First, Lady Bressley arrives at her house, the Godmother she has never known, and announces that Walter Wilton was not her real father at all! As Claudia struggles with this earth-shattering news, Lady Bressley generously takes her under her wing on a trip to Spain. But again Fate steps in when Lady Bressley is killed in a coach crash, leaving Claudia penniless and stranded alone in Seville. Finally, though, Fate takes a turn for the better when the dashing Marquis of Datchford asks her to pose as his new bride in order to avoid being matched with a plain-looking Spanish Princess. With one thousand pounds in her pocket as her reward, the Marquis has given her the moon And now, as love blossoms in her heart, can she ask him for the stars as well?

Barbara Cartland was the world’s most prolific novelist who wrote an amazing 723 books in her lifetime, of which no less than 644 were romantic novels with worldwide sales of over 1 billion copies and her books were translated into 36 different languages. As well as romantic novels, she wrote historical biographies, 6 autobiographies, theatrical plays and books of advice on life, love, vitamins and cookery. She wrote her first book at the age of 21 and it was called Jigsaw. It became an immediate bestseller and sold 100,000 copies in hardback in England and all over Europe in translation. Between the ages of 77 and 97 she increased her output and wrote an incredible 400 romances as the demand for her romances was so strong all over the world. She wrote her last book at the age of 97 and it was entitled perhaps prophetically The Way to Heaven. Her books have always been immensely popular in the United States where in 1976 her current books were at numbers 1 & 2 in the B. Dalton bestsellers list, a feat never achieved before or since by any author. Barbara Cartland became a legend in her own lifetime and will be best remembered for her wonderful romantic novels so loved by her millions of readers throughout the world, who have always collected her books to read again and again, especially when they feel miserable or depressed. Her books will always be treasured for their moral message, her pure and innocent heroines, her handsome and dashing heroes, her blissful happy endings and above all for her belief that the power of love is more important than anything else in everyone’s life. Since the loss of her parents, the beautiful young Filipa Seymour runs the family’s ancient Manor House alone with very little money and only her beloved dogs and horses and ageing housekeeper, Mrs. Smeaton, for company. So she looks forward with excitement to every visit from her brother, Sir Mark Seymour, except that invariably he is looking for yet another heirloom in the house to sell in order to finance his extravagent Society lifestyle in London. So when Mark suggests a crazy plan for Filipa secretly to take the place of the glamorous ‘Pretty Horse-Breaker’ with whom he is due to ride at the Marquis of Kilne’s prestigious horse race meeting, she reluctantly agrees. Introduced to the Marquis and the other house guests as ‘Fifi’, Filipa is intimidated yet strangely enthralled by his dismissive attitude. But, even as she realises that she is falling in love with him, the Marquis seems oblivious to her and convinced that she is just another gold digger – until she foils a dastardly plot to poison his beloved stallion, saving its life and probably that of its rider as well and in the process opening the Marquis’s eyes to love.

The Arkansas Gazette was born in a log cabin November 20, 1819, on a bank of the Arkansas River. A local establishment donated a barrel of whiskey to celebrate the event. The first issue carried a complaint from a citizen that the town had too many lawyers. When the paper died 167 years later, the problem was not lawyers but corporate executives who had found themselves, to their confusion, in charge of the oldest newspaper west of the Mississippi and not knowing what to do with it.

Not Without Honor threads together the stories of three American POWs-Carano; his buddy Bill Blackmon, who was also at Stalag 17 b; and John C. Bitzer, who survived the brutal "e;Death March"e; from northern Germany to liberation in April 1945. At times the journal reads like a thriller as he records air battles and escape attempts. Yet in their most gripping accounts, these POWs ruminate on psychological survival. The sense of community they formed was instrumental to their endurance. This compelling book allows the reader to journey with these young men as they bore firsthand witness to the best and worst of human nature.

A timely and multifaceted portrait of the lawyers who serve the diverse constituencies of the conservative movement, Lawyers of the Right explains what unites and divides lawyers for the three major groups-social conservatives, libertarians, and business advocates-that have coalesced in recent decades behind the Republican Party. Drawing on in-depth interviews with more than seventy lawyers who represent conservative and libertarian nonprofit organizations, Ann Southworth explores their values and identities and traces the implications of their shared interest in promoting political strategies that give lawyers leading roles. She goes on to illuminate the function of mediator organizations-such as the Heritage Foundation and the Federalist Society for Law and Public Policy-that have succeeded in promoting cooperation among different factions of conservative lawyers. Such cooperation, she finds, has aided efforts to drive law and the legal profession politically rightward and to give lawyers greater prominence in the conservative movement. Southworth concludes, though, that tensions between the conservative law movement's elite and populist elements may ultimately lead to its undoing.

William Gilmore Simms's (1806-1870) body of work, a sweeping fictional portrait of the colonial and antebellum South in all its regional diversity, with its literary and intellectual issues, is probably more comprehensive than any other nineteenth-century southern author. Simms's career began with a short novel, Martin Faber, published in 1833. This Gothic tale is reminiscent of James Hogg's Confessions of a Sinner and was written four years before Edgar Allan Poe's "e;William Wilson."e; Narrated in the first person, it is considered a pioneering examination of criminal psychology. Martin seduces then murders Emily so that he might marry another woman, Constance. Martin confesses to his friend and is killed after attempting to stab Constance when she visits him in jail. The book was immediately successful and was well received by the northern media, thus starting Simms's successful career as a writer, one that would rank him as the only major southern literary figure besides Poe before the Civil War. As with other volumes in the Arkansas Edition of Simms's work, this volume includes a critical introduction by the editor and a Simms chronology, as well as appendices dealing with textual matters. This edition also includes Simms's 1829 story, "e;Confessions of a Murderer,"e; which was the germ for his first book of fiction.

Steve Tomasula is a novelist like no other; his experiments in narrative and design have won him a loyal following. Exemplifying Tomasula's style, IN & OZ is a heady, avant-garde book, rooted in convincing characters even as it simultaneously subverts the genre of novel and moves it forward.IN & OZ is a novel of art, love, and auto mechanics. The story follows five different characters-an auto designer, photographer, musical composer, poet/sculptor, and mechanic-who live in two very different places: IN, a back-alley here and now; and OZ, which reflects the desire for somewhere better. The men and women who populate Tomasula's landscape desperately hope to fill a void in their lives through a variety of media: music, language, dirt, light, and automobiles. As the plot moves forward, the story of the residents of INand that of their counterparts in OZconverge. A fanciful allegory that tackles class relations, art, commerce, and language, IN & OZ is a tale of the human condition that is as visually compelling as it is moving.A novel not only for fiction lovers, but also for artists of all stripes, IN & OZ creates a fantasy that illumines our own world as it lucidly builds its own.

A Bird in the House is a series of eight interconnected short stories narrated by Vanessa MacLeod as she matures from a child at age ten into a young woman at age twenty. Wise for her years, Vanessa reveals much about the adult world in which she lives."e;Vanessa rebels against the dominance of age; she watches [her grandfather] imitate her aunt Edna; and her rage at times is such that she would gladly kick him. It takes great skill to keep this story within the expanding horizon of this young girl and yet make it so revealing of the adult world."e;-Atlantic"e;A Bird in the House achieves the breadth of scope which we usually associate with the novel (and thereby is as psychologically valid as a good novel), and at the same time uses the techniques of the short story form to reveal the different aspects of the young Vanessa."e; -Kent Thompson, The Fiddlehead"e;I am haunted by the women in Laurence's novels as if they really were alive-and not as women I've known, but as women I've been."e;-Joan Larkin, Ms. Magazine"e;Not since . . . To Kill a Mockingbird has there been a novel like this. It should not be missed by anyone who has a child or was a child."e;-Pittsburgh Post-GazetteOne of Canada's most accomplished writers, Margaret Laurence (1926-87) was the recipient of many awards including Canada's prestigious Governor General's Literary Award on two separate occasions, once for The Diviners.