We sailed from Peru, (where we had continued for the space of one whole year) for China and Japan, by the South Sea; taking with us victuals for twelve months; and had good winds from the east, though soft and weak, for five months space, and more. But the wind came about, and settled in the west for many days, so as we could make little or no way, and were sometime in purpose to turn back. But then again there arose strong and great winds from the south, with a point east, which carried us up (for all that we could do) towards the north; by which time our victuals failed us, though we had made good spare of them. So that finding ourselves, in the midst of the greatest wilderness of waters in the world, without victuals, we gave ourselves for lost men and prepared for death. Yet we did lift up our hearts and voices to God above, who showeth his wonders in the deep, beseeching him of his mercy, that as in the beginning he discovered the face of the deep, and brought forth dry land, so he would now discover land to us, that we might not perish. And it came to pass that the next day about evening we saw within a kenning before us, towards the north, as it were thick clouds, which did put us in some hope of land; knowing how that part of the South Sea was utterly unknown; and might have islands, or continents, that hitherto were not come to light. Wherefore we bent our course thither, where we saw the appearance of land, all that night; and in the dawning of the next day, we might plainly discern that it was a land; flat to our sight, and full of boscage; which made it show the more dark. And after an hour and a half's sailing, we entered into a good haven, being the port of a fair city; not great indeed, but well built, and that gave a pleasant view from the sea: and we thinking every minute long, till we were on land, came close to the shore, and offered to land. But straightways we saw divers of the people, with bastons in their hands (as it were) forbidding us to land; yet without any cries of fierceness, but only as warning us off, by signs that they made. Whereupon being not a little discomforted, we were advising with ourselves, what we should do. During which time, there made forth to us a small boat, with about eight persons in it; whereof one of them had in his hand a tipstaff of a yellow cane, tipped at both ends with blue, who came aboard our ship, without any show of distrust at all. And when he saw one of our number, present himself somewhat before the rest, he drew forth a little scroll of parchment (somewhat yellower than our parchment, and shining like the leaves of writing tables, but otherwise soft and flexible,) and delivered it to our foremost man. In which scroll were written in ancient Hebrew, and in ancient Greek, and in good Latin of the school, and in Spanish, these words: Land ye not, none of you; and provide to be gone from this coast, within sixteen days, except you have further time given you. Meanwhile, if you want fresh water or victuals, or help for your sick, or that your ship needeth repairs, write down your wants, and you shall have that, which belongeth to mercy. This scroll was signed with a stamp of cherubim: wings, not spread, but hanging downwards; and by them a cross. This being delivered, the officer returned, and left only a servant with us to receive our answer. F. BACON About Author: Francis Bacon, 1561 – 1626), was an English philosopher, statesman, scientist, jurist, orator, essayist, and author. He served both as Attorney General and Lord Chancellor of England. After his death, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution.Bacon has been called the father of empiricism. His works established and popularised inductive methodologies for scientific inquiry, often called the Baconian method, or simply the scientific method. His demand for a planned procedure of investigating all things natural marked a new turn in the rhetorical and theoretical framework for science, much of which still surrounds conceptions of proper methodology today.Bacon was knighted in 1603, and created Baron Verulam in 1618 and Viscount St. Alban in 1621; as he died without heirs, both peerages became extinct upon his death. He famously died of pneumonia, contracted while studying the effects of freezing on the preservation of meat. The succession of James I brought Bacon into greater favour. He was knighted in 1603. In another shrewd move, Bacon wrote his Apologies in defence of his proceedings in the case of Essex, as Essex had favoured James to succeed to the throne. The following year, during the course of the uneventful first parliament session, Bacon married Alice Barnham. In June 1607 he was at last rewarded with the office of solicitor general. The following year, he began working as the Clerkship of the Star Chamber. Despite a generous income, old debts still co

Underground* *The author of the diary and the diary itself are, of course, imaginary. Nevertheless it is clear that such persons as the writer of these notes not only may, but positively must, exist in our society, when we consider the circumstances in the midst of which our society is formed. I have tried to expose to the view of the public more distinctly than is commonly done, one of the characters of the recent past. He is one of the representatives of a generation still living. In this fragment, entitled "Underground," this person introduces himself and his views, and, as it were, tries to explain the causes owing to which he has made his appearance and was bound to make his appearance in our midst. In the second fragment there are added the actual notes of this person concerning certain events in his life.--AUTHOR'S NOTE. II am a sick man.... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don't consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can't explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot "pay out" the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don't consult a doctor it is from spite. My liver is bad, well--let it get worse! I have been going on like that for a long time--twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!) When petitioners used to come for information to the table at which I sat, I used to grind my teeth at them, and felt intense enjoyment when I succeeded in making anybody unhappy. I almost did succeed. For the most part they were all timid people--of course, they were petitioners. But of the uppish ones there was one officer in particular I could not endure. He simply would not be humble, and clanked his sword in a disgusting way. I carried on a feud with him for eighteen months over that sword. At last I got the better of him. He left off clanking it. That happened in my youth, though. But do you know, gentlemen, what was the chief point about my spite? Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not only not a spiteful but not even an embittered man, that I was simply scaring sparrows at random and amusing myself by it. I might foam at the mouth, but bring me a doll to play with, give me a cup of tea with sugar in it, and maybe I should be appeased. I might even be genuinely touched, though probably I should grind my teeth at myself afterwards and lie awake at night with shame for months after. That was my way.

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror. Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still there was a business-like usage in his steady gaze. So with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage. 'Keep her out, Lizzie. Tide runs strong here. Keep her well afore the sweep of it.' Trusting to the girl's skill and making no use of the rudder, he eyed the coming tide with an absorbed attention. So the girl eyed him. But, it happened now, that a slant of light from the setting sun glanced into the bottom of the boat, and, touching a rotten stain there which bore some resemblance to the outline of a muffled human form, coloured it as though with diluted blood. This caught the girl's eye, and she shivered. 'What ails you?' said the man, immediately aware of it, though so intent on the advancing waters; 'I see nothing afloat.' The red light was gone, the shudder was gone, and his gaze, which had come back to the boat for a moment, travelled away again. Wheresoever the strong tide met with an impediment, his gaze paused for an instant. At every mooring-chain and rope, at every stationery boat or barge that split the current into a broad-arrowhead, at the offsets from the piers of Southwark Bridge, at the paddles of the river steamboats as they beat the filthy water, at the floating logs of timber lashed together lying off certain wharves, his shining eyes darted a hungry look. After a darkening hour or so, suddenly the rudder-lines tightened in his hold, and he steered hard towards the Surrey shore. Always watching his face, the girl instantly answered to the action in her sculling; presently the boat swung round, quivered as from a sudden jerk, and the upper half of the man was stretched out over the stern.

Цветные вазочки разных форм, ажурные конфетницы, эффектные корзинки и практичные шкатулки – все это сможет связать и начинающая, и опытная мастерица! ? Вазочка из разноцветных вязаных листьев ? Ажурная корзинка в форме кувшинки ? Ваза в виде античной амфоры ? Конфетницы в форме бабочки и в технике фриформ и др. Понятные пошаговые инструкции, схемы и советы сделают процесс вязания приятным и увлекательным.Cvetnye vazochki raznyh form, azhurnye konfetnicy, jeffektnye korzinki i praktichnye shkatulki – vse jeto smozhet svjazat' i nachinajushhaja, i opytnaja masterica! ? Vazochka iz raznocvetnyh vjazanyh list'ev ? Azhurnaja korzinka v forme kuvshinki ? Vaza v vide antichnoj amfory ? Konfetnicy v forme babochki i v tehnike friform i dr. Ponjatnye poshagovye instrukcii, shemy i sovety sdelajut process vjazanija prijatnym i uvlekatel'nym.

Торты с сюрпризом сделают ваш праздник незабываемым! Их ароматная середина подарит в разрезе цветы из творожного теста, радужное сердце с цедрой лайма, милых шоколадных кошек, ежевичное омбре и даже признание в любви! Торты просты в приготовлении. Эффектные приемы работы с различными видами теста, наполнителями из цедры, орехов, кусочков желе и шоколадных капель, начинками и специальными трафаретами превращают обычный рецепт в кулинарный шедевр.Torty s sjurprizom sdelajut vash prazdnik nezabyvaemym! Ih aromatnaja seredina podarit v razreze cvety iz tvorozhnogo testa, raduzhnoe serdce s cedroj lajma, milyh shokoladnyh koshek, ezhevichnoe ombre i dazhe priznanie v ljubvi! Torty prosty v prigotovlenii. Jeffektnye priemy raboty s razlichnymi vidami testa, napolniteljami iz cedry, orehov, kusochkov zhele i shokoladnyh kapel', nachinkami i special'nymi trafaretami prevrashhajut obychnyj recept v kulinarnyj shedevr.

Чортова дванадцятка — досить змстовна й влучна характеристика збрки жахв за редакцю неперевершеного Ствена Джонса! Пд одню обкладинкою збран 12 гостроцкавих оповдань менитих майстрв горору. Дж. Гаррс, К. Ньюман, М. рей, Р. Кемпбелл та нш гарантують вам безсонну нч в атмосфер тамничост й мстики… Подейкують, що в паризькому Театр Жаху влаштовують кривав вистави. Тридцятидвохрчна Кейт Рд пдбралася надто близько до розгадки… (Гньоль) Вдомий актор Даррен Ловр на пку популярност… був, аж доки не розгнвав вдьму! (Забуття)Chortova dvanadcjatka — dosit' zmstovna j vluchna harakteristika zbrki zhahv za redakcju neperevershenogo Stvena Dzhonsa! Pd odnju obkladinkoju zbran 12 gostrockavih opovdan' menitih majstrv gororu. Dzh. Garrs, K. N'juman, M. rej, R. Kempbell ta nsh garantujut' vam bezsonnu nch v atmosfer tamnichost j mstiki… Podejkujut', shho v pariz'komu Teatr Zhahu vlashtovujut' krivav vistavi. Tridcjatidvohrchna Kejt Rd pdbralasja nadto bliz'ko do rozgadki… (Gn'ol') Vdomij aktor Darren Lovr na pku populjarnost… buv, azh doki ne rozgnvav vd'mu! (Zabuttja)

In 1861 Captain Grant succeeded Captain Burgess on Matinicus, taking his son with him as assistant. The old keeper left Abby on the rock to instruct the newcomers in their duties, and she performed the task so well that young Grant fell in love with her, and asked her to become his wife. Soon after their marriage she was appointed an assistant keeper. A few years later the husband was made keeper and the wife assistant keeper of White Head, another light on the Maine coast. There they remained until the spring of 1890, when they removed to Middleborough, Mass., intending to pass the balance of their days beyond sight and hearing of the rocks and the waves. But the hunger which the sea breeds in its adopted children was still strong within them, and the fall of 1892 found them again on the coast of Maine, this time at Portland, where the husband again entered the lighthouse establishment, working in the engineers' department of the first lighthouse district. With them until his death lived Captain Grant, who in the closing months of 1890, being then aged eighty-five, retired from the position of keeper of Matinicus light, which he had held for nearly thirty years. Not less lonely, but far more perilous than the life of the keepers of a light like that on Matinicus is the lot of the crew of the South Shoal lightship, whose position twenty-six miles off Sankaty Head, Nantucket Island, makes it the most exposed light-station in the world. Anchored so far out at sea, it is only during the months of summer and autumn that the lighthouse tender ventures to visit it, and its crew from December to May of each year are wholly cut off from communication with the land. It is this, however, that makes the South Shoal lightship a veritable protecting angel of the deep, for it stands guard not only over the treacherous New South Shoal, near which it is anchored, but over twenty-six miles of rips and reefs between it and the Nantucket shore—a wide-reaching ocean graveyard, where bleach the bones of more than a half thousand wrecked and forgotten vessels. The lightship is a stanchly built two-hulled schooner of 275 tons burden, 103 feet long over all, equipped with fore-and-aft lantern masts 71 feet high, and with two masts for sails, each 42 feet high. The lanterns are octagons of glass in copper frames, so arranged that they can be lowered into houses built around the masts. In the forward part of the ship is a huge fog bell, swung ten feet above the deck, which, when foggy weather prevails, as it frequently does for weeks at a time, is kept tolling day and night. A two-inch chain fastened to a "mushroom" anchor weighing upward of three tons holds the vessel in eighteen fathoms of water, but this, so fiercely do the waves beat against it in winter, has not prevented her from going adrift many times. She was two weeks at sea on one of these occasions, and on another she came to anchor in New York Harbor. Life on the South Shoal lightship is at all times a hard and trying one, and, as a matter of fact, the crew are instructed not to expose themselves to danger outside their special line of duty. This, however, does not deter them from frequently risking their lives in rescuing others, and when, several years ago, the City of Newcastle went ashore on one of the shoals near the lightship, all hands, twenty-seven in number, were saved by the South Shoal crew and kept aboard of her over two weeks, until the story of the wreck was signalled to a passing vessel. Isaac H. Grant holds a silver medal given him by the Government for rescuing two men from drowning while he was keeper at White Head; while Frederick Hatch, keeper of the Breakwater station at Cleveland was awarded the gold bar. The last mentioned badge of honor is granted only to one who has twice distinguished himself by a special act of bravery. It was given Hatch in the winter of 1898.

Жасмин, двадцатичетырехлетняя красавица-американка, приезжает в Англию на Рождество погостить у родственников. Герцог Харли подарил ей жеребца, и она решает прокатится верхом. Но из-за разыгравшейся метели ее едва не сбивает машина, за рулем которой сидел граф Сомертон. Через некоторое время, волею судьбы, Жасмин опять встретится с графом, который приютит ее в своем замке после падения с лошади… Эта встреча навсегда изменит их жизнь и подарит им настоящую любовь… Zhasmin, dvadcatichetyrehletnjaja krasavica-amerikanka, priezzhaet v Angliju na Rozhdestvo pogostit' u rodstvennikov. Gercog Harli podaril ej zherebca, i ona reshaet prokatitsja verhom. No iz-za razygravshejsja meteli ee edva ne sbivaet mashina, za rulem kotoroj sidel graf Somerton. Cherez nekotoroe vremja, voleju sud'by, Zhasmin opjat' vstretitsja s grafom, kotoryj prijutit ee v svoem zamke posle padenija s loshadi… Jeta vstrecha navsegda izmenit ih zhizn' i podarit im nastojashhuju ljubov'…

Te is biztosan jártál már úgy, hogy szeretted volna pszichológushoz vinni a gyermekedet, de a k?zismert el?ítéletek (“Csak a bolondok járnak pszichológushoz!”) és a k?rnyezeted ellenállása visszatartott. Ez a k?nyv gyermekek és szüleik számára készült. Egy kislány, Lili t?rténetén keresztül mutatja meg, mi is t?rténik a gyermekpszichológusnál. Lili egy szorongó kislány, aki nem akar oviba menni és emiatt betegnek érzi magát. Kata néni, a pszichológus segít neki félelmei leküzdésében. A k?nyv segítségével egy r?vid progresszív izomrelaxációs gyakorlatot is ki lehet próbálni. Emellett pedig sok hasznos információval szolgál gyermeknek, feln?ttnek egyaránt.

Sunt bucuros s? ?tiu c? aceast? carte a fost remarcat? ?i luat? ?n considerare pentru publicarea ?n Rom?nia. ?mi amintesc vorbele lui Serghei Dovlatov, scriitor rus care ?i-a desf??urat activitatea literar? ?n America: ?Orice ziarist viseaz? s? scrie un roman.“ Un s?mbure de adev?r ?n aceast? fraz? exist?... E greu s? g?se?ti un jurnalist care, ?n timpul liber, s? nu fi ?ncercat s? scrie un roman, povestiri sau versuri... Principiul redac?ional era urm?torul: ?Scrie ?n a?a fel ?nc?t cel care va citi s? aib? co?maruri noaptea!...“ Totul p?rea extraordinar... Ie?it? din comun este ?i povestea dintre coper?ile acestei c?r?i.

Jane Forrest Hargitai nyugodtnak induló hétf? reggele abban a pillanatban felborul, amint a dugóban el?tte álló kocsiból el?kerül egy n?i holttest. A bizonyítékok az éjszakai élet vezéréhez, Dobó Renátóhoz vezetnek, de a férfi egy csepp hajlandóságot sem mutat arra, hogy segítsen. Még a halott nevét sem árulja el. Jane viszont nem hagyja annyiban a dolgot, minden k?vet megmozgat, hogy megtudja, ki is az illet?. Mikor kiderül, hogy Bárfai sógorn?je az, elindul a lavina. Vivien és Renátó elt?nik, Jane családját pedig folyamatos támadások érik. Mikor a nyomozón? két gyerekére is rál?nek, Jane ráj?n, hogy csak úgy védheti meg a gyerekei életét, ha végez Bátfaival. A n?ben kett?s érzések dúlnak. Egyrészr?l a nyomozó, aki a b?n ellen harcol, másrészr?l, az anya, aki bármire képes azért, hogy megvédje a családját. De vajon helyesen cselekszik-e, ha meg?leti a b?rt?nben ül? férfit? Jogilag semmiképp! De mint ember? Vajon elfogadható-e, hogy úgy védje meg a gyerekei életét, hogy felbujtóként meg?leti a családja életére t?r?t?

Ianoi e viu, atent i emoionat de orice problem de parc acum abia ar ntra, aplecndu-se uor, sub naltul portic al Cunoaterii. Curios, profesnd acea dubl curiozitate, rar azi – fa de problem, dar i fa de cel ce o ridic. Fa de Fiin. Cultura romn se poate felicita, n zilele i anii notri un pic buimaci, unde Nordul valorilor pare a se fi rtcit undeva, n alte secole sau pe alte continente, c posed un cercettor, un profesor i un ins capabil de o asemenea cuprindere a unor platforme culturale att de auguste i, aparent, contradictorii. Unul din puinii supravieuitori ai acelei Mitteleuropa sapieniale, acei ndrgostii fr pricin de misterele artei i ale gndului, unul dintre acei, rari azi i n Europa, ce pesc uor peste granie istorice i mentale, rigide pentru atia, cu o graie, cu o uurin ce ne poate nela asupra acelui depozit afund de suferin i travaliu, de tenacitate unic pe care numai prezena unui ideal poate s-o explice. Iat unde putem gsi Idealul su Modelul, dezorientai nu rareori de propriile noastre ezitri i eecuri.“ (Nicolae Breban)Ianoi este un om pentru care problema morala exist, iar faptul acesta l aaz ntr-o postur extrem de fecund i de necesar, de mediator. ntr-o lume care devine tot mai conflictual, uneori n mod stupid, cu totul superficial i aberant. Ion Ianoi cred ca ne d o lecie de economie de conflict. Vd n aceast lecie i n persoana lui un model de senintate, de sinceritate intelectual, de europenitate.“ (Mircea Martin)[...] stilul Ianoi; un stil unic n cultura romn. Nu e vorba, n cazul d-sale, de cri de erudiie pedant, seac, ci de cri scrise cu un mare talent literar, cred eu, i cu extraordinare capaciti de evocare.“ (Gabriel Dimisianu)Am spus i cu alte prilejuri, am scris i cu alte ocazii c Ion Ianoi este un dar fcut literaturii romne. Oare avem puterea de a ne bucura de acest dar Avem fora de a-l onora i de a ne minuna de el, aa cum se cuvine Printre scriitorii romni, prietenul nostru e perceput drept un crturar evreu-maghiar atipic. Printre evrei e tratat drept un romn sadea. n Ianoi vd un model de prim rang, un mare crturar ce s-a nzidit n literatura romn, un scriitor care ar face onoare oricrei culturi majore a lumii. Ianoi este, apoi, un spectacol, n pofida felului su de a fi, aproape n ciuda sa...“ (Aura Christi)

Create innovative informatics solutions with TIBCO Spotfire Key Features * Get to grips with a variety of TIBCO Spotfire features to create professional applications * Use different data and visualization techniques to build interactive analyses. * Simplify BI processes and understand data analysis and visualization Book Description The need for agile business intelligence (BI) is growing daily, and TIBCO Spotfire? combines self-service features with essential enterprise governance and scaling capabilities to provide best-practice analytics solutions. Spotfire is easy and intuitive to use and is a rewarding environment for all BI users and analytics developers. Starting with data and visualization concepts, this book takes you on a journey through increasingly advanced topics to help you work toward becoming a professional analytics solution provider. Examples of analyzing real-world data are used to illustrate how to work with Spotfire. Once you've covered the AI-driven recommendations engine, you'll move on to understanding Spotfire's rich suite of visualizations and when, why and how you should use each of them. In later chapters, you'll work with location analytics, advanced analytics using TIBCO Enterprise Runtime for R?, how to decide whether to use in-database or in-memory analytics, and how to work with streaming (live) data in Spotfire. You'll also explore key product integrations that significantly enhance Spotfire's capabilities.This book will enable you to exploit the advantages of the Spotfire serve topology and learn how to make practical use of scheduling and routing rules. By the end of this book, you will have learned how to build and use powerful analytics dashboards and applications, perform spatial analytics, and be able to administer your Spotfire environment efficiently What you will learn * Work with Spotfire on its web, Cloud, PC, Mac and mobile clients * Deploy Spotfire's suite of visualization types effectively and intelligently * Build user-friendly analytics frameworks and analytics applications * Explore Spotfire's predictive analytics capabilities * Use Spotfire's location analytics capabilities to create interactive spatial analyses * Write IronPython scripts with the Spotfire API * Learn the different ways Spotfire can be deployed and administered Who this book is for If you are a business intelligence or data professional, this book will give you a solid grounding in the use of TIBCO Spotfire. This book requires no prior knowledge of Spotfire or any basic data and visualization concepts.

Harness the power of the latest edition with this in-depth and comprehensive guide to the Swift language Key Features * Fifth edition of this bestselling book, improved and updated to cover the latest version of the Swift 5 programming language * Get to grips with popular and modern design techniques to write easy-to-manage Swift code * Learn how to use core Swift features such as concurrency, generics, and copy-on-write in your code Book Description Over the years, the Mastering Swift book has established itself amongst developers as a popular choice as an in-depth and practical guide to the Swift programming language. The latest edition is fully updated and revised to cover the new version: Swift 5. Inside this book, you'll find the key features of Swift 5 easily explained with complete sets of examples. From the basics of the language to popular features such as concurrency, generics, and memory management, this definitive guide will help you develop your expertise and mastery of the Swift language. Mastering Swift 5, Fifth Edition will give you an in-depth knowledge of some of the most sophisticated elements in Swift development, including protocol extensions, error handling, and closures. It will guide you on how to use and apply them in your own projects. Later, you'll see how to leverage the power of protocol-oriented programming to write flexible and easier-to-manage code. You will also see how to add the copy-on-write feature to your custom value types and how to avoid memory management issues caused by strong reference cycles. What you will learn * Understand core Swift components, including operators, collections, control flows, and functions * Learn how and when to use classes, structures, and enumerations * Understand how to use protocol-oriented design with extensions to write easier-to-manage code * Use design patterns with Swift, to solve commonly occurring design problems * Implement copy-on-write for you custom value types to improve performance * Add concurrency to your applications using Grand Central Dispatch and Operation Queues * Implement generics to write flexible and reusable code Who this book is for This book is for developers who want to delve into the newest version of Swift. If you are a developer and learn best by looking at and working with code, then this book is for you. A basic understanding of Apple's tools would be beneficial but not mandatory. All examples should work on the Linux platform as well.

Build smart looking Kotlin apps with UI and functionality for the Android platform Key Features * Start your Android programming career, or just have fun publishing apps on Google Play marketplace * The first-principle introduction to Kotlin through Android, to start building easy-to-use apps * Learn by example and build four real-world apps and dozens of mini-apps Book Description Android is the most popular mobile operating system in the world and Kotlin has been declared by Google as a first-class programming language to build Android apps. With the imminent arrival of the most anticipated Android update, Android 10 (Q), this book gets you started building apps compatible with the latest version of Android. It adopts a project-style approach, where we focus on teaching the fundamentals of Android app development and the essentials of Kotlin by building three real-world apps and more than a dozen mini-apps. The book begins by giving you a strong grasp of how Kotlin and Android work together before gradually moving onto exploring the various Android APIs for building stunning apps for Android with ease. You will learn to make your apps more presentable using different layouts. You will dive deep into Kotlin programming concepts such as variables, functions, data structures, Object-Oriented code, and how to connect your Kotlin code to the UI. You will learn to add multilingual text so that your app is accessible to millions of more potential users. You will learn how animation, graphics, and sound effects work and are implemented in your Android app. By the end of the book, you will have sound knowledge about significant Kotlin programming concepts and start building your own fully featured Android apps. What you will learn * Learn how Kotlin and Android work together * Build a graphical drawing app using Object-Oriented Programming (OOP) principles * Build beautiful, practical layouts using ScrollView, RecyclerView, NavigationView, ViewPager and CardView * Write Kotlin code to manage an apps' data using different strategies including JSON and the built-in Android SQLite database * Add user interaction, data captures, sound, and animation to your apps * Implement dialog boxes to capture input from the user * Build a simple database app that sorts and stores the user's data Who this book is for This book is for people who are new to Kotlin, Android and want to develop Android apps.It also acts as a refresher for those who have some experience in programming with Android and Kotlin.

Become familiar with Kubernetes and explore techniques to manage your containerized workloads and services Key Features * Learn everything from creating a cluster to monitoring applications in Kubernetes * Understand and develop DevOps primitives using Kubernetes * Use Kubernetes to solve challenging real-life DevOps problems Book Description Kubernetes and DevOps are the two pillars that can keep your business at the top by ensuring high performance of your IT infrastructure. Introduction to DevOps with Kubernetes will help you develop the skills you need to improve your DevOps with the power of Kubernetes. The book begins with an overview of Kubernetes primitives and DevOps concepts. You'll understand how Kubernetes can assist you with overcoming a wide range of real-world operation challenges. You will get to grips with creating and upgrading a cluster, and then learn how to deploy, update, and scale an application on Kubernetes. As you advance through the chapters, you’ll be able to monitor an application by setting up a pod failure alert on Prometheus. The book will also guide you in configuring Alertmanager to send alerts to the Slack channel and trace down a problem on the application using kubectl commands. By the end of this book, you’ll be able to manage the lifecycle of simple to complex applications on Kubernetes with confidence. What you will learn * Create and manage Kubernetes clusters in on-premise systems and cloud * Exercise various DevOps practices using Kubernetes * Explore configuration, secret, and storage management, and exercise these on Kubernetes * Perform different update techniques and apply them on Kubernetes * Use the built-in scaling feature in Kubernetes to scale your applications up and down * Use various troubleshooting techniques and have a monitoring system installed on Kubernetes Who this book is for If you are a developer who wants to learn how to apply DevOps patterns using Kubernetes, then this book is for you. Familiarity with Kubernetes will be useful, but not essential.

Make your WebAssembly journey fun while making a game with it Key Features * Create a WebAssembly game that implements sprites, animations, physics, particle systems, and other game development fundamentals * Get to grips with advanced game mechanics in WebAssembly * Learn to use WebAssembly and WebGL to render to the HTML5 canvas element Book Description Within the next few years, WebAssembly will change the web as we know it. It promises a world where you can write an application for the web in any language, and compile it for native platforms as well as the web. This book is designed to introduce web developers and game developers to the world of WebAssembly by walking through the development of a retro arcade game. You will learn how to build a WebAssembly application using C++, Emscripten, JavaScript, WebGL, SDL, and HTML5. This book covers a lot of ground in both game development and web application development. When creating a game or application that targets WebAssembly, developers need to learn a plethora of skills and tools. This book is a sample platter of those tools and skills. It covers topics including Emscripten, C/C++, WebGL, OpenGL, JavaScript, HTML5, and CSS. The reader will also learn basic techniques for game development, including 2D sprite animation, particle systems, 2D camera design, sound effects, 2D game physics, user interface design, shaders, debugging, and optimization. By the end of the book, you will be able to create simple web games and web applications targeting WebAssembly. What you will learn * Build web applications with near-native performance using WebAssembly * Become familiar with how web applications can be used to create games using HTML5 Canvas, WebGL, and SDL * Become well versed with game development concepts such as sprites, animation, particle systems, AI, physics, camera design, sound effects, and shaders * Deploy C/C++ applications to the browser using WebAssembly and Emscripten * Understand how Emscripten HTML shell templates, JavaScript glue code, and a WebAssembly module interact * Debug and performance tune your WebAssembly application Who this book is for Web developers and game developers interested in creating applications for the web using WebAssembly. Game developers interested in deploying their games to the web Web developers interested in creating applications that are potentially orders of magnitude faster than their existing JavaScript web apps C/C++ developers interested in using their existing skills to deploy applications to the web

Discover the power of location data to build effective, intelligent data models with Geospatial ecosystems Key Features * Manipulate location-based data and create intelligent geospatial data models * Build effective location recommendation systems used by popular companies such as Uber * A hands-on guide to help you consume spatial data and parallelize GIS operations effectively Book Description Data scientists, who have access to vast data streams, are a bit myopic when it comes to intrinsic and extrinsic location-based data and are missing out on the intelligence it can provide to their models. This book demonstrates effective techniques for using the power of data science and geospatial intelligence to build effective, intelligent data models that make use of location-based data to give useful predictions and analyses. This book begins with a quick overview of the fundamentals of location-based data and how techniques such as Exploratory Data Analysis can be applied to it. We then delve into spatial operations such as computing distances, areas, extents, centroids, buffer polygons, intersecting geometries, geocoding, and more, which adds additional context to location data. Moving ahead, you will learn how to quickly build and deploy a geo-fencing system using Python. Lastly, you will learn how to leverage geospatial analysis techniques in popular recommendation systems such as collaborative filtering and location-based recommendations, and more. By the end of the book, you will be a rockstar when it comes to performing geospatial analysis with ease. What you will learn * Learn how companies now use location data * Set up your Python environment and install Python geospatial packages * Visualize spatial data as graphs * Extract geometry from spatial data * Perform spatial regression from scratch * Build web applications which dynamically references geospatial data Who this book is for Data Scientists who would like to leverage location-based data and want to use location-based intelligence in their data models will find this book useful. This book is also for GIS developers who wish to incorporate data analysis in their projects. Knowledge of Python programming and some basic understanding of data analysis are all you need to get the most out of this book.

This entry in Jimmy Russell's Games Console History series is all about Nintendo's iconic SNES - the Super Nintendo Entertainment System, also known as the Super Famicom in Japan. The book contains over 100 facts about the console, organised into sections such as hardware, peripherals, history, legacy and more, including some incredible information you probably never knew. From retro gamers who were there at the time to total n00bz who think a PlayStation is Old Skool, there's something in this fascinating book for everyone!

The A-Z of Atari 2600 Games: Volume 3 features reviews of three different games for each letter of the alphabet. The games range from the very earliest releases in the 70s to the modern homebrew games of today. This book shows you just how diverse the library of titles is for the Atari 2600 and how it became one of the best selling consoles of all time.

When Erin, Ohio native Jamie Ellicott returns home as best-selling author James Ivanhoe after a 13-year absence, it's like the return of the Prodigal Son. His ill and aging father welcomes him with open arms. Ivanhoe's two brothers, however, are less forgiving.The whole town gets drawn into the family drama when Ivanhoe seeks to march in the annual St. Patrick's Day parade under the banner of an anti-technology group called the Ned Ludd Society. That's a thumb in the collective eye of his siblings, who own a company that makes microcircuits.As a member of the parade committee, St. Benignus University communications director Jeff Cody has a stake in what soon becomes a heated national debate. But to his genius brother-in-law Sebastian McCabe, the contretemps becomes less important than investigating murder in the Ellicott family. Erin Go Bloody once again demonstrates the skill that caused best-selling novelist Bonnie MacBird to call Dan Andriacco "e;a master of mystery plotting."e;