I've never had anorexia, but I know it well. I see it on the street, in the gaunt and sunken face, the bony chest, the spindly arms of an emaciated woman. I've come to recognize the flat look of despair, the hopelessness that follows, inevitably, from years of starvation. I think: That could have been my daughter. It wasn't. It's not. If I have anything to say about it, it won't be.Millions of families are affected by eating disorders, which usually strike young women between the ages of fourteen and twenty. But current medical practice ties these families' hands when it comes to helping their children recover. Conventional medical wisdom dictates separating the patient from the family and insists that "it's not about the food," even as a family watches a child waste away before their eyes. Harriet Brown shows how counterproductive and heartbreaking this approach is by telling her daughter's story of anorexia. She describes how her family, with the support of an open-minded pediatrician and a therapist, helped her daughter recover using family-based treatment, also known as the Maudsley approach.Chronicling her daughter Kitty's illness from the earliest warning signs, through its terrifying progression, and on toward recovery, Brown takes us on one family's journey into the world of anorexia nervosa, where starvation threatened her daughter's body and mind. But hope and love of the ordinary, family-focused kind shine through every decision and action she and her family took. Brave Girl Eating is essential reading for families and professionals alike, a guiding light for anyone who's coping with this devastating disease.

The foremost contemporary choreographer in the history of ballet, George Balanchine extended the art form into radical new paths that came to seem inevitable under his direction. He transformed movement and dance in classical and modern ballet, on the Broadway stage, and in the cinema.George Balanchine chronicles the life and achievements of this visionary artist from his early, almost accidental career in Russia, where his lifelong collaboration with Igor Stravinsky was forged, to his extraordinary accomplishments in America. The editor and writer Robert Gottlieb, one of the most knowledgeable dance critics in America, offers a superb and loving portrait of a genius who, though married many times to many ballerinas, remained truest to his greatest love, Terpischore, the Greek Muse of dance.

This rich resource is for everyone seeking more happiness and success in life. Now with a new introduction, this treasure of Emmet Fox's wise and inspirational gems offers enduring spiritual truth and practical advice for mining the gold to be found in our daily lives. Included here, also, are real-life examples of those who have followed Fox's signposts to happier living. Fox's friendly, commonsense suggestions have shown millions how to get the most out of our life and provide new spiritual strength to those who use his techniques for personal meditation.

On January 14, 1993, a team of scientists descended into the crater of Galeras, a restless Andean volcano in southern Colombia, for a day of field research. As the group slowly moved across the rocky moonscape of the caldera near the heart of the volcano, Galeras erupted, its crater exploding in a barrage of burning rocks and glowing shrapnel. Nine men died instantly, their bodies torn apart by the blast.While others watched helplessly from the rim, Colombian geologist Marta Calvache raced into the rumbling crater, praying to find survivors. This was Calvache's second volcanic disaster in less than a decade. In 1985 Calvache was part of a group of Colombia's brightest young scientists that had been studying activity at Nevado del Ruiz, a volcano three hundred miles north of Galeras. They had warned of the dire consequences of an eruption for months, but their fledgling coalition lacked the resources and muscle to implement a plan of action or sway public opinion. When Nevado del Ruiz erupted suddenly in November 1985, it wiped the city of Armero off the face of the earth and killed more than twenty-three thousand people -- one of the worst natural disasters of the twentieth century.No Apparent Danger links the characters and events of these two eruptions to tell a riveting story of scientific tragedy and human heroism. In the aftermath of Nevado del Ruiz, volcanologists from all over the world came to Galeras -- some to ensure that such horrors would never be repeated, some to conduct cutting-edge research, and some for personal gain. Seismologists, gas chemists, geologists, and geophysicists hoped to combine their separate areas of expertise to better understand and predict the behavior of monumental forces at work deep within the earth.And yet, despite such expertise, experience, and training, crucial data were ignored or overlooked, essential safety precautions were bypassed, and fifteen people descended into a death trap at Galeras. Incredibly, expedition leader Stanley Williams was one of five who survived, aided bravely by Marta Calvache and her colleagues. But nine others were not so lucky.Expertly detailing the turbulent history of Colombia and the geology of its snow-peaked volcanoes, Victoria Bruce weaves together the stories of the heroes, victims, survivors, and bystanders, evoking with great sensitivity what it means to live in the shadow of a volcano, a hair's-breadth away from unthinkable natural calamity, and shows how clashing cultures and scientific arrogance resulted in tragic and unnecessary loss of life.

Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manu*s into published novels and short stories.In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manu*. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.

A lethal germ is unleashed in the U.S. mail. A chain of letters spreads terror from Florida to Washington, D.C., from New York to Connecticut, from the halls of Congress to the assembly lines of the U.S. Postal Service. Five people die, and ten thousand more line up for antibiotics to protect against exposure. The government, already outsmarted by the terrorist hijackers of 9/11, leaves its workers vulnerable and a diabolical killer on the loose.Based on hundreds of hours of interviews and a review of thousands of pages of government documents, The Killer Strain is the definitive account of the year in which bioterrorism became a reality in the United States. Revealing the little-known victims and unsung heroes in the anthrax debacle, investigative reporter Marilyn Thompson also examines the FBI's slow-paced investigation of the crimes and the unprecedented scientific challenges posed by the case.The Killer Strain, more than just a thrilling read, is also a clarion wake-up call. It shows how billions of dollars and a decade of elaborate bioterror dress rehearsals meant nothing in the face of a real attack -- and how we may still be at risk.

In fascinating detail, Ivan Solotaroff introduces us to the men who carry out executions. Although the emphasis is on the personal lives of these men and of those they have to put to death, The Last Face You'll Ever See also addresses some of the deeper issues of the death penalty and connects the veiled, elusive figure of the executioner to the vast majority of Americans who, since 1977, have claimed to support executions. Why do we do itOr, more exactly, why do we want to?The Last Face You'll Ever See is not about the polarizing issues of the death penalty -- it is a firsthand report about the culture of executions: the executioners, the death-row inmates, and everyone involved in the act. An engrossing, unsettling, and provocative book, this work will forever affect anyone who reads it.

The acclaimed author of the groundbreaking bestseller Schoolgirls reveals the dark side of pink and pretty: the rise of the girlie-girl, she warns, is not that innocent. Pink and pretty or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as a source the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages.But, realistically, how many times can you say no when your daughter begs for a pint-size wedding gown or the latest Hannah Montana CDAnd how dangerous is pink and pretty anyway especially given girls' successes in the classroom and on the playing fieldBeing a princess is just make-believe, after all; eventually they grow out of it. Or do theyDoes playing Cinderella shield girls from early sexualization or prime them for itCould today's little princess become tomorrow's sexting teenAnd what if she doesWould that make her in charge of her sexuality or an unwitting captive to it?Those questions hit home with Peggy Orenstein, so she went sleuthing. She visited Disneyland and the international toy fair, trolled American Girl Place and Pottery Barn Kids, and met beauty pageant parents with preschoolers tricked out like Vegas showgirls. She dissected the science, created an online avatar, and parsed the original fairy tales. The stakes turn out to be higher than she or we ever imagined: nothing less than the health, development, and futures of our girls. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.Cinderella Ate My Daughter is a must-read for anyone who cares about girls, and for parents helping their daughters navigate the rocky road to adulthood.

How does globalization workFocusing on Latin America, Yves Dezalay and Bryant G. Garth show that exports of expertise and ideals from the United States to Argentina, Brazil, Chile, and Mexico have played a crucial role in transforming their state forms and economies since World War II.Based on more than 300 extensive interviews with major players in governments, foundations, law firms, universities, and think tanks, Dezalay and Garth examine both the production of northern exports such as neoliberal economics and international human rights law and the ways they are received south of the United States. They find that the content of what is exported and how it fares are profoundly shaped by domestic struggles for power and influence-"e;palace wars"e;-in the nations involved. For instance, challenges to the eastern intellectual establishment influenced the Reagan-era export of University of Chicago-style neoliberal economics to Chile, where it enjoyed a warm reception from Pinochet and his allies because they could use it to discredit the previous regime.Innovative and sophisticated, The Internationalization of Palace Wars offers much needed concrete information about the transnational processes that shape our world.

This commentary offers a rich introduction and useful guide to the seven surviving plays attributed to Aeschylus. Though it may profitably be used with any translation of Aeschylus, the commentary is based on the acclaimed Chicago translations, The Complete Greek Tragedies, edited by David Grene and Richmond Lattimore.James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law athletic contests, relations with neighboring states, beliefs about the underworld, and countless other details of Hellenic life. Hogan clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as are maps and illustrations, a bibliography, indexes, and extensive cross-references between the seven plays. Forthcoming volumes will cover the works of Sophocles and Euripides.

Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, "e;Do you know 'Body and Soul'?"e;-and from there the subtle craft of playing the jazz repertoire is tested in front of a live audience. These ordinary musicians may never have played together-they may never have met-so how do they smoothly put on a show without getting booed offstage.In "e;Do You Know . . . ?"e; Robert R. Faulkner and Howard S. Becker-both jazz musicians with decades of experience performing-present the view from the bandstand, revealing the array of skills necessary for working musicians to do their jobs. While learning songs from sheet music or by ear helps, the jobbing musician's lexicon is dauntingly massive: hundreds of thousands of tunes from jazz classics and pop standards to more exotic fare. Since it is impossible for anyone to memorize all of these songs, Faulkner and Becker show that musicians collectively negotiate and improvise their way to a successful performance. Players must explore each others' areas of expertise, develop an ability to fake their way through unfamiliar territory, and respond to the unpredictable demands of their audience-whether an unexpected gang of polka fanatics or a tipsy father of the bride with an obscure favorite song."e;Do You Know . . . ?"e; dishes out entertaining stories and sharp insights drawn from the authors' own experiences and observations as well as interviews with a range of musicians. Faulkner and Becker's vivid, detailed portrait of the musician at work holds valuable lessons for anyone who has to think on the spot or under a spotlight.

For several terms at Cambridge in 1939, Ludwig Wittgenstein lectured on the philosophical foundations of mathematics. A lecture class taught by Wittgenstein, however, hardly resembled a lecture.He sat on a chair in the middle of the room, with some of the class sitting in chairs, some on the floor. He never used notes. He paused frequently, sometimes for several minutes, while he puzzled out a problem. He often asked his listeners questions and reacted to their replies. Many meetings were largely conversation.These lectures were attended by, among others, D. A. T. Gasking, J. N. Findlay, Stephen Toulmin, Alan Turing, G. H. von Wright, R. G. Bosanquet, Norman Malcolm, Rush Rhees, and Yorick Smythies. Notes taken by these last four are the basis for the thirty-one lectures in this book.The lectures covered such topics as the nature of mathematics, the distinctions between mathematical and everyday languages, the truth of mathematical propositions, consistency and contradiction in formal systems, the logicism of Frege and Russell, Platonism, identity, negation, and necessary truth. The mathematical examples used are nearly always elementary.

Prim, plain, desperately virtuous Lady Mary Fairchild stared at the seductive gentleman and wondered -- did he remember the elements of the night they metSurely not. In the ten years since, she had abandoned her youthful impetuousness and transformed herself into a housekeeper -- disguising her beauty beneath a servant's dour clothing determined to conquer the passions of the past.But Sebastian Durant, Viscount Whitfield, did recognize her as a Fairchild, one of his family's bitter enemies. When he demanded her help recovering a stolen diary, she dared not refuse him. When he proposed they masquerade as a betrothed couple, loyalty forced her to agree. And when the restraint between them shattered and pleasure became an obsession, Mary had to trust a powerful man who could send her to the gallows ... or love her through eternity.

For proper young ladies, good behavior has always been the rule Captain Bradshaw Carroway loves the seafaring life though he'd rather be battling brigands than his current assignment offerrying a boatload of spoiled aristocrats. One passenger, however, has caught his eye: a bewitching young minx who definitely distracts him from the rules ofshipboard decorum . . .Some rules, of course, are meant to be broken.Miss Zephyr Ponsley has traveled the world, but she's completely innocent in the ways of love. She's never learned to dance or flirt. But scientific observation has taught her that the laws of attraction have no rules, and that no adventure, on land or sea, is more dangerous or delicious than passion!

Sir Richard Kenworthy has less than a month to find a bride. He knows he can't be too picky, but when he sees Iris Smythe-Smith hiding behind her cello at her family's infamous musicale, he thinks he might have struck gold. She's the type of girl you don't notice until the second—or third—look, but there's something about her, something simmering under the surface, and he knows she's the one. Iris Smythe–Smith is used to being underestimated. With her pale hair and quiet, sly wit she tends to blend into the background, and she likes it that way. So when Richard Kenworthy demands an introduction, she is suspicious. He flirts, he charms, he gives every impression of a man falling in love, but she can't quite believe it's all true. When his proposal of marriage turns into a compromising position that forces the issue, she can't help thinking that he's hiding something . . . even as her heart tells her to say yes.

Her marriage of convenience seems far too convenient . . .Desperation drove Cecilia Mallory to seek a union with a stranger one who would wed her sight unseen and grant her full access to her inheritance with no expectations whatsoever. She anticipated, perhaps, an older, undesirable, equally desperate husband never the young, vibrant, and devastatingly attractive man who answered her call. What could such a man really be afterUnknown to Cecilia, Viscount Michael Blackthorne, a soldier and gentleman, owes a debt of honor to Lady Cecilia's father, and granting her unusual request to wed seemed a worthy way to repay it. But an unseen threat perilously close at hand is convincing Michael thathis true responsibility is to protect the beautiful, warm-hearted lady he has married . . . the woman he is unexpectedly coming to love.

She'd never forgotten him . . .Miss Octavia Pierce is witty, well-off . . . and shockingly unwed. Still, she is far too successful insociety to remain on the shelf forever, and her family has hopes that Octavia will finally make the perfect match. What they don't know is that, years earlier, Octavia was scandalouslytempted by the one man capable of sweeping her off her feet the man now known as the Marquess of Dore.A third son, never meant to inherit, Lord Ben Dore has abandoned his past and grown accustomed to his illustrious new position of wealth and power. But he has never forgotten Octavia, and now she desperately needs his help in a most dangerous, clandestine matter. Although she claims she has put the memories of the passion they shared behind her, Ben is determined toonce again have her in his arms and in his bed.

Annabel is about to marry the perfect man . . .The last thing Miss Annabel Wheaton desires is true love. She learned the hard way that love makes a woman foolish and leads only to heartache. That's why she agreed to marry an earl who needs her money. He's got a pedigree and a country estate, and he won't ever break her heart. There's only one problem . . .Christian isn't about to let her marry that pompous prig . . .Christian Du Quesne, Duke of Scarborough, thinks the stubborn heiress is about to make the biggest mistake of her life, and he's determined to stop her. Tempting beautiful women is Christian's forte, after all. When her family offers him a nice sum of money to stop the wedding, he's happy to accept.Falling in love with Annabel was never supposed to be part of the bargain . . .

Andreas Merrick is the king of London's dark underworld, having amassedunimaginable wealth and power . . . and afierce reputation that leaves even thebravest men quaking in their boots. Yet one person is maddeningly unintimidated byhis fearsome presence: the persistent Miss Phoebe Pace. And one kiss always leads to another . . .Equal parts honey and steel, Phoebe willstop at nothing to find her missing brotherand save her family. Though associatingwith Andreas means peril and scandal,she never expects to experience a passionso intense that it threatens to consume her. But enigmatic Andreas is no ordinary manto love. He brings dangers from all sides without and within while tempting herbeyond her wildest dreams . . .

This holiday season, join two of today's most popular paranormal authors for a special look into their worlds, where creatures are always stirring and no one sleeps through the night. . . . The Bite Before Christmas The Gift by Lynsay SandsTeddy Brunswick knows about the immortals among us. He's worked with them, called them friend but he never counted on being snowed in with one over Christmas. Katricia Argeneau is a tasty little bundle and she seems to feel the same way about him. Problem is, he's not sure she feels quite the same way. After all, the snowstorm has derailed her blood delivery, which leaves him the only available meal on the menu. . . .Home for the Holidays by Jeaniene FrostCat and Bones are looking forward to a normal holiday at least as normal as it gets for the combustible vampire couple and their otherworldly friends and family. But their yuletide plans are shattered when a stranger shows up and reveals long-buried family secrets that threaten to take a bite out of their holiday cheer . . . and lives.

Theirs was a Passion as Fierce as the Land that Claimed ThemBlack-eyed Damian de la Sola was like no man Katherine Maxwell had ever known. Powerful and seductive, the aristocratic Spaniard unleashed a passion the Boston beauty vowed to resist. De la Sola's blood ran hot for the bewitching widow of his most trusted American ally.Consumed by love and honor-bound to protect her, he relentlessly pursued her into the California wilderness.Together, they followed their destinies. From a magnificent hacienda to a glittering cave carved deep in the mountainside, they searched for a golden treasure--and discovered a priceless love.A Magnificent Novel of Love and Adventure in the Untamed American West