On August 4, 1578, in an ill-conceived attempt to wrest Morocco back from the hands of the infidel Moors, King Sebastian of Portugal led his troops to slaughter and was himself slain. Sixteen years later, King Sebastian rose again. In one of the most famous of European impostures, Gabriel de Espinosa, an ex-soldier and baker by trade-and most likely under the guidance of a distinguished Portuguese friar-appeared in a Spanish convent town passing himself off as the lost monarch. The principals, along with a large cast of nuns, monks, and servants, were confined and questioned for nearly a year as a crew of judges tried to unravel the story, but the culprits went to their deaths with many questions left unanswered.?Ruth MacKay recalls this conspiracy, marked both by scheming and absurdity, and the legal inquest that followed, to show how stories of this kind are conceived, told, circulated, and believed. She reveals how the story of Sebastian, supposedly in hiding and planning to return to claim his crown, was lodged among other familiar stories: prophecies of returned leaders, nuns kept against their will, kidnappings by Moors, miraculous escapes, and monarchs who die for their country. As MacKay demonstrates, the conspiracy could not have succeeded without the circulation of news, the retellings of the fatal battle in well-read chronicles, and the networks of rumors and correspondents, all sharing the hope or belief that Sebastian had survived and would one day return.?With its royal intrigues, ambitious artisans, dissatisfied religious women, and corrupt clergy, The Baker Who Pretended to Be King of Portugal will undoubtedly captivate readers as it sheds new light on the intricate political and cultural relations between Spain and Portugal in the early modern period and the often elusive nature of historical truth.

In our post-9/11 world, the figure of the stranger-the foreigner, the enemy, the unknown visitor-carries a particular urgency, and the force of language used to describe those who are "e;different"e; has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in a tradition that extends from antiquity to today.?Simpson shows that debates about strangers loomed large in the French Republic of the 1790s, resulting in heated discourse that weighed who was to be welcomed and who was to be proscribed as dangerous. Placing this debate in the context of classical, biblical, and other later writings, he identifies a persistent difficulty in controlling the play between the despised and the desired. He examines the stranger as found in the works of Coleridge, Austen, Scott, and Southey, as well as in depictions of the betrayals of hospitality in the literature of slavery and exploration-as in Mungo Park's Travels and Stedman's Narrative-and portrayals of strange women in de Stal, Rousseau, and Burney. Contributing to a rich strain of thinking about the stranger that includes interventions by Ricoeur and Derrida, Romanticism and the Question of the Stranger reveals the complex history of encounters with alien figures and our continued struggles with romantic concerns about the unknown.

Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices.?Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also-perhaps even primarily-functional. From the fresco cycles at Caprarola, to the Vatican's Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays.?An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art. ?

William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life, and trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges,?Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects.The book's opening essays offer perspectives on law and literature that emphasize both the continuities and contrasts between the two fields. The second section considers Shakespeare's awareness of common law thinking and common law practice, while the third inquires into Shakespeare's general attitudes toward legal systems. The fourth part of the book looks at how law enters into conversation with issues of politics and community, whether in the plays, in Shakespeare's world, or in our own world. Finally, a colloquy among Supreme Court Justice Stephen Breyer, Judge Richard Posner, Martha C. Nussbaum, and Richard Strier covers everything from the ghost in?Hamlet?to the nature of judicial discretion.

In an age when pundits constantly decry overt political bias in the media, we have naturally become skeptical of the news. But the bluntness of such critiques masks the highly sophisticated ways in which the media frame important stories. In Front Page Economics, Gerald Suttles delves deep into the archives to examine coverage of two major economic crashes-in 1929 and 1987-in order to systematically break down the way newspapers normalize crises.Poring over the articles generated by the crashes-as well as the people in them, the writers who wrote them, and the cartoons that ran alongside them-Suttles uncovers dramatic changes between the ways the first and second crashes were reported. In the intervening half-century, an entire new economic language had arisen and the practice of business journalism had been completely altered. Both of these transformations, Suttles demonstrates, allowed journalists to describe the 1987 crash in a vocabulary that was normal and familiar to readers, rendering it routine.A subtle and probing look at how ideologies are packaged and transmitted to the casual newspaper reader, Front Page Economics brims with important insights that shed light on our own economically tumultuous times.

Panaceia's Daughters provides the first book-length study of noblewomen's healing activities in early modern Europe. Drawing on rich archival sources, Alisha Rankin demonstrates that numerous German noblewomen were deeply involved in making medicines and recommending them to patients, and many gained widespread fame for their remedies. Turning a common historical argument on its head, Rankin maintains that noblewomen's pharmacy came to prominence not in spite of their gender but because of it.?Rankin demonstrates the ways in which noblewomen's pharmacy was bound up in notions of charity, class, religion, and household roles, as well as in expanding networks of knowledge and early forms of scientific experimentation. The opening chapters place noblewomen's healing within the context of cultural exchange, experiential knowledge, and the widespread search for medicinal recipes in early modern Europe. Case studies of renowned healers Dorothea of Mansfeld and Anna of Saxony then demonstrate the value their pharmacy held in their respective roles as elderly widow and royal consort, while a study of the long-suffering Duchess Elisabeth of Rochlitz emphasizes the importance of experiential knowledge and medicinal remedies to the patient's experience of illness.

Historians of British colonial rule in India have noted both the place of military might and the imposition of new cultural categories in the making of Empire, but Bhavani Raman, in Document Raj, uncovers a lesser-known story of power: the power of bureaucracy. Drawing on extensive archival research in the files of the East India Company's administrative offices in Madras, she tells the story of a bureaucracy gone awry in a fever of documentation practices that grew ever more abstract-and the power, both economic and cultural, this created.?In order to assert its legitimacy and value within the British Empire, the East India Company was diligent about record keeping. Raman shows, however, that the sheer volume of their document production allowed colonial managers to subtly but substantively manipulate records for their own ends, increasingly drawing the real and the recorded further apart. While this administrative sleight of hand increased the company's reach and power within the Empire, it also bolstered profoundly new orientations to language, writing, memory, and pedagogy for the officers and Indian subordinates involved. Immersed in a subterranean world of delinquent scribes, translators, village accountants, and entrepreneurial fixers, Document Raj maps the shifting boundaries of the legible and illegible, the legal and illegitimate, that would usher India into the modern world.

The Moment of Racial Sight overturns the most familiar form of racial analysis in contemporary culture: the idea that race is constructed, that it operates by attaching visible marks of difference to arbitrary meanings and associations. Searching for the history of the constructed racial sign, Irene Tucker argues that if people instantly perceive racial differences despite knowing better, then the underlying function of race is to produce this immediate knowledge. Racial perception, then, is not just a mark of acculturation, but a part of how people know one another.?Tucker begins her investigation in the Enlightenment, at the moment when skin first came to be used as the primary mark of racial difference. Through Kant and his writing on the relation of philosophy and medicine, she describes how racialized skin was created as a mechanism to enable us to perceive the likeness of individuals in a moment. From there, Tucker tells the story of instantaneous racial seeing across centuries-from the fictive bodies described but not seen in Wilkie Collins's realism to the medium of common public opinion in John Stuart Mill, from the invention of the notion of a constructed racial sign in Darwin's late work to the institutionalizing of racial sight on display in the HBO series The Wire. Rich with perceptive readings of unexpected texts, this ambitious book is an important intervention in the study of race.

Novel Science is the first in-depth study of the shocking, groundbreaking, and sometimes beautiful writings of the gentlemen of the "e;heroic age"e; of geology and of the contribution these men made to the literary culture of their day. For these men, literature was an essential part of the practice of science itself, as important to their efforts as mapmaking, fieldwork, and observation. The reading and writing of imaginative literatures helped them to discover, imagine, debate, and give shape and meaning to millions of years of previously undiscovered earth history.?Borrowing from the historical fictions of Walter Scott and the poetry of Lord Byron, they invented geology as a science, discovered many of the creatures we now call the dinosaurs, and were the first to unravel and map the sequence and structure of stratified rock. As Adelene Buckland shows, they did this by rejecting the grand narratives of older theories of the earth or of biblical cosmogony: theirs would be a humble science, faithfully recording minute details and leaving the big picture for future generations to paint. Buckland also reveals how these scientists-just as they had drawn inspiration from their literary predecessors-gave Victorian realist novelists such as George Eliot, Charles Kingsley, and Charles Dickens a powerful language with which to create dark and disturbing ruptures in the too-seductive sweep of story.

Gaspara Stampa (1523?-1554) is one of the finest female poets ever to write in Italian. Although she was lauded for her singing during her lifetime, her success and critical reputation as a poet emerged only after her verse was republished in the early eighteenth century. Her poetry runs the gamut of human emotion, ranging from ecstasy over a consummated love affair to despair at its end. While these tormented works and their multiple male addressees have led to speculation that Stampa may have been one of Venice's famous courtesans, they can also be read as a rebuttal of typical assumptions about women's roles. Championed by Rainer Maria Rilke, among others, she has more recently been celebrated by feminist scholars for her distinctive and original voice and her challenge to convention.The first complete translation of Stampa into English, this volume collects all of her passionate and lyrical verse. It is also the first modern critical edition of her poems, and in restoring the original sequence of the 1554 text, it allows readers the opportunity to encounter Stampa as she intended. Jane Tylus renders Stampa's verse in precise and graceful English translations, allowing a new generation of students and scholars of poetry, Renaissance literature, and music history to rediscover this incipiently modern Italian poet.

Many people have contributed to the completion of this book．Its inception can be traced to a seminar that Lary May and Paula Rabinowitz asked me to deliver on hip hop's gangsta culture toward the end of my graduate studies in the American studies program at the University of Minnesota．The media hype and moral panic surrounding gangsta culture in the early 1990s bore an uncanny resemblance to the troublesome reception of Hollywood's white ethnic gangsters in the 1930s, the subject of my research at the time．The chance to discuss the gangster/gangsta relation also fueled the development of an undergraduate course on African American popular culture．So I have the American studies faculty and fellow graduates in Scott Hall, as well as the students on the consequent course, to thank for setting me on the road to writing Under a Bad Sign．A particular shout-out has to go to John Wright, who insisted I dig up Claude McKay's Harlem: Negro Metropolis in the rare books section of Wilson Library to see how deep the provenance and complex the relationship was between black denizens of the American city and their gangster culture heroes.

Since the end of the cold war, Africa has seen a dramatic rise in new political and religious phenomena, including an eviscerated privatized state, neoliberal NGOs, Pentecostalism, a resurgence in accusations of witchcraft, a culture of scamming and fraud, and, in some countries, a nearly universal wish to emigrate. Drawing on fieldwork in Togo, Charles Piot suggests that a new biopolitics after state sovereignty is remaking the face of one of the world's poorest regions.In a country where playing the U.S. Department of State's green card lottery is a national pastime and the preponderance of cybercafs and Western Union branches signals a widespread desire to connect to the rest of the world, Nostalgia for the Future makes clear that the cultural and political terrain that underlies postcolonial theory has shifted. In order to map out this new terrain, Piot enters into critical dialogue with a host of important theorists, including Agamben, Hardt and Negri, Deleuze, and Mbembe. The result is a deft interweaving of rich observations of Togolese life with profound insights into the new, globalized world in which that life takes place.

Fought in the wake of a decade of armed struggle against colonialism, the Mozambican civil war lasted from 1977 to 1992, claiming hundreds of thousands of lives while displacing millions more. As conflicts across the globe span decades and generations, Stephen C. Lubkemann suggests that we need a fresh perspective on war when it becomes the context for normal life rather than an exceptional event that disrupts it. Culture in Chaos calls for a new point of departure in the ethnography of war that investigates how the inhabitants of war zones live under trying new conditions and how culture and social relations are transformed as a result.Lubkemann focuses on how Ndau social networks were fragmented by wartime displacement and the profound effect this had on gender relations. Demonstrating how wartime migration and post-conflict return were shaped by social struggles and interests that had little to do with the larger political reasons for the war, Lubkemann contests the assumption that wartime migration is always involuntary. His critical reexamination of displacement and his engagement with broader theories of agency and social change will be of interest to anthropologists, political scientists, historians, and demographers, and to anyone who works in a war zone or with refugees and migrants.

When we think about school principals, most of us imagine a figure of vague, yet intimidating authority-for an elementary school student, being sent to the principal's office is roughly on par with a trip to Orwell's Room 101. But with School Principal, Dan C. Lortie aims to change that. Much as he did for teachers with his groundbreaking book Schoolteacher, Lortie offers here an intensive and detailed look at principals, painting a compelling portrait of what they do, how they do it, and why.Lortie begins with a brief history of the job before turning to the daily work of a principal. These men and women, he finds, stand at the center of a constellation of competing interests around and within the school. School district officials, teachers, parents, and students all have needs and demands that frequently clash, and it is the principal's job to manage these conflicting expectations to best serve the public. Unsurprisingly then, Lortie records his subjects' professional dissatisfactions, but he also vividly depicts the pleasures of their work and the pride they take in their accomplishments. Finally, School Principal offers a glimpse of the future with an analysis of current issues and trends in education, including the increasing presence of women in the role and the effects of widespread testing mandated by the government.Lortie's scope is both broad and deep, offering an eminently useful range of perspectives on his subject. From the day-to-day toil to the long-term course of an entire career, from finding out just what goes on inside that office to mapping out the larger social and organizational context of the job, School Principal is a truly comprehensive account of a little-understood profession.

Tween readers will love following the adventures of Mackenzie "Zee" Blue. California girl Zee is an expert shopper, plays the guitar and writes songs, and makes purses and jewelry. She knows how it feels to have a huge crush. And she knows how to be a good friend and keeps in touch via texts and emails. Tween fans of the Dork Diaries and Diary of a Wimpy Kid series will love the Mackenzie Blue books. This collection includes books 1 through 5.Mackenzie Blue: Meet Mackenzie Blue, aka Zee. She has it all—smarts, talent, humor, and style. Is it enough to survive middle schoolCountdown to a 7th Grade Meltdown. . .Mackenzie Blue #2: The Secret Crush: Mackenzie Blue has a crush! But how can she get Landon—the cutest boy in school—to notice herThe class's new rock-and-roll musical is her chance. Between her crush, the musical, and her friends—not to mention school work—Zee is torn in a thousand different directions. With all the real-life drama going on, will she lose sight of what's really important?Mackenzie Blue #3: Friends Forever?: Zee and the rest of her class from the Brookdale Academy are off on a camping trip to compete in an environmental scavenger hunt. Zee is extra psyched because her best friend, Ally, is visiting from Paris. It should be fabulous having all her friends in one place, but for some reason everyone is fighting!Mackenzie Blue #4: Mixed Messages: Zee and her friends from Brookdale Academy launch Bluetopia, a fab social media site—which is perfect, because Zee's band, The Beans, is about to have its biggest show ever. Everyone is talking about it on Bluetopia. At least it would be perfect if a glitch in the Bluetopia system didn't threaten to ruin the show—and Zee's life!Mackenzie Blue #5: Double Trouble: Mackenzie Blue is a star! Or she will be . . . as soon as she gets the part of an aspiring singer on a new TV pilot! But juggling auditions and the rest of her life turns out to be harder than Zee thought. Zee's friends are helping her hold everything together. But Zee doesn't like having to bail on plans—and her friends—to run to another audition. Is being a star worth it?

The Shatter Me series is perfect for fans who crave action-packed young adult novels with tantalizing romance like Divergent by Veronica Roth, The Hunger Games by Suzanne Collins, and Legend by Marie Lu. Tahereh Mafi has created a captivating and original story that combines the best of dystopian and paranormal and was praised by Publishers Weekly as "a gripping read from an author who's not afraid to take risks." This collection includes the three novels and two novellas in the series.Shatter Me: No one knows why Juliette's touch is fatal, but The Reestablishment has plans for her. Plans to use her as a weapon. But Juliette has plans of her own. After a lifetime without freedom, she's finally discovering a strength to fight back for the very first time—and to find a future with the one boy she thought she'd lost forever.Destroy Me: Set after Tahereh Mafi's Shatter Me and before Unravel Me, the spellbinding sequel, Destroy Me is a novella told from the perspective of Warner, the ruthless leader of Sector 45.Unravel Me: Juliette is still haunted by her deadly touch. But now that she has teamed up with other rebels with powers of their own, she'll be able to fight back against The Reestablishment to save her broken world. With the help of these new allies, she'll also finally learn the secret behind Adam's—and Warner's—immunity to her killer skin.Fracture Me: In this electrifying sixty-page companion novella to the New York Times bestselling Shatter Me series, discover the fate of the Omega Point rebels as they go up against The Reestablishment. Set during and soon after the final moments of Unravel Me, Fracture Me is told from Adam's perspective.Ignite Me: With Omega Point destroyed, Juliette doesn't know if the rebels, her friends, or even Adam are alive. But that won't keep her from trying to take down The Reestablishment once and for all. Now she must rely on Warner, the handsome commander of Sector 45. The one person she never thought she could trust. The same person who saved her life. He promises to help Juliette master her powers and save their dying world . . . but that's not all he wants with her.

All 13 volumes of Joseph Delaney's internationally best-selling fantasy adventure series, The Last Apprentice, plus the two short story collections and The Spook's Bestiary—all together for the first time!Tom Ward is the seventh son of a seventh son. As the Spook's apprentice, he will face boggarts, witches, ghosts, and other terrifying creatures of the night. Other apprentices have come before him. Some have failed. Some have fled. Some have died. Will Tom be the one who survives—especially when he becomes the target of the world's greatest evils?Includes 16 books set in the world of the acclaimed series that inspired the major motion picture Seventh Son.Revenge of the Witch (Book 1) Curse of the Bane (Book 2) Night of the Soul Stealer (Book 3) Attack of the Fiend (Book 4) Wrath of the Bloodeye (Book 5) Clash of the Demons (Book 6) Rise of the Huntress (Book 7) Rage of the Fallen (Book 8) Grimalkin the Witch Assassin (Book 9) Lure of the Dead (Book 10) Slither (Book 11) I Am Alice (Book 12) Fury of the Seventh Son (Book 13) The Spook's Tale and Other Horrors (short story collection) Coven of Witches (short story collection) The Spook's Bestiary: The Guide to Creatures of the Dark (illustrated companion book)

Five complete books in one! Noah, Megan, Richie, and Ella are the Action Scouts: friends whose tree house overlooks the Clarksville City Zoo. When they discover a magical world hidden within the zoo, they are swept away on an adventure in which penguins can fly, a mysterious figure lurks in the shadows, and the scouts are enlisted to help Mr. Darby, who is in charge of the Secret Zoo.The Secret Zoo: Noah, his sister Megan, and their best friends, Richie and Ella, live next door to the zoo. Megan is the first to notice the puzzling behavior of some of the animals. One day Megan disappears, and her brother and their friends realize it's up to them to find her. Once inside, will they discover there's much more to the Clarksville City Zoo than they could ever have guessed?The Secret Zoo: Secrets and Shadows: Noah and his must train to become Crossers, members of a secret society who freely travel to the Secret Zoo and back, helping to defend its borders. But now that the monstrous sasquatches are on the loose and the evil Shadowist is plotting destruction, will Noah, Megan, Ella, and Richie have what it takes to survive?The Secret Zoo: Riddles and Danger: Will the scouts be able to fight against the dangerous sasquatches who have escaped the zoo and threaten their town?The Secret Zoo: Traps and Specters: On Halloween night, Noah and his friends must battle terrifying sasquatches that have attacked their own elementary school. Little do they know the sasquatches are a trap! When DeGraff captures three of Noah's friends, can the kids ally with their rivals in order to save every person and animal in the zoo—all while dodging the town's police?The Secret Zoo: Raids and Rescues: Even in the Secret Zoo, there are dangers . . . and forbidden places. When the scouts' friends are held in the off-limits sector—a never-ending maze of aquariums—Noah, Megan, Richie, and Ella must be at their most courageous.

This collection contains the first two novels in Sara Shepard's New York Times bestselling Pretty Little Liars and Lying Games series, plus a sneak peek at The Perfectionists, the first book in a brand-new Sara Shepard series!Pretty Little Liars: This page-turning start to the Pretty Little Liars series introduces readers to Rosewood and the pretty little liars who call it home. High school juniors Spencer, Hanna, Aria, and Emily thought their darkest secrets vanished when their best friend, Alison, went missing three years ago. But now someone named "A" is sending them notes and threatening to reveal their ugliest secrets—things only Alison knew.Pretty Little Liars #2: Flawless: Four pretty little liars have been very bad girls. But their most horrible secret yet is so scandalous that the truth would ruin them forever.The Lying Game: Separated at birth, twin sisters Emma Paxton and Sutton Mercer never had a chance to meet. And now they never will. Someone murdered Sutton and forced Emma into taking her place.The Lying Game #2: Never Have I Ever: The deeper Emma digs, the more suspects she uncovers. It turns out Sutton and her friends played a lot of games—games that ruined people's lives. Anyone could want revenge . . . anyone could want Sutton—and now Emma—dead.Plus, a sneak peek at The Perfectionists, another series full of Sara Shepard's trademark juicy secrets, nail-biting suspense, and beautiful girls who will do anything to hide the ugly truth.

This collection contains the first three books in the thrilling prequel arc in Erin Hunter's #1 nationally bestselling Warriors series! Discover how the warrior Clans came to be.Dawn of the Clans #1: The Sun Trail: Long before Firestar left his kittypet home to join ThunderClan, a band of cats from the mountains set off on a dangerous journey in search of a new home.Dawn of the Clans #2: Thunder Rising: The mountain cats from the Tribe of Rushing Water followed the sun trail to a new territory, convinced that in a land with more prey, their lives would be free from strife. But while no cat has gone hungry, tensions are rising.Dawn of the Clans #3: The First Battle: The rivalry between Gray Wing and Clear Sky has driven a bitter wedge between all of the forest cats. As Thunder and Gray Wing struggle to find a peaceful path for the future, tensions are growing—and soon more blood will be shed.

In a city that runs on a dwindling supply of magic, a young boy is drawn into a life of wizardry and adventure. Author Sarah Prineas works her own spells as she transports us to an extraordinary world where cities are run on living magic and even a thief can become a wizard's apprentice. Diana Wynne Jones, author of Howl's Moving Castle, praised this middle grade fantasy series filled with magic and wonder, saying of the first, "I couldn't put it down. Wonderful, exciting stuff." This collection contains all four novels in the series, plus the digital original novella The Magic Thief: A Proper Wizard.The Magic Thief: Conn should have dropped dead the day he picked Nevery's pocket and touched the wizard's locus magicalicus, a stone used to focus magic and work spells. But for some reason he did not. Nevery finds that interesting, and he takes Conn as his apprentice on the provision that the boy find a locus stone of his own. But Conn has little time to search for his stone between wizard lessons and helping Nevery discover who—or what—is stealing the city of Wellmet's magic.The Magic Thief: Lost: Conn may only be a wizard's apprentice, but even he knows it's dangerous to play with fire . . . especially around magic. But Conn is drawn to the murmurs he hears every time he sets off an explosion—something is trying to talk to him, to warn him. When none of the wizards listen, Conn takes matters into his own hands. His quest to protect everything he loves brings him face-to-face with a powerful sorcerer-king and a treachery beyond even his vivid imagination.The Magic Thief: Found: Sneaking out of prison isn't easy, unless you are a thief, or a wizard. Luckily, Conn is both! Trouble is, once he's out, where does he goHis home is a pile of rubble since he blew it up doing magic. His master, the wizard Nevery, is not happy with him. Worst of all, Conn's been exiled, and staying in the city will mean his death.The Magic Thief: A Proper Wizard: When Verent, a young apprentice from neighboring Danivelle, comes to Wellmet to ask for Conn's help with his city's magical problems, he is less than impressed with Conn. Will Verent be able to overcome his misgivings about Conn in order to help his townAnd with Conn's help, will Verent become a proper wizard?The Magic Thief: Home: Duchess Rowan has promoted Conn to ducal magister, but the other wizards see him only as a thief. But something sinister is brewing, as magicians' locus stones are being stolen and magical spells are going awry. As Conn faces old enemies and powerful magical forces, is he strong enough to save the city he calls home?