Kafka se pricepe s dezvluie pretutindeni lumina tinuit. Ai impresia c descoperi o mare nsorit, cu valuri ce sunt niri de lumin i n faa creia trebuie s nchizi, orbit, ochii, pentru a te adposti la umbr.“ (Max Brod) Kafka este cel mai mare scriitor de limb german al timpului nostru. Poei precum Rilke, romancieri precum Mann par fies pleasc n comparaie cu el, fie s radieze o lumin puternic, dar artificial.“ (Vladimir Nabokov) Poate cel mai interesant scriitor al generaiei sale... Un geniu straniu i deconcertant.“ (Edwin Muir) Cu ct opera e mai desvrit, cu att mai puin ne trimite ea spre autorul ei. [...] Franz Kafka este scriitorul care i-a consumat experiena de via n asemenea msur, nct referirea la biografie devine superflu.“ (Martin Walser)

L’action se passe dans un pays que l’auteur nomme Austrasie par pure convenance, car sa capitale est Vienne, on y parle allemand et la famille impériale est décimée par des deuils, dont une double mort à Mayerling. C’est dire que l’on est en Autriche et que l’auteur donne sa version très personnelle des drames qu’a réellement connus la dynastie des Habsbourg. Le livre a été écrit en 1911, alors que l’empereur Fran?ois-Joseph (Fran?ois tout court dans le texte) régnait encore et que ces deuils étaient tout récents, ce qui expliquerait la très relative pudeur de l’auteur. Il n’est pas possible de résumer ce roman sans en donner les clés et par là en g?cher irrémédiablement la lecture. Disons que c’est une histoire de vengeance et de mort, une histoire terriblement sanglante. L’assassinat qui constitue le prologue du livre n’est qu’un aspect, presque secondaire, de l’intrigue. Mais si le feuilleton ne compte plus les invraisemblances, si l’auteur a recours à tous les artifices les plus classiques du genre : sosies, portes secrètes, déguisements, talents extraordinaires des héros, il faut reconna?tre que l’histoire est remarquablement construite, se développe de fa?on à soutenir constamment l’intérêt du lecteur et que les épisodes s’embo?tent parfaitement les uns à la suite des autres.

Othello, The Moor of Venice is a tragedy by William Shakespeare based on the short story "Moor of Venice" by Cinthio, believed to have been written in approximately 1603. The work revolves around four central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago. Attesting to its enduring popularity, the play appeared in 7 editions between 1622 and 1705. Because of its varied themes — racism, love, jealousy and betrayal — it remains relevant to the present day and is often performed in professional and community theatres alike. The play has also been the basis for numerous operatic, film and literary adaptations.

Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV (2 plays), and Henry V. Henry IV, Part 1 depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics.

The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602, though believed to have been written prior to 1597. It features the fat knight Sir John Falstaff, and is Shakespeare's only play to deal exclusively with contemporary Elizabethan era English middle class life. It has been adapted for the opera on occasions.

This collection includes, "The Cat-hood of Maurice", "The Mixed Mine", "Accidental Magic", "The Princess and the Hedge-Pig", "Septimus Septimusson", "The White Cat", "Belinda and Bellamant", "Justnowland", "The Related Muff", "The Aunt and Anabel; "Kenneth and the Carp" and "The Magician's Heart"

To Cyril, Anthea, Robert, Jane, and their baby brother, the house in the country promises a summer of freedom and play. But when they accidently uncover an accident Psammead--or Sand-fairy--who has the power to make wishes come true, they find themselves having the holiday of a lifetime, sharing one thrilling adventure after another. Asleep since dinosaurs roamed the earth, the ill-tempered, odd--looking Psammead --with his spider-shaped body, bat's ears, and snail's eyes --grudgingly agrees to grant the children one wish per day. Soon, though the children discover that their wishes have a tendancy to turn out quite differnetly than expected. Whatever they wish whether it's to fly like a bird, live in a mighty castle, or have an immense fortune --something goes terribly wrong, hilariously wrong. Then an accidental wish has horrible consequences, and the children are faced with a difficult choice: to let an innoncent manbe charged with a crime or to lose for all time their gift of magical wishes. Five Children and It is one of E. Nesbit's most beloved tales of enchantment.

When Cyril, Robert, Anthea and Jane rescue the magic sand-fairy from a pet shop, they have no idea of the astonishing adventures to come!

The egalitarian nation of Aotearoa may be a safe haven for freedom fighters, but former Sky commander Breta yearns for more. The sudden build-up of troopers in the southern Brown Zone, and a conviction that someone is still betraying the Women’s Line, provide a stimulating assignment. Breta gets more than he bargained for during his clandestine visit to the bay region, but this only serves to strengthen his resolve to implement an alliance between the Sky pilots, the Kauri-Australia Line (KAL) and the Women’s Line to overthrow the totalitarian Australian government. The situation alters when villagers in the northern Brown Zone stage their own small but successful insurrection - the Sky Lines Alliance is formed and Operation Unity begins. But they’ll soon discover that radical change cannot be achieved without recourse to the dark side.

En esta novela se ven las ideas políticas de la escritora a través de sus personajes. El obrero, como capa social aparece aquí por primera vez en el panorama novelístico espa?ol. La crisis marcada por la Revolución de 1868, la emancipación de la mujer trabajadora y las reivindicaciones laborales del incipiente proletariado constituyen la atmósfera espiritual que envuelve el mundo narrativo de esta obra.

Londres, 1824, el relojero Dorff es asaltado por dos emboscados y recibe la ayuda de Renato de Giac, marqués de Brezé. Más tarde, ya en casa de Dorff, éste le entrega a Renato un manuscrito y un cofre con documentos importantísimos que los que están en el poder en Francia, Luis XVIII y su jefe de policía Lecazes, pretenden arrebatarle. La autora aborda por primera vez el género de la novela histórica mediante la recreación de la compleja historia de Luis XVII, el delfín perdido, el hijo de Luis XVI y María Antonieta. Asistiremos también a la intriga amorosa de Renato de Giac y Amelia, la hija mayor de Dorff. Este es un excepcional relato que aspira, como nos dice la autora en su novela, “a proyectar un rayo de luz en las lobregueces históricas por medio de la lámpara caprichosa de la fantasía”.

El ni?o de Guzmán narra una historia costumbrista.Pedro, un joven espa?ol que ha sido educado en el extranjero en las buenas maneras del continente y con una gran nostalgia de su país. Es el típico joven de mundo. Fue educado por un fraile irlandés fascinado por una Espa?a irreal ( La de la Gaviota de Faber).

The Outside can be a dangerous place. But so can the inside. It’s been years since the original cataclysm, but life has been structured, peaceful, and most of all uneventful in the Pale. The humachine citizens welcome the order provided by their ruler, the baleful Regent. However, when one of their own rescues a human boy, Hector, from ravenous ferals on the Outside, their careful systems are turned upside down. As Hector grows more and more human-strange, the citizens of the Pale grow uneasy. What will happen when the Outside tries to get in?

The war may be over, but the fight to belong is just beginning. Left homeless, starving, and almost killed by the Second World War, the Saforo family are refugees fleeing Italy for a better life. The shores of Australia are calling to them and they head off, packing dreams of jobs, a home and … soccer. But from the moment they get off the boat, adapting to the Australian way of life is harder than it seems. Their family doesn’t speak right, eat right or even look right. As they struggle to build a simple life against the backdrop of 1950s racism, they start to wonder if they will be outsiders forever. A true family affair, Wanderers No More will make you laugh, remind you of your family, and warm your heart.

Getting into prison is easy. Getting out is hard. Getting away is nearly impossible. Getting the power to control your own destiny might cost everything you have. Emmeline, Matilda, and Patrick are sworn to rescue Patrick's mother from the infamous Female Factory prison, but when a vengeful police officer tracks down their hideout, things get worse fast. Soon they're framed for a double murder and fighting a magical monster in the eerie and unfamiliar island of Tasmania. Patrick's mother hides crucial papers in a tin under her prison smock, and her best friend Fei Fei is dying in the overcrowded prison. More than one woman's life hangs in the balance.

During the 1979 Islamic revolution in Iran, Zahra, a young Afghan refugee has to make a terrible choice. Stay with her lover or leave to save her anarchist cousin's life.

No es una novela. Es una "nivola", según su autor. Nuevo género creado por Unamuno, no tuvo mucho arraigo, pero aún así Niebla es una de las obras de ficción más importantes del escritor vasco. El libro aborda la inseguridad del hombre moderno que se preocupa por su destino y su mortalidad. El título está cargado de significado, dado que el libro difumina la línea entre la ficción y la realidad. También son nebulosas las descripciones físicas de los personajes y lugares, y hasta pone en duda la naturaleza de la existencia humana.

La tía Tula, es, según su autor, ?la historia de una joven que, rechazando novios, se queda soltera para cuidar a unos sobrinos, hijos de una hermana que se le muere. Vive con el cu?ado, a quien rechaza para marido, pues no quiere manchar con el débito conyugal el recinto en que respiran aire de castidad sus hijos. Satisfecho el instinto de maternidad, ?para qué perder su virginidad? Es virgen madre?. Pero sobre este ca?amazo argumental teje Unamuno una obra cargada de sentidos plurales: Tula, la protagonista, que encarna la concepción tradicional de la familia y de la mujer y que es, a al vez, víctima de ella, ejemplifica la figura del agonista unamuniano dividido en mil contradicciones.

Aurora Award Finalist Think of human emotion as a geography, with peaks of pleasure and valleys of pain. Imagine a drug that flips the valleys and makes them peaks, too. You react now to an event based not on the pleasure or pain it brings, but solely on the intensity of the emotion created. Pain brings pleasure, grief gives joy, horror renders ecstasy. Now give this drug to a soldier. Tell them to kill. Not in the historically acceptable murder of war, but in a systematic corporate strategy--of xenocide. They will kill. And they will revel in it. Welcome to the world of Scream. Jarrod is a Scream-addicted soldier forced to take part in the destruction of entire races. But when his unit encounters the Be’nan, aliens who hold the secret to true enlightenment, no one is prepared for the result. "…reaches far past the muddled mediocrity of swashbuckling tales forgotten before the page is turned to the next story. I enjoyed the alien anthropology and the details are tremendous…in this tale of tremendous sacrifice" —Tangent Online "My favourite of the selection was 'Enlightenment' by Douglas Smith. A strange story indeed about Earth people engaged in strip-mining planets and relocating indigenous populations. ... The end is horrific in many respects but it's also thought-provoking." —SF Crowsnest Reviews "…[tells of] a spiritual undertaking by a member of a brutal planetary occupation force who "goes native" in which Douglas Smith provides a riff on Ray Bradbury's famous rationale of space travel: for Man to find God in the cosmos. A science fictional depiction of the mistreatment of "aliens" to subvertly criticize the atrocities of imperialist colonization." —SF Site "... unexpected twists and a superb ending; the story is as powerful as any in the [Chimerascope] collection (A++)" —Fantasy Book Critic "Douglas Smith…succeeds in evoking an alien society with mythic/religious overtones in his moving tale ‘Enlightenment’." —New Hope International Review Online "Another strong story, looking at humanity's treatment of indigenous people." —Best SF "...oppressed inhabitants of distant worlds making the ultimate sacrifice in order to bring mankind back to the realisation of what right and wrong truly mean." —Whispers of Wickedness reviews "Nicely judged depictions of alien customs…" —SF Site "...was my favourite of the issue. ‘Enlightenment’ went exactly where I expected it to, but that was where I wanted it to go--I was there for the ride" "Stories [were] great, particularly ‘Enlightenment.’ [I] was just engrossed in the whole thing...and applaud it thoroughly!" "…just blew me away…I was taken away by the lovely prose." "...provoked some really interesting ideas…" "…mind-blowing…" —InterZone readers forum

A gentle tale of romance and art from a noted children's author . . . "He asked idle questions: she answered them with a conscientious tremulous truthfulness that showed to him as the most finished art. Betty told him nervously and in words ill-chosen everything that he asked to know, but all the while the undercurrent of questions rang strong within her -- 'When is he to teach me? Where? How?' -- so that when at last there was left but the bare fifteen minutes needed to get one home in time for the midday dinner she said abruptly: 'And when shall I see you again?'

Marriage transplants Sarah thousands of miles from home; a failed love affair forces Phoebe to make drastic choices in a new environment; a sudden, shocking discovery brings Mrs Ellis to reconsider her life as an emigrant - The Settling Earth is a collection of ten interlinked stories, focusing on the British settler experience in colonial New Zealand, and the settlers' attempts to make sense of life in a strange new land.? Sacrifices, conflict, a growing love for the landscape, a recognition of the succour offered by New Zealand to Maori and settler communities - these are themes explored in the book. The final story in the collection, written by Shelly Davies of the Ngātiwai tribe, adds a Maori perspective to the experience of British settlement in their land.