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The Flying Man
￥40.79
Here am I, come four hundred miles out of my way to get what is left of the folk-lore of these people, before they are utterly demoralised by missionaries and the military, and all I find are a lot of impossible legends about a sandy-haired scrub of an infantry lieutenant. How he is invulnerable—how he can jump over elephants—how he can fly.
Pavlo Tychyna: The Complete Early Poetry Collections
￥90.03
Pavlo Tychyna (1891-1967) is arguably the greatest Ukrainian poet of the twentieth century and has been described as a “tillerman’s Orpheus” by Ukrainian poet and literary critic Vasyl Barka. With his innovative poetics, deep spirituality and creative word play, Tychyna deserves a place among the pantheon of his European contemporaries such as T.S. Eliot, Ezra Pound, Rainer Maria Rilke, Federico Garcia Lorca, and Osip Mandelstam. His early collections Clarinets of the Sun (1918), The Plow (1920), Instead of Sonnets and Octaves (1920), The Wind from Ukraine (1924), and his poetic cycle In the Orchestra of the Cosmos (1921) mark the pinnacle of his creativity and poetically document the emotional and spiritual toll of the Revolution of 1917 as well as the Civil War and its aftermath in Ukraine. Tychyna coined the term “Clarinetism” to describe his earliest works, which intrinsically exhibit the clarity and the haunting sound of a clarinet. He harkens back to ancient Greek literature to form what has been called the “tragic lyric” in his short collection Instead of Sonnets and Octaves, which gives a personal, humanistic understanding to the tragic events of the Revolution. John Fizer has noted Tychyna’s close affinity with Walt Whitman’s cosmism, particularly in his cycle In the Orchestra of the Cosmos. While Tychyna in may ways displays the moral conscience of his times in his early works, later in his life he acquiesced to Soviet authorities in order to survive the horrors of Stalin’s regime. He was forced by authorities to refuse a nomination for the Nobel Prize, the only reason for which would have been his Ukrainian ethnicity. This edition of Tychyna’s complete early works includes translations of all his major early collections as well as his poetic masterpieces “Mother was Pealing Potatoes,” “Funeral of My Friend,” and his highly patriotic “In Memory of the Thirty.” The volume includes a guest introduction by eminent Ukrainian poet Viktor Neborak. Translated by Michael M. Naydan.
The Secret History of my Sojourn in Russia
￥90.03
Jaroslav Ha?ek is known by readers around the world as the author of The Good Soldier ?vejk, one of the greatest comic novels of all time. Not all of his fans are aware of his six year anabasis in Russia, however, which began with his capture on the front lines of Galicia during the First World War. The Secret History of My Sojourn in Russia, translated by Charles S. Kraszewski, brings that fascinating period in Ha?ek's life to the attention of the English reader. Comprised of fifty-two short stories and other writings from Ha?ek's stay in Sovietising Russia, The Secret History collects the Bugulma stories, in which Ha?ek trains his satirical eye on the infant communist utopia, as well as non-fiction works by Ha?ek, who played a not insignificant role in the progress of the Soviet Revolution in Siberia, before his return to his native Czechoslovakia in the early 1920s. These include propagandistic pamphlets and newspaper articles, letters, and official scripts dating from his agitation as a communist operative among Austro-Hungarian citizens stranded in the Soviet Union, all of which provide a fascinating context for his good-humoured fiction, which rivals his great novel in rollicking fun. The Secret History of My Sojourn in Russia presents the reader with 52 of the most entertaining, and chilling, examples of his Russian period, containing both humorous fiction and deadly serious propaganda. Translation of this book was supported by the Ministry of Culture of the Czech Republic.
Maybe We’re Leaving
￥98.02
A young boy from the housing estates comes across a copse of old oaks to which he can escape, as to an oasis of calm. Although he may forget about it once he becomes an adult and “puts aside the things of childhood,” it will remain a locus of balance, decades later, for a single mother struggling with the difficulties of raising the child she loves. A husband, on the lip of an ugly divorce, drives across town in the middle of the night to rescue his wife, abandoned by her lover, and then — as she falls asleep in the car — takes the long way home, to prolong a moment such as he has not experienced in years. An elderly doctor, self-diagnosed with Alzheimer’s disease, makes use of the few precious moments of consciousness granted him each morning to pass on to his grandson what he has learned about life and living responsibly. Loss, and permanence, the ephemeral and the eternal, are common themes of Jan?Balabán’s collection of short stories?Maybe We’re Leaving, presented here in the English translation of Charles S. Kraszewski. With psychological insight that rivals the great novels of Fyodor Dostoevsky, the twenty-one linked narratives that make up the collection present us with everyday people, with everyday problems — and teach us to love and respect the former, and bear the latter. Translation of this book was supported by the Ministry of Culture of the Czech Republic.
Mirror Sand: An Anthology of Russian Short Poems in English Translation
￥98.02
Edited, translated, and introduced by Anatoly Kudryavitsky, this bilingual anthology presents Russian short poems of the last half-century. It showcases thirty poets from Russia, and displays a variety of works by authors who all come from different backgrounds. Some of them are well-known not only locally but also internationally due to festival appearances and translations into European languages; among them are Gennady Aigi, Gennady Alexeyev, Vladimir Aristov, Sergey Biryukov, Konstantin Kedrov, Igor Kholin, Viktor Krivulin, Vsevolod Nekrasov, Genrikh Sapgir, and Sergey Stratanovsky. The next Russian poetic generation also features prominently in the collection. Such poets as Tatyana Grauz, Dmitri Grigoriev, Alexander Makarov-Krotkov, Yuri Milorava, Asya Shneiderman and Alina Vitukhnovskaya are the ones Russians like to read today. This anthology shows Russia looking back at itself, and reveals the post-World-War Russian reality from the perspective of some of the best Russian creative minds. Here we find a poetry of dissent and of quiet observation, of fierce emotions, and of deep inner thoughts.
The Black Bull of Norroway
￥40.79
Long ago in Norroway there lived a lady who had three daughters. Now they were all pretty, and one night they fell a-talking of whom they meant to marry.
A Man from the North
￥40.79
Richard Larch is a young man with talent and ambition. He moves to London to make his way in life. He takes a clerk's position in a law office and in his spare time makes attempts at writing and falling in love.
The Countess de Saint Geran
￥40.79
About the end of the year 1639, a troop of horsemen arrived, towards midday, in a little village at the northern extremity of the province of Auvergne, from the direction of Paris. The country folk assembled at the noise, and found it to proceed from the provost of the mounted police and his men. The heat was excessive, the horses were bathed in sweat, the horsemen covered with dust, and the party seemed on its return from an important expedition. A man left the escort, and asked an old woman who was spinning at her door if there was not an inn in the place.
Vaninka
￥40.79
About the end of the reign of the Emperor Paul I—that is to say, towards the middle of the first year of the nineteenth century—just as four o'clock in the afternoon was sounding from the church of St. Peter and St. Paul, whose gilded vane overlooks the ramparts of the fortress, a crowd, composed of all sorts and conditions of people, began to gather in front of a house which belonged to General Count Tchermayloff, formerly military governor of a fair-sized town in the government of Pultava. The first spectators had been attracted by the preparations which they saw had been made in the middle of the courtyard for administering torture with the knout. One of the general's serfs, he who acted as barber, was to be the victim.
The Marquise de Ganges
￥40.79
Toward the close of the year 1657, a very plain carriage, with no arms painted on it, stopped, about eight o'clock one evening, before the door of a house in the rue Hautefeuille, at which two other coaches were already standing. A lackey at once got down to open the carriage door; but a sweet, though rather tremulous voice stopped him, saying, 'Wait, while I see whether this is the place.'
The Lion's Share
￥40.79
Audrey had just closed the safe in her father’s study when she was startled by a slight noise. She turned like a defensive animal to face danger. It had indeed occurred to her that she was rather like an animal in captivity, and she found a bitter pleasure in the idea, though it was not at all original.
The Magnificent Ambersons
￥9.00
The Magnificent Ambersons is a 1918 novel by Booth Tarkington which won the 1919 Pulitzer Prize. It was the second novel in the Growth trilogy, which included The Turmoil (1915) and The Midlander (1923, retitled National Avenue in 1927). In 1942 Orson Welles directed a film version, also titled The Magnificent Ambersons. The novel and trilogy traces the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in a fictional Mid-Western town, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America. The decline of the Ambersons is contrasted with the rising fortunes of industrial tycoons and other new-money families, which did not derive power from family names but by "doing things". As George Amberson's friend (name unspecified) says, "don't you think being things is 'rahthuh bettuh' than doing things?" "The Magnificent Ambersons is perhaps Tarkington's best novel," said Van Wyck Brooks. "[It is] a typical story of an American family and town—the great family that locally ruled the roost and vanished virtually in a day as the town spread and darkened into a city. This novel no doubt was a permanent page in the social history of the United States, so admirably conceived and written was the tale of the Ambersons, their house, their fate and the growth of the community in which they were submerged in the end." Even though the story is set in a fictitious city, it was inspired by Tarkington's hometown of Indianapolis and the neighborhood he once lived in, Woodruff Place.
The Gentleman from Indiana
￥9.00
There is a fertile stretch of flat lands in Indiana where unagrarian Eastern travellers, glancing from car-windows, shudder and return their eyes to interior upholstery, preferring even the swaying caparisons of a Pullman to the monotony without. The landscape lies interminably level: bleak in winter, a desolate plain of mud and snow; hot and dusty in summer, in its flat lonesomeness, miles on miles with not one cool hill slope away from the sun.
The Conquest of Canaan
￥9.00
Newton Booth Tarkington (July 29, 1869 – May 19, 1946) was an American novelist and dramatist best known for his novels The Magnificent Ambersons and Alice Adams. He is one of only three novelists to win the Pulitzer Prize for Fiction more than once, along with William Faulkner and John Updike.
The Beautiful Lady
￥9.00
"The Beautiful Lady", is another of the short novels from Booth Tarkington's early career. It was originally published in two parts, December of 1904 and January of 1905, in "Harper's Magazine", and then as Tarkington's fifth book in May of 1905. As with many of Tarkington's other works, it is a bit too predictable, though in this case that doesn't detract too much from the story. The story appears to sets up a love triangle (or in this case it may be a love square), but it does deviate from that a bit. The story is told from the point of the Italian, Ansolini from Naples, living in Paris who due to being down on his luck is forced into a most embarrassing position of acting as a billboard by shaving his head and having an advertisement for a show placed on the back of his bald head. It is while performing this job, that he nearly meets the "beautiful lady", though he keeps his head down and sees only her feet and the hem of her skirt and hears her lovely voice as it has sympathy for his plight. In fact, Ansolini's feelings are appreciative of her beautiful soul, and not that of romance.
Hamlet
￥40.79
New adaptation of 'Hamlet' for a modern black theatrical production. Remember me… Denmark, a Black Empire of modern England, where an intelligent young student discovers the world he once knew has crumbled. Implored to defend what is left of his father’s decaying legacy, Hamlet now faces the greatest moral challenge – to kill or not to kill. Directed by Jeffery Kissoon (RSC, National Theatre, Robert Lepage, Peter Hall and in Peter Brook’s seminal production of The Mahabharata) and adapted with Shakespeare’s text by award-winning playwright Mark Norfolk, this fast-moving version gets straight to the heart of a young man’s dilemma. This first all-black production of Hamlet in Britain makes a striking contribution to the Shakespeare 400 anniversary celebration. For ages 12+
The Underground Man: adapted for the stage
￥40.79
A life of fascination, obsession and deep scientific curiosity. William Cavendish-Scott-Bentinck is an eccentric Nottinghamshire aristocrat whose imagination and curiosity know no bounds. This deceptively simple man struggles to come to terms with a world that is teeming with new knowledge, ill-founded opinion and?gossip. Why does he hide himself away? What is his fascination with tunnels? Will he ever unearth the secrets hidden in his memory? In a sequence of events that are often curious and frequently hilarious he reveals moments of surprising perception and wisdom. Nottingham Playhouse and ajtc have combined their talents to co-produce Nick Wood’s stage adaptation of Mick Jackson’s Booker Prize shortlisted novel. The result is a free-flowing, innovative performance which features live music and a specially commissioned score. The Underground Man is a delectable blend of fact and fiction in which the intriguing details of a complex life are richly explored through the vibrant imagination of a gentle soul.
Beasley's Christmas Party
￥9.00
A young newspaperman who has just moved to a new town overhears the wealthy politician in the house next door talking aloud to nonexistent figures. Has David Beasley gone mad, or is his imagination simply greater than his friends and ex-fiancée believe?
Travels Through France And Italy
￥40.79
Smollett describes in great detail the natural phenomena, history, social life, economics, diet and morals of the places he visited. Smollett had a lively and pertinacious curiosity, and, as his novels prove, a very quick eye. He foresaw the merits of Cannes, then a small village, as a health-resort, and the possibilities of the Corniche road.
Youth and the Bright Medusa
￥9.00
Youth and the Bright Medusa is a collection of short stories by Willa Cather, published in 1920. Several were published in an earlier collection, The Troll Garden. This collection contains the following stories: "Coming, Aphrodite!" a.k.a. "Coming, Eden Bower!" "The Diamond Mine" "A Gold Slipper" "Scandal" "Paul's Case" "A Wagner Matinee" "The Sculptor's Funeral" "A Death in the Desert"
O Pioneers!
￥9.00
The first of her renowned prairie novels--a story that expresses Cather's conviction that "the history of every country begins in the heart of a man or a woman." When Alexandra Bergson takes over the family farm after her father's death, she falls under the spell of the rich, forbidding Nebraska prairie.
