John Edward Masefield was born in 1878 in the sleepy market town of Ledbury in rural Hertfordshire. An idyllic childhood was ruined when he was left an orphan and sent to live with an Aunt who decided his education and life would be better spent at sea. At age 13 he boarded a school ship and there his love of writing and reading blossomed. By 1899 he began to publish and apart from brief service during World War I he now had a life of writing and lecture tours. He published much; novels, poetry and even an account of the disastrous war effort in the Dardanelles at Gallipoli. Upon the death of Robert Bridges in 1930, Masefield was given the prestigious position of Poet Laureate, a role he would fulfill until his death; the only poet to hold the position for a longer period was Alfred, Lord Tennyson. Despite later ill health and the death of his wife in 1960, Masefield continued to write. In 1966, he published his last book of poems, In Glad Thanksgiving, at the age of 88. In the latter part of 1966 gangrene was diagnosed in his ankle. This gradually spread through his leg and claimed his life on May 12, 1967. He was cremated and his ashes placed in the Poet's Corner of Westminster Abbey. Here we present The Faithful.

Alfred Tennyson was born on August 6th, 1809, in Somersby, Lincolnshire, the fourth of twelve children. Most of Tennyson's early education was under the direction of his father, although he did spend four unhappy years at a nearby grammar school. He left home in 1827 to join his elder brothers at Trinity College, Cambridge, more to escape his father than a desire for serious academic work. At Trinity he was living for the first time among young men of his own age who knew little of his problems. He was delighted to make new friends; he was handsome, intelligent, humorous, a gifted impersonator and soon at the center of those interested in poetry and conversation. That same year, he and his brother Charles published Poems by Two Brothers. Although the poems in the book were of teenage quality, they attracted the attention of the "e;Apostles,"e; a select undergraduate literary club led by Arthur Hallam. The "e;Apostles"e; provided Tennyson with friendship and confidence. Hallam and Tennyson became the best of friends; they toured Europe together in 1830 and again in 1832. Hallam's sudden death in 1833 greatly affected the young poet. The long elegy In Memoriam and many of Tennyson's other poems are tributes to Hallam. In 1830, Tennyson published Poems, Chiefly Lyrical and in 1832 he published a second volume entitled simply Poems. Some reviewers condemned these books as "e;affected"e; and "e;obscure."e; Tennyson, stung by the reviews, would not publish another book for nine years. In 1836, he became engaged to Emily Sellwood. When he lost his inheritance on a failed investment in 1840, the engagement was cancelled. In 1842, however, Tennyson's Poems [in two volumes] was a tremendous critical and popular success. In 1850, with the publication of In Memoriam, Tennyson's reputation was pre-eminent. He was also selected as Poet Laureate in succession to Wordsworth and, to complete a wonderful year, he married Emily Sellwood. At the age of 41, Tennyson had established himself as the most popular poet of the Victorian era. The money from his poetry [at times exceeding 10,000 pounds per year] allowed him to purchase a home in the country and to write in relative seclusion. His appearance-a large and bearded man, he regularly wore a cloak and a broad brimmed hat-enhanced his notoriety. In 1859, Tennyson published the first poems of Idylls of the Kings, which sold more than 10,000 copies in a fortnight. In 1884, he accepted a peerage, becoming Alfred Lord Tennyson. On October 6th, 1892, an hour or so after midnight, surrounded by his family, he died at Aldworth. It is said that the moonlight was streaming through the window and Tennyson himself was holding open a volume of Shakespeare. He was buried in Westminster Abbey.

The Duchess of Padua is a play by the world famous wit Oscar Wilde. A five-act melodramatic tragedy set in Padua and written in blank verse. It was written for the actress Mary Anderson in early 1883 while in Paris. Alas she turned it down and it was abandoned until a run on Broadway re-titled Guido Ferranti. It ran for three weeks. It is rarely seen but on account of the immense talents of its author we thought it deserved a wider audience. We hope that includes you.

Fyodor Dostoyevsky was born on 11th November 1821.He was introduced to literature very early. At age three, it was heroic sagas, fairy tales and legends. At four his mother used the Bible to teach him to read and write. His immersion in literature was wide and varied. His imagination, he later recalled, was brought to life by his parents' nightly readings.On 27th September 1837 tragedy struck. Dostoyevsky's mother died of tuberculosis.Dostoyevsky and his brother were now enrolled at the Nikolayev Military Engineering Institute, their academic studies abandoned for military careers. Dostoyevsky disliked the academy, his interests were drawing and architecture.His father died on 16th June 1839 and perhaps triggered Dostoyevsky's epilepsy. However, he continued his studies, passed his exams and obtained the rank of engineer cadet.Dostoyevsky's first completed work was a translation of Honore de Balzac's novel Eugenie Grandet, published in 1843. It was not successful. He believed his financial difficulties could be overcome by writing his own novel. The result was 'Poor Folk', published in 1846, and a commercial success.His next novel, 'The Double', appeared in January 1846. Dostoyevsky now became immersed in socialism. However, 'The Double' received bad reviews and he now had more frequent seizures. With debts mounting he joined the utopian socialist Betekov circle, which helped him to survive. When that dissolved he joined the Petrashevsky Circle, which proposed social reforms. The Petrashevsky Circle was then denounced and Dostoyevsky accused of reading and distributing banned works. Arrests took place in late April 1849 and its members sentenced to death by firing squad. The Tsar commuted the sentence to four years of exile with hard labour in Siberia.His writings on these prison experiences, 'The House of the Dead' were published in 1861.In Saint Petersburg that September he promised his editor he would deliver 'The Gambler', a novella on gambling addiction, by November, although work had yet to begin. It was completed in a mere 26 days.Other works followed but a different approach helped immensely. In 1873 'Demons' was published by the "e;Dostoyevsky Publishing Company"e;. Only payment in cash was accepted and the bookshop was the family apartment. It sold around 3,000 copies.However, Dostoyevsky's health continued to decline, and in March 1877 he had four epileptic seizures. In August 1879 he was diagnosed with early-stage pulmonary emphysema. He was told it could be managed, but not cured.On 26th January 1881 Dostoyevsky suffered a pulmonary haemorrhage. After the second the doctors gave a poor prognosis. A third haemorrhage followed shortly afterwards.Fyodor Dostoyevsky died on 9th February, 1881.

George Colman was born in Florence, Italy, in April 1732, where his father was stationed as British Resident Minister to the court of the Grand duke of Tuscany. Before his first birthday Colman's father had died and his well-being was now in the hands of his Father's sister and her husband, William Pulteney, the later Lord BathColman initially attended a private school in Marylebone before being sent to the exclusive Westminster School.From there Colman went to Christ Church, Oxford. Whilst there he met Bonnell Thornton, the parodist, and together they founded 'The Connoisseur' periodical (1754-1756), which ran for 140 editions. After taking his degree in 1755 Colman left Oxford and entered Lincoln's Inn. He was called to the bar in 1757. Despite a friendship forming with David Garrick and the promise of a literary career Colman decided that out of respect for Lord Bath he would continue to also practice law.In 1760, Colman produced his first play, 'Polly Honeycomb'. It was a great success. The following year, 1761, he followed up with 'The Jealous Wife', a comedy partly founded on Henry Fielding's 'Tom Jones'. It made Colman famous. On 21st October 1762 his son, George Colman the Younger, was born. He too would follow in his fathers' footsteps in education and career.In 1764 with the death of Lord Bath and a substantial inheritance Colman was now financially secure and could also stop his law career to work solely on literature.In 1765, his metrical translation of the six plays of Terence was published. The following year, 1766, in partnership with David Garrick, came another success: 'The Clandestine Marriage'. The only blot was when Colman quarreled with Garrick's refusal to take the part of Lord Ogleby. With the arrival of 1767 Colman decided to expand his interests by acquiring a quarter share in the Covent Garden Theatre. When his play 'The Oxonian in Town' was performed there on 9th November that year a riot ensued, apparently sparked by a claque of card-sharpers.Colman was elected to the Literary Club, in 1768, then nominally consisting of twelve members. In 1771 Thomas Arne's masque 'The Fairy Prince' premiered at Covent Garden, for which Colman wrote the libretto.His instincts as a theatrical impresario were sound. As well as part-owner he was also the acting manager of Covent Garden for seven years during which he produced several 'adapted' plays of Shakespeare. He also directed the premiere of 'She Stoops to Conquer' in 1773. In 1774 he sold to James Leake his share of Covent Garden, which had involved him in much litigation with his partners, and three years later, in 1777, he purchased the little theatre in the Haymarket from Samuel Foote.George Colman suffered badly from attacks of paralysis in 1785 and his health became both failing and a burden. By 1789 his brain had become affected, and he died on 14th August 1794. He was buried in Kensington Church.

One boy, one boat, one tiger . . . After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orang-utan -- and a 450-pound Royal Bengal tiger. The scene is set for one of the most extraordinary and best-loved works of fiction in recent years.

Rudolf Wilhelm Besier was born in Blitar, East Java, in the Dutch East Indies,on July 2nd, 1878. His father, the Dutch soldier Rudolf Wilhelm Besier, died whilst his mother, Margaret Ann Collinson, was pregnant with him. He was given his father's name in respect and remembrance. As a playwright his early career, which began with The Virgin Goddess in 1906, was somewhat limited. In 1912 he worked with HG Wells to turn Kipps into a stage play and after the war with Hugh Walpole on Robin's Father. Other plays were produced but received little attention. His great success came only in 1930. The Barretts of Wimpole Street was based on Elizabeth Barrett and Robert Browning's courtship. It was rejected by two London producers but did get to premiere at the Malvern Festival of 1930, produced by Sir Barry Jackson. (The first Malvern Drama Festival took place in 1929 dedicated to Bernard Shaw, six Shaw plays have debuted at Malvern including the 1929 English premiere of The Apple Cart, and the world premiere of Geneva in 1938). Alas, American producers were not at all interested. Twenty seven were approached and 27 rejected it. The actress Katharine Cornell however staged at the Hanna Theatre in Cleveland in 1931, and then New York where it opened on February 9th, 1931 at the Empire Theatre, starring Katharine Cornell and Brian Aherne. The Barretts of Wimpole Street became a major theatrical success and was turned, in 1934, into a glossy MGM film, starring Fredric March, Norma Shearer and Charles Laughton. The play was later used as the basis for a 1964 musical Robert and Elizabeth. Rudolf Besier died in Surrey on June 16th, 1942, at the age of 63.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

William Shakespeare was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children. Little is known about his life but what is evident is the enormous contribution he has made to world literature. His writing was progressive, magnificent in scope and breathtaking in execution. His plays and sonnets helped enable the English language to speak with a voice unmatched by any other. William Shakespeare died on April 23rd 1616, survived by his wife and two daughters. He was buried two days after his death in the chancel of the Holy Trinity Church. The epitaph on the slab which covers his grave includes the following passage, Good friend, for Jesus's sake forbear, To dig the dust enclosed here. Blessed me the man that spares these stones, And cursed be he that moves my bones. Here we publish his comedy from 1599 'Twelfth Night'.

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "e;The Forc'd Marriage"e;, was staged in 1670, followed by "e;The Amorous Prince"e; (1671). After her third play, "e;The Dutch Lover"e;, Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "e;The Rover"e; and "e;Love-Letters Between a Nobleman and His Sister"e; (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "e;Here lies a Proof that Wit can never be Defence enough against Mortality."e; She was quoted as stating that she had led a "e;life dedicated to pleasure and poetry."e;

DH Lawrence's Sons and Lovers is a must-read classic that deals with family relations in a typical Freudian fashion. In fact, the book tells the story of the very strong attachment of two sons, William and Paul Morel, to their mother. As the boys grow older and start dating women, they both find difficulties to establish serious and lasting love relationships with their partners. They are never satisfied with the girls' personalities and often complain about their superficiality and ostensible nature while their affairs never reach beyond passion and mere physical gratification. Being often considered as an autobiographical novel in which Lawrence explores aspects of his own personal life, the narrative presents the boys' mother as their ultimate example of the perfect woman, an example that cannot be attained by the women they happen to meet. After William's sudden death, the mother's hold on Paul is further reinforced. She is now jealous of her second son's mistress and engages in a campaign to separate them. As expected, the son never succeeds in disentangling himself from his mother's apron strings. After the mother's death, the end of the novel depicts a lost and lonely Paul with no hopes or aspirations.

The English dramatists Francis Beaumont and John Fletcher, collaborated in their writing during the reign of James I of England (James VI of Scotland, 1567-1625; in England he reigned from 1603).Beaumont & Fletcher began to collaborate as writers soon after they met. After notable failures of their solo works their first joint effort, Philaster, was a success and tragicomedy was the genre they explored and built upon. There would be many further successes to follow.There is an account that at the time the two men shared everything. They lived together in a house on the Bankside in Southwark, "e;they also lived together in Bankside, sharing clothes and having one wench in the house between them."e; Or as another account puts it "e;sharing everything in the closest intimacy."e;Whatever the truth of this they were now recognised as perhaps the best writing team of their generation, so much so, that their joint names was applied to all the works in which either, or both, had a pen including those with Philip Massinger, James Shirley and Nathan Field.The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. However there appears here to have been some duplicity on the account of the publishers who seemed to attribute so many to the team. It is now thought that the work between solely by Beaumont and Fletcher amounts to approximately 15 plays, though of course further works by them were re-worked by others and the originals lost.After Beaumont's early death in 1616 Fletcher continued to write and, at his height was, by many standards, the equal of Shakespeare in popularity until his own death in 1625.

The Dark Lady of the Sonnets is a one-act play by the Irish playwright George Bernard Shaw which centers around the character of the "e;Dark Lady"e; described in William Shakespeare's sonnets. In the preface to the play, Shaw introduces his own audience to the different theories about the actual person to whom the sonnets were devoted, but also if Shakespeare is the actual writer of his works. Shakespeare and Queen Elizabeth themselves are characters in Shaw's rather witty, comic play. Generally, the Dark Lady of the Sonnets is supposed to be an unconventionally-beautiful woman with whom young Shakespeare falls madly in love. When one day he introduces the Lady to one of his favorite friends, a handsome young man of a high social rank, they both betray him by going to bed together. The feeling of being doubly betrayed has greatly affected the English playwright and marked a considerable transformation in his writing career. By and large, Bernard Shaw's work, with its relatively long explanatory preface, touches the interesting mystery of Shakespeare's person and plays which has been much debated by numerous critics throughout the centuries.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

George Farquhar was born in Derry, Ireland in 1677, one of seven children. Farquhar was educated at Foyle College and later, aged 17, he entered Trinity College, Dublin. He departed after only two years, accounts vary as to why, and he took to acting on the Dublin stage. As an actor he seems to have had no real talent. A terrible accident, when he failed to distinguish between a tipped foil and a deadly rapier, and seriously wounded a fellow actor, resolved Farquhar to give up acting for good. His first play, Love and a Bottle, was well received at London's Drury Lane Theatre in 1699 and was admired "e;for its sprightly Dialogue and busy Scenes."e; With the play a success Farquhar settled his talents on a career as a playwright. He had a second play open that same year; The Constant Couple. Again, it was warmly received on debuting at Drury Lane and proved a great success. However, another interest and opportunity now unfolded into his life. He received a commission in the regiment of the Earl of Orrery. His time now became divided between the duties of a successful new playwright and the vocations of soldier. In 1701 Farquhar wrote and debuted a sequel to the Constant Couple, called and based on its main character; Sir Harry Wildair. The following year was to be prolific for the young playwright. He penned both The Inconstant or, The Way To Win and The Twin-Rivals as well as publishing Love and Business, a collection that included letters, verse, and A Discourse Upon Comedy. His work for the army, recruiting soldiers to fight in the War of the Spanish Succession, occupied much of his time for the next three years, and he was to write little except The Stage Coach, in 1774. Farquhar was able, however, to draw upon these years of recruiting experience for his next comedy, The Recruiting Officer in 1706. Early in 1707, Farquhar wrote what was to be his masterpiece: The Beaux Stratagem. In these last two plays his real contribution to the English drama is all the more apparent. He introduced a verbal vigour and sparring, as well as a love of character that are more usually associated with Elizabethan dramatists and laid much of the foundations for Sheridan and Congreve to build upon. George Farquhar, aged only 40, died on April 29th, 1707, almost two months after the debut of his greatest work. He was buried in the Church of St. Martin in the Fields, London, on May 3rd, 1707.

Is any superhero cooler than Batman? He s a crime-fighting vigilante with a tragic past, a lawless attitude, and a seemingly endless supply of high-tech gadgetry. In this fully illustrated memoir, author Michael Uslan recalls his journey from early childhood fandom through to the decades he spent on a caped crusade of his own: to bring Batman to the silver screen as the dark, serious character he was at heart. Uslan's story traces his path from the wilds of New Jersey to the limelight of Hollywood, following his work as Executive Producer on every Batman film from Tim Burton s 1989 re-envisioning to 2012's The Dark Knight Rises. Through it all, he helped to create one of the most successful pop culture franchises of all time.

David Copperfield (1850) by Charles Dickens (1812-1870) follows the story of a boy named David whos step-father mistreats him and hes sent to boarding school. The story continues to follow David to adulthood which was also was considered to be a more of an autobiographical account of the authors own life from childhood to adulthood.Mermaids Classics, an imprint of Mermaids Publishing brings the very best of old classic literature to a modern era of digital reading by producing high quality books in ebook format. All of the Mermaids Classics epublications are reproductions of classic antique books that were originally published in print format, mostly over a century ago and are now republished in digital format as ebooks. Begin to build your collection of digital books by looking for more literary gems from Mermaids Classics.

Brave is Pixar's thirteenth feature film, but it marks two big firsts for the award-winning animation studio. It's Pixar's first feature film driven by a female lead and its first set in an ancient historical period. Against a backdrop of castles, forests, and highlands, Brave follows the fiery Merida as she clashes with the duty of her royal life and embarks on a journey through the rugged landscape of the dark ages of Scotland. At once epic and intimate, the latest Pixar masterpiece weaves a story of magic, danger, and adventure and the fierce bonds of family. Featuring behind-the-scenes interviews with the film's many artists and filmmakers, The Art of Brave showcases the gorgeous concept art that went into the making of this movie, including color scripts, storyboards, character studies, environment art, sculpts, and more. A Foreword by Brenda Chapman and Mark Andrews, the film's directors, and a preface by Chief Creative Officer John Lasseter shed light on the creation of this landmark film.

What can Dory remember? Who are her parents? In Finding Dory, Pixar Animation Studios sets out to answer these questions, to the delight of Finding Nemo fans. The Art of Finding Dory offers a look at the creative process behind the making of this much-anticipated sequel, shining a light on the many inspiring and beautiful layers of creation the artists at the studio explored during years of development.Copyright 2016 Disney Enterprises, Inc. and Pixar. All rights reserved.

From Toy Story to The Good Dinosaur, some of the most iconic and hilarious moments in Pixar's films were first conceived by the artists featured in this book. But there are hundreds of gags that don't make it past the cutting room floor, like Frozone cooling some beers with his breath and Sadness wearing mom jeans. Funny! explores this material in depth, showcasing classic moments from all of Pixar's films to date, plus never-before-published illustrations and doodles from the Pixar archives. With an introduction by veteran story man Jason Katz, this book is a must-have for any Pixar fan.Copyright 2015 Disney Enterprises, Inc. All rights reserved.

It's never been easier to discover and binge on new and classic TV shows, and never before have so many great series been available on screens large and small. This entertaining puzzle book by the author of Name That Movie celebrates the current golden age of television viewership with wit and style. Celebrated illustrator Paul Rogers tests readers' visual knowledge to identify each of 100 series through a sequence of six line drawings depicting places, vehicles, objects, and even fashion details ranging from the obscure to the iconic. Complete with answer key and index, this ebook is as fun to play solo as it is with fellow TV fans.