Claire and her mother are running out of time, but they don't know it. Not yet. Claire is wrapped up with the difficulties of her bourgeoning adulthood—boys, school, friends, identity; Claire's mother, a single mom, is rushed off her feet both at work and at home. They rarely find themselves in the same room at the same time, and it often seems that the only thing they can count on are notes to each other on the refrigerator door. When home is threatened by a crisis, their relationship experiences a momentous change. Forced to reevaluate the delicate balance between their personal lives and their bond as mother and daughter, Claire and her mother find new love and devotion for one another deeper than anything they had ever imagined. Heartfelt, touching, and unforgettable, Life on the Refrigerator Door is a glimpse into the lives of mothers and daughters everywhere. In this deeply touching novel told through a series of notes written from a loving mother and her devoted fifteen-year-old daughter, debut author Alice Kuipers deftly captures the impenetrable fabric that connects mothers and daughters throughout the world. Moving and rich with emotion, Life on the Refrigerator Door delivers universal lessons about love in a wonderfully simple and poignant narrative.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . .Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

A remote and affluent Maine community, Corpus Christi was untouched by the environmental catastrophe that destroyed the neighboring blue-collar town of Bedford. But all that will change in a heartbeat . . .The nightmare is awakened when third-grade schoolteacher Lois Larkin takes the children on a field trip to Bedford. There in the abandoned woods, a small, cruel boy unearths an ancient horror—a contagious plague that transforms its victims into something violent, hungry . . . and inhuman.The long, dark night is just beginning. And all hope must die as the contagion feeds—for the malevolence will not rest until it has devoured every living soul in Corpus Christi . . . and beyond.

Though unalike as snowflakes, sisters Patricia Anne and Mary Alice share a sympathetic heart for their distraught cousin Luke -- known affectionately in his boyhood as "Pukey Lukey," because of his penchant for getting sick in moving vehicles. Luke is desperate to hunt down Virginia, his wife of forty years, who has run off with a housepainter/snake-handling preacher named "Monk." And the sisters have graciously agreed to accompany their stricken kinsman on his search...in Luke's car, of course.But, while practical "Mouse" and flamboyant "Sister" are unable to find their runaway cousin-in-law among the asp-loving faithful on Chandler Mountain, they do manage to stumble upon the corpse of a pretty young redhead who was prematurely sent to her eternal reward. And before you can say "anaconda," they are hot on the serpentine trail of a killer who'd like nothing better than to sink a pair of poisonous fangs into two meddling Southern sisters!

Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice. Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice.

Those hilarious southern sisters, who prove that sibling rivalry never ends, are heading for a vacation at the beach. Mary Alice's flamboyant behavior aside, serious, sensible Patricia Anne looks forward to relaxing at her sister's beachfront condo in Destin, Florida, so she kisses her ever-loving spouse Fred god-bye, reminds him to water the plants and feed the dog, and the girls head south for some fin in the sun. Mary Alice loses no time in making the acquaintance of just about everyone in sight, so watching the sun go down on the beautiful shores of the Gulf of Mexico is a welcome respite as far as Patricia Anne is concerned. . .until a dead body washes up in the waves and the victim turns out to be one of Mary Alice's newfound friends. With no witnesses t the crime except a few great blue herons, the sisters have no choice but to bypass the clueless police and follow their own instinct to find the killer. Before long they_re on a murky trail of dirty real-estate deals, giant turtle habitats, and a sea of evidence pointing to a mammoth motive for murderer.

Murder on a Bad Hair DayIt's hard to believe practical, petite ex-schoolteacher Patricia Anne and amiable, ample-bodied, and outrageous Mary Alice are sisters, yet sibling rivalry has survived decades of good-natured disagreement about everything from husbands to hair color. No sooner do the Southern sisters discover a common interest in some local art, when they're arguing the artistic merits of some well-coiffured heads at a gallery opening. A few hours later, one of those pretty ladies ends up dead -- with not a hair out of place. The other shows up on Patricia Anne's doorstep dazed, disheveled, and telling a wild tale of a narrow escape from some deadly cuts. Now the sisters are once again combing for clues to catch a killer with a bizarre style in art -- and murder.

Willie Weaver used to be a hero. Now he's nothing.Willie is a top athlete, the star of the legendary game against Crazy Horse Electric. Then a freak accident robs him of his once-amazing physical talents.Betrayed by his family, his girlfriend, and his own body, Willie's on the run, penniless and terrified on the streets, where he must fight to rebuild both his body and his life.

For as long as he can remember, Paul has looked after his younger, weaker brother Sam. But when Sam leaves home to work as a research assistant in Watertown, he disappears into the dark folds of the city's noxious slum. When Paul goes looking for Sam in Watertown, he learns a dark secret: something in the water is changing the residents of Watertown, transforming them into something inhuman. But can Paul reach Sam before the dark waters get to him first?

A leprechaun is sighted in small–town New Hampshire. A city boy becomes a hero in prehistoric Sweden. An elf prince tries to reward a girl who wishes he'd just leave her alone. In these and other delightful stories, magical adventure appears in the most unexpected places! Instead of Three Wishes is a captivating collection of witty and sparkling fantasy stories from the Newbery Honor author of The Thief. Ages 10+

Bo Brewster has been at war with his father for as long as he can remember. Following angry outbursts at his football coach and English teacher that have cost him his spot on the football team and moved him dangerously close to expulsion from school, he turns to the only adult he believes will listen: Larry King.In his letters to Larry, Bo describes his quest for excellence on his own terms. No more coaches for me, he tells the talk show icon, no more dads. I'm going to be a triathlete, an Ironman.Relegated to Mr. Nak's before-school Anger Management group (which he initially believes to be populated with future serial killers and freeway snipers), Bo meets a hard-edged, down-on-their-luck pack of survivors with stainless steel shields against the world that Bo comes to see are not so different from his own. It is here he meets and falls in love with Shelly, a future American Gladiator, whose passion for physical challenge more than matches his.Ironman is a funny, sometimes heartbreaking story about growing up in the heart of struggle. It is about standing up, getting knocked down, and standing up again. It is about being heard--and learning to listen.

Do You Know: A good reason to be phobic about oysters and olivesThat you can step inside a roaring coal furnace and feet coolThat Jesus had an older brotherHow shutting your mouth can help you avoid brain surgeryHow to avoid cow-pies during your baptismHow to survive in the winter wilderness with only a fishing pole and a sausage?Chris Crutcherknows the answers to these things and more.And once you have read about Chris Crutcher's life as a dateless, broken-toothed, scabbed-over, God-fearing dweeb, and once you have contemplated his ascension to the buckskin-upholstered throne of the King of the Mild Frontier, you will close this book, close your eyes and hold it to your chest, and say, "I, too, can be an author."Hell, anyone can.

Louie Banks has it made.He's got a starting spot on the football team, good friends, and a smart, beautiful girlfriend who loves him as much as he loves her.Early in the fall, he sees all his ideas of fair play go up in smoke; by spring, what he cares about most has been destroyed. How can Louie keep going when he's lost everything?

Billy Bartholomew has an audacious soul, and he knows it. WhyBecause it's all he has left. He's dead.Eddie Proffit has an equally audacious soul, but he doesn't know it. He's still alive.These days, Billy and Eddie meet on the sledding hill, where they used to spend countless hours -- until Billy kicked a stack of Sheetrock over on himself, breaking his neck and effectively hitting tilt on his Earthgame. The two were inseparable friends. They still are. And Billy is not about to let a little thing like death stop him from hanging in there with Eddie in his epic struggle to get his life back on track.

Justin Taylor's crystalline, spare, and oddly moving prose cuts to the quick. His characters are guided by misapprehensions that bring them to hilarious but often tragic impasses with reality: a high school boy's desire to win over a crush leads him to experiment with black magic, a fast-food employee preoccupied by Abu Ghraib becomes obsessed with a coworker, a Tetris player attempts to beat his own record while his girlfriend sleeps and the world outside their window blazes to its end. Fearless and astute, funny and tragic, this collection heralds the arrival of a unique literary talent.

Joe Hill has been hailed as "a major player in 21st-century fantastic fiction" (Washington Post); "a new master in the field of suspense" (James Rollins); "one of the most confident and assured new voices in horror and dark fantasy to emerge in recent years (Publishers Weekly); a writer who "builds character invitingly and plants an otherworldly surprise around every corner" (New York Times).This gifted and brilliantly imaginative author catapulted to bestsellerdom with the chilling Heart-Shaped Box and cemented his reputation with the prizewinning volume of short fiction 20th Century Ghosts. At last, the New York Times bestselling author returns with a relentless supernatural thriller that runs like Hell on wheels. . . .Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache . . . and a pair of horns growing from his temples. At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances. A mental breakdown would have been the most natural thing in the world. But there was nothing natural about the horns, which were all too real.Once the righteous Ig had enjoyed the life of the blessed: born into privilege, the second son of a renowned musician and younger brother of a rising late-night TV star, he had security, wealth, and a place in his community. Ig had it all, and more—he had Merrin and a love founded on shared daydreams, mutual daring, and unlikely midsummer magic.But Merrin's death damned all that. The only suspect in the crime, Ig was never charged or tried. And he was never cleared. In the court of public opinion in Gideon, New Hampshire, Ig is and always will be guilty because his rich and connected parents pulled strings to make the investigation go away. Nothing Ig can do, nothing he can say, matters. Everyone, it seems, including God, has abandoned him. Everyone, that is, but the devil inside. . . .Now Ig is possessed of a terrible new power to go with his terrible new look—a macabre talent he intends to use to find the monster who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge. . . . It's time the devil had his due. . . .

Sid is going crazy . . . A telemarketer at a travel agency, Sid is becoming unhinged and superneurotic. Lately he's been obsessed with car washes and mud baths. His hypochondria is driving his doctor sister mad. And it's all because of his ex-girlfriend, Zoe, who's sending him postcards from her European adventure, one that they were supposed to take together. It's all quite upsetting.A fact-finding tour of local post offices—and a new friendship with postman Gerald—followed by a solo European jaunt will do little to ease his anxiety. A long talk with his mother's spirit in a wine bottle doesn't help either. But what he really needs are a few more tentative dates with the chatty Candyce. Sid needs to get over Zoe and find love again—even though Zoe, apparently, has no inclination to be gotten over. Wonderfully poignant, funny, odd, and more than a bit macabre, Postcards from a Dead Girl marks the emergence of a truly gifted and original literary voice.

Hank and his wife, Sarah, agree to write a screenplay, and encounter the strange world of the movie industry.

Hot Water Music is a collection of short stories by Charles Bukowski, published in 1983. The collection deals largely with: drinking, women, gambling, and writing. It is an important collection that establishes Bukowski's minimalist style and his thematic oeuvre.