Not a man to dwell on the past, Stone Barrington has no choice but to rattle old skeletons when the people closest to him start dying, and he has little to go on but the suspicion that the killer might be someone he once knew. The trip down memory lane isn't all bad though, for it reunites Stone with his ex-partner, Dino Bacchetti, now head of detectives in the nineteenth precinct.Trying to find a brilliant killer in a sea of old faces is difficult enough without Stone's former love, Arrington, now Mrs. Vance Calder, resurfacing too—especially when she sets off her own fireworks coming nose to nose with his latest flame, a Mafia princess as beautiful as she is dangerous.Caught on a thrill ride of a case that tests him as none has ever done before, Stone races to find a twisted madman with a taste for blood vengeance, with only a prayer to find him before Stone's worst fears are realized.

A corpse whose palms and soles have been "scalped" is only the first in a series of disturbing clues: an airplane's mysterious crash in the nighttime desert, a bizarre attack on a windmill, a vanishing shipment of cocaine. Sgt. Jim Chee of the Navajo Tribal Police is trapped in the deadly web of a cunningly spun plot driven by Navajo sorcery and white man's greed.

Plague has ravaged the prestigious King's Cavalla of Gernia, decimating the ranks of both cadets and instructors. Yet Nevare Burvelle has made an astonishingly robust recovery, defeating his sworn nemesis while in the throes of the disease and freeing himself—he believes—from the Speck magic that infected him. And now he is journeying home to Widevale, anticipating a tender reunion with his beautiful fiancée, Carsina, and a bright future as a commissioned officer.But there is no haven in the bosom of his kinfolk, for his nights are haunted by grim visions of treachery—and his days are tormented by a strange side-effect of the plague that shames his family and repulses the lady of his heart. And as the still-potent magic in his blood roars to life, Nevare realizes a terrible truth: that the enemy who seeks to destroy everything he loves dwells perhaps not without but within him.

The year is 885, and England is at peace, divided between the Danish kingdom to the north and the Saxon kingdom of Wessex in the south. Uhtred, the dispossessed son of a Northumbrian lord—warrior by instinct, Viking by nature—has finally settled down. He has land, a wife, and two children, and a duty given to him by King Alfred to hold the frontier on the Thames. But then trouble stirs: a dead man has risen, and new Vikings have arrived to occupy the decayed Roman city of London. Their dream is to conquer Wessex, and to do it they need Uhtred's help.Alfred has other ideas. He wants Uhtred to expel the Viking raiders from London. Uhtred must weigh his oath to the king against the dangerous turning tide of shifting allegiances and deadly power struggles. And other storm clouds are gathering: ?thelefl?d—Alfred's daughter—is newly married, but by a cruel twist of fate, her very existence now threatens Alfred's kingdom. It is Uhtred—half Saxon, half Dane—whose uncertain loyalties must now decide England's future.A gripping story of love, deceit, and violence, Sword Song is set in an England of tremendous turmoil and strife—yet one galvanized by the hope that Alfred may prove an enduring force. Uhtred, his lord of war and greatest warrior, has become his sword—a man feared and respected the length and breadth of Britain.

"I saw the dream. I saw your face."The words of a lone shipwrecked survivor chill the blood of Gerin Atreyano, Crown Prince of Khedesh, for they warn of an approaching armada. The savage, unconquered and unconquerable Havalqa are coming, driven by visions of a power beyond comprehension. Whosoever controls the Words of Making can own the world—and the brutal, single-minded invaders will destroy anything that stands between them and the one man who possesses the secret to this awesome weapon: the Amber Wizard, Gerin Atreyano.But the Words are as much a mystery to Gerin as they are to the fearsome enemy who would make him their prisoner. And unless he can unravel the ancient magic—and defeat a relentless awakening terror—his home and his future will be ashes.

It's 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered—an expert with explosives and knives—Smonk hates horses, goats, and the Irish, and it's high time he was stopped. But capturing old Smonk won't be easy—and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.

With a nose for crime and grime, Callahan Garrity has handled dirty killers on the streets as an Atlanta cop and on the job as a house cleaner. But she's always been able to keep her private life neatly separated from work -- until her cousin, Patti, is found dead. Exchanging her House Mouse cleaning uniform for a detective's cap, Callahan is hellbent to find the culprit. It's notthat she doesn't trust the Atlanta PD. She just knows that her suburbanite cousin's death is too strange to be accidental.Callahan's search takes her on a convoluted trail from Patti's priest, who may have provided more than spiritual counsel, through Atlanta's inner city and into the shady deals of her cousin's newly prosperous husband. Yet, as the pieces start to fall into place, Callahan faces an even bigger challenge -- staying alive.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

Jonathan Santlofer once again combines his extraordinary talents as both a writer and an artist in this second chilling thriller featuring NYPD forensic sketch artist Nate Rodriguez. Though plagued by the death of his father years ago, Rodriguez has little time to dwell on the past. A rash of seemingly unrelated murders holds New York City in a gridlock of terror, and with his reputation for having a sixth sense—an uncanny ability to draw things he hasn't even seen—Rodriguez lands a spot on the task force investigating the crimes. But with his mind's eye clouded, he's forced to search for an answer the old-fashioned way: by hitting the streets.Rodriguez begins to suspect a common thread between the victims, confirmed when more bodies turn up—those of the killers themselves. As the slayings continue, the link between the crimes comes into focus and Rodriguez must convince the NYPD that they are up against something bigger—and more heinous—than anyone ever suspected.The Murder Notebook is a smart, innovative suspense novel with a terrifying, ripped-from-the-headlines urgency. Where is the line between advancement and criminality in matters of manipulating the human psycheWhat would happen if someone were no longer able to feel fearWith his unique blend of gripping prose and original sketches, Jonathan Santlofer has crafted a tale of morality and duty, love and justice, that is as shocking as it is timely.

The marvelous creations found in Fragile Things showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.In Selections from Fragile Things, Volume 4 you will find the following stories and poems, sure to thrill and amaze.Harlequin ValentineA Harlequin’s heart may be easily given, but how will the object of his affection treat his delicate organ?LocksIn Gaiman’s poem a man attempts to tell his daughter the tale of Goldilocks despite her interjections.The Problem of SusanA student interviews a professor of children’s fiction for a scholarly article, but when the discussion lands on C. S. Lewis’ Narnia the conversation becomes quite personal.InstructionsReal life advice, in poetry form, on what to do if you find yourself in the middle of a fairy tale.How Do You Think It FeelsAn affair with a younger woman leaves a man so despondent that he goes to extraordinary measures to protect his heart from future pain.My LifeThe monologue of a rather mangled sock monkey telling the story of his life, egged on by a couple of beers chased with whiskey.Fifteen Painted Cards from a Vampire TarotScenes inspired by a supernatural tarot deck whose cards betray surreal and somewhat blood-thirsty characters.Feeders and EatersAt a greasy all-night café a man runs into an old acquaintance, now a shriveled version of his once-handsome self. The man cannot escape the gruesome story of his friend’s deterioration involving a cat and an old woman with unnaturally long hair.Diseasemaker’s CroupAn imaginary disease in which the afflicted create imaginary diseases, Diseasemaker’s Croup takes hypochondria to a new level.

As a first-hand account of the weird mysteries and horrors of voodoo, Tell My Horse is an invaluable resource and fascinating guide. Based on Zora Neale Hurston's personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of ceremonies and customs and superstitions of great cultural interest.

The well-intentioned protagonists of Brief Encounters with Che Guevara are caught -- to both disastrous and hilarious effect -- in the maelstrom of political and social upheaval surrounding them. In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.Through Fountain's rounded and novelistic prose, these intelligent and keenly observed stories are painted in provocative and vibrant detail across a global canvas. Brief Encounters with Che Guevara marks the arrival of a striking and resonant new voice that speaks adeptly to the intimate connection between the foreign, the familiar, and the inescapably human.

The marvelous creations found in Fragile Things showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.In Selections from Fragile Things, Volume 5 you will find the following stories and poems sure to thrill and amaze.In the End“In the end,” starts the ultimate imagined biblical scene, a strange reversal of Genesis.GoliathDerived from the * of The Matrix, a giant man attempts to navigate a simple life on an Earth where even the most basic rules of time and travel are routinely broken.Pages from a Journal Found in a Shoebox Left in a Greyhound Bus Somewhere Between Tulsa, Oklahoma, and Louisville, KentuckyA rambling American journey in search of the evasive Scarlett, recorded in a journal and left in a shoebox of treasures for us to decipher.How To Talk To Girls At PartiesFifteen-year-old Enn has trouble talking to girls. His best friend Vic’s solutionWith practice comes comfort. But, this party, with its otherworldly guests, may produce just the opposite effect.The Day the Saucers CameYou would think the mass-landing of flying saucers would be hard to miss, unless of course you were distracted by the zombies or something equally consuming, as in Gaiman’s apocalyptic love poem. SunbirdWhat’s an Epicurean Club to do when it’s exhausted all the world’s finest delicacies, from flash-frozen mammoth, to unicorn flank tartare, to dung-beetle ballsHunt down a Sunbird and push the limits of gastronomic indulgence a bit further, of course. Inventing AladdinGaiman’s poem examines storytellers’ motivation through the most dire case, that of Scheherazade.

Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice. Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice.

Those hilarious southern sisters, who prove that sibling rivalry never ends, are heading for a vacation at the beach. Mary Alice's flamboyant behavior aside, serious, sensible Patricia Anne looks forward to relaxing at her sister's beachfront condo in Destin, Florida, so she kisses her ever-loving spouse Fred god-bye, reminds him to water the plants and feed the dog, and the girls head south for some fin in the sun. Mary Alice loses no time in making the acquaintance of just about everyone in sight, so watching the sun go down on the beautiful shores of the Gulf of Mexico is a welcome respite as far as Patricia Anne is concerned. . .until a dead body washes up in the waves and the victim turns out to be one of Mary Alice's newfound friends. With no witnesses t the crime except a few great blue herons, the sisters have no choice but to bypass the clueless police and follow their own instinct to find the killer. Before long they_re on a murky trail of dirty real-estate deals, giant turtle habitats, and a sea of evidence pointing to a mammoth motive for murderer.

Patricia Anne would swear that either she or her sister Mary Alice were switched at birth, except they were both born at home.Flashy, flirtatious Mary Alice is one foot taller, twice the body weight of Patricia Anne, and three times as likely to do something completely off the wall. But now Mary Alice's impulsive behavior has land them both in the Birmingham jail!It all begins with a call from their good friend Mitzi Phizer, who's starting an investment club -- kind of a Beardstown Ladies group. Patricia Anne is willing to make a small, conservative investment in a thriving chain of HMOs; Mary Alice is hot to trot to put her money on Viagra. But before the club idea gets off the ground, the sisters spot Mitzi's supposedly faithful husband in a chummy little huddle with a redhead -- and the next thing they know, Arthur is accused of murdering the mystery woman. Nothing about the whole sordid story fits the kind, gently Arthur, and Patricia Anne is doing her best to console her good friends. But when their house catches on fire, and Arthur is shot in a place that won't allow him to even sit down at his own murder trial, the sisters know they have to stand up for the poor fellow. And that means checking out everyone -- from low-down cads to highbrow bank presidents -- to find a no good gun-toting arsonist who believes big money is to kill for.

Meg Rittenhouse fears she is losing her mind. The doctors tell her the strange and disturbing hallucinations she's been experiencing ever since her accident are all in her head, and that, with a little rest, the haunting visions will vanish. But accepting an invitation to stay with her cousin in the country may be the worst decision Meg has ever made. Here, in a remote old house miles from anywhere, the terrible sights and sounds have gotten even worse. Suddenly eerie black shapes dance in the shadows—mocking Meg, haunting her . . . threatening her. And the presence of kind, considerate Andy Brenner, the caretaker, both reassures her and terrifies her—because Andy also sees these dark specters . . .