本書從中醫學、美容學、西醫內分泌學的角度，系統分析了面色蒼白、痤瘡、黃褐斑、脫髮、眼球突出、頸腫、皮膚乾燥症、多汗症、多毛症、肥胖、消瘦、乳房發育不良等12種常見病症的發病原因與機理，以及西醫的常規治療方法。闡明了中醫調節內分泌失調的方法與機理，突出整體治療，治病求本的中醫學理念，並具體介紹通過內服中藥、針灸耳針、外敷按摩、食療食養、日常護理等綜合措施，以達到美容塑形，展現自信美的目的。

The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period when strong sled dogs were in high demand. The novel's central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara Valley of California as the story opens. Stolen from his home and sold into service as sled dog in Alaska, he reverts to a wild state. Buck is forced to fight in order to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and learned experience to emerge as a leader in the wild.

The Picture of Dorian Gray is an 1891 philosophical novel by Irish writer and playwright Oscar Wilde. First published as a serial

Little Women was originally published in two volumes in 1868 and 1869. Alcott wrote the books rapidly over several months at the request of her publisher. The novel follows the lives of four sisters—Meg, Jo, Beth, and Amy March—detailing their passage from childhood to womanhood, and is loosely based on the author and her three sisters.

本書收錄著名詩人戴望舒在抗日戰爭期間於香港翻譯的文學著作，包括法國著名左翼作家馬爾羅長篇小說《希望》及其他英法小說家作品。相關篇章的整理和出版不僅為戴望舒的翻譯研究提供豐富卻長期被忽略的文獻材料，也將為戴望舒的詩學理念與翻譯、抗日時期戴望舒與香港文學及大眾媒體、中國現代派與歐洲左翼文藝思潮、戰爭歷史以及跨文化語境（從巴黎、上海到香港）下法國現代主義文學的譯介等研究課題，提供重要資料。同時，讀者亦可從中了解抗戰時期詩人香港的文學活動。

Peter Pan; or, the Boy Who Wouldn't Grow Up or Peter and Wendy is J. M. Barrie's most famous work, in the form of a 1904 play and a 1911 novel. Both versions tell the story of Peter Pan, a mischievous little boy who can fly, and his adventures on the island of Neverland with Wendy Darling and her brothers, the fairy Tinker Bell, the Lost Boys, and the pirate Captain Hook. The play and novel were inspired by Barrie's friendship with the Llewelyn Davies family. Barrie continued to revise the play for years after its debut until publication of the play * in 1928.

Iro and Iona, two little bears who are best friends, live deep in the forest and spend their days playing happily with all the other little animals. But Iro wants some adventure and so she decides to take her friend Iona and set off on a trip to the mysterious Silver Mountain that everyone is so afraid of. This is the story of what happens when two naughty little bears disobey their parents and get themselves into all sorts of sticky situations. The Silver Mountain is an exciting place full of mystery and we follow Iro and Iona on their adventures in a magical world where in the end, goodness and bravery win the day. A great bedtime story with gorgeous illustrations for children aged 4 to 8 years old.

This book offers a radical revision of modern economic theory. Its starting point is the existing body of both micro and macro economics, as developed in such textbooks as Economics by Begg, Fischer and Dornbusch and Positive Economics by Lipsey and Chrystal. Following a similar framework to these books, it adjusts the whole range of theory by introducing some new concepts and other earlier ones that have been much neglected in the economic thought of the past century. These are related especially to the fundamental part played by land, in it proper sense of all natural resources available on the earth, the significance of credit, especially through the banking system, and the crucial impact of the method of taxation. The resulting analysis yields a thoroughly revised version of the contemporary model of a capitalist economy, so that a genuine ‘third way’ is revealed. This is not a mere modification of the present system of absentee ownership confronting a market for labour, with all the attendant evils of unemployment, monopoly and maldistribution of wealth and income. Rather it is a system based upon natural law, exhibiting economic security for all, fair distribution of output and, above all, the opportunity for self-fulfillment through work. The ‘new model’ draws upon the masters of economic thought from Smith and Ricardo to Marshall, Schumpeter and Keynes, by highlighting concepts often omitted from current studies of their works; such as Ricardo’s analysis of scarcity and differential elements of rent, Schumpeter’s view of the role of banking and Keynes’s hints at a labour theory of value. Indeed this far-reaching revision makes bold advances upon the Marshallian theory of the firm and the Keynesian theory of national income determination, thus providing new insights into both micro and macro theory. It remains faithful, however to the tradition of these latter thinkers in explaining matters fully in words, and resorting to mathematics mainly through the use of diagrams intelligible to anyone with an elementary grasp of the subject. Whilst the book strives to avoid value judgements in the interests of social science, it undoubtedly carries strong implications about economic policy. These are bound up with the central notions of free land and free credit, which have been singularly ignored by policy-makers since a few valiant attempts to introduce them in the early twentieth century. Hence the ‘new model’ is offered to both theorists and practitioners of economics, to politicians and public servants, but particularly to those who, like the author, truly seek a new vision of the subject.

In the two and a half years since the first edition appeared (April 2005), events have unfolded as predicted. Then the consensus among forecasters was that the boom in house prices would cool to an annual 2 or 3% rise over the following years. In fact, in keeping with the ‘winner’s curse’ phase of the cycle described by the author, prices rose by more than 10% per annum in Britain. Harrison’s first book, The Power in the Land, predicted the early 1990s recession. Boom Bust, warned that investing in property is not always a safe bet, because the housing market is subject to a sharp downturn at the end of a remarkably regular 18-year cycle. The crash of 2007/8 occurred exactly as predicted. His forecast was based on a careful study of the evidence from property markets in many countries over the last 200 years. Gordon Brown’s claim, last made in his 2007 Budget speech, that ‘we will never return to the old boom and bust’ has been proved false. The reason for the instability, Harrison explains, is not the housing market itself but the land market on which all buildings stand. Land is in fixed supply ‘ as Mark Twain noted: ‘They’re not making any more of it’. Therefore, as the demand for land for new homes and offices rises with population growth and economic expansion, market forces, which normally increase supply to reduce prices, have the reverse effect: prices rise. This encourages speculation, with banks lending more against escalating asset values and reinforcing the upward spiral. Under existing government policies, the only way land prices can be brought back to affordable levels is a slump, undermining the banking system and causing widespread unemployment and repossessions. This is exactly what happened in America with the collapse of the sub-prime mortgage market. The run on Northern Rock showed the UK economy is not immune. The author reveals that the government’s monetary policy only has a marginal impact on land speculation, but as the Bank of England raises interest rates to curb house price inflation, the main victim is the first-time buyer and the productive economy, especially small businesses. The only way to neutralise the boom bust cycle in the housing market is through a reform of taxation, he claims. ‘This book is an important contribution to an overdue debate.’ Martin Ricketts, Chairman of the Academic Advisory Council of the Institute of Economic Affairs and Professor of Economic Organisation, University of Buckingham. Endorsing the thrust of Harrison’s argument, Prof. Ricketts goes on to acknowledge ‘that insufficient attention has been given by policymakers to the rent of land as socially the most efficient source of public revenue’, and that that will ‘have important practical consequences … for the stability of the economic system’. Economic stability is the objective of Gordon Brown and most governments around the world. Harrison explains how this may be achieved.

St Claire Bullock - a Professor of Philosophy, no less - in the intervals between pondering the great questions of life, turned his hand to penning light verse in the manner of Hilaire Belloc, Ogden Nash and Edward Lear. In rhyming couplets these wry and witty poems ponder the foibles and vanities of mortals. Some of these are captured in pen and ink drawings which caricature the subject of the poems. Each character is given an amusing name, beginning with Master Cecil Abercorn, through Clarence Castle, Serena Huff, The Marchioness of Mal de Mer, Major Houghton Reid and Thomas Tinkham Tattersall to Roland Washburn White. There are 70 poems in all of which 10 are illustrated. The illustration on the front cover relates to Rupert Ashe: 'The greatest pride of Rupert Ashe was his luxuriant moustache. He took great care to keep it groomed, And even, with restraint, perfumed. He brushed it upward every day, and it made such a grand display, that people who were not the wiser, imagined that he was the Kaiser.'

Dejected and jobless like so many other Servicemen after the end of the Great War of 1914-18, Tybalt Hampton escapes a ball in Berkeley Square and meets a delightful young girl who has also sought refuge in the little Temple in the nearby gardens because no one has asked her to dance. It is too dark to make out her face, but in an enchanted moment they kiss in the moonlight and a nightingale sings in the trees above as if just for them. Two years later the beautiful Aleta Wayte, the recipient of that anonymous kiss, and her brother, Sir Harry Wayte, are forced to let their beloved ancestral mansion to a millionaire American called Cornelius Wardolf, disguising themselves as servants in their own home and at their tenant’s beck and call. Of noble birth but penniless, Aleta still dreams of that handsome stranger. So, when Fate in the form of a road accident brings him injured to her door, her hopes are raised and then instantly dashed. In her guise as a lowly servant how can she reveal herself as Tybalt Hampton is now the fifth Duke of Stadhampton and anyway, because of his impoverished estates, he has been earmarked by Cornelius Wardolf to marry his attractive daughter, Lucy-MayIs it possible that Fate could be so cruel as to bring love so close only to snatch it away?

To afford the food and medicine her ailing mother needs, the beautiful Honourable Olinda Selwyn, daughter of the late Lord Selwyn, former Lord Chief Justice of England, is obliged to conceal her background to take employment with the Dowager Countess of Kelvedon as an expert embroiderer at the family stately home in Derbyshire. Taken aback to find that the ageing but still beautiful Countess is having a love affair with a dissolute young rake, Olinda sympathises with her estranged son, the Earl, who despises his mother for her loose morals. Drawn reluctantly into the Kelvedon family’s tangle of bitterness and resentment, Olinda finds herself gently advising the Earl – or as he puts it, inspiring him. But just as the love she has only ever dreamt of seems almost within her grasp, Kelvedon is rocked by a sudden and suspicious death – and, incredibly, the man she loves with all her heart stands accused.

When her father, a famous archaeologist, died, he left young Zaria Mansford with little other than debt, poverty, the memory of his bullying and a useful knowledge of archaeology and Arabic. She is close to starvation from lack of money and there is nothing that could help her make her lonely way in the world. But then to her amazement she is informed by her father’s Solicitors that she has inherited her rich aunt’s fortune, including a sumptuous yacht, The Enchantress. The yacht she is told has been chartered by a wealthy American for a voyage to Algeria and he needs an assistant with a knowledge of archaeology and Arabic as he intends to start excavating a Roman site close to the City of Algiers. Soon Zaria finds herself secretly taking the place of the young lady employed for the job and, after meeting in strange circumstances the handsome Chuck Tanner, who is in desperate need of her assistance and she then becomes embroiled in a maze of subterfuge and deceit. Before long Zaria realises that she has fallen deeply in love with Chuck and, caught between murderous gangsters, the Algerian Police and Arab rebels she fears for his life even more than for her own.

Against her cousin Jimmy’s earnest advice, the hot-headed but beautiful Skye Standish is determined to go off on an exciting adventure in the strife-torn South American country of Mariposa. Rebelling against her wealthy British background and the tiresome social world of New York, she ventures into the remote heartlands of Mariposa where she is kidnapped by the followers of a revolutionary known to everyone as El Diablo –The Devil! Although furious and insulted at her capture, Skye at first assumes that he simply wants a ransom for her, which she can easily have paid. But then he announces abruptly that she is to be his wife, willing or unwilling. It is not her money he wants, it is her humiliation! Imprisoned in his network of secret caves in the mountains, she plots her escape from his clutches and to go back to civilisation and her elegant yacht and twice fails and then she has to face El Diablo’s terrible wrath. And her hatred of this cruel man is now complete. Yet observing his devotion to his impoverished people, she uncovers another, almost gentlemanly, side of El Diablo and the ominous phrase on the lips of those who fear him – ‘the kiss of the Devil’– takes on a passionate new meaning for Skye.

When a dashing young gentleman runs into Wentmore Hall bleeding from his shoulder and crying, “Save me! Save me! If you cannot hide me, they will kill me!” the quick-witted beautiful young Novella Wentworth hides him in the secret passage that was used centuries ago by Catholic Priests escaping from the wrath of Queen Elizabeth and later the Royalists and the Cromwellians. The young man, Vale Chester, has been shot by Novella’s neighbour, Lord Grimstone, who demands to search the house for his quarry. Novella’s father, a General fighting in the Duke of Wellington’s Army in Spain, never liked Lord Grimstone, so she is naturally suspicious of him and his motives. And sure enough she finds that Vale Chester is a Government agent who suspects Lord Grimstone to be the leader of a smuggling gang landing French luxury goods illegally in England and therefore a traitor, as the English are at war with Napoleon Bonaparte. Taking Vale’s top secret coded message to the Secretary of State for War, Novella finds herself a part of the plan to capture Lord Grimstone and his gang of smugglers and a terrifying adventure begins. Now her own life, as well as Vale’s, is at stake and, as love blossoms in her heart, she finds that it is for his safety that she cares most.

After the death of her parents, young Andrina Maldon has selflessly borne the responsibility not only for the running a household impoverished by her father’s profligacy but also for the future happiness of her two sisters. Strikingly beautiful as they are, there is no hope of their finding a suitable suitor without someone to introduce them to the Social world. So she travels unchaperoned to London to seek the assistance of the Duke of Broxbourne, her father’s friend and the Godfather she has never met. On the stagecoach journey Andrina has a frightening encounter with a gentleman at a Posting inn – and on arrival at Broxbourne House she is appalled to find that this man is none other than the Duke of Broxbourne himself. At first unwilling to help her, the Duke grudgingly agrees to her requests and although grateful, Andrina despises this arrogant and insensitive man – until, little by little, his true nature is revealed and a very different emotion begins to stir in her heart.

Having watched her dissolute father squander the family’s fortune on his disreputable and extravagant lifestyle, young flame-haired beauty Aria Milborne despises the empty glamour of Society. So she is dismayed when she is forced take a job with an American millionaire in order to save the beloved family home, Queen’s Folly, where her brother, Charles, works night and day to make ends meet. Appalled by Dart Huron’s arrogance and the behaviour of his spoilt film star floozy Lulu Carlo, who is desperately trying to marry him, Aria finds herself at loggerheads with her new employer while being pursued relentlessly by his amorous aristocratic friend, Lord BAuckleigh. When Dart offers Aria a fortune to agree to a pretend engagement designed to free him from the grasping Lulu, she finds herself emblazoned across the Press throughout the land to her shame and humiliation. Her heart fills with hate for the dashing Dart Huron until the news that he has been shot almost stops her own heart and she understands that this is not hate at all – This is love.

Marooned in Constantinople in the midst of the Turks’ war with their native Russia, young beauty Yamina and her seriously ill father risk being exposed and lynched as spies. One day in the Bazaar, Yamina witnesses an ugly scene as a Turkish mob sets upon a man they suspect is a Russian spy. She is rescued by the noble handsome English diplomat, Lord Castleford, and no sooner is she safely home than the Turks are searching house-to-house for Russians and, worse still for Yamina, her beloved then father dies. Now all alone in a hostile world and in a desperate bid to escape certain death, she finds herself enslaved in the Sultan’s harem where an even worse fate awaits her. Her friends in the harem smuggle her aboard a ship bound for the safety of Athens hidden in a golden trunk, a gift from the Sultan to the new British Ambassador to Greece. To her horror, the new Ambassador is none other than Lord Castleford himself, who is furious at her intrusion, until one night a passionate kiss changes everything forever and Yamina and his Lordship become slaves, not to the Seraglio, but to love.

The heart-breakingly handsome Duke of Tynemouth is appalled to find that his torrid affaire d’coeur with the alluring Aline, Countess of Langstone, is destined to end, because Queen Victoria insists that he marries one of Prince Albert’s German relatives, who is fat and ugly. To refuse is unthinkable, so, in desperation, he agrees to pre-empt his Monarch by cynically marrying Aline’s innocent young niece, Honora. The beautiful Honora is horrified at the prospect of marrying a man she has never met, let alone love, but she has little choice. Heartbroken and facing a life without the love she has always dreamt about, a husband who seems to hate her and a wedding night she dreads, she flees and falls prey to an even worse fate. Now that he might lose her forever, the Duke realises that it is not hate for Honora that beats in his heart. It is love! But has his awakening come too late?

On receipt of a desperate letter, demure young beauty Romara Shaldon rushes to the aid of her distressed sister Caryl, who has run away with the disreputable and cruel Sir Harvey Wychbold, who not only mistreats her, but also refuses to marry her when he finds she is with child. After a violent confrontation that leaves her bloodied and bruised, Romara is ‘rescued’ and taken to the next door home of Lord Ravenscar where, in her concussed, semi-conscious state, she finds herself married to his Lordship as part of his crazy drunken ‘revenge’ on a Society beauty who has spurned him. Appalling as his behaviour has been, Trent Ravenscar’s dashing looks and Nobility steal Romara’s heart as he rescues her stricken sister – but just as Romara realises that she loves the stranger who is her husband, a terrible shooting incident forces her to flee and leave all hope of love behind –

Horribly wounded after robbers murdered her dear father and left her for dead, the lovely young Atayla is alone and destitute in Morocco at the Tangiers Mission. So when her only friend, Father Ignatius, tells her of a French lady, the Comtesse de Soisson, who wishes to pay someone to escort her young daughter home to her estranged father, the Earl of Rothwell, she jumps at the opportunity. After a long and tiring journey, she arrives unannounced at Roth Castle with young Felicity and Atayla is dismayed by the violent unwelcoming reception she receives from the dashing but disdainful Earl, who assumes that she has some shady ulterior motive in coming to The Castle. Atayla is at the mercy of a man who hates her and soon it seems she is to be banished from The Castle and from the young girl she has come to care for. But then the Earl’s passions are inflamed in a terrible misunderstanding and his hate is suddenly transformed to an all-consuming love.