A mesterm?

Szívhang 386. (Termékeny szerelem)

Kül?n?s t?rténetek

B?R DAMLA SEVG?YLE MERHABA ?Dokunan hafif bir esinti, bir damla ya?, bir kü?ük ka?amak bak??tan ve bir tatl? s?zden sonra yüre?in ?eperlerine yap???p kalan a?k?n izleriyle dolu ya?amakt?r belki de istenilen… ??zlemek sevgiyle yüre?e dokunmaksa; bir tatl? s?z, bir gidenin ard?ndan kalan iz, bir hüzün i?indeki umutsuzluklarda bile, umut arayan kalple var olmakt?r kimbilir belki de i?imizde kalan… ??zlemek; a?k?n g?zya?lar?nda, yar?n? olmayan a?klarda ve bir garip a?k?n i?inde bile mutlulu?u, sevginin kanatlar?nda ?zlemle arayarak yazmakt?r belki de sayfalarda saklanan… ?Kim bilir belki de sevgiyi i?inde bularak kanatlanmakt?r, kanats?z hallerinde bile ?zlemle a?ka u?makt?r… ?Her okunan ?iirin i?inde hissedebilmektir belki de; tarifi olmayan, tarifsiz o duyguyu, yüre?indeki bir k?v?lc?m ate?iyle canland?r?p ya?atabilmektir belki de arzulanan... ?Sevgiyle dolu sayfalarda, hissettiklerinizi bulup dolu dolu ya?aman?z dile?iyle… Cengiz ?ET?K 1964 y?l?nda Konya/Karap?nar do?du. ?lkokulu Emirgazi il?esinde okudu. Ortaokulu ve liseyi Karap?nar’da okudu. Endüstri Meslek Lisesi Torna tesviye’den mezun oldu. 1989 y?l?nda Burdur E?itim Yüksek Okulu’ndan S?n?f ??retmeni olarak mezun olduktan sonra 1990 y?l?ndan bu yana zaman zaman idarecilik yapsa da ?u an Uzman S?n?f ??retmeni olarak ?al??makta olup iki k?z babas?d?r. 1986 y?l?nda ilk ?yküsü “sonun Ba?lang?c?” bir sinema dergisinin a?t??? yar??mada birinci gelmi?tir. Finike yerel gazetelerinde 2005 y?l?ndan sonra bir?ok k??e yaz?lar? yay?nland?. 2006 y?l?nda ilk ?iir kitab? “Son S?züm Sana Gülüm” yay?nlad?. ?kinci kitab? “Siyahlarday?m Alev Bak??l?m” 2008 y?l?nda yay?nland?. Ayr?ca güfte halinde “ Siyahlarday?m” 2010 y?l?nda ve “Vazge? G?nlüm” 2016 y?l?nda iki ?iiri bestelenip ?ark? olarak hayat bulmu?tur. 2017 y?l? son ay?nda ilk bilimkurgu roman? “Pokentranl? G?kmen” okurlar?yla tan??t?.

Nu cred c trebuie s interpretm altfel referirile lui Clinescu la vechimea poporului romn dect ca o proiecie mitic a unor date istorice i, mai ales, a unor intuiii i ambiii personale. Dar chiar i aa, aceste idei meritau s fie formulate i ncarnate n imagini, aceste pagini meritau s fie scrise, fie i numai pentru clipele de reverie istoric i de mobilizare afectiv pe care ni le produc, pentru ficiunile verosimile pe care ni le propun cu atta trie i n care suntem liberi s credem cu propria noastr trie ca ntr-un alt posibil destin.“ – Mircea Martin

uneori moartea vinedac? lumea arde multe lum?n?ri,dar muribunda astanu pricepe,nu vrea ca inima s?-i crape ?nc? ?ise tot pune pe partea st?ng?ca s-o lini?teasc?,?i url? c?t poate:?sunt vie! de ce pleca?i?“

Ar fi prea simplu s? dai fr?u liberlacrimilor pe coala alba, virginal? –ci tu te ?nc?p???nezi s? la?i un semn deslu?itdespre aleanul din sufletu-?i oprimat – ?ncercis? ?ntinzi pe h?rtie materia stelar? a unei pic?turialbastre; o ?mpingi ?ncolo ?i ?ncoace, caligrafiezi litere,le ?ns?ilezi ?n cuvinte ne?nc?p?toare – ?i e de parc??n interiorul pic?turii de cerneal?s-ar afla un ce viu ?i neostoit, care se zbates? r?zbeasc? ?ntr-o parte sau alta, afar? dincaptivitatea pungii elastice – un spirit vital, care?mpunge orbe?te, nereu?ind s? evadeze, blestemats? se chinuiasc? acolo,ve?nic...

...A ine jurnal, a nu fi singur sub canonad. A duce n crc trupul cu multe rni al unui camarad, toate sngernde... El mai tria n momentul cnd l-ai aburcat n spate, dar nu mai prea n simiri. naintezi prin viscolul de gloane i schije, dintre care unele adorm scurt n carnea lui dens. Cel puin aa crezi, cel puin aa ndjduieti – c loviturile nu s-au oprit n tine. Dar poi fi sigur Prin canonad nainte, sau cine mai tie ncotro, snge a curs i se mai prelinge nc din trupul prietenului, sau i dintr-al tu Greutatea lui te deznoad, i simi cldura... Mai triete oare ntrebarea nu are nevoie de rspuns, oricum n-ai s te debarasezi de strvul lui: te-a aprat i o s te mai apere de lovitura mortal. (El, camaradul, el, jurnalul.) i de vzut cine dintre noi mai supravieuiete, vom vedea la urm, i spui.“ – Ion Lazu

La attea pricini care-mi ntresc convingerea c avem de-a face cu un poet remarcabil, a aduga i pe acela, deloc secundar, c n ciuda unui anumit nomadism al strilor de spirit ale poetului, el gsete mijloace foarte variate de a pune n scen sentimentul su, ceea ce face ca poemele s capete individualitate.“ – Cornel Regman

Sonete n-ai s? sco?i b?t?nd pe taste?i complet?nd trei strofe ?i jumateCu vorbe-plevi, cu furca adunatePe aria rom?nei limbi prea vaste;Nu-?i ies nici cu ?epu?a pus?-n coaste,Nici cu-nghiontiri ?n prip?, pe la spate,Cum nu aduni senten?e, pe-nserateDin tigva celor ce-au tr?it la Oaste...C? ies din taste doar voroave proasteS?-mproa?te broa?te din b?ltoace-opace,Cum in?i peltici ?i babe prost?nace?ngaim? t?lcuri, cum c? via?a iaste...Nu ies sonetele lovind ?n clape.Sub ele Inefabilul nu-ncape.

Discursul acesta ?ndr?gostit este structurat din termeni care apar?in filosofiei sau esteticii, fiind grefat pe structura de discurs a celui mai prestigios mit al poeziei: mitul lui Orfeu ?i Euridice. Acest mit reprezint? cadrul unei fenomenologii a c?ut?rii ?i cunoa?terii Fiin?ei, care arunc? o lumin? ?n ad?ncul fenomenologiei Operei. Autorul porne?te de la premiza c? sensul unei opere nu poate fi c?utat ?i cunoscut dec?t ?n orizontul Fiin?ei. Poezia liric? la care se restr?nge demersul teoretic ?i critic al lucr?rii poate vorbi nu numai despre prezen??, ci ?i despre absen?a Fiin?ei, altfel spus, at?t despre ce este, c?t ?i despre ce nu este Fiin?a. Orice fenomenologie devine, ?n cele din urm?, ontologie. Periplurile hermeneutice sunt f?cute prin opera unor poe?i ca, bun?oar?, Eminescu, Barbu, Arghezi, Nichita.

Edi?ia de fa?? o reproduce ?ntocmai pe cea din 1966 care a v?zut lumina tiparului la Editura pentru literatura ?i este menit? s? repun? – laolalt? cu alte titluri editate de noi – ?n circula?ie numele ?i opera unui mare profesor de filosofie ?i a unui important om de cultur? din perioada interbelice. Edi?ia este structurat? pe c?teva capitole, cum ar fi bun?oar? ?Amintiri din copil?rie ?i tinere?e“, ?Amintiri culturale, didactice ?i politice“, cuprinz?nd, ?ntre altele, ?i coresponden?a cu Titu Maiorescu, conferin?e ?i cursuri ?inute la Viena, Paris, Geneva, Praga, Oslo ?i Bruxelles. ?Petrovici a avut o via?? fracturat?. ?ntr-o vreme, a urcat n? pe Everestul performan?ei ?i al recunoa?terii publice, de unde, atunci c?nd istoria s-a virusat de o ideologie apocaliptic?, s-a pr?bu?it direct ?n groapa Marianelor, b?ntuit? de tot felul de silnicii ?i nes?buin?e. Mult? vreme s-a am?git cu in?elesul m?ng?ietor al filosofiei, a?a cum i-l h?r?zise cei vechi, dar s-a ?i ?nfiorat de mizeriile ei, atunci c?nd a v?zut-o dec?zut? ?n condi?ia de surogat ideologic. Oare trebuia, dup? ce a privit lumea prin sp?rtura pe?terii lui Platon, s-o p?ndeasc? ?i din spatele gra?iilor ?i ale z?voarelor trase? Vremurile noi, rascolnice, l-au g?sit total nepreg?tit. Glasul s?u, obi?nuit s? peroreze ?n aule universitare, ?n Camera, ?n Academie, ?n cadrul unor fastuoase reuniuni interna?ionale a fost, pentru multe decenii, obligat la t?cere.“ (Ionel Necula)

Un fast spectacol despre feminitate, moarte ?i alte teme eterne, ne ofer? de ast? dat? redutabilul eseist, istoric ?i critic literar Irina Petra?, despre care Marin Mincu scria c? este ?cel mai “b?rbat“ critic al nostru“. ?Demersul constituie o modalitate de a-?i apropia moartea, propria moarte, de a o studia sub lupa m?ritoare, de a o ?ine deliberat, zi de zi, ceas de ceas, al?turi, ?n imediata proximitate, pentru a te impulsiona s? fii c?t mai mult, c?t mai decis ?n spirit, pentru a te determina s? te investe?ti ?n toate cu ?ntreaga-?i fiin??, una dintre limitele c?reia e moartea-cea-cotidian?, pentru a te remodela, sim?ind atingerea botului mor?ii, pentru a recurge la travaliul dep??irii de sine prin crea?ie. A nu te obi?nui cu vecin?tatea mor?ii, obi?nuindu-te ?n acela?i timp, a realiza eficienta ei, adun?ndu-te, sporindu-?i eficien?a, a fi, ?n pofida con?tiin?ei tragice a finitudinii umane – iat? o piatr? de ?ncercare, iat? un examen major, la care au c?zut nu pu?ini. Cei ce-au rezistat constituie pentru Irina Petra? un fast obiect de studiu, care, fiind cercetat cu acribia unui colec?ionar, nelipsit de o redutabil? experien?? ?n domeniu, alc?tuiesc o galerie acoperit? cu oglinzi, ?n care, v?z?nd reflectat propriul univers, propriile spaime, frici, angoase, nelini?ti, autorul se supune, el ?nsu?i, din spirit de fair play, dar ?i dintr-un subtil, rafinat amestec de sado-masochism intelectual, unui examen: ?i va rezista co?ul pieptului? va ?ti sa r?spund?? dar s? reziste? Ei, mon?trii sacri… au rezistat, descriind modul ?n care se men?in pe muchia abisului, ?n care ?i-au v?zut propriul chip, contemplat de cineva…“ (Aura Christi)

A freskó a tarbai református pap vén mindenese, Anzsu házában rejt?zik egy lenvászon leped? alatt a falon. A családját festette meg annak idején rajta Annuska, az esperes lánya. Alakjai a szemünk láttára elevenednek meg. A papné temetésére gy?lnek ?ssze a család tagjai, hazatér Annuska is, aki megsz?k?tt a szül?i házból, hogy fest? lehessen. Megkeseredett apja egyik kezében a Bibliával, a másikban nadrágszíjjal nevelte gyerekeit. A tékozló lány visszatérése felbolydítja a várost és a családot, melynek tagjai magányban, szeretetlenül élnek. Annuska megjelenése arra készteti ?ket, hogy számot vessenek ?nmagukkal. A reggeli és esti harangszó k?z?tt eltel? tizenhárom órában elevenek és holtak hazugságai, álszentsége, képmutatása és ?nzése kerül mérlegre. ?m el?bb vagy utóbb mindenkir?l lehull az álarc.

El?sz?r futni tanítanak meg. Ez mindennek az alapja minden hadseregben szerte a világon. Megtanulsz futni, megtanulod bírni. Hegynek fel-le. Futsz erd?ben, tó- és folyóparton, futsz sportpályán. Együtt a szakasszal, és amikor valaki nem bírja és lemarad, nyomod a fekv?támaszt. Majd ha megérkezett, újra futsz.Ha már tudsz futni, van mire építeni a t?bbit. Megtanítanak, hogy bánj a fegyverrel, hogyan élesítsd a gránátot, vezess harcjárm?vet és telepíts m?szaki akadályt. De arra nem tanítanak meg, hogy amikor évekkel kés?bb a háború után, emlékeidt?l verejtékben úszva egyedül ébredsz jéghideg ágyadban, azt hogyan dolgozd fel. Amikor olyan s?tét az éj hajnali háromkor, hogy még az utcáról besz?r?d? lámpa fénye se hoz világosságot, amikor már rég kialudt az a mécses, amit a halott bajtársaid emlékére gyújtasz minden este. Akkor hiába tanítottak meg futni. Amikor arra ébredsz, hogy skorpiók vannak az ágyadban, és hallod az ellenség suttogását, mintha csak méterekre lennének t?led a l?vészárokban. Amikor minden olyan csendes, hogy már mar ez a hangtalanság. Akkor már nincs hova futnod. ?vek után rád?bbensz, hogy meg kell állnod és szembenézned a múltaddal. Mindennel, amit tettél, vagy nem tettél. ?n, mintha gyóntam volna, megírtam ezt a k?nyvet. Elszámoltam magammal, mert megtanultam egy fontos dolgot: a lelkedért csak te felelsz! Ezt senkinek se tanították meg. Erre nekünk kellett ráj?nnünk.

A New York Times bestseller életrajzírójának, J. Randy Taraborrellinek minden részletet felvillantó, briliánsan megírt k?tete nem egyszer?en a legsikeresebb popsztárok egyikének, Beyoncénak az életrajza. Bepillantás egy olyan világba, ahová szinte mindenki vágyik, de csak nagyon kevesen juthatnak el; az amerikai show-business világába. A végtelenül tehetséges Beyoncé Knowles már nyolcéves korában ebben a világban él, gyerek szépségversenyek és tehetségkutató vetélked?k résztvev?je. Egy pillanatra sem szakad el a színpadtól, és tizenhat évesen a Destiny's Child énekeseként már világsztár. Ontja a slágereket, 2014-ben a Forbes magazin szerint a világ leggazdagabb és legkeresettebb sztárja, az ? fényképével jelenik meg a híres Time magazin. Ez a k?nyv megmutatja a sikereket, de az emberfeletti er?feszítést is, az ?r?k?s harcot az érvényesülésért, az áskálódásokat, pletykákat; beszámol viharos és vad szerelmér?l a híres rapperrel, Jay-Z-vel, a csalódásokról és a meghatározó pillanatokról. ?s mik?zben olvassuk ezt a nyílt, olykor szívszorító, olykor felemel? beszámolót, ?r?kre megváltozik a véleményünk Beyoncéról és a távoli és csillogó show-businessr?l. A szerz?r?l J. Randy Taraborrelli a New York Times bestseller szerz?je, írt már k?nyvet Michael Jacksonról, Marilyn Monroe-ról, Madonnáról, és a Kennedy famíliáról is. K?ztiszteletben álló író, újságíró, a szórakoztatóipar jó nev? és állandó szerepl?je, és jó néhány televízióm?sor, k?ztük a Today, a Good Morning America, a CBS This Morning, az Entertainment Tonight és a CNN Headline News s?r?n felt?n? vendégszerepl?je.

ONE of the best things to be said of the stories in this volume is that, although they are not biographical, they are about real persons who actually lived and performed their parts in the great drama of the world's history. Some of these persons were more famous than others, yet all have left enduring "footprints on the sands of time" and their names will not cease to be remembered. ??In each of the stories there is a basis of truth and an ethical lesson which cannot fail to have a wholesome influence; and each possesses elements of interest which, it is believed, will go far towards proving the fallibility of the doctrine that children find delight only in tales of the imaginative and unreal. The fact that there are a few more than fifty famous people mentioned in the volume may be credited to the author's wish to give good measure.??SAVING THE BIRDS?ONE day in spring four men were riding on horseback along a country road. These men were lawyers, and they were going to the next town to attend court.?There had been a rain, and the ground was very soft. Water was dripping from the trees, and the grass was wet.?The four lawyers rode along, one behind another; for the pathway was narrow, and the mud on each side of it was deep. They rode slowly, and talked and laughed and were very jolly.?As they were passing through a grove of small trees, they heard a great fluttering over their heads and a feeble chirping in the grass by the roadside.? "Stith! stith! stith!" came from the leafy branches above them.?"Cheep! cheep! cheep!" came from the wet grass.?"What is the matter here?" asked the first lawyer, whose name was Speed.?"Oh, it's only some old robins!" said the second lawyer, whose name was Hardin. "The storm has blown two of the little ones out of the nest. They are too young to fly, and the mother bird is making a great fuss about it."?"What a pity! They'll die down there in the grass," said the third lawyer, whose name I forget.?"Oh, well! They're nothing but birds," said Mr. Hardin. "Why should we bother?"? "Yes, why should we?" said Mr. Speed.?The three men, as they passed, looked down and saw the little birds fluttering in the cold, wet grass. They saw the mother robin flying about, and crying to her mate.?Then they rode on, talking and laughing as before. In a few minutes they had forgotten about the birds.?But the fourth lawyer, whose name was Abraham Lincoln, stopped. He got down from his horse and very gently took the little ones up in his big warm hands.

When George Washington was a boy there was no United States. The land was here, just as it is now, stretching from the Atlantic Ocean to the Pacific; but nearly all of it was wild and unknown.??Between the Atlantic Ocean and the Allegheny Mo-untains there were thirteen colonies, or great settlements. The most of the people who lived in these colonies were English people, or the children of English people; and so the King of England made their laws and appointed their governors.??The newest of the colonies was Georgia, which was settled the year after George Washington was born.?The oldest colony was Virginia, which had been settled one hundred and twenty-five years. It was also the richest colony, and more people were living in it than in any other.??There were only two or three towns in Virginia at that time, and they were quite small.?Most of the people lived on farms or on big plantations, where they raised whatever they needed to eat. They also raised tobacco, which they sent to England to be sold.??The farms, or plantations, were often far apart, with stretches of thick woods between them. Nearly every one was close to a river, or some other large body of water; for there are many rivers in Virginia..

Michael Faraday (1791 –1867) was an English scientist who contributed to the fields of electromagnetism and electrochemistry. His main discoveries include those of electromagnetic induction, diamagnetism and electrolysis. Although Faraday received little formal education, he was one of the most influential scientists in history. It was by his research on the magnetic field around a conductor carrying a direct current that Faraday established the basis for the concept of the electromagnetic field in physics. Faraday also established that magnetism could affect rays of light and that there was an underlying relationship between the two phenomena. He similarly discovered the principle of electromagnetic induction, diamagnetism, and the laws of electrolysis. His inventions of electromagnetic rotary devices formed the foundation of electric motor technology, and it was largely due to his efforts that electricity became practical for use in technology. As a chemist, Faraday discovered benzene, investigated the clathrate hydrate of chlorine, invented an early form of the Bunsen burner and the system ofoxidation numbers, and popularised terminology such as anode, cathode, electrode, and ion. Faraday ultimately became the first and foremost Fullerian Professor of Chemistry at the Royal Institution of Great Britain, a life-time position.. Faraday was an excellent experimentalist who conveyed his ideas in clear and simple language; his mathematical abilities, however, did not extend as far as trigonometry or any but the simplest algebra. James Clerk Maxwell took the work of Faraday and others, and summarized it in a set of equations that is accepted as the basis of all modern theories of electromagnetic phenomena. On Faraday's uses of the lines of force, Maxwell wrote that they show Faraday "to have been in reality a mathematician of a very high order – one from whom the mathematicians of the future may derive valuable and fertile methods." The SI unit of capacitance is named in his honour: the farad. Albert Einstein kept a picture of Faraday on his study wall, alongside pictures of Isaac Newton and James Clerk Maxwell. Physicist Ernest Rutherford stated; "When we consider the magnitude and extent of his discoveries and their influence on the progress of science and of industry, there is no honour too great to pay to the memory of Faraday, one of the greatest scientific discoverers of all time". ABOUT AUTHOR: John Tyndall (1820 – 1893) was a prominent 19th-century Irish physicist. His initial scientific fame arose in the 1850s from his study of diamagnetism. Later he made discoveries in the realms of infrared radiation and the physical properties of air. Tyndall also published more than a dozen science books which brought state-of-the-art 19th century experimental physics to a wide audience. From 1853 to 1887 he was professor of physics at the Royal Institution of Great Britain in London. Tyndall was born in Leighlinbridge, County Carlow, Ireland. His father was a local police constable, descended from Gloucestershire emigrants who settled in southeast Ireland around 1670. Tyndall attended the local schools in County Carlow until his late teens, and was probably an assistant teacher near the end of his time there. Subjects learned at school notably included technical drawing and mathematics with some applications of those subjects to land surveying. He was hired as a draftsman by the Ordnance Survey of Ireland in his late teens in 1839, and moved to work for the Ordnance Survey for Great Britain in 1842. In the decade of the 1840s, a railroad-building boom was in progress, and Tyndall's land surveying experience was valuable and in demand by the railway companies. Between 1844 and 1847, he was lucratively employed in railway construction planning. In 1847 Tyndall opted to become a mathematics and surveying teacher at a boarding school (Queenwood College) in Hampshire. Recalling this decision later, he wrote: "the desire to grow intellectually did not forsake me; and, when railway work slackened, I accepted in 1847 a post as master in Queenwood College." Another recently arrived young teacher at Queenwood was Edward Frankland, who had previously worked as a chemical laboratory assistant for the British Geological Survey. Frankland and Tyndall became good friends. On the strength of Frankland's prior knowledge, they decided to go to Germany to further their education in science. Among other things, Frankland knew that certain German universities were ahead of any in Britain in expe-rimental chemistry and physics. (British universities were still focused on classics and mathematics and not laboratory science.)The pair moved to Germany in summer 1848 and enrolled at the University of Marburg, where Robert Bunsen was an influential teacher. Tyndall studied under Bunsen for two years.

John Donne Complete Works World's Best Collection This is the world’s best John Donne collection, including the most complete set of Donne’s works available plus many free bonus materials. John Donne John Donne was an English poet, satirist, lawyer and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets, his works noted for their strong, sensual style. Vibrancy of language and inventiveness of metaphor, and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons The ‘Must-Have’ Complete Collection In this irresistible collection you get Donne’s work, with more than 400 works - All his poems, All his poetry, All his Letters, All his Sermons, All his Devotions, All his Satires and Elegies, with notes and annotation, plus several full length biographies so you can experience the life of the man behind the words. With extra Bonus Material. Works Included: Holy Sonnets -?Full set of Donne’s sonnets, including among others: Holy Sonnet I: Thou Hast Made Me Holy Sonnet Iv: Oh my black soul! Holy Sonnet V: I Am A Little World Made Cunningly Elegies -?Full set of Donne’s elegies, including among others: Elegy Xii - Come Fates ; I fear you not ! All whom I owe Elegy Xvi. The Expostulation Elegy Xx (Alternate) Love’s War An Anatomy Of The World -?Including: The First Anniversary The Second Anniversary Satires -?Full Set of Donne’s satires Epicedes And Obsequies Upon The Death Of Sundry Personages Juvenilia: Or Certain Paradoxes And Problems Letters To Several Personages -?Known as other poems, these are letter Donne wrote to historical figures of the time.? Other Poetical Works -?Full set of Donne’s Poems in alphabetical order, including among many others: Death Be Not Proud The Canonization Devotions Upon Emergent Occasions -?Full set of Donne’s Devotions, Meditations and Expostulations Notes To Poems Sermons Of John Donne - Comlpete set of Donne’s 148 Sermons, including Donne’s famous final sermon: Death’s Duel Your Free Special BonusesBiographies Historical and Literary Context Notes on Metaphysical Poetry -?written specially for this collection Life Of John Donne By Izaak Walton Life Of John Donne By Augustus Jessopp Life Of Dr. Donne By Henry Alford Three biographies from different perspectives, the first being the famous Walton bio, Walton being closely connected with Donne and being one of those Donne wrote to often. Letters Of John Donne And Notes -?Rare additional letters Donne wrote. Doubtful Poems And Notes -?A set of poems attributed to Donne, but not always collected or known with certainty to have come from him, including: On a Flea on his Mistress’s Bosom Dr. Donne’s Farewell to the World Get This Collection Right Now This is the best John Donne collection you can get, so get it now and start enjoying and being inspired by his world like never before!

Emily Dickinson Complete Works World's Best Collection This is the world’s best Emily Dickinson collection, including the most complete set of Dickinson’s works available plus many free bonus materials. Emily Dickinson Emily Elizabeth Dickinson was an American poet. She lived a mostly introverted and reclusive life, thought of as an eccentric by the locals, known as the ‘Woman in White’ for a penchant for wearing white. Most of her friendships were therefore carried out by correspondence. She was a prolific private poet, her poems are unique with short lines, using slant rhyme as well as unconventional capitalization and punctuation. Many of her unforgettable poems deal with themes of life, love, death and immortality. The ‘Must-Have’ Complete Collection In this irresistible collection you get a full set of Emily Dickinson’s work, totaling more than 1000 poems. Plus a comprehensive biography so you can experience the life of the woman behind the words. Works Included: Life Of Emily Dickinson - Written specially for this collection. The Poetical Works?Including among many, many others: “Because I could not stop for Death” “A Bird came down the Walk” “I’m Nobody! Who are you?” “I Heard a Fly Buzz When I Died” “There is a pain — so utter —” “I taste a liquor never brewed” “I like to see it lap the Miles” “Hope”?is the thing with feathers The heart asks pleasure first The rainbow never tells me The White Heat There is another sky You cannot put a Fire out Get This Collection Right Now This is the best Dickinson collection you can get, so get it now and start enjoying and delving into Dickinson’s thought-provoking world like never before!