Finished writing, and wondering where to go from there? The publishing world is in a state of flux, and you probably need help navigating it. Learn how to upload your book, step-by-step. Learn which retailers you should use, and whether you should use distributors. Learn which distributors to use, and why. Do you need an ISBN? How about a copyright or a barcode? Get the answers to these and many other questions from the first in a series of publishing books. And you get it for the price of a few cups of coffee. You'll save ten times that in a heartbeat.?

More Misused Words contains a lot of the same words that Misused Words I and II did, but so much more. In More Misused Words, we address even more redundancies, absolutes, capitals, eponyms, flat adverbs (everybody’s favorite), initialisms and acronyms, Latin abbreviations, mispronunciations, a couple of sticklers like lie/lay/laid/lain, and poisonous/venomous, plurals of compound words (is it mothers-in-law or mother-in-laws? Isn’t one sufficient?), time-consuming phrases, and punctuation. We’ll have fun tackling these words (they’re not that big), and we’ll address more than just words—we’ll hit on eponyms, odd punctuation, and even a few Latin expressions, such as e.g., ergo, etc., and i.e. (Did I just say ‘ergo’? If I do that again, smack me.) I know you think you are familiar with these, but despite their ubiquitousness (Smack me for that also.), there might be a few odd rules that pertain to using Latin expressions that you’re not familiar with. It’s worthwhile to learn them (especially if you intend to write).?

It was nine o'clock. The little town of Vauchamp, dark and silent, had just retired to bed amid a chilly November rain. In the Rue des Recollets, one of the narrowest and most deserted streets of the district of Saint-Jean, a single window was still alight on the third floor of an old house, from whose damaged gutters torrents of water were falling into the street. Mme Burle was sitting up before a meager fire of vine stocks, while her little grandson Charles pored over his lessons by the pale light of a lamp.

What do you do when logic tells you to do one thing, but your heart tells you to do another?? That’s the problem Nicky Fusco is facing when Rosa’s friend is kidnapped and she asks him to help.? Then Rosa brings home a video that shows her friend, Allison, being forced to do disgusting things. At that point, Nicky realizes he has no choice, so he sets out to make things right.?

Ein ?lterer Rechtsanwalt berichtet als Icherz?hler von einem seiner Schreiber namens Bartleby, den er eines Tages in sein von Hochh?usern umstelltes lichtloses Büro in der Wall Street aufnimmt. Bartleby beginnt seine T?tigkeit mit stillem Flei? und einsiedlerischer Ausdauer. Er kopiert unermüdlich Vertr?ge, lehnt aber zur ?berraschung seines Dienstherrn schon bald jede andere T?tigkeit mit den Worten ab: ?Ich m?chte lieber nicht“, ?I would prefer not to“. Bald weigert er sich sogar, Vertr?ge zu kopieren, wohnt aber inzwischen in dem Büro - h?flich, freudlos, ohne Freunde und fast ohne zu essen. Der Rechtsanwalt kann oder will ihn nicht gewaltsam aus dem Büro entfernen lassen und auch eine gro?zügige Abfindung interessiert Bartleby nicht. Wegen eines unerkl?rlichen Einverst?ndnisses mit Bartleby sieht sich der Rechtsanwalt am Ende gezwungen, selbst aus dem Büro auszuziehen, statt Bartleby vor die Tür zu setzen. Seine Nachmieter - weniger verst?ndnisvoll - lassen Bartleby bald durch die Polizei abführen und in das Gef?ngnis The Tombs (die Gr?ber) bringen. Dort verweigert Bartleby sowohl alle Kommunikation und auch alle Nahrung. Der Rechtsanwalt versucht, sich um seinen ?Freund“ zu kümmern, aber nach wenigen Tagen stirbt Bartleby an seiner Lebensverweigerung.

tudiants en Classe Préparatoire aux Grandes coles des filières littéraires, scientifiques ou commerciales, ce livre est fait pour vous !Divisé en dix thématiques centrales, ce guide pratique, inspiré des dernières découvertes scientifiques, met à votre disposition un ensemble de conseils, méthodes et astuces qui vous permettront de gagner en efficacité dans l’acquisition de vos connaissances tout en renforant votre mental.Découvrez le secret de ces petites choses , qui contribueront grandement à améliorer la qualité de vos révisions : développement de la confiance en soi, réduction du stress, meilleure organisation...Cet ouvrage sera le partenaire de votre réussite.Lise LEINER, Psychologue clinicienne, diplmée de l’université Paris VII, est formée aux Thérapies Cognitivo-Comportementales et à la Sophrologie. Spécialisée dans la gestion du stress, elle accompagne depuis plusieurs années dejeunes étudiants dans la préparation de cursus exigeants.

A legendary treasure... a secret palace... one big adventure! When 12-year-old Brock Ford is invited to Africa with his globe-trotting anthropologist uncle Dirk Armstrong, he jumps at the chance to ditch his boring hometown to spend the summer on safari among wild animals and friendly natives. But Brock and Dirk are barely off the train in Nairobi when mysterious artifacts begin to surface which indicate the legend of an ancient lost treasure may actually be true. It’s an adventure that takes them over the Serengeti plain, through an underground Chagga fortress, and up the slopes of Mount Kilimanjaro itself. Their discovery might be the greatest archaeological find of the century, but it could also trap them within the mountain’s volcanic depths forever.

Dvestotu godi?njicu Njego?evog ro?enja 2013. Knji?evna radionica Ra?i? obele?ila je objavljivanjem elektronske knjige pod naslovom Dela Njego?eva. Ova knjiga sadr?i obiman izbor Njego?evih najva?nijih dela: Gorski Vijenac, Lu?a mikrokozma, La?ni car ??epan Mali, Slobodijada, Glas kamen?taka, Pustinjak cetinski, Kula ?uri?i?a -- ?ardak Aleksi?a, Prozni zapisi, No? skuplja vijeka, te Izabrana pisma.

Sydney Waters stares out over the brittle, seared land three hundred feet below. How to cross four hundred miles of desert with a blind man and a dog? Before Sydney can change course, the cliff edge breaks away and Jordan tumbles down into the desert. The only way out a cave that leads deep beneath the state of Nebraska. No turning back now. Book Two of The Upheaval Series, Edge of Reality takes the reader on an extraordinary and unexpected adventure in a world turned upside down.

Dave and his mum are all set to take a train when there is an announcement that the next train heads to a strange destination, Wonderland.? Mum goes to make an enquiry?and Dave takes the train by himself. On the train he find a magic shoes that?takes him on an adventure which he was not fully prepared for.

This carefully crafted ebook is formatted with a functional and detailed table of contents.Franz Kafka (3 July 1883 – 3 June 1924) was a German-language writer of novels and short stories, regarded by critics as one of the most influential authors of the 20th century. Kafka strongly influenced genres such as existentialism. Most of his works, such as "Die Verwandlung" ("The Metamorphosis"), "Der Prozess" ("The Trial"), and "Das Schloss" ("The Castle"), are filled with the themes and archetypes of alienation, physical and psychological brutality, parent–child conflict, characters on a terrifying quest, labyrinths of bureaucracy, and mystical transformations. Kafka was born into a middle-class, German-speaking Jewish family in Prague, then part of the Austro-Hungarian Empire. In his lifetime, most of the population of Prague spoke Czech, and the division between Czech- and German-speaking people was a tangible reality, as both groups were strengthening their national identity. The Jewish community often found itself in between the two sentiments, naturally raising questions about a place to which one belongs. Kafka himself was fluent in both languages, considering German his mother tongue. Kafka trained as a lawyer and, after completing his legal education, obtained employment with an insurance company. He began to write short stories in his spare time. For the rest of his life, he complained about the little time he had to devote to what he came to regard as his calling. He regretted having to devote so much attention to his "Brotberuf" ("day job", literally "bread job"). Kafka preferred to communicate by letter; he wrote hundreds of letters to family and close female friends, including his father, his fiancée Felice Bauer, and his youngest sister Ottla. He had a complicated and troubled relationship with his father that had a major effect on his writing. He also suffered conflict over being Jewish, feeling that it had little to do with him, although critics argue that it influenced his writing.This collection contains the following works:- The Metamorphosis- A Country Doctor- A Hunger Artist- A Report for an Academy- An Imperial Message- Before the Law- In the Penal Colony- Jackals and Arabs- The Great Wall of China- The Hunter Gracchus- The Trial- Up in the Gallery

Charles Dickens was born on 1812, in Portsea, England. His parents were middle-class, but they suffered financially as a result of living beyond their means. When Dickens was twelve years old, his family's dire straits forced him to quit school and work in a blacking factory, a place where shoe polish is made. Within weeks, his father was put in debtor's prison, where Dickens's mother and siblings eventually joined him. At this point, Dickens lived on his own and continued to work at the factory for several months. The horrific conditions in the factory haunted him for the rest of his life, as did the experience of temporary orphanhood. Apparently, Dickens never forgot the day when a more senior boy in the warehouse took it upon himself to instruct Dickens in how to do his work more efficiently. For Dickens, that instruction may have represented the first step toward his full integration into the misery and tedium of working-class life. The more senior boy's name was Bob Fagin. Dickens's residual resentment of him reached a fevered pitch in the characterization of the villain Fagin in Oliver Twist.??After inheriting some money, Dickens's father got out of prison and Charles returned to school. As a young adult, he worked as a law clerk and later as a journalist. His experience as a journalist kept him in close contact with the darker social conditions of the Industrial Revolution, and he grew disillusioned with the attempts of lawmakers to alleviate those conditions. A collection of semi-fictional sketches entitled Sketches by Boz earned him recognition as a writer. Dickens became famous and began to make money from his writing when he published his first novel, The Pickwick Papers, which was serialized in 1836 and published in book form the following year.??In 1837, the first installment of Oliver Twist appeared in the magazine Bentley’s Miscellany, which Dickens was then editing. It was accompanied by illustrations by George Cruikshank, which still accompany many editions of the novel today. Even at this early date, some critics accused Dickens of writing too quickly and too prolifically, since he was paid by the word for his serialized novels. Yet the passion behind Oliver Twist, animated in part by Dickens’s own childhood experiences and in part by his outrage at the living conditions of the poor that he had witnessed as a journalist, touched his contemporary readers. Greatly successful, the novel was a thinly veiled protest against the Poor Law of 1834.??In 1836, Dickens married Catherine Hogarth, but after twenty years of marriage and ten children, he fell in love with Ellen Ternan, an actress many years his junior. Soon after, Dickens and his wife separated, ending a long series of marital difficulties. Dickens remained a prolific writer to the end of his life, and his novels—among them Great Expectations, A Tale of Two Cities, A Christmas Carol, David Copperfield, and Bleak House—continued to earn critical and popular acclaim. He died of a stroke in 1870, at the age of 58, leaving The Mystery of Edwin Drood unfinished.??The Poor Laws: Oliver Twist’s Social Commentary?Oliver Twist opens with a bitter invective directed at the nineteenth-century English Poor Laws. These laws were a distorted manifestation of the Victorian middle class’s emphasis on the virtues of hard work. England in the 1830s was rapidly undergoing a transformation from an agricultural, rural economy to an urban, industrial nation. The growing middle class had achieved an economic influence equal to, if not greater than, that of the British aristocracy.??In the 1830s, the middle class clamored for a share of political power with the landed gentry, bringing about a restructuring of the voting system. Parliament passed the Reform Act, which granted the right to vote to previously disenfranchised middle-class citizens. This desire gave rise to the Evangelical religious movement and inspired sweeping economic and political change.

i acest volum intr ?n seria celor pregtitoare, anun?nd O istorie politic a literaturii rom?ne postbelice. Nu e vorba de un ?rzboi cu estetismul”, reanim?nd fantoma lui Gherea, ci de reevaluri pe temei estetic, la mai multe m?ini, folosind achiziiile criticii literare; i, firete, de recontextualizri (interog?nd epoca), in?nd cont, ?ns, de fluctuaiile recepiei i de capricioasa meteorologie politic. ?n fond, suntem consecveni cu programul, anunat ?nc de la debut (Orizontul lecturii, 1983), ?neleg?nd c, sociologic judec?nd, nu putem examina fenomenul literar retez?ndu-i ombilicul istoric. Generaia orfelin discut, prin profiluri sintetizatoare, despre o serie creatoare, av?nd drept numitor comun vitregele condiii formative; ea a fost modelat de interdicii (lecturi clandestine, maetri ?ascuni”, biblioteci epurate), provoc?nd o reacie polemic (ruptura) i promov?nd, astfel, la start, un program negativ. Dar, ?n acelai timp, este o generaie auroral, cu rol de verig, redescoperind – euforic – tradiia, definind o stare de spirit, angaj?ndu-se, prin combustie creatoare, la o lucrare comun, recuperatoare, fecund, susinut, prin propulsie adjectival, de o critic solidar, risipind i cronici ?tactice”, cum recunotea Matei Clinescu. Chiar dac noi discutm, ?n acest volum, poeii ei, evident nu poate fi vorba doar despre o generaie de poei, transport?nd legenda Labi, anun?nd, prin voci tinere, o nou epoc de lirism. Nu e vorba, aadar, de o compact ?echip” liric, ci de un buchet de personaliti, cu voci distincte, evolu?nd ?n direcii imprevizibile, isc?nd, ?n timp, disensiuni, controverse ?nfierb?ntate, ierarhizri provizorii. i propun?nd un inventar tematic, hrnind un imaginar, p?n la un punct, comun, definind o fizionomie specific. (Adrian Dinu Rachieru)

Sigmund Freud este considerat p?rintele psihanalizei. N?scut ?n 1856, a profesat ca fiziolog, medic ?i psiholog ?i ?i-a petrecut cea mai mare parte a vie?ii la Viena. Ideile sale inovatoare sunt legate de incon?tient, refulare, interpretarea viselor ?i metoda clinic? de tratament prin dialog. ?n acest volum ve?i g?si fragmente relevante din cele mai importante lucr?ri ale sale. Seria Lec?ii de via?? din The School of Life alege c?te un mare g?nditor ?i pune accentul pe acele idei ale sale care au o ?nsemn?tate profund? pentru noi, cei de ast?zi. C?r?ile din aceast? serie demonstreaz? c? voci importante din trecut ?nc? au lucruri fundamentale de transmis genera?iilor actuale.

Imediat ce ai anunat c eti nsrcinat, rudele, prietenii, cunoscuii, chiar i persoanele strine se grbesc s-i dea sfaturi. Pe internet gseti tot felul de informaii despre natere i creterea copiilor, unele verificate, altele mai puin, dar care adesea se bat cap n cap. Cum s-o scoi la capt n tot acest hi informaional Mari mituri despre dezvoltarea copiilor este o carte ce-i propune s demoleze ideile preconcepute, bazndu-se pe rezultatele cercetrilor tiinifice, pe dovezi, pe date statistice. Cartea dezbate fr menajamente 50 de mituri, rspunznd la ntrebri precum: Se poate prezice sexul bebeluului uitndu-te la forma corpului matern Genereaz anestezia epidural complicaii la natere S lai copilul s plng sau s-l iei n brae la cel mai mic semn de suferin S l aezi n premergtor ori s-l lai s se ridice singur n poziie biped Poate vaccinarea s induc autismul Dar consumul de zahr mi va agita copilul Pn la ce vrst este indicat alptarea mi traumatizez copilul pe via dac-i dau o palm Divorul prinilor poate distruge viaa copiilor Cu exemple din filme i seriale cunoscute, cu trimiteri la referine bibliografice de ncredere, cartea de fa reprezint un mic ghid pentru prini, extrem de util n numeroasele momente de cumpn cu care se confrunt pe parcursul creterii unui copil. Totodat, ea poate fi i un excelent suport de curs pentru cei ce se pregtesc n psihologia copilului. Ideea c un copil singur la prini este rsfat dateaz de peste un secol… cercetrile sugereaz c aceasta nu este n realitate dect un mit… Copiii singuri la prini […] au o motivaie de realizare nalt, un nivel mai ridicat al stimei de sine i relaii mai pozitive cu prinii […] i sunt similari tuturor celorlalte grupuri familiale n ceea ce privete maturitatea, spiritul de cooperare, autocontrolul, stabilitatea emoional, participarea social, extraversia i popularitatea n grupul lor de vrst.“ – Stephen Hupp i Jeremy Jewell Gemenii identici nu sunt identici din punct de vedere genetic O femeie poate rmne nsrcinat n timpul sarcinii Nu toate fetele au cromozomi sexuali XX i nu toi bieii au cromozomi XY Taii nu folosesc pedeapsa corporal mai des dect mamele Acestea i multe alte mituri sunt discutate prin prisma cercetrilor tiinifice de cea mai nalt calitate, i nu aa cum obinuim s facem noi, majoritatea prinilor, atunci cnd recurgem la intuiii, zvonuri i preri transmise din gur-n gur. Aceast carte ar trebui s se afle pe noptiera oricrui printe i consultat ori de cte ori ai dubii c faci ceea ce trebuie.“ – Michael Shermer, redactor al revistei Skeptic, editorialist la Scientific American, autor al crilor: Why People Believe Weird Things, The Believing Brain i The Moral Arc.

E?ti curios s? afli ce aduce schimbarea ?ntr-o psihanaliz?? Care este acel ingredient miraculos ce apare ?n rela?ia dintre terapeut ?i pacientul s?u, facilit?nd vindecarea acestuia din urm?? Owen Renik, ?rebelul“, a?a cum este numit de confra?ii s?i, ne invit? ?n cabinetul s?u ?i ne las? s? p?trundem delicatele ?es?turi ale colabor?rii ce se petrece acolo pe dou? planuri: con?tient ?i incon?tient. El ne ofer? imaginea unui psihanalist mai degrab? cald ?i empatic, deschis, interesat ?mpreun? cu pacien?ii s?i de eliminarea simptomelor ?i a disconfortului acestora. Cartea este construit? pe baza unor exemple clinice dintre cele mai diverse, surprinse ?n momente de cotitur? ale terapiei, Renik ilustr?nd prin intermediul lor, ?ntr-un limbaj accesibil, propria viziune asupra unor concepte de baz? ale psihanalizei.Captivant? ?nc? de la primele r?nduri, ea se adreseaz? cititorului pasionat de domeniul ?psi“, fie el profesionist sau profan. Scopul meu este s? discut de o manier? pragmatic? ?i nepreten?ioas? ceea ce, ?n experien?a mea, ar fi util ca at?t analistul, c?t ?i pacientul s? aib? ?n vedere atunci c?nd colaboreaz? ?n str?dania de a-l face pe acesta din urm? s? se simt? mai bine; ?i cred c? modul cel mai potrivit ?n care pot face acest lucru este prin a oferi o culegere de istorisiri cu t?lc, ?mpreun? cu reflec?iile mele despre ele. – Owen Renik Maturizarea intelectual? a lui Renik s-a produs ?n interiorul culturii psihanalitice care s-a dezvoltat pe parcursul ultimului secol. El o cunoa?te bine, ar fi ?n stare s? se descurce cu ochii ?nchi?i prin labirintul ei… ?nv???tura primit? e acceptat? f?r? plec?ciuni, iar dac? nu-?i are rostul, e dat? deoparte f?r? mult? ceremonie. ?ncep?nd cu prima pagin?, ne d?m seama c? ne afl?m ?ntr-un atelier de lucru, nu ?ntr-un templu. Pragmatismul lui ??i taie r?suflarea: ce ne folose?te e important, ce nu, n-are rost s? ne pierdem vremea. Chilia ce nu permite dec?t g?ndire ?nghesuit? s-a transformat ?n spa?iu deschis care cheam? noutatea. Drept-credincio?ii trebuie avertiza?i: s-ar putea s? nu mai fie niciodat? la fel ca ?nainte. – Allen Wheelis, autorul c?r?ilor How People Change ?i The Way We Are.

But Why Vegan?' is not a cookbook and it has no recipes. What it is is a deep dive into Veganism and how it not only?transforms your mind, body, and spirit, but did you know?it also positively impacts all of humanity, too? If you are thinking about making the transition to Veganism this book will push you over the edge. Becoming vegan makes you a trendsetter and that is a heavy burden to carry. Trendsetters are the ones that brave the tornado of dissent and yet change the world in their path. If this is you, then let's get moving.?Being vegan is a decision that you make for the long term. It's not a fad diet, and it's not a fleeting fancy because becoming vegan says that you are serious about being healthy and you are determined to go far in this world and that is why you are preparing your body for the long haul.Becoming vegan takes guts. You have to push against dissenters around you and a craving mindset within you. Being vegan is as much about the recipes as weight lifting is about the brand of barbells you use. No, being vegan is not about changing recipes, it's about changing minds. It's about blazing trails and heading out west because you know there is a better life awaiting you once the hardship of change subsides.?That's what this book is about. It tells you what the real deal is when it comes to considering veganism and goes two steps further in cleaning up your food source. It dives into Vegan Plus, where it's not just about the meat and dairy that you stop, it's also about the cessation of processed foods. In essence, it's about taking back your life. If you're ready to transform your mind, body, and spirit (while helping all of humanity) then scroll up and click the 'Buy Now' button to begin understanding what Veganism is all about!

Cin? cu langustine, ap?rut ini?ial ?n anul 1987 (Editura Cartea Rom?neasc?), se constituie dintr-o suit? de schi?e ?i povestiri av?nd, ca numitor comun, spa?iul geografic al Peninsulei Iberice. Stilul prozelor este alert, cu nota?ii scurte, imprim?nd un ritm viu lecturii. Este o proz? care angajeaz? subtil interesul cititorului, provoc?ndu-l ?ntr-un registru discret la reflec?ie ?i coresponden?e de tr?iri. Povestirile iberice ar putea fi ?i un posibil vestibul de p?trundere ?n lumea uneori fabuloas? a celuilalt cap?t de orizont al Europei. Mihai Giugariu (n. 1929), este autorul unei literaturi beletristice variate, cu predilec?ie romane, proz? scurt?, dar ?i eseuri ?i traduceri. Din portofoliul activit??ii sale literare pot fi re?inute romanele: Condotierul, O vacan?? at?t de lung?, Magdalena, Spre sear?, C?l?uza, precum ?i volumul de eseuri M?rul lui Paris. Romanul Destine, editat ?n 1990 ?i reeditat ?n 2003 a fost distins (ex aequo) cu premiul pentru proz? din anul 1992 al Academiei Rom?ne.

Te voi lua totu?i cu mine, M?iastro… Te voi ascunde ?n inim?, ?n g?nd, ?n vis…. Te voi oglindi ?n treizeci ?i trei de chipuri – ?n marmor? alb?, sur? ?i neagr?, ?n bronz lustruit ca aurul, ?n aur ?nsu?i… Te voi sculpta ?n lumin?, dincolo de lut ?i carne, ??i voi face cu m?inile mele de ??ran din Gorj aripi ?nalte de piatr? sau metal, ?i cu ele te vei ?n?l?a ?i vei zbura ca ?i aci, str?b?t?nd P?m?ntul, de la un cap la altul… (?ncet de tot.) ?i vei c?nta… c?ntecul t?u… ?i al meu…O carte pentru copii antrenant?, pentru pu?tii de toate v?rstele.

Dup? apari?ia monumentalei (la propriu) Istorii a literaturii rom?ne contemporane, 1941-2000, Alex ?tef?nescu este omul zilei ?n critica literar? rom?neasc?. Admirat sau pizmuit de confra?i, invitat ?i celebrat cu fast ?n ora?ele de provincie, intervievat de superbe ziariste, Alex ?tef?nescu se afl? mereu ?n centrul aten?iei, prezen?a sa ?ntr-un loc este imposibil s? treac? neobservat?. Chiar ?i cei care ??i propun s? ?l ignore ajung p?n? la urm? s? ??i piard? cump?tul, ?ncep s?-l v?neze cu invectivele lor, sporindu-i, indirect, vizibilitatea, notorietatea ?i popularitatea. Alex ?tef?nescu este, ?n lumea literaturii, genul de personaj care nu las? pe nimeni indiferent. Unii ?i sunt prieteni, al?ii du?mani de moarte (cei neinclu?i ?n Istorie ?i cei men?iona?i ?n emisiunea sa TV rezervat? c?r?ilor proaste, Tichia de m?rg?ritar). ?n fine, mai exist? o categorie, a celor care ?l cultiv? cu speran?a secret? c? i-ar putea intra ?n gra?ii ?i c? ?n felul acesta ?i-ar putea asigura un viitor luminos ?n literatura rom?n?. (Tudorel Urian)?Alex. ?tef?nescu este singurul critic rom?n contemporan care, metodic, confer? criticii caracteristicile unui ?act de persuasiune?. El face uz de o veritabil? strategie de seducere a cititorului: limbajul este dezabstractizat, f?r? a-?i pierde ?ns? competen?a ?i precizia conceptual?; expresia critic?, mereu dezinvolt? ?i de multe ori memorabil?, are o anumit? materialitate fraged?, fiind astfel u?or de receptat; pl?cerea lecturii ?i a scrisului, aproape palpabil?, devine contaminant? ?i ?mbie la reverii hedoniste; ?n sf?r?it, discursul e ?mp?nat de compara?ii sugestive ?i cu at?t mai ?ocante cu c?t nu se produc ?n spa?iul livrescului, ci al experien?ei comune, con?in?nd ?i o infuzie de umor gra?ios care ?ntre?ine comuniunea afectiv? cu cititorul.“??n volumul Cum se fabric? o emo?ie autorul adopt? forma dialogal? a discursului (?ntre un eu inocent-iscoditor ?i unul doct, profesoral) d?nd dinamism ?i o concrete?e plin? de substan?? problemelor convocate: stilul aluziv, natura artei, rela?ia artist-public, talentul, valoarea, mecanismul psihologic al crea?iei, succesul etc. Este vorba, de fapt, despre un mic ?tratat“ de educa?ie estetic?, alert, eficient ?i care, ?n mod expres, se adreseaz? unui public concret.“ (Petru Poant?)

In the years since its publication in 1902, "As a Man Thinketh" has set thousands of men on the pathway to personal and financial growth. Now, in this unique rendition of James Allen's masterwork, you, too, can manifest the traits and skills characteristic of those honorable, refined, and successful men. Each of the aphorisms and quotes in this book reveals simple yet revelatory techniques that will empower you to strengthen your character, harness constructive thoughts, and create the life you've always wanted. As Allen himself wrote, "As a Man Thinketh" 'shall create positive results in daily circumstances and actions, regardless of the venue—an agreeable prospect, one must concede!'