This eBook features the unabridged text of ‘American Fairy Tales by L. Frank Baum - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of L. Frank Baum’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Baum includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘American Fairy Tales by L. Frank Baum - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Baum’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles

A collection of stories featuring 7 year old Andy and his adventures with his best friend 'Harry the Spider'. This is an illustrated book educating children about the insect world in a way that entertains and removes phobias. ?

The History of World War I series recounts the battles and campaigns that took place during the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the World War I series provides a six-volume history of the battles and campaigns that raged on land, at sea and in the air. Following the climactic battles of Verdun and the Somme the previous year, the Allies sought to finish the war on the Western Front in 1917 through a major French offensive designed to rupture the German front and roll up their position. This attack was to be supported by a diversionary British offensive at Arras in the north, which would draw off both German attention and their reserves. In the event, the French offensive in Champagne failed to deliver the promised breakthrough, leaving the French Army in a state of open mutiny. While French discipline recovered, the British Expeditionary Force took on the burden of the bulk of the fighting for the rest of the year. The need for an Allied offensive to take the pressure off the French resulted in the Third Battle of Ypres, more commonly known as Passchendaele. The battle degenerated into a slaughter in the Flanders mud thanks to heavy rain, and the only rays of light for the Allies at the end of 1917 were the arrival of fresh American troops on the Western Front, and the potential for a decisive victory shown by the use of armour at the Battle of Cambrai. However the Russian Revolution brought the fighting on the Eastern Front to an end, releasing numerous battle-hardened divisions to reinforce the Germans in the west. The year 1918 saw Germany launch her Spring Offensives, desperate attempts to defeat the Allies before the Americans could arrive in force. Although these assaults came close to breaking the Allied line, they eventually petered out in the face of determined resistance and over-extended supply lines. Following the Battle of Amiens in August, the Allies pressed onwards: the British in Flanders, the French and the Americans in the Meuse-Argonne region. By September it was obvious that Germany was losing the war, and the decision was made to sue for peace before Allied troops reached German soil. The Armistice came into force at 11am on the morning of 11 November 1918, although the war did not officially end until the signing of the Treaty of Versailles in June 1919. With the aid of over 300 black and white and colour photographs, complemented by full-colour maps, The Western Front 1917–1918 provides a detailed guide to the background and conduct of the conflict on the Western Front in the final years of World War I.

Once upon a time, pig had friends in a pig farm. She was liked to talk about politics with other animals about their future. The day came in which a butcher and his son took her to a slaughterhouse. She was taken to the garden while the family went to the supermarket, thinking of how to prepare our little pig as a dish. In the meanwhile, the pig seeks for the help of various insects, such as a ladybug, a grasshopper, and the ants nearby, but all refuse to help her. The butterfly wanted to help, but she was in a hurry, as she was afraid of being captured by the kids. It seemed the rebellious pig was done for. A very caring bee, however, came near the garden. Floufla told the bee she would turn into roasted pork for dinner. Fearing for Floufla’s future, the bee ran to her beehive to inform the Queen about the incident. The queen decided to stop the operations of the beehive and organize an Extraordinary Council, and the board decided to help Floufla under the directions of the Queen. The working bees, disciplined and obedient, stung the family and sacrificed themselves for Floufla’s freedom. While the family was busy trying to relieve themselves with ointments, Floufla escapes to the meadow, and before Floufla departs, the Queen gives her a final piece of advice that Floufla should observe those around her and respect their diversity.

Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in a kind of modern mythical voyage. The mismatched jumble of passengers provide Woolf with an opportunity to satirise Edwardian life. The novel introduces Clarissa Dalloway, the central character of Woolf's later novel, Mrs. Dalloway. The work is distinguished by its innovative narrative style and the focus on feminine consciousness and sexuality.

You Can Grow Your Own Orchids, Yes You Can! You're probably already thinking to yourself If I have to read a book to grow a flower in a pot, why should I bother?! Yeah, I know –but to be honest, there are a lot of excellent things that come with being able to master at least growing one successful pot of orchids. For one thing, they're gorgeous! Who wouldn't want to say, "Yeah, I grew those…"? Damn right you would! Being a badass indoor gardener is one thing, but tackling tropical plants like orchids is a feat unto itself. It's an artform. Think about it for a second. Most of us do not live in the climate conducive to these beauties just thriving on their own in the wild. Anyone who already actively grows and nurtures any species of orchid knows that you've got to climate control that environment like you wouldn't believe. It's not just about that, but you also must watch other factors too. It's an extremely rewarding yet very challenging experience. In addition, there are so many different species of orchid out there that you can safely assume that each plant you grow is going to be unique to itself. You can get some that you know will definitely be the same color, size or general shape, but we all know that there are so many things unique to each plant. How many flower spikes you end up with after the first blooms dissipate, how many leaves you have, how tall it grows and so many other things are all going to be different. The cool thing is that with the right know-how, you can nurture one potted orchid for years before you have to kiss it goodbye. In fact, you might keep them growing for almost a decade without even realizing it if you can take care them properly. It will also bolster your confidence when it comes to indoor gardening. You might have never planted anything outside, but you can throw these puppies in a pot and watch them go for forever if you follow a few key pointers and stay on top of their care. You just need to lovingly embrace the hobby and be patient with the process. Heck, you could have a whole atrium or sunroom full of tropical flowers by the time you're finished fooling around with different kinds –and there are a lot of them! Just imagine the possibilities… In this book, you're going to learn all about how to start off on the right foot with one of the cantankerous ones: orchids. So get out your gloves, grab a bag of potting mix, start jotting down supplies on a notepad, and get growing!

Play first published in 1732. According to Wikipedia: "Henry Fielding (22 April 1707 – 8 October 1754) was an English novelist and dramatist known for his rich earthy humour and satirical prowess, and as the author of the novel Tom Jones. Aside from his literary achievements, he has a significant place in the history of law-enforcement, having founded (with his half-brother John) what some have called London's first police force, the Bow Street Runners, using his authority as a magistrate. His younger sister, Sarah, also became a successful writer."

This book-collection file includes all of Shakespeare's tragedies, with line numbers: Antony and Cleopatra, Coriolanus, Hamlet, Julius Caesar, King Lear, Macbeth, Othello, Romeo and Juliet, Timon of Athens, Titus Andronicus, and Troilus and Cressida. It also includes "Notes to Shakespeare volume 3 Tragedies" by Samuel Johnson and Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth" by A.C. Bradley.

This file includes 10 tragedies by Euripides, literally translated by Theodore Buckley. The plays are: HECUBA, ORESTES, PHOENISSAE (The Phoenician Virgins), MEDEA, HIPPOLYTUS, ALCESTIS, BACCHAE, HERACLIDAE, IPHIGENIA IN AULIS, and IPHIGENIA IN TAURIS. According to Wikipedia: "Euripides (ca. 480 BCE–406 BCE) was the last of the three great tragedians of classical Athens (the other two being Aeschylus and Sophocles). Ancient scholars thought that Euripides had written ninety-five plays, although four of those were probably written by Critias. Eighteen or nineteen of Euripides' plays have survived complete. There has been debate about his authorship of Rhesus, largely on stylistic grounds and ignoring classical evidence that the play was his. Fragments, some substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, because of the unique nature of the Euripidean manuscript tradition. Euripides is known primarily for having reshaped the formal structure of Athenian tragedy by portraying strong female characters and intelligent slaves and by satirizing many heroes of Greek mythology. His plays seem modern by comparison with those of his contemporaries, focusing on the inner lives and motives of his characters in a way previously unknown to Greek audiences."

The Roman playwright Plautus wrote comedies that are the earliest Latin literary texts to have survived in their entirety. Loosely adapted from lost Greek plays, the works of Plautus helped establish a truly Roman drama in the Latin language for the first time. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin texts. This comprehensive eBook presents Plautus’ complete extant works, with relevant illustrations, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Plautus’ life and works* Features the complete extant works of Plautus, in both English translation and the original Latin* All 20 extant plays* Concise introductions to the plays* Features translations by Henry Thomas Riley * Excellent formatting of the texts* Easily locate the acts you want to read with individual contents tables* Includes Plautus’ rare plays, first time in digital print* Features a bonus biography – discover Plautus’ ancient world* Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to explore our range of Ancient Classics titles or buy the entire series as a Super Set CONTENTS: The TranslationsAMPHITRYONASINARIAAULULARIABACCHIDESCAPTIVICASINACISTELLARIACURCULIOEPIDICUSMENAECHMIMERCATORMILES GLORIOSUSMOSTELLARIAPERSAPOENULUSPSEUDOLUSRUDENSSTICHUSTRINUMMUSTRUCULENTUS The Latin TextsLIST OF LATIN TEXTS The BiographyINTRODUCTION TO PLAUTUS by Paul Nixon Please visit www.delphiclassics.com to browse through our range of exciting titles

Valentine is preparing to leave Verona for Milan so as to broaden his horizons. He begs his best friend, Proteus, to come with him, but Proteus is in love with Julia, and refuses to leave. The play deals with the themes of friendship and infidelity, the conflict between friendship and love, and the foolish behaviour of people in love. This edition of 'The Two Gentlemen of Verona' is an adaptation of Shakespeare's eponymous drama, narrated in plain modern English, capturing the very essence and key elements of the original Shakespeare's work.

The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge claimed that it had one of the three most perfect plots in literature. The play's clever fulfilment of the classical unities and vivid depiction of human folly have made it one of the few Renaissance plays (except the works of Shakespeare) with a continuing life on stage (except for a period of neglect during the Victorian era).

This Tribeca Press edition includes the full original text as well as exclusive images exclusive to this edition and an easy to use interactive table of contents.

There was a time when a man in search of the pleasures of gossip sought the society of ladies. The man knows better now. He goes to the smoking-room of his club.

The book explains what utilitarianism is, why it is the best theory of ethics, defends it against a wide range of criticisms and misunderstandings. Though heavily criticized both in Mill's lifetime and in the years since, Utilitarianism did a great deal to popularize utilitarian ethics and was 'the most influential philosophical articulation of a liberal humanistic morality that was produced in the nineteenth century.'

I am an old woman now, and things are very different to what they were in my youth. Then we, who travelled, travelled in coaches, carrying six inside, and making a two days’ journey out of what people now go over in a couple of hours with a whizz and a flash, and a screaming whistle, enough to deafen one. Then letters came in but three times a week: indeed, in some places in Scotland where I have stayed when I was a girl, the post came in but once a month;—but letters were letters then; and we made great prizes of them, and read them and studied them like books. Now the post comes rattling in twice a day, bringing short jerky notes, some without beginning or end, but just a little sharp sentence, which well-bred folks would think too abrupt to be spoken. Well, well! They may all be improvements,—I dare say they are; but you will never meet with a Lady Ludlow in these days.

The story follows a young Russian landowner named Dimitry Sanin who falls deliriously in love for the first time while visiting the German city of Frankfurt. It is widely held as one Turgenev's greatest novels as well as being highly autobiographical in nature.

According to Wikipedia: "Noah Webster, Jr. (October 16, 1758 – May 28, 1843), was an American lexicographer, textbook pioneer, English-language spelling reformer, political writer, editor, and prolific author. He has been called the "Father of American Scholarship and Education." His blue-backed speller books taught five generations of American children how to spell and read, secularizing their education. According to Ellis (1979) he gave Americans "a secular catechism to the nation-state." Webster's name has become synonymous with "dictionary" in the United States, especially the modern Merriam-Webster dictionary that was first published in 1828 as An American Dictionary of the English Language. He was one of the Founding Fathers of the nation."

The Odyssey (Greek:Odysseia) is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The poem is fundamental to the modern Western canon, and is the second oldest extant work of Western literature, the Iliad being the oldest. It is believed to have been composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia. The poem mainly centers on the Greek hero Odysseus (known as Ulysses in Roman myths) and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors, the Mnesteres or Proci, who compete for Penelope's hand in marriage. It continues to be read in the Homeric Greek and translated into modern languages around the world. Many scholars believe that the original poem was composed in an oral tradition by an aoidos (epic poet/singer), perhaps a rhapsode (professional performer), and was more likely intended to be heard than read. The details of the ancient oral performance, and the story's conversion to a written work inspire continual debate among scholars. The Odyssey was written in a poetic dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek, and other Ancient Greek dialects—and comprises 12,110 lines of dactylic hexameter. Among the most noteworthy elements of the text are its non-linear plot, and the influence on events of choices made by women and serfs, besides the actions of fighting men. In the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer. It was usually attributed in Antiquity to Cinaethon of Sparta, but in one source was said to have been stolen from Musaeus by Eugamon or Eugammon of Cyrene (see Cyclic poets). ABOUT AUTHOR: Homeros, In the Western classical tradition, Homer (Ancient Greek: Homeros) is the author of the Iliad and the Odyssey, and is revered as the greatest of ancient Greek epic poets. These epics lie at the beginning of the Western canon of literature, and have had an enormous influence on the history of literature. When he lived is unknown. Herodotus estimates that Homer lived 400 years before his own time, which would place him at around 850 BC, while other ancient sources claim that he lived much nearer to the supposed time of the Trojan War, in the early 12th century BC. Most modern researchers place Homer in the 7th or 8th centuries BC. The formative influence of the Homeric epics in shaping Greek culture was widely recognized, and Homer was described as the teacher of Greece. Homer's works, which are about fifty percent speeches, provided models in persuasive speaking and writing that were emulated throughout the ancient and medieval Greek worlds. Fragments of Homer account for nearly half of all identifiable Greek literary papyrus finds. PeriodFor modern scholars "the date of Homer" refers not to an individual, but to the period when the epics were created. The consensus is that "the Iliad and the Odyssey date from around the 8th century BC, the Iliad being composed before the Odyssey, perhaps by some decades," i.e. earlier than Hesiod, the Iliad being the oldest work of Western literature. Over the past few decades, some scholars have argued for a 7th-century BC date. Oliver Taplin believes that the conclusion of modern researchers is that Homer dates to between 750 to 650 BC. Some of those who argue that the Homeric poems developed gradually over a long period of time give an even later date for the composition of the poems; according to Gregory Nagy for example, they only became fixed texts in the 6th century BC. The question of the historicity of Homer the individual is known as the "Homeric question"; there is no reliable biographical information handed down from classical antiquity. The poems are generally seen as the culmination of many generations of oral story-telling, in a tradition with a well-developed formulaic system of poetic composition. Some scholars, such as Martin West, claim that "Homer" is "not the name of a historical poet, but a fictitious or constructed name."

Art, with its finite means, cannot hope to record the infinite variety and com-plexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial ad-justments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its own particular limitations, so each has its own particular conventions. Sculpture reproduces the forms of Nature, but discards the color without any shock to our ideas of verity; Painting gives us the color, but not the third dimension, and we are satisfied; and Architecture ispurely conventional, since it does not even aim at the imitation of natural form. The Conventions of Line Drawing,Of the kindred arts which group themselves under the head of Painting, none is based on such broad conventions as that with which we are immediately concerned—the art of Pen Drawing. In this medium, Nature's variety of color, when not positively ignored, is suggested by means of sharp black lines, of varying thickness, placed more or less closely together upon white paper; while natural form depends primarily for its representation upon arbitrary boundary lines. There is, of course, no authority in Na-ture for a positive outline: we see objects only by the difference in color of the other objects behind and around them. The technical capacity of the pen and ink medium, however, does not provide a value corresponding to every natural one, so that a broad interpretation has to be adopted which eliminates the less positive values; and, that form may not likewise be sacrificed, the outline becomes necessary, that light objects may stand relieved against light. This outline is the most characteristic, as it is the most indispensable, of the conventions of line drawing. To seek to abolish it only involves a resort to expedients no less artificial, and the results of all such attempts, dependent as they necessarily are upon elaboration of color, and a general indirectness of method, lack some of the best characteristics of pen drawing. More frequently, however, an elaborate color-scheme is merely a straining at the technical limitations of the pen in an effort to render the greatest possible number of values. It may be worth while to inquire whether excellence in pen drawing consists in thus dispensing with its recognized conventions, or in otherwise taxing the technical re-sources of the instrument. This involves the question of Style,—of what characteristic pen methods are,—a question which we will briefly consider...

Ac?iunea informativ? Nichita Smochin? reprezint? rezultatul cercet?rii ?n Arhiva CNSAS.Documentele publicate sub egida Institutului de Istorie ?George Bari?iu“ al Academiei Rom?ne au ca subiect urm?rirea informativ? a lui Nichita Smochin? de c?tre Securitate ?n perioada 1952-1962. Dup? abandonarea Rom?niei ?n sfera de influen?? sovietic?, activitatea academic?, publicistic? ?i umanitar?, desf??urat? ?n perioada interbelic? ?i ?n timpul celui de al Doilea R?zboi Mondial, dar mai ales calitatea de consilier al mare?alului Ion Antonescu, l-au plasat pe cel mai important militant pentru afirmarea spiritului rom?nesc ?n Transnistria ?n fruntea listei du?manilor URSS.FragmentDin nota privind ?nt?lnirea agentului ?Speran?a“ cu Nichita Smochin?: ?n ziua de 17 octombrie 1952, informatorul ?Speran?a“, sub pretextul c? vrea s? primeasc? lec?ii de limba rus? ?n scris, s-a dus la Smochin? Nichita, din str. N. Golescu nr. 14. La intrare ?Speran?a“ a fost ?nt?mpinat? de fiica lui Smochin?, care nu prea vroia s? o primeasc? ?n?untru. Dup? ce a fost primit? ?n?untru, a venit ?i Smochin?, cu care a ?nceput discu?ia. Din discu?ii a rezultat c? Smochin? ?n prezent traduce din limba rus? ?n limba rom?n? diferite c?r?i, pe care le prime?te de la o redac?ie din apropiere de locuin?a sa. A mai rezultat c? el, p?n? ?n anul 1938, a locuit ?n Ia?i, dup? care s-a mutat ?n Bucure?ti. Este v?duv, locuie?te ?mpreun? cu fiica sa, ginerele s?u ?i un nepot. Este o fire ?nchis?, necomunicativ?, ?ns? fa?? de ?Speran?a“ s-a ar?tat foarte binevoitor, mai ales v?z?nd c? ?tie la perfec?ie s? vorbeasc? limba rus?. Toat? conversa?ia a fost dus? ?n limba rus?. Sursa: ?Speran?a“. Valoarea: serioas?. Nota biroului: S-au trasat instruc?iuni informatorului s? se mai duc? la Smochin? ?i s? primeasc? lec?ii ?n scris, iar deocamdat? s? nu deschid? discu?ia despre trecutul s?u, pentru a putea c?p?ta ?ncrederea lui Smochin?, iar la a treia vedere s? deschid? discu?ia. Nota superiorului: ?S? se urm?reasc? ?n continuare ac?iunea lui Smochin?, p?n? vom primi noi dispozi?iuni de la Cabinet. Informatorului s? i se dea bani pentru a pl?ti medita?ia pe care o prime?te de la Smochin? (ss)“.