Volumul Dic?iunea ideilor, apar?in?nd profesorului Mircea Martin de la Facultateade Litere a Universit??ii Bucure?ti, este o contribu?ie valoroas? ?i original? la analiza unui raport extrem de important ?n teoriile socio-umane ale cunoa?terii, anume raportul dintre natural, artificial ?i autentic, aplicat asupra discursului metaliterar. Cartea se constituie ca o ?nsumare de analize a acestui raport ?n opera unor teoreticieni ai fenomenului literar rom?ni ?i str?ini: Tudor Vianu, G. C?linescu, B. Fondane, Matei C?linescu, Marcel Raymond, Roland Barthes, Carlos Bouso?o, Jaap Linnvelt. Departe de a fi o simpl? ?nsumare de analize aplicate, cartea este de fapt o critic? aconceptelor folosite deopotriv? de cercetarea antropologic?, cea estetic? ?i cea pur literar? ?i o contribu?ie esen?ial? la un proces de inserare ?nmodernitate a culturii rom?ne. Contribu?iile teoreticienilor rom?ni sunt v?zute ?n raportul lor de originalitate-sincronicitate cu cele ale cercet?torilor str?ini, ?nscriindu-se ?ntr-un proces de organicitate care implic? categorii culturale largi.

Demersul Antoanetei Olteanu, reputat? traduc?toare de limba rus? ?iexpert? ?n istoria cultural? a Rusiei, se distinge at?t prin calitatea informa?iilor, adesea inedite, c?t ?i prin compozi?ia complex?, care ?mbin? viziunea sintetic? cu o perspectiv? transcultural? exersat?. Cartea se recomand? de la sine at?t cititorului profesionist, care g?se?te aici o serie de date altfel greu accesibile, c?t ?i celui interesat de istoria ?i cultura Europei ?n ansamblu. Dup? cum anun?? ?i subtitlul, lucrarea reconstituie o istorie cultural? a secolului al XIX-lea, realiz?nd, ?n fapt, o fresc? a uneia dintre cele mai captivante perioade din istoria Rusiei, cea imperial?. Datele prezentate acoper? practic toate Aspectele vie?ii politice, sociale, economice ?i culturale ale acestui interval de timp, marcat at?t de aura ?arilor, c?t ?i de nenum?ratele revolte populare. Tabloul evenimentelor majore este ?ntregit cu minu?ioase inventare de titluri nobiliare, cu date economice consemnate cu acribie, cu o expunere vie a panoramei cutumelor sociale, familiale ?i religioase, merg?nd de la modalit??ile de confec?ionare a juc?riilor sau a bijuteriilor p?n? la istorii ale ceaiului sau vodcii. Atmosfera epocii cap?t? un contur des?v?r?it prin citarea unor fragmente din lucr?ri ?tiin?ifice de referin??, din jurnalele de c?l?torie ?i din publicistica vremii, dar ?i din operele marilor scriitori ai vremii, ca Dostoievski, Gogol ?i Tolstoi. Se contureaz?, astfel, o imagine neconven?ional? a Rusiei, o na?iune confruntat? permanent cu tensiunea unei alegeri fundamentale, care pune ?n opozi?ie modelul str?in ?i inegalabila for?? intern?. Autoarei ?i revine meritul de a fi surprins aspectele esen?iale ale acestei tensiuni, cu ample ecouri ?n perioadamodern? ?i cu evidente efecte asupra mentalit??ii contemporane.

The Code of Hammurabi (Codex Hammurabi) is a well-preserved ancient law code, created ca. 1790 BC (middle chronology) in ancient Babylon. It was enacted by the sixth Babylonian king, Hammurabi. One nearly complete example of the Code survives today, inscribed on a seven foot, four inch tall basalt stele in the Akkadian language in the cuneiform script. One of the first written codes of law in recorded history. These laws were written on a stone tablet standing over eight feet tall (2.4 meters) that was found in 1901.

Fascinant – cea mai bun lucrare de istorie militar din ultimii ani i o analiz edificatoare a disputelor care continu s mocneasc amenintor i azi. O carte extraordinar sub toate aspectele." – The New York Times O relatare palpitant i revelatoare a uneia dintre cele mai zbuciumate i legendare perioade din istoria secolului al XX-lea – Revolta Arab i marele joc" secret de a controla Orientul Mijlociu. CARTE INCLUS PE LISTA CELOR MAI BUNE TITLURI ALE ANULUI DE New York Times Christian Science Monitor NPR Seattle Times St. Louis Dispatch Chicago Tribune American Library Association Bazat pe cercetri extinse i intense, munc asidu n arhive, Lawrence n Arabia aduce o nou perspectiv asupra modului n care s-a configurat lumea Orientului Mijlociu. Cu o aciune de proporii epice, portretizri expresive, accente critice n condamnarea distrugerilor provocate de comploturile coloniale europene, volumul surprinde strlucit felul n care nesbuina trecutului declaneaz suferina prezentului. Printre numeroasele istorii individuale din Primul Rzboi Mondial care vor fi povestite i repovestite n cadrul centenarelor commemorate ntre 2014 i 2018, cea a lui T.E. Lawrence iese n eviden… Cartea lui Anderson nu putea fi mai oportun. Acum, cnd atenia ntregii lumi se concentreaz asupra Siriei i Egiptului, este uluitor s priveti n urm cu o sut de ani i s vezi un tablou asemntor…. Apelnd la o distribuie bogat, Anderson reuete s exploreze haosul din Orientul Mijlociu de la nceputul secolului al XX-lea dintr-o varietate de perspective distincte i revelatoare totodat. O mrturie captivant, de o mare complexitate i profunzime. – The New York Times Book Review Vast, hipnotic i – s ndrznim s o spunem – cinematografic n detaliu, Lawrence n Arabia ilustreaz modul n care biografia i istoria se poteneaz reciproc. – The Wall Street Journal Absorbii de mcelul ce avea loc n traneele Europei n Primul Rzboi Mondial, combatanii occidentali acordau prea puin importan teatrului de lupt din Orientul Mijlociu. Ca urmare, conflictul de aici a fost influenat surprinztor de mult de o mn de aventurieri i ofieri de rang mrunt aflai departe de marile coridoare ale puterii: Curt Prüfer – universitar tern, ataat pe lng Ambasada German din Cairo, Aaron Aaronsohn – renumit agronom provenit din Romnia i sionist nflcrat. William Yale – descendent scptat al unei familii aristocratice americane. n centrul acestui cerc se afla Lawrence – la nceputul lui 1914, doar un arheolog care lucre la spturi prin deerturile Siriei. n 1917 ajunsese deja cea mai romantic figur din Primul Rzboi Mondial, luptndu-se att cu inamicii Marii Britanii, ct i cu propriul guvern pentru a-i transforma n realitate viziunea sa asupra destinului poporului arab. Drumurile ncruciate ale acestor patru personaje – intrigile pe care le-au pus la cale, btliile pe care le-au purtat, trdrile pe care le-au suferit sau le-au uneltit ei nii – oglindesc grandoarea, complexitatea i tragedia rzboiului din deert.

El arte de la guerra es un libro sobre tácticas y estrategias militares, inspirado por Sun Tzu, un famoso autor militar.

Lucrarea inedit? a lui Nathan Belofsky se concentreaz? asupra ideilor ?i practicilor medicale acceptate de-a lungul veacurilor, pe scar? larg?, ale doctorilor reali, nu ale vracilor ?i aproape to?i doctorii men?iona?i erau figuri medicale importante ale acelor vremuri. Autorul prezint? c?teva dintre cele mai r?sp?ndite practici ?ocante sau ?ndoielnice din fiecare epoc?, ?ncep?nd cu Antichitatea ?i continu?nd cu Evul Mediu, Rena?terea, perioada modern? ?i secolul al XX-lea. Cartea se afl? sub semnul insolitului ?i readuce la via?a, ?ntr-o manier? narativ? ?i deseori umoristic?, momente mai pu?in cunoscute din istoria medicinei. ,,Cartea este o comoar? de fapte uluitoare.“Los Angeles Examiner

Cartea lui Dan Dungaciu se individualizeaza prin originalitatea metodei sale: logistica. Sociologia este, prin excelenta, o "stiinta de spate", cum ar spune logisticienii, adica o stiinta care serveste marilor incordari colective (ofensive sau defensive) pe o durata anumita. Dan Dungaciu propune, in acest sens, cel putin trei procedee de cercetare a sociologiei la scara unei epoci si a unei arii de civilizatie, cea europeana in acest caz: a) "centrele logistice ale gandirii sociale" (care sustin retelele sociologiei); b). "Harta logistica a sociologiei" (romanesti in acest caz); c). Seria teoriilor reprezentative pentru cateva dintre temele dominante ale sociologiei interbelice. Modelul lecturii dezvaluie o fata surprinzatoare a uneia dintre cele mai spectaculoase manifestari ale sociologiei in secolul XX: sociologia romaneasca interbelica. Istoria logistica a sociologiei romanesti reconstituie astfel una dintre secventele de mare tensiune creatoare ale dramei neamului romanesc in secolul al XX-lea, ceea ce face din cartea lui Dan Dungaciu una de exceptie.

Lucrarea abordeaz? cele mai relevante manifest?ri ale modernismului literar interbelic, propun?nd spre analiz? reprezentan?i ai poeziei (George Bacovia, Ion Barbu, Lucian Blaga, Ion Vinea, Ilarie Voronca, Tudor Arghezi), ai prozei (Anton Holban, Camil Petrescu, Max Blecher, Mircea Eliade), tendin?ele ?i mi?c?rile coagulate ?n jurul marilor reviste interbelice (Sbur?torul, Contimporanul, 75 H.P., Integral). Volumul se adreseaz? elevilor de liceu care doresc s?-?i aprofundeze cuno?tin?ele referitoare la una dintre cele mai importante v?rste literare rom?ne?ti, miz?nd ?i pe redescoperirea cititorului avizat, dornic s?-?i sus?in? punctele de vedere, s?-?i modeleze gustul estetic ?i s? descopere modele, ierarhii, valori.

Il Principe (The Prince) is a political treatise by the Florentine public servant and political theorist Niccolò Machiavelli. Originally called De Principatibus (About Principalities), it was written in 1513, but not published until 1532, five years after Machiavelli's death. The treatise is not representative of the work published during his lifetime, but it is the most remembered, and the work responsible for bringing "Machiavellian" into wide usage as a pejorative term. It has also been suggested by some critics that the piece is, in fact, a satire.

On Liberty is a philosophical work by 19th century English philosopher John Stuart Mill, first published in 1859. To the Victorian readers of the time it was a radical work, advocating moral and economic freedom of individuals from the state.

Few men have endured the indignity of having their very existence challenged as thoroughly as William Shakespeare, late of Stratford-upon-Avon. From scholars to amateur enthusiasts, many cannot bring themselves to believe he wrote his own body of work. Playwright J. Ajlouny presents the arguments for and against, all statements and proofs drawn from the historical record. Everybody must decide for himself, but The Trial of William Shakespeare makes the controversy both intriguing and fun.

New adaptation of 'Hamlet' for a modern black theatrical production. Remember me… Denmark, a Black Empire of modern England, where an intelligent young student discovers the world he once knew has crumbled. Implored to defend what is left of his father’s decaying legacy, Hamlet now faces the greatest moral challenge – to kill or not to kill. Directed by Jeffery Kissoon (RSC, National Theatre, Robert Lepage, Peter Hall and in Peter Brook’s seminal production of The Mahabharata) and adapted with Shakespeare’s text by award-winning playwright Mark Norfolk, this fast-moving version gets straight to the heart of a young man’s dilemma. This first all-black production of Hamlet in Britain makes a striking contribution to the Shakespeare 400 anniversary celebration. For ages 12+

A life of fascination, obsession and deep scientific curiosity. William Cavendish-Scott-Bentinck is an eccentric Nottinghamshire aristocrat whose imagination and curiosity know no bounds. This deceptively simple man struggles to come to terms with a world that is teeming with new knowledge, ill-founded opinion and?gossip. Why does he hide himself away? What is his fascination with tunnels? Will he ever unearth the secrets hidden in his memory? In a sequence of events that are often curious and frequently hilarious he reveals moments of surprising perception and wisdom. Nottingham Playhouse and ajtc have combined their talents to co-produce Nick Wood’s stage adaptation of Mick Jackson’s Booker Prize shortlisted novel. The result is a free-flowing, innovative performance which features live music and a specially commissioned score. The Underground Man is a delectable blend of fact and fiction in which the intriguing details of a complex life are richly explored through the vibrant imagination of a gentle soul.

Today the women at the festival are going to kill me for insulting them!' This bold statement by Euripides is the absurd premise upon which the whole play depends. The women are incensed by his plays' portrayal of the female sex as mad, murderous, and sexually depraved, and they are using the festival of the Thesmophoria (an annual fertility celebration dedicated to Demeter) as an opportunity to debate a suitable choice of revenge.

The world spins and the cycle of seasons turns as the Guardians of the Year gather to tell each other stories. As a new Winter begins it is time to tell another tale… A kingdom is in peril, its people driven to flee their homes as a dark forest covers the land. The King and Queen are missing and Prince Roland, only heir to the kingdom, lies sleeping, cursed never to awaken… All seems lost, and it falls to one young woman with a strong heart, aided by strange companions, to find her way to the castle at the heart of the enchanted forest. Once there, it will take a genuine act of love to break the curse and free the kingdom. A story about friendship, drawing on myth and folklore, Sleeping Beauty is an exciting and enchanting new adaptation of the well-loved story.

In this fascinating collection culled from teachings never before brought together in book form, Krishnamurti offers wise reflections and fresh perceptions on love, politics, society, death, self-censorship, relationships, solitude, meditation, spiritual growth, and much more. Thought provocative meditations and in-depth answers, Krishnamurti answers such timeless questions as: What is meditation? What are love and loneliness? What should our relationship to authority really be? Meeting Life also features a number of Krishnamurti’s talks, delivered in Switzerland, India, England, and California. Here is the profound wisdom of a beloved teacher who moved millions with his words. This thought-provoking and inspirational volume will provide strength and encouragement to anyone searching for insight.

The Metamorphoses, or The Golden Ass, is the only Ancient Roman novel to survive in its entirety. The protagonist of the novel is called Lucius. At the end of the novel, he is revealed to be from Madaurus, in ancient Algeria, the hometown of Apuleius himself. The plot revolves around the protagonist's curiosity and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an ass. This leads to a long journey, literal and metaphorical, filled with in-set tales. He finally finds salvation through the intervention of the goddess Isis, whose cult he joins.

KING CHARLES THE SECOND was the son and successor of King Charles the First. These two are the only kings of the name of Charles that have appea-red, thus far, in the line of English sovereigns. Nor is it very probable that there will soon be another. The reigns of both these monarchs were stained and tarnished with many vices and crimes, and darkened by national disasters of every kind, and the name is thus connected with so many painful associations in the minds of men, that it seems to have been dropped, by common consent, in all branches of the royal family.??The reign of Charles the First, as will be seen by the history of his life in this series, was characterized by a long and obstinate contest between the king and the people, which brought on, at last, a civil war, in which the king was defeated and taken prisoner, and in the end beheaded on a block, before one of his own pala-ces. During the last stages of this terrible contest, and before Charles was himself taken prisoner, he was, as it were, a fugitive and an outlaw in his own dominions. His wife and family were scattered in various foreign lands, his cities and castles were in the hands of his enemies, and his oldest son, the prince Charles, was the object of special hostility. The prince incurred, therefore, a great many dangers, and suffered many heavy calamities in his early years. He lived to see these calamities pass away, and, after they were gone, he enjoyed, so far as his own personal safety and welfare were concerned, a tranquil and prosperous life. The storm, however, of trial and suffering which enveloped the evening of his father's days, darkened the morning of his own. ??The life of Charles the First was a river rising gently, from quiet springs, in a scene of verdure and sunshine, and flowing gradually into rugged and gloomy regions, where at last it falls into a terrific abyss, enveloped in darkness and storms. That of Charles the Second, on the other hand, rising in the wild and rugged mountains where the parent stream was engulfed, commences its course by leaping frightfully from precipice to precipice, with turbid and foaming waters, but emerges at last into a smooth and smiling land, and flows through it prosperously to the sea.

HANNIBAL was a Carthaginian general. He acquired his great distinction as a warrior by his desperate contests with the Romans. Rome and Carthage grew up together on opposite sides of the Mediterranean Sea. For about a hundred years they waged against each other most dreadful wars. There were three of these wars. Rome was successful in the end, and Carthage was entirely destroyed.?There was no real cause for any disagreement between these two nations. Their hostility to each other was mere rivalry and spontaneous hate. They spoke a different language; they had a different origin; and they lived on opposite sides of the same sea. So they hated and devoured each other.?Those who have read the history of Alexander the Great, in this series, will recollect the difficulty he experienced in besieging and subduing Tyre, a great maritime city, situated about two miles from the shore, on the eastern coast of the Mediterranean Sea. Cart-hage was originally founded by a colony from this city of Tyre, and it soon became a great commercial and maritime power like its mother. The Carthaginians built ships, and with them explored all parts of the Mediterranean Sea.

THERE were three great European nations in ancient days, each of which furnished history with a hero: the Greeks, the Carthaginians, and the Romans.??Alexander was the hero of the Greeks. He was King of Macedon, a country lying north of Greece proper. He headed an army of his countrymen, and made an excursion for conquest and glory into Asia. He made himself master of all that quarter of the globe, and reigned over it in Babylon, till he brought himself to an early grave by the excesses into which his boundless prosperity allured him. His fame rests on his triumphant success in building up for himself so vast an empire, and the admiration which his career has always excited among mankind is heightened by the consideration of his youth, and of the noble and generous impulses which strongly marked his character.??The ROMAN hero was CAESAR. He was born just one hundred years before the Christian era. His renown does not depend, like that of Alexander, on foreign conquests, nor, like that of Hannibal, on the terrible energy of his aggressions upon foreign foes, but upon his protracted and dreadful contests with, and ultimate triumphs over, his rivals and competitors at home.

ELIZABETH was about three years old at the death of her mother. She was a princess, but she was left in a very forlorn and desolate condition. She was not, however, entirely abandoned. Her claims to inherit the crown had been set aside, but then she was, as all admitted, the daughter of the king, and she must, of course, be the object of a certain degree of consideration and ceremony. It would be entirely inconsistent with the notions of royal dignity which then prevailed to have her treated like an ordinary child.??Next came Elizabeth, who was about fourteen years of age. She was the daughter of the king's second wife, Queen Anne Boleyn. She had been educated a Protestant. She was not pretty, but was a very lively and sprightly child, altogether different in her cast of character and in her manners from her sister Mary.??Then, lastly, there was Edward, the son of Jane Seymour, the third queen. He was about nine years of age at his father's death. He was boy of good character, mild and gentle in his position, fond of study and reflection, and a general favorite with all who knew him.